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https://aplacetostudy.org/>Robbie McClintock
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{{Top Texts Shakespeare}}
<h2>THE TRAGEDY OF TITUS ANDRONICUS</h2>
<h2>THE TRAGEDY OF TITUS ANDRONICUS</h2>


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<p>  SATURNINUS, son to the late Emperor of Rome, afterwards Emperor<br/>
<p>  SATURNINUS, son to the late Emperor of Rome, afterwards Emperor<br/>
   BASSIANUS, brother to Saturninus<br/>
   BASSIANUS, brother to Saturninus<br/>
   TITUS ANDRONICUS, a noble Roman<br/>
   TITUS ANDRONICUS, a noble Roman<br/>
   MARCUS ANDRONICUS, Tribune of the People, and brother to Titus<br/>
   MARCUS ANDRONICUS, Tribune of the People, and brother to Titus<br/>
</p>
</p>


<p>    Sons to Titus Andronicus:<br/>
<p>    Sons to Titus Andronicus:<br/>
   LUCIUS<br/>
   LUCIUS<br/>
   QUINTUS<br/>
   QUINTUS<br/>
   MARTIUS<br/>
   MARTIUS<br/>
   MUTIUS<br/>
   MUTIUS<br/>
</p>
</p>


<p>  YOUNG LUCIUS, a boy, son to Lucius<br/>
<p>  YOUNG LUCIUS, a boy, son to Lucius<br/>
   PUBLIUS, son to Marcus Andronicus<br/>
   PUBLIUS, son to Marcus Andronicus<br/>
</p>
</p>


<p>    Kinsmen to Titus:<br/>
<p>    Kinsmen to Titus:<br/>
   SEMPRONIUS<br/>
   SEMPRONIUS<br/>
   CAIUS<br/>
   CAIUS<br/>
   VALENTINE<br/>
   VALENTINE<br/>
</p>
</p>


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<p>    Sons to Tamora:<br/>
<p>    Sons to Tamora:<br/>
   ALARBUS<br/>
   ALARBUS<br/>
   DEMETRIUS<br/>
   DEMETRIUS<br/>
   CHIRON<br/>
   CHIRON<br/>
</p>
</p>


<p>  AARON, a Moor, beloved by Tamora<br/>
<p>  AARON, a Moor, beloved by Tamora<br/>
   A CAPTAIN<br/>
   A CAPTAIN<br/>
   A MESSENGER<br/>
   A MESSENGER<br/>
   A CLOWN<br/>
   A CLOWN<br/>
</p>
</p>


<p>  TAMORA, Queen of the Goths<br/>
<p>  TAMORA, Queen of the Goths<br/>
   LAVINIA, daughter to Titus Andronicus<br/>
   LAVINIA, daughter to Titus Andronicus<br/>
   A NURSE, and a black CHILD<br/>
   A NURSE, and a black CHILD<br/>
</p>
</p>


<p>  Romans and Goths, Senators, Tribunes, Officers, Soldiers, and<br/>
<p>  Romans and Goths, Senators, Tribunes, Officers, Soldiers, and<br/>
     Attendants<br/>
     Attendants<br/>
</p>
</p>


<h4>                          SCENE:
<h4>                          SCENE:
               Rome and the neighbourhood</h4>
               Rome and the neighbourhood</h4>


<h4>ACT 1. SCENE I.
<h4>ACT 1. SCENE I.
Rome. Before the Capitol</h4>
Rome. Before the Capitol</h4>


<p>Flourish. Enter the TRIBUNES and SENATORS aloft; and then enter below
<p>Flourish. Enter the TRIBUNES and SENATORS aloft; and then enter below
SATURNINUS and his followers at one door, and BASSIANUS and his followers
SATURNINUS and his followers at one door, and BASSIANUS and his followers
at the other, with drums and trumpets</p>
at the other, with drums and trumpets</p>


<p>  SATURNINUS. Noble patricians, patrons of my right,<br/>
<p>  SATURNINUS. Noble patricians, patrons of my right,<br/>
     Defend the justice of my cause with arms;<br/>
     Defend the justice of my cause with arms;<br/>
     And, countrymen, my loving followers,<br/>
     And, countrymen, my loving followers,<br/>
     Plead my successive title with your swords.<br/>
     Plead my successive title with your swords.<br/>
     I am his first born son that was the last<br/>
     I am his first born son that was the last<br/>
     That ware the imperial diadem of Rome;<br/>
     That ware the imperial diadem of Rome;<br/>
     Then let my father's honours live in me,<br/>
     Then let my father's honours live in me,<br/>
     Nor wrong mine age with this indignity.<br/>
     Nor wrong mine age with this indignity.<br/>
   BASSIANUS. Romans, friends, followers, favourers of my right,<br/>
   BASSIANUS. Romans, friends, followers, favourers of my right,<br/>
     If ever Bassianus, Caesar's son,<br/>
     If ever Bassianus, Caesar's son,<br/>
     Were gracious in the eyes of royal Rome,<br/>
     Were gracious in the eyes of royal Rome,<br/>
     Keep then this passage to the Capitol;<br/>
     Keep then this passage to the Capitol;<br/>
     And suffer not dishonour to approach<br/>
     And suffer not dishonour to approach<br/>
     The imperial seat, to virtue consecrate,<br/>
     The imperial seat, to virtue consecrate,<br/>
     To justice, continence, and nobility;<br/>
     To justice, continence, and nobility;<br/>
     But let desert in pure election shine;<br/>
     But let desert in pure election shine;<br/>
     And, Romans, fight for freedom in your choice.<br/>
     And, Romans, fight for freedom in your choice.<br/>
</p>
</p>


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<p>  MARCUS. Princes, that strive by factions and by friends<br/>
<p>  MARCUS. Princes, that strive by factions and by friends<br/>
     Ambitiously for rule and empery,<br/>
     Ambitiously for rule and empery,<br/>
     Know that the people of Rome, for whom we stand<br/>
     Know that the people of Rome, for whom we stand<br/>
     A special party, have by common voice<br/>
     A special party, have by common voice<br/>
     In election for the Roman empery<br/>
     In election for the Roman empery<br/>
     Chosen Andronicus, surnamed Pius<br/>
     Chosen Andronicus, surnamed Pius<br/>
     For many good and great deserts to Rome.<br/>
     For many good and great deserts to Rome.<br/>
     A nobler man, a braver warrior,<br/>
     A nobler man, a braver warrior,<br/>
     Lives not this day within the city walls.<br/>
     Lives not this day within the city walls.<br/>
     He by the Senate is accited home,<br/>
     He by the Senate is accited home,<br/>
     From weary wars against the barbarous Goths,<br/>
     From weary wars against the barbarous Goths,<br/>
     That with his sons, a terror to our foes,<br/>
     That with his sons, a terror to our foes,<br/>
     Hath yok'd a nation strong, train'd up in arms.<br/>
     Hath yok'd a nation strong, train'd up in arms.<br/>
     Ten years are spent since first he undertook<br/>
     Ten years are spent since first he undertook<br/>
     This cause of Rome, and chastised with arms<br/>
     This cause of Rome, and chastised with arms<br/>
     Our enemies' pride; five times he hath return'd<br/>
     Our enemies' pride; five times he hath return'd<br/>
     Bleeding to Rome, bearing his valiant sons<br/>
     Bleeding to Rome, bearing his valiant sons<br/>
     In coffins from the field; and at this day<br/>
     In coffins from the field; and at this day<br/>
     To the monument of that Andronici<br/>
     To the monument of that Andronici<br/>
     Done sacrifice of expiation,<br/>
     Done sacrifice of expiation,<br/>
     And slain the noblest prisoner of the Goths.<br/>
     And slain the noblest prisoner of the Goths.<br/>
     And now at last, laden with honour's spoils,<br/>
     And now at last, laden with honour's spoils,<br/>
     Returns the good Andronicus to Rome,<br/>
     Returns the good Andronicus to Rome,<br/>
     Renowned Titus, flourishing in arms.<br/>
     Renowned Titus, flourishing in arms.<br/>
     Let us entreat, by honour of his name<br/>
     Let us entreat, by honour of his name<br/>
     Whom worthily you would have now succeed,<br/>
     Whom worthily you would have now succeed,<br/>
     And in the Capitol and Senate's right,<br/>
     And in the Capitol and Senate's right,<br/>
     Whom you pretend to honour and adore,<br/>
     Whom you pretend to honour and adore,<br/>
     That you withdraw you and abate your strength,<br/>
     That you withdraw you and abate your strength,<br/>
     Dismiss your followers, and, as suitors should,<br/>
     Dismiss your followers, and, as suitors should,<br/>
     Plead your deserts in peace and humbleness.<br/>
     Plead your deserts in peace and humbleness.<br/>
   SATURNINUS. How fair the Tribune speaks to calm my thoughts.<br/>
   SATURNINUS. How fair the Tribune speaks to calm my thoughts.<br/>
   BASSIANUS. Marcus Andronicus, so I do affy<br/>
   BASSIANUS. Marcus Andronicus, so I do affy<br/>
     In thy uprightness and integrity,<br/>
     In thy uprightness and integrity,<br/>
     And so I love and honour thee and thine,<br/>
     And so I love and honour thee and thine,<br/>
     Thy noble brother Titus and his sons,<br/>
     Thy noble brother Titus and his sons,<br/>
     And her to whom my thoughts are humbled all,<br/>
     And her to whom my thoughts are humbled all,<br/>
     Gracious Lavinia, Rome's rich ornament,<br/>
     Gracious Lavinia, Rome's rich ornament,<br/>
     That I will here dismiss my loving friends,<br/>
     That I will here dismiss my loving friends,<br/>
     And to my fortunes and the people's favour<br/>
     And to my fortunes and the people's favour<br/>
     Commit my cause in balance to be weigh'd.<br/>
     Commit my cause in balance to be weigh'd.<br/>
                                 Exeunt the soldiers of BASSIANUS<br/>
                                 Exeunt the soldiers of BASSIANUS<br/>
   SATURNINUS. Friends, that have been thus forward in my right,<br/>
   SATURNINUS. Friends, that have been thus forward in my right,<br/>
     I thank you all and here dismiss you all,<br/>
     I thank you all and here dismiss you all,<br/>
     And to the love and favour of my country<br/>
     And to the love and favour of my country<br/>
     Commit myself, my person, and the cause.<br/>
     Commit myself, my person, and the cause.<br/>
                               Exeunt the soldiers of SATURNINUS<br/>
                               Exeunt the soldiers of SATURNINUS<br/>
     Rome, be as just and gracious unto me<br/>
     Rome, be as just and gracious unto me<br/>
     As I am confident and kind to thee.<br/>
     As I am confident and kind to thee.<br/>
     Open the gates and let me in.<br/>
     Open the gates and let me in.<br/>
   BASSIANUS. Tribunes, and me, a poor competitor.<br/>
   BASSIANUS. Tribunes, and me, a poor competitor.<br/>
                     [Flourish. They go up into the Senate House]<br/>
                     [Flourish. They go up into the Senate House]<br/>
</p>
</p>


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<p>  CAPTAIN. Romans, make way. The good Andronicus,<br/>
<p>  CAPTAIN. Romans, make way. The good Andronicus,<br/>
     Patron of virtue, Rome's best champion,<br/>
     Patron of virtue, Rome's best champion,<br/>
     Successful in the battles that he fights,<br/>
     Successful in the battles that he fights,<br/>
     With honour and with fortune is return'd<br/>
     With honour and with fortune is return'd<br/>
     From where he circumscribed with his sword<br/>
     From where he circumscribed with his sword<br/>
     And brought to yoke the enemies of Rome.<br/>
     And brought to yoke the enemies of Rome.<br/>
</p>
</p>


<p>        Sound drums and trumpets, and then
<p>        Sound drums and trumpets, and then
enter MARTIUS
enter MARTIUS
         and MUTIUS, two of TITUS' sons; and then two men
         and MUTIUS, two of TITUS' sons; and then two men
         bearing a coffin covered with black; then LUCIUS
         bearing a coffin covered with black; then LUCIUS
         and QUINTUS, two other sons; then TITUS ANDRONICUS;
         and QUINTUS, two other sons; then TITUS ANDRONICUS;
         and then TAMORA the Queen of Goths, with her three
         and then TAMORA the Queen of Goths, with her three
         sons, ALARBUS, DEMETRIUS, and CHIRON, with AARON the
         sons, ALARBUS, DEMETRIUS, and CHIRON, with AARON the
         Moor, and others,  as many as can be. Then set down
         Moor, and others,  as many as can be. Then set down
         the coffin and TITUS speaks</p>
         the coffin and TITUS speaks</p>


<p>  TITUS. Hail, Rome, victorious in thy mourning weeds!<br/>
<p>  TITUS. Hail, Rome, victorious in thy mourning weeds!<br/>
     Lo, as the bark that hath discharg'd her fraught<br/>
     Lo, as the bark that hath discharg'd her fraught<br/>
     Returns with precious lading to the bay<br/>
     Returns with precious lading to the bay<br/>
     From whence at first she weigh'd her anchorage,<br/>
     From whence at first she weigh'd her anchorage,<br/>
     Cometh Andronicus, bound with laurel boughs,<br/>
     Cometh Andronicus, bound with laurel boughs,<br/>
     To re-salute his country with his tears,<br/>
     To re-salute his country with his tears,<br/>
     Tears of true joy for his return to Rome.<br/>
     Tears of true joy for his return to Rome.<br/>
     Thou great defender of this Capitol,<br/>
     Thou great defender of this Capitol,<br/>
     Stand gracious to the rites that we intend!<br/>
     Stand gracious to the rites that we intend!<br/>
     Romans, of five and twenty valiant sons,<br/>
     Romans, of five and twenty valiant sons,<br/>
     Half of the number that King Priam had,<br/>
     Half of the number that King Priam had,<br/>
     Behold the poor remains, alive and dead!<br/>
     Behold the poor remains, alive and dead!<br/>
     These that survive let Rome reward with love;<br/>
     These that survive let Rome reward with love;<br/>
     These that I bring unto their latest home,<br/>
     These that I bring unto their latest home,<br/>
     With burial amongst their ancestors.<br/>
     With burial amongst their ancestors.<br/>
     Here Goths have given me leave to sheathe my sword.<br/>
     Here Goths have given me leave to sheathe my sword.<br/>
     Titus, unkind, and careless of thine own,<br/>
     Titus, unkind, and careless of thine own,<br/>
     Why suffer'st thou thy sons, unburied yet,<br/>
     Why suffer'st thou thy sons, unburied yet,<br/>
     To hover on the dreadful shore of Styx?<br/>
     To hover on the dreadful shore of Styx?<br/>
     Make way to lay them by their brethren.<br/>
     Make way to lay them by their brethren.<br/>
                                             [They open the tomb]<br/>
                                             [They open the tomb]<br/>
     There greet in silence, as the dead are wont,<br/>
     There greet in silence, as the dead are wont,<br/>
     And sleep in peace, slain in your country's wars.<br/>
     And sleep in peace, slain in your country's wars.<br/>
     O sacred receptacle of my joys,<br/>
     O sacred receptacle of my joys,<br/>
     Sweet cell of virtue and nobility,<br/>
     Sweet cell of virtue and nobility,<br/>
     How many sons hast thou of mine in store<br/>
     How many sons hast thou of mine in store<br/>
     That thou wilt never render to me more!<br/>
     That thou wilt never render to me more!<br/>
   LUCIUS. Give us the proudest prisoner of the Goths,<br/>
   LUCIUS. Give us the proudest prisoner of the Goths,<br/>
     That we may hew his limbs, and on a pile<br/>
     That we may hew his limbs, and on a pile<br/>
     Ad manes fratrum sacrifice his flesh<br/>
     Ad manes fratrum sacrifice his flesh<br/>
     Before this earthy prison of their bones,<br/>
     Before this earthy prison of their bones,<br/>
     That so the shadows be not unappeas'd,<br/>
     That so the shadows be not unappeas'd,<br/>
     Nor we disturb'd with prodigies on earth.<br/>
     Nor we disturb'd with prodigies on earth.<br/>
   TITUS. I give him you- the noblest that survives,<br/>
   TITUS. I give him you- the noblest that survives,<br/>
     The eldest son of this distressed queen.<br/>
     The eldest son of this distressed queen.<br/>
   TAMORA. Stay, Roman brethen! Gracious conqueror,<br/>
   TAMORA. Stay, Roman brethen! Gracious conqueror,<br/>
     Victorious Titus, rue the tears I shed,<br/>
     Victorious Titus, rue the tears I shed,<br/>
     A mother's tears in passion for her son;<br/>
     A mother's tears in passion for her son;<br/>
     And if thy sons were ever dear to thee,<br/>
     And if thy sons were ever dear to thee,<br/>
     O, think my son to be as dear to me!<br/>
     O, think my son to be as dear to me!<br/>
     Sufficeth not that we are brought to Rome<br/>
     Sufficeth not that we are brought to Rome<br/>
     To beautify thy triumphs, and return<br/>
     To beautify thy triumphs, and return<br/>
     Captive to thee and to thy Roman yoke;<br/>
     Captive to thee and to thy Roman yoke;<br/>
     But must my sons be slaughtered in the streets<br/>
     But must my sons be slaughtered in the streets<br/>
     For valiant doings in their country's cause?<br/>
     For valiant doings in their country's cause?<br/>
     O, if to fight for king and commonweal<br/>
     O, if to fight for king and commonweal<br/>
     Were piety in thine, it is in these.<br/>
     Were piety in thine, it is in these.<br/>
     Andronicus, stain not thy tomb with blood.<br/>
     Andronicus, stain not thy tomb with blood.<br/>
     Wilt thou draw near the nature of the gods?<br/>
     Wilt thou draw near the nature of the gods?<br/>
     Draw near them then in being merciful.<br/>
     Draw near them then in being merciful.<br/>
     Sweet mercy is nobility's true badge.<br/>
     Sweet mercy is nobility's true badge.<br/>
     Thrice-noble Titus, spare my first-born son.<br/>
     Thrice-noble Titus, spare my first-born son.<br/>
   TITUS. Patient yourself, madam, and pardon me.<br/>
   TITUS. Patient yourself, madam, and pardon me.<br/>
     These are their brethren, whom your Goths beheld<br/>
     These are their brethren, whom your Goths beheld<br/>
     Alive and dead; and for their brethren slain<br/>
     Alive and dead; and for their brethren slain<br/>
     Religiously they ask a sacrifice.<br/>
     Religiously they ask a sacrifice.<br/>
     To this your son is mark'd, and die he must<br/>
     To this your son is mark'd, and die he must<br/>
     T' appease their groaning shadows that are gone.<br/>
     T' appease their groaning shadows that are gone.<br/>
   LUCIUS. Away with him, and make a fire straight;<br/>
   LUCIUS. Away with him, and make a fire straight;<br/>
     And with our swords, upon a pile of wood,<br/>
     And with our swords, upon a pile of wood,<br/>
     Let's hew his limbs till they be clean consum'd.<br/>
     Let's hew his limbs till they be clean consum'd.<br/>
                                 Exeunt TITUS' SONS, with ALARBUS<br/>
                                 Exeunt TITUS' SONS, with ALARBUS<br/>
   TAMORA. O cruel, irreligious piety!<br/>
   TAMORA. O cruel, irreligious piety!<br/>
   CHIRON. Was never Scythia half so barbarous!<br/>
   CHIRON. Was never Scythia half so barbarous!<br/>
   DEMETRIUS. Oppose not Scythia to ambitious Rome.<br/>
   DEMETRIUS. Oppose not Scythia to ambitious Rome.<br/>
     Alarbus goes to rest, and we survive<br/>
     Alarbus goes to rest, and we survive<br/>
     To tremble under Titus' threat'ning look.<br/>
     To tremble under Titus' threat'ning look.<br/>
     Then, madam, stand resolv'd, but hope withal<br/>
     Then, madam, stand resolv'd, but hope withal<br/>
     The self-same gods that arm'd the Queen of Troy<br/>
     The self-same gods that arm'd the Queen of Troy<br/>
     With opportunity of sharp revenge<br/>
     With opportunity of sharp revenge<br/>
     Upon the Thracian tyrant in his tent<br/>
     Upon the Thracian tyrant in his tent<br/>
     May favour Tamora, the Queen of Goths-<br/>
     May favour Tamora, the Queen of Goths-<br/>
     When Goths were Goths and Tamora was queen-<br/>
     When Goths were Goths and Tamora was queen-<br/>
     To quit the bloody wrongs upon her foes.<br/>
     To quit the bloody wrongs upon her foes.<br/>
</p>
</p>


<p>            Re-enter LUCIUS, QUINTUS, MARTIUS, and<br/>
<p>            Re-enter LUCIUS, QUINTUS, MARTIUS, and<br/>
   MUTIUS, the sons of ANDRONICUS, with their swords bloody<br/>
   MUTIUS, the sons of ANDRONICUS, with their swords bloody<br/>
</p>
</p>


<p>  LUCIUS. See, lord and father, how we have perform'd<br/>
<p>  LUCIUS. See, lord and father, how we have perform'd<br/>
     Our Roman rites: Alarbus' limbs are lopp'd,<br/>
     Our Roman rites: Alarbus' limbs are lopp'd,<br/>
     And entrails feed the sacrificing fire,<br/>
     And entrails feed the sacrificing fire,<br/>
     Whose smoke like incense doth perfume the sky.<br/>
     Whose smoke like incense doth perfume the sky.<br/>
     Remaineth nought but to inter our brethren,<br/>
     Remaineth nought but to inter our brethren,<br/>
     And with loud 'larums welcome them to Rome.<br/>
     And with loud 'larums welcome them to Rome.<br/>
   TITUS. Let it be so, and let Andronicus<br/>
   TITUS. Let it be so, and let Andronicus<br/>
     Make this his latest farewell to their souls.<br/>
     Make this his latest farewell to their souls.<br/>
                 [Sound trumpets and lay the coffin in the tomb]<br/>
                 [Sound trumpets and lay the coffin in the tomb]<br/>
     In peace and honour rest you here, my sons;<br/>
     In peace and honour rest you here, my sons;<br/>
     Rome's readiest champions, repose you here in rest,<br/>
     Rome's readiest champions, repose you here in rest,<br/>
     Secure from worldly chances and mishaps!<br/>
     Secure from worldly chances and mishaps!<br/>
     Here lurks no treason, here no envy swells,<br/>
     Here lurks no treason, here no envy swells,<br/>
     Here grow no damned drugs, here are no storms,<br/>
     Here grow no damned drugs, here are no storms,<br/>
     No noise, but silence and eternal sleep.<br/>
     No noise, but silence and eternal sleep.<br/>
     In peace and honour rest you here, my sons!<br/>
     In peace and honour rest you here, my sons!<br/>
</p>
</p>


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<p>  LAVINIA. In peace and honour live Lord Titus long;<br/>
<p>  LAVINIA. In peace and honour live Lord Titus long;<br/>
     My noble lord and father, live in fame!<br/>
     My noble lord and father, live in fame!<br/>
     Lo, at this tomb my tributary tears<br/>
     Lo, at this tomb my tributary tears<br/>
     I render for my brethren's obsequies;<br/>
     I render for my brethren's obsequies;<br/>
     And at thy feet I kneel, with tears of joy<br/>
     And at thy feet I kneel, with tears of joy<br/>
     Shed on this earth for thy return to Rome.<br/>
     Shed on this earth for thy return to Rome.<br/>
     O, bless me here with thy victorious hand,<br/>
     O, bless me here with thy victorious hand,<br/>
     Whose fortunes Rome's best citizens applaud!<br/>
     Whose fortunes Rome's best citizens applaud!<br/>
   TITUS. Kind Rome, that hast thus lovingly reserv'd<br/>
   TITUS. Kind Rome, that hast thus lovingly reserv'd<br/>
     The cordial of mine age to glad my heart!<br/>
     The cordial of mine age to glad my heart!<br/>
     Lavinia, live; outlive thy father's days,<br/>
     Lavinia, live; outlive thy father's days,<br/>
     And fame's eternal date, for virtue's praise!<br/>
     And fame's eternal date, for virtue's praise!<br/>
</p>
</p>


<p>          Enter, above, MARCUS ANDRONICUS and TRIBUNES;<br/>
<p>          Enter, above, MARCUS ANDRONICUS and TRIBUNES;<br/>
           re-enter SATURNINUS, BASSIANUS, and attendants<br/>
           re-enter SATURNINUS, BASSIANUS, and attendants<br/>
</p>
</p>


<p>  MARCUS. Long live Lord Titus, my beloved brother,<br/>
<p>  MARCUS. Long live Lord Titus, my beloved brother,<br/>
     Gracious triumpher in the eyes of Rome!<br/>
     Gracious triumpher in the eyes of Rome!<br/>
   TITUS. Thanks, gentle Tribune, noble brother Marcus.<br/>
   TITUS. Thanks, gentle Tribune, noble brother Marcus.<br/>
   MARCUS. And welcome, nephews, from successful wars,<br/>
   MARCUS. And welcome, nephews, from successful wars,<br/>
     You that survive and you that sleep in fame.<br/>
     You that survive and you that sleep in fame.<br/>
     Fair lords, your fortunes are alike in all<br/>
     Fair lords, your fortunes are alike in all<br/>
     That in your country's service drew your swords;<br/>
     That in your country's service drew your swords;<br/>
     But safer triumph is this funeral pomp<br/>
     But safer triumph is this funeral pomp<br/>
     That hath aspir'd to Solon's happiness<br/>
     That hath aspir'd to Solon's happiness<br/>
     And triumphs over chance in honour's bed.<br/>
     And triumphs over chance in honour's bed.<br/>
     Titus Andronicus, the people of Rome,<br/>
     Titus Andronicus, the people of Rome,<br/>
     Whose friend in justice thou hast ever been,<br/>
     Whose friend in justice thou hast ever been,<br/>
     Send thee by me, their Tribune and their trust,<br/>
     Send thee by me, their Tribune and their trust,<br/>
     This par]iament of white and spotless hue;<br/>
     This par]iament of white and spotless hue;<br/>
     And name thee in election for the empire<br/>
     And name thee in election for the empire<br/>
     With these our late-deceased Emperor's sons:<br/>
     With these our late-deceased Emperor's sons:<br/>
     Be candidatus then, and put it on,<br/>
     Be candidatus then, and put it on,<br/>
     And help to set a head on headless Rome.<br/>
     And help to set a head on headless Rome.<br/>
   TITUS. A better head her glorious body fits<br/>
   TITUS. A better head her glorious body fits<br/>
     Than his that shakes for age and feebleness.<br/>
     Than his that shakes for age and feebleness.<br/>
     What should I don this robe and trouble you?<br/>
     What should I don this robe and trouble you?<br/>
     Be chosen with proclamations to-day,<br/>
     Be chosen with proclamations to-day,<br/>
     To-morrow yield up rule, resign my life,<br/>
     To-morrow yield up rule, resign my life,<br/>
     And set abroad new business for you all?<br/>
     And set abroad new business for you all?<br/>
     Rome, I have been thy soldier forty years,<br/>
     Rome, I have been thy soldier forty years,<br/>
     And led my country's strength successfully,<br/>
     And led my country's strength successfully,<br/>
     And buried one and twenty valiant sons,<br/>
     And buried one and twenty valiant sons,<br/>
     Knighted in field, slain manfully in arms,<br/>
     Knighted in field, slain manfully in arms,<br/>
     In right and service of their noble country.<br/>
     In right and service of their noble country.<br/>
     Give me a staff of honour for mine age,<br/>
     Give me a staff of honour for mine age,<br/>
     But not a sceptre to control the world.<br/>
     But not a sceptre to control the world.<br/>
     Upright he held it, lords, that held it last.<br/>
     Upright he held it, lords, that held it last.<br/>
   MARCUS. Titus, thou shalt obtain and ask the empery.<br/>
   MARCUS. Titus, thou shalt obtain and ask the empery.<br/>
   SATURNINUS. Proud and ambitious Tribune, canst thou tell?<br/>
   SATURNINUS. Proud and ambitious Tribune, canst thou tell?<br/>
   TITUS. Patience, Prince Saturninus.<br/>
   TITUS. Patience, Prince Saturninus.<br/>
   SATURNINUS. Romans, do me right.<br/>
   SATURNINUS. Romans, do me right.<br/>
     Patricians, draw your swords, and sheathe them not<br/>
     Patricians, draw your swords, and sheathe them not<br/>
     Till Saturninus be Rome's Emperor.<br/>
     Till Saturninus be Rome's Emperor.<br/>
     Andronicus, would thou were shipp'd to hell<br/>
     Andronicus, would thou were shipp'd to hell<br/>
     Rather than rob me of the people's hearts!<br/>
     Rather than rob me of the people's hearts!<br/>
   LUCIUS. Proud Saturnine, interrupter of the good<br/>
   LUCIUS. Proud Saturnine, interrupter of the good<br/>
     That noble-minded Titus means to thee!<br/>
     That noble-minded Titus means to thee!<br/>
   TITUS. Content thee, Prince; I will restore to thee<br/>
   TITUS. Content thee, Prince; I will restore to thee<br/>
     The people's hearts, and wean them from themselves.<br/>
     The people's hearts, and wean them from themselves.<br/>
   BASSIANUS. Andronicus, I do not flatter thee,<br/>
   BASSIANUS. Andronicus, I do not flatter thee,<br/>
     But honour thee, and will do till I die.<br/>
     But honour thee, and will do till I die.<br/>
     My faction if thou strengthen with thy friends,<br/>
     My faction if thou strengthen with thy friends,<br/>
     I will most thankful be; and thanks to men<br/>
     I will most thankful be; and thanks to men<br/>
     Of noble minds is honourable meed.<br/>
     Of noble minds is honourable meed.<br/>
   TITUS. People of Rome, and people's Tribunes here,<br/>
   TITUS. People of Rome, and people's Tribunes here,<br/>
     I ask your voices and your suffrages:<br/>
     I ask your voices and your suffrages:<br/>
     Will ye bestow them friendly on Andronicus?<br/>
     Will ye bestow them friendly on Andronicus?<br/>
   TRIBUNES. To gratify the good Andronicus,<br/>
   TRIBUNES. To gratify the good Andronicus,<br/>
     And gratulate his safe return to Rome,<br/>
     And gratulate his safe return to Rome,<br/>
     The people will accept whom he admits.<br/>
     The people will accept whom he admits.<br/>
   TITUS. Tribunes, I thank you; and this suit I make,<br/>
   TITUS. Tribunes, I thank you; and this suit I make,<br/>
     That you create our Emperor's eldest son,<br/>
     That you create our Emperor's eldest son,<br/>
     Lord Saturnine; whose virtues will, I hope,<br/>
     Lord Saturnine; whose virtues will, I hope,<br/>
     Reflect on Rome as Titan's rays on earth,<br/>
     Reflect on Rome as Titan's rays on earth,<br/>
     And ripen justice in this commonweal.<br/>
     And ripen justice in this commonweal.<br/>
     Then, if you will elect by my advice,<br/>
     Then, if you will elect by my advice,<br/>
     Crown him, and say 'Long live our Emperor!'<br/>
     Crown him, and say 'Long live our Emperor!'<br/>
   MARCUS. With voices and applause of every sort,<br/>
   MARCUS. With voices and applause of every sort,<br/>
     Patricians and plebeians, we create<br/>
     Patricians and plebeians, we create<br/>
     Lord Saturninus Rome's great Emperor;<br/>
     Lord Saturninus Rome's great Emperor;<br/>
     And say 'Long live our Emperor Saturnine!'<br/>
     And say 'Long live our Emperor Saturnine!'<br/>
                           [A long flourish till they come down]<br/>
                           [A long flourish till they come down]<br/>
   SATURNINUS. Titus Andronicus, for thy favours done<br/>
   SATURNINUS. Titus Andronicus, for thy favours done<br/>
     To us in our election this day<br/>
     To us in our election this day<br/>
     I give thee thanks in part of thy deserts,<br/>
     I give thee thanks in part of thy deserts,<br/>
     And will with deeds requite thy gentleness;<br/>
     And will with deeds requite thy gentleness;<br/>
     And for an onset, Titus, to advance<br/>
     And for an onset, Titus, to advance<br/>
     Thy name and honourable family,<br/>
     Thy name and honourable family,<br/>
     Lavinia will I make my emperess,<br/>
     Lavinia will I make my emperess,<br/>
     Rome's royal mistress, mistress of my heart,<br/>
     Rome's royal mistress, mistress of my heart,<br/>
     And in the sacred Pantheon her espouse.<br/>
     And in the sacred Pantheon her espouse.<br/>
     Tell me, Andronicus, doth this motion please thee?<br/>
     Tell me, Andronicus, doth this motion please thee?<br/>
   TITUS. It doth, my worthy lord, and in this match<br/>
   TITUS. It doth, my worthy lord, and in this match<br/>
     I hold me highly honoured of your Grace,<br/>
     I hold me highly honoured of your Grace,<br/>
     And here in sight of Rome, to Saturnine,<br/>
     And here in sight of Rome, to Saturnine,<br/>
     King and commander of our commonweal,<br/>
     King and commander of our commonweal,<br/>
     The wide world's Emperor, do I consecrate<br/>
     The wide world's Emperor, do I consecrate<br/>
     My sword, my chariot, and my prisoners,<br/>
     My sword, my chariot, and my prisoners,<br/>
     Presents well worthy Rome's imperious lord;<br/>
     Presents well worthy Rome's imperious lord;<br/>
     Receive them then, the tribute that I owe,<br/>
     Receive them then, the tribute that I owe,<br/>
     Mine honour's ensigns humbled at thy feet.<br/>
     Mine honour's ensigns humbled at thy feet.<br/>
   SATURNINUS. Thanks, noble Titus, father of my life.<br/>
   SATURNINUS. Thanks, noble Titus, father of my life.<br/>
     How proud I am of thee and of thy gifts<br/>
     How proud I am of thee and of thy gifts<br/>
     Rome shall record; and when I do forget<br/>
     Rome shall record; and when I do forget<br/>
     The least of these unspeakable deserts,<br/>
     The least of these unspeakable deserts,<br/>
     Romans, forget your fealty to me.<br/>
     Romans, forget your fealty to me.<br/>
   TITUS.  [To TAMORA]  Now, madam, are you prisoner to an emperor;<br/>
   TITUS.  [To TAMORA]  Now, madam, are you prisoner to an emperor;<br/>
     To him that for your honour and your state<br/>
     To him that for your honour and your state<br/>
     Will use you nobly and your followers.<br/>
     Will use you nobly and your followers.<br/>
   SATURNINUS.  [Aside]  A goodly lady, trust me; of the hue<br/>
   SATURNINUS.  [Aside]  A goodly lady, trust me; of the hue<br/>
     That I would choose, were I to choose anew.-<br/>
     That I would choose, were I to choose anew.-<br/>
     Clear up, fair Queen, that cloudy countenance;<br/>
     Clear up, fair Queen, that cloudy countenance;<br/>
     Though chance of war hath wrought this change of cheer,<br/>
     Though chance of war hath wrought this change of cheer,<br/>
     Thou com'st not to be made a scorn in Rome-<br/>
     Thou com'st not to be made a scorn in Rome-<br/>
     Princely shall be thy usage every way.<br/>
     Princely shall be thy usage every way.<br/>
     Rest on my word, and let not discontent<br/>
     Rest on my word, and let not discontent<br/>
     Daunt all your hopes. Madam, he comforts you<br/>
     Daunt all your hopes. Madam, he comforts you<br/>
     Can make you greater than the Queen of Goths.<br/>
     Can make you greater than the Queen of Goths.<br/>
     Lavinia, you are not displeas'd with this?<br/>
     Lavinia, you are not displeas'd with this?<br/>
   LAVINIA. Not I, my lord, sith true nobility<br/>
   LAVINIA. Not I, my lord, sith true nobility<br/>
     Warrants these words in princely courtesy.<br/>
     Warrants these words in princely courtesy.<br/>
   SATURNINUS. Thanks, sweet Lavinia. Romans, let us go.<br/>
   SATURNINUS. Thanks, sweet Lavinia. Romans, let us go.<br/>
     Ransomless here we set our prisoners free.<br/>
     Ransomless here we set our prisoners free.<br/>
     Proclaim our honours, lords, with trump and drum.<br/>
     Proclaim our honours, lords, with trump and drum.<br/>
                                                       [Flourish]<br/>
                                                       [Flourish]<br/>
   BASSIANUS. Lord Titus, by your leave, this maid is mine.<br/>
   BASSIANUS. Lord Titus, by your leave, this maid is mine.<br/>
                                               [Seizing LAVINIA]<br/>
                                               [Seizing LAVINIA]<br/>
   TITUS. How, sir! Are you in earnest then, my lord?<br/>
   TITUS. How, sir! Are you in earnest then, my lord?<br/>
   BASSIANUS. Ay, noble Titus, and resolv'd withal<br/>
   BASSIANUS. Ay, noble Titus, and resolv'd withal<br/>
     To do myself this reason and this right.<br/>
     To do myself this reason and this right.<br/>
   MARCUS. Suum cuique is our Roman justice:<br/>
   MARCUS. Suum cuique is our Roman justice:<br/>
     This prince in justice seizeth but his own.<br/>
     This prince in justice seizeth but his own.<br/>
   LUCIUS. And that he will and shall, if Lucius live.<br/>
   LUCIUS. And that he will and shall, if Lucius live.<br/>
   TITUS. Traitors, avaunt! Where is the Emperor's guard?<br/>
   TITUS. Traitors, avaunt! Where is the Emperor's guard?<br/>
     Treason, my lord- Lavinia is surpris'd!<br/>
     Treason, my lord- Lavinia is surpris'd!<br/>
   SATURNINUS. Surpris'd! By whom?<br/>
   SATURNINUS. Surpris'd! By whom?<br/>
   BASSIANUS. By him that justly may<br/>
   BASSIANUS. By him that justly may<br/>
     Bear his betroth'd from all the world away.<br/>
     Bear his betroth'd from all the world away.<br/>
                         Exeunt BASSIANUS and MARCUS with LAVINIA<br/>
                         Exeunt BASSIANUS and MARCUS with LAVINIA<br/>
   MUTIUS. Brothers, help to convey her hence away,<br/>
   MUTIUS. Brothers, help to convey her hence away,<br/>
     And with my sword I'll keep this door safe.<br/>
     And with my sword I'll keep this door safe.<br/>
                             Exeunt LUCIUS, QUINTUS, and MARTIUS<br/>
                             Exeunt LUCIUS, QUINTUS, and MARTIUS<br/>
   TITUS. Follow, my lord, and I'll soon bring her back.<br/>
   TITUS. Follow, my lord, and I'll soon bring her back.<br/>
   MUTIUS. My lord, you pass not here.<br/>
   MUTIUS. My lord, you pass not here.<br/>
   TITUS. What, villain boy!<br/>
   TITUS. What, villain boy!<br/>
     Bar'st me my way in Rome?<br/>
     Bar'st me my way in Rome?<br/>
   MUTIUS. Help, Lucius, help!<br/>
   MUTIUS. Help, Lucius, help!<br/>
             TITUS kills him. During the fray, exeunt SATURNINUS,<br/>
             TITUS kills him. During the fray, exeunt SATURNINUS,<br/>
                             TAMORA, DEMETRIUS, CHIRON, and AARON<br/>
                             TAMORA, DEMETRIUS, CHIRON, and AARON<br/>
</p>
</p>


Line 413: Line 766:


<p>  LUCIUS. My lord, you are unjust, and more than so:<br/>
<p>  LUCIUS. My lord, you are unjust, and more than so:<br/>
     In wrongful quarrel you have slain your son.<br/>
     In wrongful quarrel you have slain your son.<br/>
   TITUS. Nor thou nor he are any sons of mine;<br/>
   TITUS. Nor thou nor he are any sons of mine;<br/>
     My sons would never so dishonour me.<br/>
     My sons would never so dishonour me.<br/>
</p>
</p>


<p>                Re-enter aloft the EMPEROR<br/>
<p>                Re-enter aloft the EMPEROR<br/>
       with TAMORA and her two Sons, and AARON the Moor<br/>
       with TAMORA and her two Sons, and AARON the Moor<br/>
</p>
</p>


<p>    Traitor, restore Lavinia to the Emperor.<br/>
<p>    Traitor, restore Lavinia to the Emperor.<br/>
   LUCIUS. Dead, if you will; but not to be his wife,<br/>
   LUCIUS. Dead, if you will; but not to be his wife,<br/>
     That is another's lawful promis'd love.                Exit<br/>
     That is another's lawful promis'd love.                Exit<br/>
   SATURNINUS. No, Titus, no; the Emperor needs her not,<br/>
   SATURNINUS. No, Titus, no; the Emperor needs her not,<br/>
     Nor her, nor thee, nor any of thy stock.<br/>
     Nor her, nor thee, nor any of thy stock.<br/>
     I'll trust by leisure him that mocks me once;<br/>
     I'll trust by leisure him that mocks me once;<br/>
     Thee never, nor thy traitorous haughty sons,<br/>
     Thee never, nor thy traitorous haughty sons,<br/>
     Confederates all thus to dishonour me.<br/>
     Confederates all thus to dishonour me.<br/>
     Was there none else in Rome to make a stale<br/>
     Was there none else in Rome to make a stale<br/>
     But Saturnine? Full well, Andronicus,<br/>
     But Saturnine? Full well, Andronicus,<br/>
     Agree these deeds with that proud brag of thine<br/>
     Agree these deeds with that proud brag of thine<br/>
     That saidst I begg'd the empire at thy hands.<br/>
     That saidst I begg'd the empire at thy hands.<br/>
   TITUS. O monstrous! What reproachful words are these?<br/>
   TITUS. O monstrous! What reproachful words are these?<br/>
   SATURNINUS. But go thy ways; go, give that changing piece<br/>
   SATURNINUS. But go thy ways; go, give that changing piece<br/>
     To him that flourish'd for her with his sword.<br/>
     To him that flourish'd for her with his sword.<br/>
     A valiant son-in-law thou shalt enjoy;<br/>
     A valiant son-in-law thou shalt enjoy;<br/>
     One fit to bandy with thy lawless sons,<br/>
     One fit to bandy with thy lawless sons,<br/>
     To ruffle in the commonwealth of Rome.<br/>
     To ruffle in the commonwealth of Rome.<br/>
   TITUS. These words are razors to my wounded heart.<br/>
   TITUS. These words are razors to my wounded heart.<br/>
   SATURNINUS. And therefore, lovely Tamora, Queen of Goths,<br/>
   SATURNINUS. And therefore, lovely Tamora, Queen of Goths,<br/>
     That, like the stately Phoebe 'mongst her nymphs,<br/>
     That, like the stately Phoebe 'mongst her nymphs,<br/>
     Dost overshine the gallant'st dames of Rome,<br/>
     Dost overshine the gallant'st dames of Rome,<br/>
     If thou be pleas'd with this my sudden choice,<br/>
     If thou be pleas'd with this my sudden choice,<br/>
     Behold, I choose thee, Tamora, for my bride<br/>
     Behold, I choose thee, Tamora, for my bride<br/>
     And will create thee Emperess of Rome.<br/>
     And will create thee Emperess of Rome.<br/>
     Speak, Queen of Goths, dost thou applaud my choice?<br/>
     Speak, Queen of Goths, dost thou applaud my choice?<br/>
     And here I swear by all the Roman gods-<br/>
     And here I swear by all the Roman gods-<br/>
     Sith priest and holy water are so near,<br/>
     Sith priest and holy water are so near,<br/>
     And tapers burn so bright, and everything<br/>
     And tapers burn so bright, and everything<br/>
     In readiness for Hymenaeus stand-<br/>
     In readiness for Hymenaeus stand-<br/>
     I will not re-salute the streets of Rome,<br/>
     I will not re-salute the streets of Rome,<br/>
     Or climb my palace, till from forth this place<br/>
     Or climb my palace, till from forth this place<br/>
     I lead espous'd my bride along with me.<br/>
     I lead espous'd my bride along with me.<br/>
   TAMORA. And here in sight of heaven to Rome I swear,<br/>
   TAMORA. And here in sight of heaven to Rome I swear,<br/>
     If Saturnine advance the Queen of Goths,<br/>
     If Saturnine advance the Queen of Goths,<br/>
     She will a handmaid be to his desires,<br/>
     She will a handmaid be to his desires,<br/>
     A loving nurse, a mother to his youth.<br/>
     A loving nurse, a mother to his youth.<br/>
   SATURNINUS. Ascend, fair Queen, Pantheon. Lords, accompany<br/>
   SATURNINUS. Ascend, fair Queen, Pantheon. Lords, accompany<br/>
     Your noble Emperor and his lovely bride,<br/>
     Your noble Emperor and his lovely bride,<br/>
     Sent by the heavens for Prince Saturnine,<br/>
     Sent by the heavens for Prince Saturnine,<br/>
     Whose wisdom hath her fortune conquered;<br/>
     Whose wisdom hath her fortune conquered;<br/>
     There shall we consummate our spousal rites.<br/>
     There shall we consummate our spousal rites.<br/>
                                             Exeunt all but TITUS<br/>
                                             Exeunt all but TITUS<br/>
   TITUS. I am not bid to wait upon this bride.<br/>
   TITUS. I am not bid to wait upon this bride.<br/>
   Titus, when wert thou wont to walk alone,<br/>
   Titus, when wert thou wont to walk alone,<br/>
     Dishonoured thus, and challenged of wrongs?<br/>
     Dishonoured thus, and challenged of wrongs?<br/>
</p>
</p>


<p>                      Re-enter MARCUS,<br/>
<p>                      Re-enter MARCUS,<br/>
         and TITUS' SONS, LUCIUS, QUINTUS, and MARTIUS<br/>
         and TITUS' SONS, LUCIUS, QUINTUS, and MARTIUS<br/>
</p>
</p>


<p>  MARCUS. O Titus, see, O, see what thou hast done!<br/>
<p>  MARCUS. O Titus, see, O, see what thou hast done!<br/>
     In a bad quarrel slain a virtuous son.<br/>
     In a bad quarrel slain a virtuous son.<br/>
   TITUS. No, foolish Tribune, no; no son of mine-<br/>
   TITUS. No, foolish Tribune, no; no son of mine-<br/>
     Nor thou, nor these, confederates in the deed<br/>
     Nor thou, nor these, confederates in the deed<br/>
     That hath dishonoured all our family;<br/>
     That hath dishonoured all our family;<br/>
     Unworthy brother and unworthy sons!<br/>
     Unworthy brother and unworthy sons!<br/>
   LUCIUS. But let us give him burial, as becomes;<br/>
   LUCIUS. But let us give him burial, as becomes;<br/>
     Give Mutius burial with our bretheren.<br/>
     Give Mutius burial with our bretheren.<br/>
   TITUS. Traitors, away! He rests not in this tomb.<br/>
   TITUS. Traitors, away! He rests not in this tomb.<br/>
     This monument five hundred years hath stood,<br/>
     This monument five hundred years hath stood,<br/>
     Which I have sumptuously re-edified;<br/>
     Which I have sumptuously re-edified;<br/>
     Here none but soldiers and Rome's servitors<br/>
     Here none but soldiers and Rome's servitors<br/>
     Repose in fame; none basely slain in brawls.<br/>
     Repose in fame; none basely slain in brawls.<br/>
     Bury him where you can, he comes not here.<br/>
     Bury him where you can, he comes not here.<br/>
   MARCUS. My lord, this is impiety in you.<br/>
   MARCUS. My lord, this is impiety in you.<br/>
     My nephew Mutius' deeds do plead for him;<br/>
     My nephew Mutius' deeds do plead for him;<br/>
     He must be buried with his bretheren.<br/>
     He must be buried with his bretheren.<br/>
   QUINTUS &amp; MARTIUS. And shall, or him we will accompany.<br/>
 
   QUINTUS &amp;amp; MARTIUS. And shall, or him we will accompany.<br/>
 
   TITUS. 'And shall!' What villain was it spake that word?<br/>
   TITUS. 'And shall!' What villain was it spake that word?<br/>
   QUINTUS. He that would vouch it in any place but here.<br/>
   QUINTUS. He that would vouch it in any place but here.<br/>
   TITUS. What, would you bury him in my despite?<br/>
   TITUS. What, would you bury him in my despite?<br/>
   MARCUS. No, noble Titus, but entreat of thee<br/>
   MARCUS. No, noble Titus, but entreat of thee<br/>
     To pardon Mutius and to bury him.<br/>
     To pardon Mutius and to bury him.<br/>
   TITUS. Marcus, even thou hast struck upon my crest,<br/>
   TITUS. Marcus, even thou hast struck upon my crest,<br/>
     And with these boys mine honour thou hast wounded.<br/>
     And with these boys mine honour thou hast wounded.<br/>
     My foes I do repute you every one;<br/>
     My foes I do repute you every one;<br/>
     So trouble me no more, but get you gone.<br/>
     So trouble me no more, but get you gone.<br/>
   MARTIUS. He is not with himself; let us withdraw.<br/>
   MARTIUS. He is not with himself; let us withdraw.<br/>
   QUINTUS. Not I, till Mutius' bones be buried.<br/>
   QUINTUS. Not I, till Mutius' bones be buried.<br/>
                                 [The BROTHER and the SONS kneel]<br/>
                                 [The BROTHER and the SONS kneel]<br/>
   MARCUS. Brother, for in that name doth nature plead-<br/>
   MARCUS. Brother, for in that name doth nature plead-<br/>
   QUINTUS. Father, and in that name doth nature speak-<br/>
   QUINTUS. Father, and in that name doth nature speak-<br/>
   TITUS. Speak thou no more, if all the rest will speed.<br/>
   TITUS. Speak thou no more, if all the rest will speed.<br/>
   MARCUS. Renowned Titus, more than half my soul-<br/>
   MARCUS. Renowned Titus, more than half my soul-<br/>
   LUCIUS. Dear father, soul and substance of us all-<br/>
   LUCIUS. Dear father, soul and substance of us all-<br/>
   MARCUS. Suffer thy brother Marcus to inter<br/>
   MARCUS. Suffer thy brother Marcus to inter<br/>
     His noble nephew here in virtue's nest,<br/>
     His noble nephew here in virtue's nest,<br/>
     That died in honour and Lavinia's cause.<br/>
     That died in honour and Lavinia's cause.<br/>
     Thou art a Roman- be not barbarous.<br/>
     Thou art a Roman- be not barbarous.<br/>
     The Greeks upon advice did bury Ajax,<br/>
     The Greeks upon advice did bury Ajax,<br/>
     That slew himself; and wise Laertes' son<br/>
     That slew himself; and wise Laertes' son<br/>
     Did graciously plead for his funerals.<br/>
     Did graciously plead for his funerals.<br/>
     Let not young Mutius, then, that was thy joy,<br/>
     Let not young Mutius, then, that was thy joy,<br/>
     Be barr'd his entrance here.<br/>
     Be barr'd his entrance here.<br/>
   TITUS. Rise, Marcus, rise;<br/>
   TITUS. Rise, Marcus, rise;<br/>
     The dismal'st day is this that e'er I saw,<br/>
     The dismal'st day is this that e'er I saw,<br/>
     To be dishonoured by my sons in Rome!<br/>
     To be dishonoured by my sons in Rome!<br/>
     Well, bury him, and bury me the next.<br/>
     Well, bury him, and bury me the next.<br/>
                                   [They put MUTIUS in the tomb]<br/>
                                   [They put MUTIUS in the tomb]<br/>
   LUCIUS. There lie thy bones, sweet Mutius, with thy friends,<br/>
   LUCIUS. There lie thy bones, sweet Mutius, with thy friends,<br/>
     Till we with trophies do adorn thy tomb.<br/>
     Till we with trophies do adorn thy tomb.<br/>
   ALL.  [Kneeling]  No man shed tears for noble Mutius;<br/>
   ALL.  [Kneeling]  No man shed tears for noble Mutius;<br/>
     He lives in fame that died in virtue's cause.<br/>
     He lives in fame that died in virtue's cause.<br/>
   MARCUS. My lord- to step out of these dreary dumps-<br/>
   MARCUS. My lord- to step out of these dreary dumps-<br/>
     How comes it that the subtle Queen of Goths<br/>
     How comes it that the subtle Queen of Goths<br/>
     Is of a sudden thus advanc'd in Rome?<br/>
     Is of a sudden thus advanc'd in Rome?<br/>
   TITUS. I know not, Marcus, but I know it is-<br/>
   TITUS. I know not, Marcus, but I know it is-<br/>
     Whether by device or no, the heavens can tell.<br/>
     Whether by device or no, the heavens can tell.<br/>
     Is she not, then, beholding to the man<br/>
     Is she not, then, beholding to the man<br/>
     That brought her for this high good turn so far?<br/>
     That brought her for this high good turn so far?<br/>
   MARCUS. Yes, and will nobly him remunerate.<br/>
   MARCUS. Yes, and will nobly him remunerate.<br/>
</p>
</p>


<p>          Flourish. Re-enter the EMPEROR, TAMORA<br/>
<p>          Flourish. Re-enter the EMPEROR, TAMORA<br/>
         and her two SONS, with the MOOR, at one door;<br/>
         and her two SONS, with the MOOR, at one door;<br/>
     at the other door, BASSIANUS and LAVINIA, with others<br/>
     at the other door, BASSIANUS and LAVINIA, with others<br/>
</p>
</p>


<p>  SATURNINUS. So, Bassianus, you have play'd your prize:<br/>
<p>  SATURNINUS. So, Bassianus, you have play'd your prize:<br/>
     God give you joy, sir, of your gallant bride!<br/>
     God give you joy, sir, of your gallant bride!<br/>
   BASSIANUS. And you of yours, my lord! I say no more,<br/>
   BASSIANUS. And you of yours, my lord! I say no more,<br/>
     Nor wish no less; and so I take my leave.<br/>
     Nor wish no less; and so I take my leave.<br/>
   SATURNINUS. Traitor, if Rome have law or we have power,<br/>
   SATURNINUS. Traitor, if Rome have law or we have power,<br/>
     Thou and thy faction shall repent this rape.<br/>
     Thou and thy faction shall repent this rape.<br/>
   BASSIANUS. Rape, call you it, my lord, to seize my own,<br/>
   BASSIANUS. Rape, call you it, my lord, to seize my own,<br/>
     My true betrothed love, and now my wife?<br/>
     My true betrothed love, and now my wife?<br/>
     But let the laws of Rome determine all;<br/>
     But let the laws of Rome determine all;<br/>
     Meanwhile am I possess'd of that is mine.<br/>
     Meanwhile am I possess'd of that is mine.<br/>
   SATURNINUS. 'Tis good, sir. You are very short with us;<br/>
   SATURNINUS. 'Tis good, sir. You are very short with us;<br/>
     But if we live we'll be as sharp with you.<br/>
     But if we live we'll be as sharp with you.<br/>
   BASSIANUS. My lord, what I have done, as best I may,<br/>
   BASSIANUS. My lord, what I have done, as best I may,<br/>
     Answer I must, and shall do with my life.<br/>
     Answer I must, and shall do with my life.<br/>
     Only thus much I give your Grace to know:<br/>
     Only thus much I give your Grace to know:<br/>
     By all the duties that I owe to Rome,<br/>
     By all the duties that I owe to Rome,<br/>
     This noble gentleman, Lord Titus here,<br/>
     This noble gentleman, Lord Titus here,<br/>
     Is in opinion and in honour wrong'd,<br/>
     Is in opinion and in honour wrong'd,<br/>
     That, in the rescue of Lavinia,<br/>
     That, in the rescue of Lavinia,<br/>
     With his own hand did slay his youngest son,<br/>
     With his own hand did slay his youngest son,<br/>
     In zeal to you, and highly mov'd to wrath<br/>
     In zeal to you, and highly mov'd to wrath<br/>
     To be controll'd in that he frankly gave.<br/>
     To be controll'd in that he frankly gave.<br/>
     Receive him then to favour, Saturnine,<br/>
     Receive him then to favour, Saturnine,<br/>
     That hath express'd himself in all his deeds<br/>
     That hath express'd himself in all his deeds<br/>
     A father and a friend to thee and Rome.<br/>
     A father and a friend to thee and Rome.<br/>
   TITUS. Prince Bassianus, leave to plead my deeds.<br/>
   TITUS. Prince Bassianus, leave to plead my deeds.<br/>
     'Tis thou and those that have dishonoured me.<br/>
     'Tis thou and those that have dishonoured me.<br/>
     Rome and the righteous heavens be my judge<br/>
     Rome and the righteous heavens be my judge<br/>
     How I have lov'd and honoured Saturnine!<br/>
     How I have lov'd and honoured Saturnine!<br/>
   TAMORA. My worthy lord, if ever Tamora<br/>
   TAMORA. My worthy lord, if ever Tamora<br/>
     Were gracious in those princely eyes of thine,<br/>
     Were gracious in those princely eyes of thine,<br/>
     Then hear me speak indifferently for all;<br/>
     Then hear me speak indifferently for all;<br/>
     And at my suit, sweet, pardon what is past.<br/>
     And at my suit, sweet, pardon what is past.<br/>
   SATURNINUS. What, madam! be dishonoured openly,<br/>
   SATURNINUS. What, madam! be dishonoured openly,<br/>
     And basely put it up without revenge?<br/>
     And basely put it up without revenge?<br/>
   TAMORA. Not so, my lord; the gods of Rome forfend<br/>
   TAMORA. Not so, my lord; the gods of Rome forfend<br/>
     I should be author to dishonour you!<br/>
     I should be author to dishonour you!<br/>
     But on mine honour dare I undertake<br/>
     But on mine honour dare I undertake<br/>
     For good Lord Titus' innocence in all,<br/>
     For good Lord Titus' innocence in all,<br/>
     Whose fury not dissembled speaks his griefs.<br/>
     Whose fury not dissembled speaks his griefs.<br/>
     Then at my suit look graciously on him;<br/>
     Then at my suit look graciously on him;<br/>
     Lose not so noble a friend on vain suppose,<br/>
     Lose not so noble a friend on vain suppose,<br/>
     Nor with sour looks afflict his gentle heart.<br/>
     Nor with sour looks afflict his gentle heart.<br/>
     [Aside to SATURNINUS]  My lord, be rul'd by me,<br/>
     [Aside to SATURNINUS]  My lord, be rul'd by me,<br/>
       be won at last;<br/>
       be won at last;<br/>
     Dissemble all your griefs and discontents.<br/>
     Dissemble all your griefs and discontents.<br/>
     You are but newly planted in your throne;<br/>
     You are but newly planted in your throne;<br/>
     Lest, then, the people, and patricians too,<br/>
     Lest, then, the people, and patricians too,<br/>
     Upon a just survey take Titus' part,<br/>
     Upon a just survey take Titus' part,<br/>
     And so supplant you for ingratitude,<br/>
     And so supplant you for ingratitude,<br/>
     Which Rome reputes to be a heinous sin,<br/>
     Which Rome reputes to be a heinous sin,<br/>
     Yield at entreats, and then let me alone:<br/>
     Yield at entreats, and then let me alone:<br/>
     I'll find a day to massacre them all,<br/>
     I'll find a day to massacre them all,<br/>
     And raze their faction and their family,<br/>
     And raze their faction and their family,<br/>
     The cruel father and his traitorous sons,<br/>
     The cruel father and his traitorous sons,<br/>
     To whom I sued for my dear son's life;<br/>
     To whom I sued for my dear son's life;<br/>
     And make them know what 'tis to let a queen<br/>
     And make them know what 'tis to let a queen<br/>
     Kneel in the streets and beg for grace in vain.-<br/>
     Kneel in the streets and beg for grace in vain.-<br/>
     Come, come, sweet Emperor; come, Andronicus.<br/>
     Come, come, sweet Emperor; come, Andronicus.<br/>
     Take up this good old man, and cheer the heart<br/>
     Take up this good old man, and cheer the heart<br/>
     That dies in tempest of thy angry frown.<br/>
     That dies in tempest of thy angry frown.<br/>
   SATURNINUS. Rise, Titus, rise; my Empress hath prevail'd.<br/>
   SATURNINUS. Rise, Titus, rise; my Empress hath prevail'd.<br/>
   TITUS. I thank your Majesty and her, my lord;<br/>
   TITUS. I thank your Majesty and her, my lord;<br/>
     These words, these looks, infuse new life in me.<br/>
     These words, these looks, infuse new life in me.<br/>
   TAMORA. Titus, I am incorporate in Rome,<br/>
   TAMORA. Titus, I am incorporate in Rome,<br/>
     A Roman now adopted happily,<br/>
     A Roman now adopted happily,<br/>
     And must advise the Emperor for his good.<br/>
     And must advise the Emperor for his good.<br/>
     This day all quarrels die, Andronicus;<br/>
     This day all quarrels die, Andronicus;<br/>
     And let it be mine honour, good my lord,<br/>
     And let it be mine honour, good my lord,<br/>
     That I have reconcil'd your friends and you.<br/>
     That I have reconcil'd your friends and you.<br/>
     For you, Prince Bassianus, I have pass'd<br/>
     For you, Prince Bassianus, I have pass'd<br/>
     My word and promise to the Emperor<br/>
     My word and promise to the Emperor<br/>
     That you will be more mild and tractable.<br/>
     That you will be more mild and tractable.<br/>
     And fear not, lords- and you, Lavinia.<br/>
     And fear not, lords- and you, Lavinia.<br/>
     By my advice, all humbled on your knees,<br/>
     By my advice, all humbled on your knees,<br/>
     You shall ask pardon of his Majesty.<br/>
     You shall ask pardon of his Majesty.<br/>
   LUCIUS. We do, and vow to heaven and to his Highness<br/>
   LUCIUS. We do, and vow to heaven and to his Highness<br/>
     That what we did was mildly as we might,<br/>
     That what we did was mildly as we might,<br/>
     Tend'ring our sister's honour and our own.<br/>
     Tend'ring our sister's honour and our own.<br/>
   MARCUS. That on mine honour here do I protest.<br/>
   MARCUS. That on mine honour here do I protest.<br/>
   SATURNINUS. Away, and talk not; trouble us no more.<br/>
   SATURNINUS. Away, and talk not; trouble us no more.<br/>
   TAMORA. Nay, nay, sweet Emperor, we must all be friends.<br/>
   TAMORA. Nay, nay, sweet Emperor, we must all be friends.<br/>
     The Tribune and his nephews kneel for grace.<br/>
     The Tribune and his nephews kneel for grace.<br/>
     I will not be denied. Sweet heart, look back.<br/>
     I will not be denied. Sweet heart, look back.<br/>
   SATURNINUS. Marcus, for thy sake, and thy brother's here,<br/>
   SATURNINUS. Marcus, for thy sake, and thy brother's here,<br/>
     And at my lovely Tamora's entreats,<br/>
     And at my lovely Tamora's entreats,<br/>
     I do remit these young men's heinous faults.<br/>
     I do remit these young men's heinous faults.<br/>
     Stand up.<br/>
     Stand up.<br/>
     Lavinia, though you left me like a churl,<br/>
     Lavinia, though you left me like a churl,<br/>
     I found a friend; and sure as death I swore<br/>
     I found a friend; and sure as death I swore<br/>
     I would not part a bachelor from the priest.<br/>
     I would not part a bachelor from the priest.<br/>
     Come, if the Emperor's court can feast two brides,<br/>
     Come, if the Emperor's court can feast two brides,<br/>
     You are my guest, Lavinia, and your friends.<br/>
     You are my guest, Lavinia, and your friends.<br/>
     This day shall be a love-day, Tamora.<br/>
     This day shall be a love-day, Tamora.<br/>
   TITUS. To-morrow, and it please your Majesty<br/>
   TITUS. To-morrow, and it please your Majesty<br/>
     To hunt the panther and the hart with me,<br/>
     To hunt the panther and the hart with me,<br/>
     With horn and hound we'll give your Grace bonjour.<br/>
     With horn and hound we'll give your Grace bonjour.<br/>
   SATURNINUS. Be it so, Titus, and gramercy too.<br/>
   SATURNINUS. Be it so, Titus, and gramercy too.<br/>
                                           Exeunt. Sound trumpets<br/>
                                           Exeunt. Sound trumpets<br/>
</p>
</p>


<h4>ACT II. SCENE I.
<h4>ACT II. SCENE I.
Rome. Before the palace</h4>
Rome. Before the palace</h4>


Line 649: Line 1,220:


<p>  AARON. Now climbeth Tamora Olympus' top,<br/>
<p>  AARON. Now climbeth Tamora Olympus' top,<br/>
     Safe out of Fortune's shot, and sits aloft,<br/>
     Safe out of Fortune's shot, and sits aloft,<br/>
     Secure of thunder's crack or lightning flash,<br/>
     Secure of thunder's crack or lightning flash,<br/>
     Advanc'd above pale envy's threat'ning reach.<br/>
     Advanc'd above pale envy's threat'ning reach.<br/>
     As when the golden sun salutes the morn,<br/>
     As when the golden sun salutes the morn,<br/>
     And, having gilt the ocean with his beams,<br/>
     And, having gilt the ocean with his beams,<br/>
     Gallops the zodiac in his glistening coach<br/>
     Gallops the zodiac in his glistening coach<br/>
     And overlooks the highest-peering hills,<br/>
     And overlooks the highest-peering hills,<br/>
     So Tamora.<br/>
     So Tamora.<br/>
     Upon her wit doth earthly honour wait,<br/>
     Upon her wit doth earthly honour wait,<br/>
     And virtue stoops and trembles at her frown.<br/>
     And virtue stoops and trembles at her frown.<br/>
     Then, Aaron, arm thy heart and fit thy thoughts<br/>
     Then, Aaron, arm thy heart and fit thy thoughts<br/>
     To mount aloft with thy imperial mistress,<br/>
     To mount aloft with thy imperial mistress,<br/>
     And mount her pitch whom thou in triumph long.<br/>
     And mount her pitch whom thou in triumph long.<br/>
     Hast prisoner held, fett'red in amorous chains,<br/>
     Hast prisoner held, fett'red in amorous chains,<br/>
     And faster bound to Aaron's charming eyes<br/>
     And faster bound to Aaron's charming eyes<br/>
     Than is Prometheus tied to Caucasus.<br/>
     Than is Prometheus tied to Caucasus.<br/>
     Away with slavish weeds and servile thoughts!<br/>
     Away with slavish weeds and servile thoughts!<br/>
     I will be bright and shine in pearl and gold,<br/>
     I will be bright and shine in pearl and gold,<br/>
     To wait upon this new-made emperess.<br/>
     To wait upon this new-made emperess.<br/>
     To wait, said I? To wanton with this queen,<br/>
     To wait, said I? To wanton with this queen,<br/>
     This goddess, this Semiramis, this nymph,<br/>
     This goddess, this Semiramis, this nymph,<br/>
     This siren that will charm Rome's Saturnine,<br/>
     This siren that will charm Rome's Saturnine,<br/>
     And see his shipwreck and his commonweal's.<br/>
     And see his shipwreck and his commonweal's.<br/>
     Hullo! what storm is this?<br/>
     Hullo! what storm is this?<br/>
</p>
</p>


Line 678: Line 1,274:


<p>  DEMETRIUS. Chiron, thy years wants wit, thy wits wants edge<br/>
<p>  DEMETRIUS. Chiron, thy years wants wit, thy wits wants edge<br/>
     And manners, to intrude where I am grac'd,<br/>
     And manners, to intrude where I am grac'd,<br/>
     And may, for aught thou knowest, affected be.<br/>
     And may, for aught thou knowest, affected be.<br/>
   CHIRON. Demetrius, thou dost over-ween in all;<br/>
   CHIRON. Demetrius, thou dost over-ween in all;<br/>
     And so in this, to bear me down with braves.<br/>
     And so in this, to bear me down with braves.<br/>
     'Tis not the difference of a year or two<br/>
     'Tis not the difference of a year or two<br/>
     Makes me less gracious or thee more fortunate:<br/>
     Makes me less gracious or thee more fortunate:<br/>
     I am as able and as fit as thou<br/>
     I am as able and as fit as thou<br/>
     To serve and to deserve my mistress' grace;<br/>
     To serve and to deserve my mistress' grace;<br/>
     And that my sword upon thee shall approve,<br/>
     And that my sword upon thee shall approve,<br/>
     And plead my passions for Lavinia's love.<br/>
     And plead my passions for Lavinia's love.<br/>
   AARON.  [Aside]  Clubs, clubs! These lovers will not keep the<br/>
   AARON.  [Aside]  Clubs, clubs! These lovers will not keep the<br/>
     peace.<br/>
     peace.<br/>
   DEMETRIUS. Why, boy, although our mother, unadvis'd,<br/>
   DEMETRIUS. Why, boy, although our mother, unadvis'd,<br/>
     Gave you a dancing rapier by your side,<br/>
     Gave you a dancing rapier by your side,<br/>
     Are you so desperate grown to threat your friends?<br/>
     Are you so desperate grown to threat your friends?<br/>
     Go to; have your lath glued within your sheath<br/>
     Go to; have your lath glued within your sheath<br/>
     Till you know better how to handle it.<br/>
     Till you know better how to handle it.<br/>
   CHIRON. Meanwhile, sir, with the little skill I have,<br/>
   CHIRON. Meanwhile, sir, with the little skill I have,<br/>
     Full well shalt thou perceive how much I dare.<br/>
     Full well shalt thou perceive how much I dare.<br/>
   DEMETRIUS. Ay, boy, grow ye so brave?              [They draw]<br/>
   DEMETRIUS. Ay, boy, grow ye so brave?              [They draw]<br/>
   AARON.  [Coming forward]  Why, how now, lords!<br/>
   AARON.  [Coming forward]  Why, how now, lords!<br/>
     So near the Emperor's palace dare ye draw<br/>
     So near the Emperor's palace dare ye draw<br/>
     And maintain such a quarrel openly?<br/>
     And maintain such a quarrel openly?<br/>
     Full well I wot the ground of all this grudge:<br/>
     Full well I wot the ground of all this grudge:<br/>
     I would not for a million of gold<br/>
     I would not for a million of gold<br/>
     The cause were known to them it most concerns;<br/>
     The cause were known to them it most concerns;<br/>
     Nor would your noble mother for much more<br/>
     Nor would your noble mother for much more<br/>
     Be so dishonoured in the court of Rome.<br/>
     Be so dishonoured in the court of Rome.<br/>
     For shame, put up.<br/>
     For shame, put up.<br/>
   DEMETRIUS. Not I, till I have sheath'd<br/>
   DEMETRIUS. Not I, till I have sheath'd<br/>
     My rapier in his bosom, and withal<br/>
     My rapier in his bosom, and withal<br/>
     Thrust those reproachful speeches down his throat<br/>
     Thrust those reproachful speeches down his throat<br/>
     That he hath breath'd in my dishonour here.<br/>
     That he hath breath'd in my dishonour here.<br/>
   CHIRON. For that I am prepar'd and full resolv'd,<br/>
   CHIRON. For that I am prepar'd and full resolv'd,<br/>
     Foul-spoken coward, that thund'rest with thy tongue,<br/>
     Foul-spoken coward, that thund'rest with thy tongue,<br/>
     And with thy weapon nothing dar'st perform.<br/>
     And with thy weapon nothing dar'st perform.<br/>
   AARON. Away, I say!<br/>
   AARON. Away, I say!<br/>
     Now, by the gods that warlike Goths adore,<br/>
     Now, by the gods that warlike Goths adore,<br/>
     This pretty brabble will undo us all.<br/>
     This pretty brabble will undo us all.<br/>
     Why, lords, and think you not how dangerous<br/>
     Why, lords, and think you not how dangerous<br/>
     It is to jet upon a prince's right?<br/>
     It is to jet upon a prince's right?<br/>
     What, is Lavinia then become so loose,<br/>
     What, is Lavinia then become so loose,<br/>
     Or Bassianus so degenerate,<br/>
     Or Bassianus so degenerate,<br/>
     That for her love such quarrels may be broach'd<br/>
     That for her love such quarrels may be broach'd<br/>
     Without controlment, justice, or revenge?<br/>
     Without controlment, justice, or revenge?<br/>
     Young lords, beware; an should the Empress know<br/>
     Young lords, beware; an should the Empress know<br/>
     This discord's ground, the music would not please.<br/>
     This discord's ground, the music would not please.<br/>
   CHIRON. I care not, I, knew she and all the world:<br/>
   CHIRON. I care not, I, knew she and all the world:<br/>
     I love Lavinia more than all the world.<br/>
     I love Lavinia more than all the world.<br/>
   DEMETRIUS. Youngling, learn thou to make some meaner choice:<br/>
   DEMETRIUS. Youngling, learn thou to make some meaner choice:<br/>
     Lavina is thine elder brother's hope.<br/>
     Lavina is thine elder brother's hope.<br/>
   AARON. Why, are ye mad, or know ye not in Rome<br/>
   AARON. Why, are ye mad, or know ye not in Rome<br/>
     How furious and impatient they be,<br/>
     How furious and impatient they be,<br/>
     And cannot brook competitors in love?<br/>
     And cannot brook competitors in love?<br/>
     I tell you, lords, you do but plot your deaths<br/>
     I tell you, lords, you do but plot your deaths<br/>
     By this device.<br/>
     By this device.<br/>
   CHIRON. Aaron, a thousand deaths<br/>
   CHIRON. Aaron, a thousand deaths<br/>
     Would I propose to achieve her whom I love.<br/>
     Would I propose to achieve her whom I love.<br/>
   AARON. To achieve her- how?<br/>
   AARON. To achieve her- how?<br/>
   DEMETRIUS. Why mak'st thou it so strange?<br/>
   DEMETRIUS. Why mak'st thou it so strange?<br/>
     She is a woman, therefore may be woo'd;<br/>
     She is a woman, therefore may be woo'd;<br/>
     She is a woman, therefore may be won;<br/>
     She is a woman, therefore may be won;<br/>
     She is Lavinia, therefore must be lov'd.<br/>
     She is Lavinia, therefore must be lov'd.<br/>
     What, man! more water glideth by the mill<br/>
     What, man! more water glideth by the mill<br/>
     Than wots the miller of; and easy it is<br/>
     Than wots the miller of; and easy it is<br/>
     Of a cut loaf to steal a shive, we know.<br/>
     Of a cut loaf to steal a shive, we know.<br/>
     Though Bassianus be the Emperor's brother,<br/>
     Though Bassianus be the Emperor's brother,<br/>
     Better than he have worn Vulcan's badge.<br/>
     Better than he have worn Vulcan's badge.<br/>
   AARON.  [Aside]  Ay, and as good as Saturninus may.<br/>
   AARON.  [Aside]  Ay, and as good as Saturninus may.<br/>
   DEMETRIUS. Then why should he despair that knows to court it<br/>
   DEMETRIUS. Then why should he despair that knows to court it<br/>
     With words, fair looks, and liberality?<br/>
     With words, fair looks, and liberality?<br/>
     What, hast not thou full often struck a doe,<br/>
     What, hast not thou full often struck a doe,<br/>
     And borne her cleanly by the keeper's nose?<br/>
     And borne her cleanly by the keeper's nose?<br/>
   AARON. Why, then, it seems some certain snatch or so<br/>
   AARON. Why, then, it seems some certain snatch or so<br/>
     Would serve your turns.<br/>
     Would serve your turns.<br/>
   CHIRON. Ay, so the turn were served.<br/>
   CHIRON. Ay, so the turn were served.<br/>
   DEMETRIUS. Aaron, thou hast hit it.<br/>
   DEMETRIUS. Aaron, thou hast hit it.<br/>
   AARON. Would you had hit it too!<br/>
   AARON. Would you had hit it too!<br/>
     Then should not we be tir'd with this ado.<br/>
     Then should not we be tir'd with this ado.<br/>
     Why, hark ye, hark ye! and are you such fools<br/>
     Why, hark ye, hark ye! and are you such fools<br/>
     To square for this? Would it offend you, then,<br/>
     To square for this? Would it offend you, then,<br/>
     That both should speed?<br/>
     That both should speed?<br/>
   CHIRON. Faith, not me.<br/>
   CHIRON. Faith, not me.<br/>
   DEMETRIUS. Nor me, so I were one.<br/>
   DEMETRIUS. Nor me, so I were one.<br/>
   AARON. For shame, be friends, and join for that you jar.<br/>
   AARON. For shame, be friends, and join for that you jar.<br/>
     'Tis policy and stratagem must do<br/>
     'Tis policy and stratagem must do<br/>
     That you affect; and so must you resolve<br/>
     That you affect; and so must you resolve<br/>
     That what you cannot as you would achieve,<br/>
     That what you cannot as you would achieve,<br/>
     You must perforce accomplish as you may.<br/>
     You must perforce accomplish as you may.<br/>
     Take this of me: Lucrece was not more chaste<br/>
     Take this of me: Lucrece was not more chaste<br/>
     Than this Lavinia, Bassianus' love.<br/>
     Than this Lavinia, Bassianus' love.<br/>
     A speedier course than ling'ring languishment<br/>
     A speedier course than ling'ring languishment<br/>
     Must we pursue, and I have found the path.<br/>
     Must we pursue, and I have found the path.<br/>
     My lords, a solemn hunting is in hand;<br/>
     My lords, a solemn hunting is in hand;<br/>
     There will the lovely Roman ladies troop;<br/>
     There will the lovely Roman ladies troop;<br/>
     The forest walks are wide and spacious,<br/>
     The forest walks are wide and spacious,<br/>
     And many unfrequented plots there are<br/>
     And many unfrequented plots there are<br/>
     Fitted by kind for rape and villainy.<br/>
     Fitted by kind for rape and villainy.<br/>
     Single you thither then this dainty doe,<br/>
     Single you thither then this dainty doe,<br/>
     And strike her home by force if not by words.<br/>
     And strike her home by force if not by words.<br/>
     This way, or not at all, stand you in hope.<br/>
     This way, or not at all, stand you in hope.<br/>
     Come, come, our Empress, with her sacred wit<br/>
     Come, come, our Empress, with her sacred wit<br/>
     To villainy and vengeance consecrate,<br/>
     To villainy and vengeance consecrate,<br/>
     Will we acquaint with all what we intend;<br/>
     Will we acquaint with all what we intend;<br/>
     And she shall file our engines with advice<br/>
     And she shall file our engines with advice<br/>
     That will not suffer you to square yourselves,<br/>
     That will not suffer you to square yourselves,<br/>
     But to your wishes' height advance you both.<br/>
     But to your wishes' height advance you both.<br/>
     The Emperor's court is like the house of Fame,<br/>
     The Emperor's court is like the house of Fame,<br/>
     The palace full of tongues, of eyes, and ears;<br/>
     The palace full of tongues, of eyes, and ears;<br/>
     The woods are ruthless, dreadful, deaf, and dull.<br/>
     The woods are ruthless, dreadful, deaf, and dull.<br/>
     There speak and strike, brave boys, and take your turns;<br/>
     There speak and strike, brave boys, and take your turns;<br/>
     There serve your lust, shadowed from heaven's eye,<br/>
     There serve your lust, shadowed from heaven's eye,<br/>
     And revel in Lavinia's treasury.<br/>
     And revel in Lavinia's treasury.<br/>
   CHIRON. Thy counsel, lad, smells of no cowardice.<br/>
   CHIRON. Thy counsel, lad, smells of no cowardice.<br/>
   DEMETRIUS. Sit fas aut nefas, till I find the stream<br/>
   DEMETRIUS. Sit fas aut nefas, till I find the stream<br/>
     To cool this heat, a charm to calm these fits,<br/>
     To cool this heat, a charm to calm these fits,<br/>
     Per Styga, per manes vehor.                          Exeunt<br/>
     Per Styga, per manes vehor.                          Exeunt<br/>
</p>
</p>


<h4>SCENE II.
<h4>SCENE II.
A forest near Rome</h4>
A forest near Rome</h4>


<p>Enter TITUS ANDRONICUS, and his three sons, LUCIUS, QUINTUS, MARTIUS,
<p>Enter TITUS ANDRONICUS, and his three sons, LUCIUS, QUINTUS, MARTIUS,
making a noise with hounds and horns; and MARCUS</p>
making a noise with hounds and horns; and MARCUS</p>


<p>  TITUS. The hunt is up, the morn is bright and grey,<br/>
<p>  TITUS. The hunt is up, the morn is bright and grey,<br/>
     The fields are fragrant, and the woods are green.<br/>
     The fields are fragrant, and the woods are green.<br/>
     Uncouple here, and let us make a bay,<br/>
     Uncouple here, and let us make a bay,<br/>
     And wake the Emperor and his lovely bride,<br/>
     And wake the Emperor and his lovely bride,<br/>
     And rouse the Prince, and ring a hunter's peal,<br/>
     And rouse the Prince, and ring a hunter's peal,<br/>
     That all the court may echo with the noise.<br/>
     That all the court may echo with the noise.<br/>
     Sons, let it be your charge, as it is ours,<br/>
     Sons, let it be your charge, as it is ours,<br/>
     To attend the Emperor's person carefully.<br/>
     To attend the Emperor's person carefully.<br/>
     I have been troubled in my sleep this night,<br/>
     I have been troubled in my sleep this night,<br/>
     But dawning day new comfort hath inspir'd.<br/>
     But dawning day new comfort hath inspir'd.<br/>
</p>
</p>


<p>        Here a cry of hounds, and wind horns in a peal.<br/>
<p>        Here a cry of hounds, and wind horns in a peal.<br/>
       Then enter SATURNINUS, TAMORA, BASSIANUS LAVINIA,<br/>
       Then enter SATURNINUS, TAMORA, BASSIANUS LAVINIA,<br/>
             CHIRON, DEMETRIUS, and their attendants<br/>
             CHIRON, DEMETRIUS, and their attendants<br/>
     Many good morrows to your Majesty!<br/>
     Many good morrows to your Majesty!<br/>
     Madam, to you as many and as good!<br/>
     Madam, to you as many and as good!<br/>
     I promised your Grace a hunter's peal.<br/>
     I promised your Grace a hunter's peal.<br/>
   SATURNINUS. And you have rung it lustily, my lords-<br/>
   SATURNINUS. And you have rung it lustily, my lords-<br/>
     Somewhat too early for new-married ladies.<br/>
     Somewhat too early for new-married ladies.<br/>
   BASSIANUS. Lavinia, how say you?<br/>
   BASSIANUS. Lavinia, how say you?<br/>
   LAVINIA. I say no;<br/>
   LAVINIA. I say no;<br/>
     I have been broad awake two hours and more.<br/>
     I have been broad awake two hours and more.<br/>
   SATURNINUS. Come on then, horse and chariots let us have,<br/>
   SATURNINUS. Come on then, horse and chariots let us have,<br/>
     And to our sport.  [To TAMORA]  Madam, now shall ye see<br/>
     And to our sport.  [To TAMORA]  Madam, now shall ye see<br/>
     Our Roman hunting.<br/>
     Our Roman hunting.<br/>
   MARCUS. I have dogs, my lord,<br/>
   MARCUS. I have dogs, my lord,<br/>
     Will rouse the proudest panther in the chase,<br/>
     Will rouse the proudest panther in the chase,<br/>
     And climb the highest promontory top.<br/>
     And climb the highest promontory top.<br/>
   TITUS. And I have horse will follow where the game<br/>
   TITUS. And I have horse will follow where the game<br/>
     Makes way, and run like swallows o'er the plain.<br/>
     Makes way, and run like swallows o'er the plain.<br/>
   DEMETRIUS. Chiron, we hunt not, we, with horse nor hound,<br/>
   DEMETRIUS. Chiron, we hunt not, we, with horse nor hound,<br/>
     But hope to pluck a dainty doe to ground.            Exeunt<br/>
     But hope to pluck a dainty doe to ground.            Exeunt<br/>
</p>
</p>


<h4>SCENE III.
<h4>SCENE III.
A lonely part of the forest</h4>
A lonely part of the forest</h4>


Line 844: Line 1,592:


<p>  AARON. He that had wit would think that I had none,<br/>
<p>  AARON. He that had wit would think that I had none,<br/>
     To bury so much gold under a tree<br/>
     To bury so much gold under a tree<br/>
     And never after to inherit it.<br/>
     And never after to inherit it.<br/>
     Let him that thinks of me so abjectly<br/>
     Let him that thinks of me so abjectly<br/>
     Know that this gold must coin a stratagem,<br/>
     Know that this gold must coin a stratagem,<br/>
     Which, cunningly effected, will beget<br/>
     Which, cunningly effected, will beget<br/>
     A very excellent piece of villainy.<br/>
     A very excellent piece of villainy.<br/>
     And so repose, sweet gold, for their unrest<br/>
     And so repose, sweet gold, for their unrest<br/>
                                                 [Hides the gold]<br/>
                                                 [Hides the gold]<br/>
     That have their alms out of the Empress' chest.<br/>
     That have their alms out of the Empress' chest.<br/>
</p>
</p>


Line 858: Line 1,616:


<p>  TAMORA. My lovely Aaron, wherefore look'st thou sad<br/>
<p>  TAMORA. My lovely Aaron, wherefore look'st thou sad<br/>
     When everything does make a gleeful boast?<br/>
     When everything does make a gleeful boast?<br/>
     The birds chant melody on every bush;<br/>
     The birds chant melody on every bush;<br/>
     The snakes lie rolled in the cheerful sun;<br/>
     The snakes lie rolled in the cheerful sun;<br/>
     The green leaves quiver with the cooling wind<br/>
     The green leaves quiver with the cooling wind<br/>
     And make a chequer'd shadow on the ground;<br/>
     And make a chequer'd shadow on the ground;<br/>
     Under their sweet shade, Aaron, let us sit,<br/>
     Under their sweet shade, Aaron, let us sit,<br/>
     And while the babbling echo mocks the hounds,<br/>
     And while the babbling echo mocks the hounds,<br/>
     Replying shrilly to the well-tun'd horns,<br/>
     Replying shrilly to the well-tun'd horns,<br/>
     As if a double hunt were heard at once,<br/>
     As if a double hunt were heard at once,<br/>
     Let us sit down and mark their yellowing noise;<br/>
     Let us sit down and mark their yellowing noise;<br/>
     And- after conflict such as was suppos'd<br/>
     And- after conflict such as was suppos'd<br/>
     The wand'ring prince and Dido once enjoyed,<br/>
     The wand'ring prince and Dido once enjoyed,<br/>
     When with a happy storm they were surpris'd,<br/>
     When with a happy storm they were surpris'd,<br/>
     And curtain'd with a counsel-keeping cave-<br/>
     And curtain'd with a counsel-keeping cave-<br/>
     We may, each wreathed in the other's arms,<br/>
     We may, each wreathed in the other's arms,<br/>
     Our pastimes done, possess a golden slumber,<br/>
     Our pastimes done, possess a golden slumber,<br/>
     Whiles hounds and horns and sweet melodious birds<br/>
     Whiles hounds and horns and sweet melodious birds<br/>
     Be unto us as is a nurse's song<br/>
     Be unto us as is a nurse's song<br/>
     Of lullaby to bring her babe asleep.<br/>
     Of lullaby to bring her babe asleep.<br/>
   AARON. Madam, though Venus govern your desires,<br/>
   AARON. Madam, though Venus govern your desires,<br/>
     Saturn is dominator over mine.<br/>
     Saturn is dominator over mine.<br/>
     What signifies my deadly-standing eye,<br/>
     What signifies my deadly-standing eye,<br/>
     My silence and my cloudy melancholy,<br/>
     My silence and my cloudy melancholy,<br/>
     My fleece of woolly hair that now uncurls<br/>
     My fleece of woolly hair that now uncurls<br/>
     Even as an adder when she doth unroll<br/>
     Even as an adder when she doth unroll<br/>
     To do some fatal execution?<br/>
     To do some fatal execution?<br/>
     No, madam, these are no venereal signs.<br/>
     No, madam, these are no venereal signs.<br/>
     Vengeance is in my heart, death in my hand,<br/>
     Vengeance is in my heart, death in my hand,<br/>
     Blood and revenge are hammering in my head.<br/>
     Blood and revenge are hammering in my head.<br/>
     Hark, Tamora, the empress of my soul,<br/>
     Hark, Tamora, the empress of my soul,<br/>
     Which never hopes more heaven than rests in thee-<br/>
     Which never hopes more heaven than rests in thee-<br/>
     This is the day of doom for Bassianus;<br/>
     This is the day of doom for Bassianus;<br/>
     His Philomel must lose her tongue to-day,<br/>
     His Philomel must lose her tongue to-day,<br/>
     Thy sons make pillage of her chastity,<br/>
     Thy sons make pillage of her chastity,<br/>
     And wash their hands in Bassianus' blood.<br/>
     And wash their hands in Bassianus' blood.<br/>
     Seest thou this letter? Take it up, I pray thee,<br/>
     Seest thou this letter? Take it up, I pray thee,<br/>
     And give the King this fatal-plotted scroll.<br/>
     And give the King this fatal-plotted scroll.<br/>
     Now question me no more; we are espied.<br/>
     Now question me no more; we are espied.<br/>
     Here comes a parcel of our hopeful booty,<br/>
     Here comes a parcel of our hopeful booty,<br/>
     Which dreads not yet their lives' destruction.<br/>
     Which dreads not yet their lives' destruction.<br/>
</p>
</p>


Line 903: Line 1,702:


<p>  TAMORA. Ah, my sweet Moor, sweeter to me than life!<br/>
<p>  TAMORA. Ah, my sweet Moor, sweeter to me than life!<br/>
   AARON. No more, great Empress: Bassianus comes.<br/>
   AARON. No more, great Empress: Bassianus comes.<br/>
     Be cross with him; and I'll go fetch thy sons<br/>
     Be cross with him; and I'll go fetch thy sons<br/>
     To back thy quarrels, whatsoe'er they be.              Exit<br/>
     To back thy quarrels, whatsoe'er they be.              Exit<br/>
   BASSIANUS. Who have we here? Rome's royal Emperess,<br/>
   BASSIANUS. Who have we here? Rome's royal Emperess,<br/>
     Unfurnish'd of her well-beseeming troop?<br/>
     Unfurnish'd of her well-beseeming troop?<br/>
     Or is it Dian, habited like her,<br/>
     Or is it Dian, habited like her,<br/>
     Who hath abandoned her holy groves<br/>
     Who hath abandoned her holy groves<br/>
     To see the general hunting in this forest?<br/>
     To see the general hunting in this forest?<br/>
   TAMORA. Saucy controller of my private steps!<br/>
   TAMORA. Saucy controller of my private steps!<br/>
     Had I the pow'r that some say Dian had,<br/>
     Had I the pow'r that some say Dian had,<br/>
     Thy temples should be planted presently<br/>
     Thy temples should be planted presently<br/>
     With horns, as was Actaeon's; and the hounds<br/>
     With horns, as was Actaeon's; and the hounds<br/>
     Should drive upon thy new-transformed limbs,<br/>
     Should drive upon thy new-transformed limbs,<br/>
     Unmannerly intruder as thou art!<br/>
     Unmannerly intruder as thou art!<br/>
   LAVINIA. Under your patience, gentle Emperess,<br/>
   LAVINIA. Under your patience, gentle Emperess,<br/>
     'Tis thought you have a goodly gift in horning,<br/>
     'Tis thought you have a goodly gift in horning,<br/>
     And to be doubted that your Moor and you<br/>
     And to be doubted that your Moor and you<br/>
     Are singled forth to try thy experiments.<br/>
     Are singled forth to try thy experiments.<br/>
     Jove shield your husband from his hounds to-day!<br/>
     Jove shield your husband from his hounds to-day!<br/>
     'Tis pity they should take him for a stag.<br/>
     'Tis pity they should take him for a stag.<br/>
   BASSIANUS. Believe me, Queen, your swarth Cimmerian<br/>
   BASSIANUS. Believe me, Queen, your swarth Cimmerian<br/>
     Doth make your honour of his body's hue,<br/>
     Doth make your honour of his body's hue,<br/>
     Spotted, detested, and abominable.<br/>
     Spotted, detested, and abominable.<br/>
     Why are you sequest'red from all your train,<br/>
     Why are you sequest'red from all your train,<br/>
     Dismounted from your snow-white goodly steed,<br/>
     Dismounted from your snow-white goodly steed,<br/>
     And wand'red hither to an obscure plot,<br/>
     And wand'red hither to an obscure plot,<br/>
     Accompanied but with a barbarous Moor,<br/>
     Accompanied but with a barbarous Moor,<br/>
     If foul desire had not conducted you?<br/>
     If foul desire had not conducted you?<br/>
   LAVINIA. And, being intercepted in your sport,<br/>
   LAVINIA. And, being intercepted in your sport,<br/>
     Great reason that my noble lord be rated<br/>
     Great reason that my noble lord be rated<br/>
     For sauciness. I pray you let us hence,<br/>
     For sauciness. I pray you let us hence,<br/>
     And let her joy her raven-coloured love;<br/>
     And let her joy her raven-coloured love;<br/>
     This valley fits the purpose passing well.<br/>
     This valley fits the purpose passing well.<br/>
   BASSIANUS. The King my brother shall have notice of this.<br/>
   BASSIANUS. The King my brother shall have notice of this.<br/>
   LAVINIA. Ay, for these slips have made him noted long.<br/>
   LAVINIA. Ay, for these slips have made him noted long.<br/>
     Good king, to be so mightily abused!<br/>
     Good king, to be so mightily abused!<br/>
   TAMORA. Why, I have patience to endure all this.<br/>
   TAMORA. Why, I have patience to endure all this.<br/>
</p>
</p>


Line 945: Line 1,782:


<p>  DEMETRIUS. How now, dear sovereign, and our gracious mother!<br/>
<p>  DEMETRIUS. How now, dear sovereign, and our gracious mother!<br/>
     Why doth your Highness look so pale and wan?<br/>
     Why doth your Highness look so pale and wan?<br/>
   TAMORA. Have I not reason, think you, to look pale?<br/>
   TAMORA. Have I not reason, think you, to look pale?<br/>
     These two have 'ticed me hither to this place.<br/>
     These two have 'ticed me hither to this place.<br/>
     A barren detested vale you see it is:<br/>
     A barren detested vale you see it is:<br/>
     The trees, though summer, yet forlorn and lean,<br/>
     The trees, though summer, yet forlorn and lean,<br/>
     Overcome with moss and baleful mistletoe;<br/>
     Overcome with moss and baleful mistletoe;<br/>
     Here never shines the sun; here nothing breeds,<br/>
     Here never shines the sun; here nothing breeds,<br/>
     Unless the nightly owl or fatal raven.<br/>
     Unless the nightly owl or fatal raven.<br/>
     And when they show'd me this abhorred pit,<br/>
     And when they show'd me this abhorred pit,<br/>
     They told me, here, at dead time of the night,<br/>
     They told me, here, at dead time of the night,<br/>
     A thousand fiends, a thousand hissing snakes,<br/>
     A thousand fiends, a thousand hissing snakes,<br/>
     Ten thousand swelling toads, as many urchins,<br/>
     Ten thousand swelling toads, as many urchins,<br/>
     Would make such fearful and confused cries<br/>
     Would make such fearful and confused cries<br/>
     As any mortal body hearing it<br/>
     As any mortal body hearing it<br/>
     Should straight fall mad or else die suddenly.<br/>
     Should straight fall mad or else die suddenly.<br/>
     No sooner had they told this hellish tale<br/>
     No sooner had they told this hellish tale<br/>
     But straight they told me they would bind me here<br/>
     But straight they told me they would bind me here<br/>
     Unto the body of a dismal yew,<br/>
     Unto the body of a dismal yew,<br/>
     And leave me to this miserable death.<br/>
     And leave me to this miserable death.<br/>
     And then they call'd me foul adulteress,<br/>
     And then they call'd me foul adulteress,<br/>
     Lascivious Goth, and all the bitterest terms<br/>
     Lascivious Goth, and all the bitterest terms<br/>
     That ever ear did hear to such effect;<br/>
     That ever ear did hear to such effect;<br/>
     And had you not by wondrous fortune come,<br/>
     And had you not by wondrous fortune come,<br/>
     This vengeance on me had they executed.<br/>
     This vengeance on me had they executed.<br/>
     Revenge it, as you love your mother's life,<br/>
     Revenge it, as you love your mother's life,<br/>
     Or be ye not henceforth call'd my children.<br/>
     Or be ye not henceforth call'd my children.<br/>
   DEMETRIUS. This is a witness that I am thy son.<br/>
   DEMETRIUS. This is a witness that I am thy son.<br/>
                                               [Stabs BASSIANUS]<br/>
                                               [Stabs BASSIANUS]<br/>
   CHIRON. And this for me, struck home to show my strength.<br/>
   CHIRON. And this for me, struck home to show my strength.<br/>
                                                     [Also stabs]<br/>
                                                     [Also stabs]<br/>
   LAVINIA. Ay, come, Semiramis- nay, barbarous Tamora,<br/>
   LAVINIA. Ay, come, Semiramis- nay, barbarous Tamora,<br/>
     For no name fits thy nature but thy own!<br/>
     For no name fits thy nature but thy own!<br/>
   TAMORA. Give me the poniard; you shall know, my boys,<br/>
   TAMORA. Give me the poniard; you shall know, my boys,<br/>
     Your mother's hand shall right your mother's wrong.<br/>
     Your mother's hand shall right your mother's wrong.<br/>
   DEMETRIUS. Stay, madam, here is more belongs to her;<br/>
   DEMETRIUS. Stay, madam, here is more belongs to her;<br/>
     First thrash the corn, then after burn the straw.<br/>
     First thrash the corn, then after burn the straw.<br/>
     This minion stood upon her chastity,<br/>
     This minion stood upon her chastity,<br/>
     Upon her nuptial vow, her loyalty,<br/>
     Upon her nuptial vow, her loyalty,<br/>
     And with that painted hope braves your mightiness;<br/>
     And with that painted hope braves your mightiness;<br/>
     And shall she carry this unto her grave?<br/>
     And shall she carry this unto her grave?<br/>
   CHIRON. An if she do, I would I were an eunuch.<br/>
   CHIRON. An if she do, I would I were an eunuch.<br/>
     Drag hence her husband to some secret hole,<br/>
     Drag hence her husband to some secret hole,<br/>
     And make his dead trunk pillow to our lust.<br/>
     And make his dead trunk pillow to our lust.<br/>
   TAMORA. But when ye have the honey we desire,<br/>
   TAMORA. But when ye have the honey we desire,<br/>
     Let not this wasp outlive, us both to sting.<br/>
     Let not this wasp outlive, us both to sting.<br/>
   CHIRON. I warrant you, madam, we will make that sure.<br/>
   CHIRON. I warrant you, madam, we will make that sure.<br/>
     Come, mistress, now perforce we will enjoy<br/>
     Come, mistress, now perforce we will enjoy<br/>
     That nice-preserved honesty of yours.<br/>
     That nice-preserved honesty of yours.<br/>
   LAVINIA. O Tamora! thou bearest a woman's face-<br/>
   LAVINIA. O Tamora! thou bearest a woman's face-<br/>
   TAMORA. I will not hear her speak; away with her!<br/>
   TAMORA. I will not hear her speak; away with her!<br/>
   LAVINIA. Sweet lords, entreat her hear me but a word.<br/>
   LAVINIA. Sweet lords, entreat her hear me but a word.<br/>
   DEMETRIUS. Listen, fair madam: let it be your glory<br/>
   DEMETRIUS. Listen, fair madam: let it be your glory<br/>
     To see her tears; but be your heart to them<br/>
     To see her tears; but be your heart to them<br/>
     As unrelenting flint to drops of rain.<br/>
     As unrelenting flint to drops of rain.<br/>
   LAVINIA. When did the tiger's young ones teach the dam?<br/>
   LAVINIA. When did the tiger's young ones teach the dam?<br/>
     O, do not learn her wrath- she taught it thee;<br/>
     O, do not learn her wrath- she taught it thee;<br/>
     The milk thou suck'dst from her did turn to marble,<br/>
     The milk thou suck'dst from her did turn to marble,<br/>
     Even at thy teat thou hadst thy tyranny.<br/>
     Even at thy teat thou hadst thy tyranny.<br/>
     Yet every mother breeds not sons alike:<br/>
     Yet every mother breeds not sons alike:<br/>
     [To CHIRON]  Do thou entreat her show a woman's pity.<br/>
     [To CHIRON]  Do thou entreat her show a woman's pity.<br/>
   CHIRON. What, wouldst thou have me prove myself a bastard?<br/>
   CHIRON. What, wouldst thou have me prove myself a bastard?<br/>
   LAVINIA. 'Tis true, the raven doth not hatch a lark.<br/>
   LAVINIA. 'Tis true, the raven doth not hatch a lark.<br/>
     Yet have I heard- O, could I find it now!-<br/>
     Yet have I heard- O, could I find it now!-<br/>
     The lion, mov'd with pity, did endure<br/>
     The lion, mov'd with pity, did endure<br/>
     To have his princely paws par'd all away.<br/>
     To have his princely paws par'd all away.<br/>
     Some say that ravens foster forlorn children,<br/>
     Some say that ravens foster forlorn children,<br/>
     The whilst their own birds famish in their nests;<br/>
     The whilst their own birds famish in their nests;<br/>
     O, be to me, though thy hard heart say no,<br/>
     O, be to me, though thy hard heart say no,<br/>
     Nothing so kind, but something pitiful!<br/>
     Nothing so kind, but something pitiful!<br/>
   TAMORA. I know not what it means; away with her!<br/>
   TAMORA. I know not what it means; away with her!<br/>
   LAVINIA. O, let me teach thee! For my father's sake,<br/>
   LAVINIA. O, let me teach thee! For my father's sake,<br/>
     That gave thee life when well he might have slain thee,<br/>
     That gave thee life when well he might have slain thee,<br/>
     Be not obdurate, open thy deaf ears.<br/>
     Be not obdurate, open thy deaf ears.<br/>
   TAMORA. Hadst thou in person ne'er offended me,<br/>
   TAMORA. Hadst thou in person ne'er offended me,<br/>
     Even for his sake am I pitiless.<br/>
     Even for his sake am I pitiless.<br/>
     Remember, boys, I pour'd forth tears in vain<br/>
     Remember, boys, I pour'd forth tears in vain<br/>
     To save your brother from the sacrifice;<br/>
     To save your brother from the sacrifice;<br/>
     But fierce Andronicus would not relent.<br/>
     But fierce Andronicus would not relent.<br/>
     Therefore away with her, and use her as you will;<br/>
     Therefore away with her, and use her as you will;<br/>
     The worse to her the better lov'd of me.<br/>
     The worse to her the better lov'd of me.<br/>
   LAVINIA. O Tamora, be call'd a gentle queen,<br/>
   LAVINIA. O Tamora, be call'd a gentle queen,<br/>
     And with thine own hands kill me in this place!<br/>
     And with thine own hands kill me in this place!<br/>
     For 'tis not life that I have begg'd so long;<br/>
     For 'tis not life that I have begg'd so long;<br/>
     Poor I was slain when Bassianus died.<br/>
     Poor I was slain when Bassianus died.<br/>
   TAMORA. What beg'st thou, then? Fond woman, let me go.<br/>
   TAMORA. What beg'st thou, then? Fond woman, let me go.<br/>
   LAVINIA. 'Tis present death I beg; and one thing more,<br/>
   LAVINIA. 'Tis present death I beg; and one thing more,<br/>
     That womanhood denies my tongue to tell:<br/>
     That womanhood denies my tongue to tell:<br/>
     O, keep me from their worse than killing lust,<br/>
     O, keep me from their worse than killing lust,<br/>
     And tumble me into some loathsome pit,<br/>
     And tumble me into some loathsome pit,<br/>
     Where never man's eye may behold my body;<br/>
     Where never man's eye may behold my body;<br/>
     Do this, and be a charitable murderer.<br/>
     Do this, and be a charitable murderer.<br/>
   TAMORA. So should I rob my sweet sons of their fee;<br/>
   TAMORA. So should I rob my sweet sons of their fee;<br/>
     No, let them satisfy their lust on thee.<br/>
     No, let them satisfy their lust on thee.<br/>
   DEMETRIUS. Away! for thou hast stay'd us here too long.<br/>
   DEMETRIUS. Away! for thou hast stay'd us here too long.<br/>
   LAVINIA. No grace? no womanhood? Ah, beastly creature,<br/>
   LAVINIA. No grace? no womanhood? Ah, beastly creature,<br/>
     The blot and enemy to our general name!<br/>
     The blot and enemy to our general name!<br/>
     Confusion fall-<br/>
     Confusion fall-<br/>
   CHIRON. Nay, then I'll stop your mouth. Bring thou her husband.<br/>
   CHIRON. Nay, then I'll stop your mouth. Bring thou her husband.<br/>
     This is the hole where Aaron bid us hide him.<br/>
     This is the hole where Aaron bid us hide him.<br/>
</p>
</p>


<p>                DEMETRIUS throws the body<br/>
<p>                DEMETRIUS throws the body<br/>
           of BASSIANUS into the pit; then exeunt<br/>
           of BASSIANUS into the pit; then exeunt<br/>
         DEMETRIUS and CHIRON, dragging off LAVINIA<br/>
         DEMETRIUS and CHIRON, dragging off LAVINIA<br/>
</p>
</p>


<p>  TAMORA. Farewell, my sons; see that you make her sure.<br/>
<p>  TAMORA. Farewell, my sons; see that you make her sure.<br/>
     Ne'er let my heart know merry cheer indeed<br/>
     Ne'er let my heart know merry cheer indeed<br/>
     Till all the Andronici be made away.<br/>
     Till all the Andronici be made away.<br/>
     Now will I hence to seek my lovely Moor,<br/>
     Now will I hence to seek my lovely Moor,<br/>
     And let my spleenful sons this trull deflower.          Exit<br/>
     And let my spleenful sons this trull deflower.          Exit<br/>
</p>
</p>


<p>                  Re-enter AARON, with two<br/>
<p>                  Re-enter AARON, with two<br/>
             of TITUS' sons, QUINTUS and MARTIUS<br/>
             of TITUS' sons, QUINTUS and MARTIUS<br/>
</p>
</p>


<p>  AARON. Come on, my lords, the better foot before;<br/>
<p>  AARON. Come on, my lords, the better foot before;<br/>
     Straight will I bring you to the loathsome pit<br/>
     Straight will I bring you to the loathsome pit<br/>
     Where I espied the panther fast asleep.<br/>
     Where I espied the panther fast asleep.<br/>
   QUINTUS. My sight is very dull, whate'er it bodes.<br/>
   QUINTUS. My sight is very dull, whate'er it bodes.<br/>
   MARTIUS. And mine, I promise you; were it not for shame,<br/>
   MARTIUS. And mine, I promise you; were it not for shame,<br/>
     Well could I leave our sport to sleep awhile.<br/>
     Well could I leave our sport to sleep awhile.<br/>
                                             [Falls into the pit]<br/>
                                             [Falls into the pit]<br/>
   QUINTUS. What, art thou fallen? What subtle hole is this,<br/>
   QUINTUS. What, art thou fallen? What subtle hole is this,<br/>
     Whose mouth is covered with rude-growing briers,<br/>
     Whose mouth is covered with rude-growing briers,<br/>
     Upon whose leaves are drops of new-shed blood<br/>
     Upon whose leaves are drops of new-shed blood<br/>
     As fresh as morning dew distill'd on flowers?<br/>
     As fresh as morning dew distill'd on flowers?<br/>
     A very fatal place it seems to me.<br/>
     A very fatal place it seems to me.<br/>
     Speak, brother, hast thou hurt thee with the fall?<br/>
     Speak, brother, hast thou hurt thee with the fall?<br/>
   MARTIUS. O brother, with the dismal'st object hurt<br/>
   MARTIUS. O brother, with the dismal'st object hurt<br/>
     That ever eye with sight made heart lament!<br/>
     That ever eye with sight made heart lament!<br/>
   AARON.  [Aside]  Now will I fetch the King to find them here,<br/>
   AARON.  [Aside]  Now will I fetch the King to find them here,<br/>
     That he thereby may have a likely guess<br/>
     That he thereby may have a likely guess<br/>
     How these were they that made away his brother.        Exit<br/>
     How these were they that made away his brother.        Exit<br/>
   MARTIUS. Why dost not comfort me, and help me out<br/>
   MARTIUS. Why dost not comfort me, and help me out<br/>
     From this unhallow'd and blood-stained hole?<br/>
     From this unhallow'd and blood-stained hole?<br/>
   QUINTUS. I am surprised with an uncouth fear;<br/>
   QUINTUS. I am surprised with an uncouth fear;<br/>
     A chilling sweat o'er-runs my trembling joints;<br/>
     A chilling sweat o'er-runs my trembling joints;<br/>
     My heart suspects more than mine eye can see.<br/>
     My heart suspects more than mine eye can see.<br/>
   MARTIUS. To prove thou hast a true divining heart,<br/>
   MARTIUS. To prove thou hast a true divining heart,<br/>
     Aaron and thou look down into this den,<br/>
     Aaron and thou look down into this den,<br/>
     And see a fearful sight of blood and death.<br/>
     And see a fearful sight of blood and death.<br/>
   QUINTUS. Aaron is gone, and my compassionate heart<br/>
   QUINTUS. Aaron is gone, and my compassionate heart<br/>
     Will not permit mine eyes once to behold<br/>
     Will not permit mine eyes once to behold<br/>
     The thing whereat it trembles by surmise;<br/>
     The thing whereat it trembles by surmise;<br/>
     O, tell me who it is, for ne'er till now<br/>
     O, tell me who it is, for ne'er till now<br/>
     Was I a child to fear I know not what.<br/>
     Was I a child to fear I know not what.<br/>
   MARTIUS. Lord Bassianus lies beray'd in blood,<br/>
   MARTIUS. Lord Bassianus lies beray'd in blood,<br/>
     All on a heap, like to a slaughtered lamb,<br/>
     All on a heap, like to a slaughtered lamb,<br/>
     In this detested, dark, blood-drinking pit.<br/>
     In this detested, dark, blood-drinking pit.<br/>
   QUINTUS. If it be dark, how dost thou know 'tis he?<br/>
   QUINTUS. If it be dark, how dost thou know 'tis he?<br/>
   MARTIUS. Upon his bloody finger he doth wear<br/>
   MARTIUS. Upon his bloody finger he doth wear<br/>
     A precious ring that lightens all this hole,<br/>
     A precious ring that lightens all this hole,<br/>
     Which, like a taper in some monument,<br/>
     Which, like a taper in some monument,<br/>
     Doth shine upon the dead man's earthy cheeks,<br/>
     Doth shine upon the dead man's earthy cheeks,<br/>
     And shows the ragged entrails of this pit;<br/>
     And shows the ragged entrails of this pit;<br/>
     So pale did shine the moon on Pyramus<br/>
     So pale did shine the moon on Pyramus<br/>
     When he by night lay bath'd in maiden blood.<br/>
     When he by night lay bath'd in maiden blood.<br/>
     O brother, help me with thy fainting hand-<br/>
     O brother, help me with thy fainting hand-<br/>
     If fear hath made thee faint, as me it hath-<br/>
     If fear hath made thee faint, as me it hath-<br/>
     Out of this fell devouring receptacle,<br/>
     Out of this fell devouring receptacle,<br/>
     As hateful as Cocytus' misty mouth.<br/>
     As hateful as Cocytus' misty mouth.<br/>
   QUINTUS. Reach me thy hand, that I may help thee out,<br/>
   QUINTUS. Reach me thy hand, that I may help thee out,<br/>
     Or, wanting strength to do thee so much good,<br/>
     Or, wanting strength to do thee so much good,<br/>
     I may be pluck'd into the swallowing womb<br/>
     I may be pluck'd into the swallowing womb<br/>
     Of this deep pit, poor Bassianus' grave.<br/>
     Of this deep pit, poor Bassianus' grave.<br/>
     I have no strength to pluck thee to the brink.<br/>
     I have no strength to pluck thee to the brink.<br/>
   MARTIUS. Nor I no strength to climb without thy help.<br/>
   MARTIUS. Nor I no strength to climb without thy help.<br/>
   QUINTUS. Thy hand once more; I will not loose again,<br/>
   QUINTUS. Thy hand once more; I will not loose again,<br/>
     Till thou art here aloft, or I below.<br/>
     Till thou art here aloft, or I below.<br/>
     Thou canst not come to me- I come to thee.        [Falls in]<br/>
     Thou canst not come to me- I come to thee.        [Falls in]<br/>
</p>
</p>


Line 1,122: Line 2,124:


<p>  SATURNINUS. Along with me! I'll see what hole is here,<br/>
<p>  SATURNINUS. Along with me! I'll see what hole is here,<br/>
     And what he is that now is leapt into it.<br/>
     And what he is that now is leapt into it.<br/>
     Say, who art thou that lately didst descend<br/>
     Say, who art thou that lately didst descend<br/>
     Into this gaping hollow of the earth?<br/>
     Into this gaping hollow of the earth?<br/>
   MARTIUS. The unhappy sons of old Andronicus,<br/>
   MARTIUS. The unhappy sons of old Andronicus,<br/>
     Brought hither in a most unlucky hour,<br/>
     Brought hither in a most unlucky hour,<br/>
     To find thy brother Bassianus dead.<br/>
     To find thy brother Bassianus dead.<br/>
   SATURNINUS. My brother dead! I know thou dost but jest:<br/>
   SATURNINUS. My brother dead! I know thou dost but jest:<br/>
     He and his lady both are at the lodge<br/>
     He and his lady both are at the lodge<br/>
     Upon the north side of this pleasant chase;<br/>
     Upon the north side of this pleasant chase;<br/>
     'Tis not an hour since I left them there.<br/>
     'Tis not an hour since I left them there.<br/>
   MARTIUS. We know not where you left them all alive;<br/>
   MARTIUS. We know not where you left them all alive;<br/>
     But, out alas! here have we found him dead.<br/>
     But, out alas! here have we found him dead.<br/>
</p>
</p>


<p>                  Re-enter TAMORA, with<br/>
<p>                  Re-enter TAMORA, with<br/>
         attendants; TITUS ANDRONICUS and Lucius<br/>
         attendants; TITUS ANDRONICUS and Lucius<br/>
</p>
</p>


<p>  TAMORA. Where is my lord the King?<br/>
<p>  TAMORA. Where is my lord the King?<br/>
   SATURNINUS. Here, Tamora; though griev'd with killing grief.<br/>
   SATURNINUS. Here, Tamora; though griev'd with killing grief.<br/>
   TAMORA. Where is thy brother Bassianus?<br/>
   TAMORA. Where is thy brother Bassianus?<br/>
   SATURNINUS. Now to the bottom dost thou search my wound;<br/>
   SATURNINUS. Now to the bottom dost thou search my wound;<br/>
     Poor Bassianus here lies murdered.<br/>
     Poor Bassianus here lies murdered.<br/>
   TAMORA. Then all too late I bring this fatal writ,<br/>
   TAMORA. Then all too late I bring this fatal writ,<br/>
     The complot of this timeless tragedy;<br/>
     The complot of this timeless tragedy;<br/>
     And wonder greatly that man's face can fold<br/>
     And wonder greatly that man's face can fold<br/>
     In pleasing smiles such murderous tyranny.<br/>
     In pleasing smiles such murderous tyranny.<br/>
                                 [She giveth SATURNINE a letter]<br/>
                                 [She giveth SATURNINE a letter]<br/>
     SATURNINUS.  [Reads]  'An if we miss to meet him handsomely,<br/>
     SATURNINUS.  [Reads]  'An if we miss to meet him handsomely,<br/>
     Sweet huntsman- Bassianus 'tis we mean-<br/>
     Sweet huntsman- Bassianus 'tis we mean-<br/>
     Do thou so much as dig the grave for him.<br/>
     Do thou so much as dig the grave for him.<br/>
     Thou know'st our meaning. Look for thy reward<br/>
     Thou know'st our meaning. Look for thy reward<br/>
     Among the nettles at the elder-tree<br/>
     Among the nettles at the elder-tree<br/>
     Which overshades the mouth of that same pit<br/>
     Which overshades the mouth of that same pit<br/>
     Where we decreed to bury Bassianus.<br/>
     Where we decreed to bury Bassianus.<br/>
     Do this, and purchase us thy lasting friends.'<br/>
     Do this, and purchase us thy lasting friends.'<br/>
     O Tamora! was ever heard the like?<br/>
     O Tamora! was ever heard the like?<br/>
     This is the pit and this the elder-tree.<br/>
     This is the pit and this the elder-tree.<br/>
     Look, sirs, if you can find the huntsman out<br/>
     Look, sirs, if you can find the huntsman out<br/>
     That should have murdered Bassianus here.<br/>
     That should have murdered Bassianus here.<br/>
   AARON. My gracious lord, here is the bag of gold.<br/>
   AARON. My gracious lord, here is the bag of gold.<br/>
   SATURNINUS.  [To TITUS]  Two of thy whelps, fell curs of bloody<br/>
   SATURNINUS.  [To TITUS]  Two of thy whelps, fell curs of bloody<br/>
       kind,<br/>
       kind,<br/>
     Have here bereft my brother of his life.<br/>
     Have here bereft my brother of his life.<br/>
     Sirs, drag them from the pit unto the prison;<br/>
     Sirs, drag them from the pit unto the prison;<br/>
     There let them bide until we have devis'd<br/>
     There let them bide until we have devis'd<br/>
     Some never-heard-of torturing pain for them.<br/>
     Some never-heard-of torturing pain for them.<br/>
   TAMORA. What, are they in this pit? O wondrous thing!<br/>
   TAMORA. What, are they in this pit? O wondrous thing!<br/>
     How easily murder is discovered!<br/>
     How easily murder is discovered!<br/>
   TITUS. High Emperor, upon my feeble knee<br/>
   TITUS. High Emperor, upon my feeble knee<br/>
     I beg this boon, with tears not lightly shed,<br/>
     I beg this boon, with tears not lightly shed,<br/>
     That this fell fault of my accursed sons-<br/>
     That this fell fault of my accursed sons-<br/>
     Accursed if the fault be prov'd in them-<br/>
     Accursed if the fault be prov'd in them-<br/>
   SATURNINUS. If it be prov'd! You see it is apparent.<br/>
   SATURNINUS. If it be prov'd! You see it is apparent.<br/>
     Who found this letter? Tamora, was it you?<br/>
     Who found this letter? Tamora, was it you?<br/>
   TAMORA. Andronicus himself did take it up.<br/>
   TAMORA. Andronicus himself did take it up.<br/>
   TITUS. I did, my lord, yet let me be their bail;<br/>
   TITUS. I did, my lord, yet let me be their bail;<br/>
     For, by my fathers' reverend tomb, I vow<br/>
     For, by my fathers' reverend tomb, I vow<br/>
     They shall be ready at your Highness' will<br/>
     They shall be ready at your Highness' will<br/>
     To answer their suspicion with their lives.<br/>
     To answer their suspicion with their lives.<br/>
   SATURNINUS. Thou shalt not bail them; see thou follow me.<br/>
   SATURNINUS. Thou shalt not bail them; see thou follow me.<br/>
     Some bring the murdered body, some the murderers;<br/>
     Some bring the murdered body, some the murderers;<br/>
     Let them not speak a word- the guilt is plain;<br/>
     Let them not speak a word- the guilt is plain;<br/>
     For, by my soul, were there worse end than death,<br/>
     For, by my soul, were there worse end than death,<br/>
     That end upon them should be executed.<br/>
     That end upon them should be executed.<br/>
   TAMORA. Andronicus, I will entreat the King.<br/>
   TAMORA. Andronicus, I will entreat the King.<br/>
     Fear not thy sons; they shall do well enough.<br/>
     Fear not thy sons; they shall do well enough.<br/>
   TITUS. Come, Lucius, come; stay not to talk with them.    Exeunt<br/>
   TITUS. Come, Lucius, come; stay not to talk with them.    Exeunt<br/>
</p>
</p>


<h4>SCENE IV.
<h4>SCENE IV.
Another part of the forest</h4>
Another part of the forest</h4>


<p>Enter the Empress' sons, DEMETRIUS and CHIRON, with LAVINIA,
<p>Enter the Empress' sons, DEMETRIUS and CHIRON, with LAVINIA,
her hands cut off, and her tongue cut out, and ravish'd</p>
her hands cut off, and her tongue cut out, and ravish'd</p>


<p>  DEMETRIUS. So, now go tell, an if thy tongue can speak,<br/>
<p>  DEMETRIUS. So, now go tell, an if thy tongue can speak,<br/>
     Who 'twas that cut thy tongue and ravish'd thee.<br/>
     Who 'twas that cut thy tongue and ravish'd thee.<br/>
   CHIRON. Write down thy mind, bewray thy meaning so,<br/>
   CHIRON. Write down thy mind, bewray thy meaning so,<br/>
     An if thy stumps will let thee play the scribe.<br/>
     An if thy stumps will let thee play the scribe.<br/>
   DEMETRIUS. See how with signs and tokens she can scrowl.<br/>
   DEMETRIUS. See how with signs and tokens she can scrowl.<br/>
   CHIRON. Go home, call for sweet water, wash thy hands.<br/>
   CHIRON. Go home, call for sweet water, wash thy hands.<br/>
   DEMETRIUS. She hath no tongue to call, nor hands to wash;<br/>
   DEMETRIUS. She hath no tongue to call, nor hands to wash;<br/>
     And so let's leave her to her silent walks.<br/>
     And so let's leave her to her silent walks.<br/>
   CHIRON. An 'twere my cause, I should go hang myself.<br/>
   CHIRON. An 'twere my cause, I should go hang myself.<br/>
   DEMETRIUS. If thou hadst hands to help thee knit the cord.<br/>
   DEMETRIUS. If thou hadst hands to help thee knit the cord.<br/>
                                     Exeunt DEMETRIUS and CHIRON<br/>
                                     Exeunt DEMETRIUS and CHIRON<br/>
</p>
</p>


Line 1,214: Line 2,294:


<p>  MARCUS. Who is this?- my niece, that flies away so fast?<br/>
<p>  MARCUS. Who is this?- my niece, that flies away so fast?<br/>
     Cousin, a word: where is your husband?<br/>
     Cousin, a word: where is your husband?<br/>
     If I do dream, would all my wealth would wake me!<br/>
     If I do dream, would all my wealth would wake me!<br/>
     If I do wake, some planet strike me down,<br/>
     If I do wake, some planet strike me down,<br/>
     That I may slumber an eternal sleep!<br/>
     That I may slumber an eternal sleep!<br/>
     Speak, gentle niece. What stern ungentle hands<br/>
     Speak, gentle niece. What stern ungentle hands<br/>
     Hath lopp'd, and hew'd, and made thy body bare<br/>
     Hath lopp'd, and hew'd, and made thy body bare<br/>
     Of her two branches- those sweet ornaments<br/>
     Of her two branches- those sweet ornaments<br/>
     Whose circling shadows kings have sought to sleep in,<br/>
     Whose circling shadows kings have sought to sleep in,<br/>
     And might not gain so great a happiness<br/>
     And might not gain so great a happiness<br/>
     As half thy love? Why dost not speak to me?<br/>
     As half thy love? Why dost not speak to me?<br/>
     Alas, a crimson river of warm blood,<br/>
     Alas, a crimson river of warm blood,<br/>
     Like to a bubbling fountain stirr'd with wind,<br/>
     Like to a bubbling fountain stirr'd with wind,<br/>
     Doth rise and fall between thy rosed lips,<br/>
     Doth rise and fall between thy rosed lips,<br/>
     Coming and going with thy honey breath.<br/>
     Coming and going with thy honey breath.<br/>
     But sure some Tereus hath deflowered thee,<br/>
     But sure some Tereus hath deflowered thee,<br/>
     And, lest thou shouldst detect him, cut thy tongue.<br/>
     And, lest thou shouldst detect him, cut thy tongue.<br/>
     Ah, now thou turn'st away thy face for shame!<br/>
     Ah, now thou turn'st away thy face for shame!<br/>
     And notwithstanding all this loss of blood-<br/>
     And notwithstanding all this loss of blood-<br/>
     As from a conduit with three issuing spouts-<br/>
     As from a conduit with three issuing spouts-<br/>
     Yet do thy cheeks look red as Titan's face<br/>
     Yet do thy cheeks look red as Titan's face<br/>
     Blushing to be encount'red with a cloud.<br/>
     Blushing to be encount'red with a cloud.<br/>
     Shall I speak for thee? Shall I say 'tis so?<br/>
     Shall I speak for thee? Shall I say 'tis so?<br/>
     O, that I knew thy heart, and knew the beast,<br/>
     O, that I knew thy heart, and knew the beast,<br/>
     That I might rail at him to ease my mind!<br/>
     That I might rail at him to ease my mind!<br/>
     Sorrow concealed, like an oven stopp'd,<br/>
     Sorrow concealed, like an oven stopp'd,<br/>
     Doth burn the heart to cinders where it is.<br/>
     Doth burn the heart to cinders where it is.<br/>
     Fair Philomel, why she but lost her tongue,<br/>
     Fair Philomel, why she but lost her tongue,<br/>
     And in a tedious sampler sew'd her mind;<br/>
     And in a tedious sampler sew'd her mind;<br/>
     But, lovely niece, that mean is cut from thee.<br/>
     But, lovely niece, that mean is cut from thee.<br/>
     A craftier Tereus, cousin, hast thou met,<br/>
     A craftier Tereus, cousin, hast thou met,<br/>
     And he hath cut those pretty fingers off<br/>
     And he hath cut those pretty fingers off<br/>
     That could have better sew'd than Philomel.<br/>
     That could have better sew'd than Philomel.<br/>
     O, had the monster seen those lily hands<br/>
     O, had the monster seen those lily hands<br/>
     Tremble like aspen leaves upon a lute<br/>
     Tremble like aspen leaves upon a lute<br/>
     And make the silken strings delight to kiss them,<br/>
     And make the silken strings delight to kiss them,<br/>
     He would not then have touch'd them for his life!<br/>
     He would not then have touch'd them for his life!<br/>
     Or had he heard the heavenly harmony<br/>
     Or had he heard the heavenly harmony<br/>
     Which that sweet tongue hath made,<br/>
     Which that sweet tongue hath made,<br/>
     He would have dropp'd his knife, and fell asleep,<br/>
     He would have dropp'd his knife, and fell asleep,<br/>
     As Cerberus at the Thracian poet's feet.<br/>
     As Cerberus at the Thracian poet's feet.<br/>
     Come, let us go, and make thy father blind,<br/>
     Come, let us go, and make thy father blind,<br/>
     For such a sight will blind a father's eye;<br/>
     For such a sight will blind a father's eye;<br/>
     One hour's storm will drown the fragrant meads,<br/>
     One hour's storm will drown the fragrant meads,<br/>
     What will whole months of tears thy father's eyes?<br/>
     What will whole months of tears thy father's eyes?<br/>
     Do not draw back, for we will mourn with thee;<br/>
     Do not draw back, for we will mourn with thee;<br/>
     O, could our mourning case thy misery!                Exeunt<br/>
     O, could our mourning case thy misery!                Exeunt<br/>
</p>
</p>


<h4>ACT III. SCENE I.
<h4>ACT III. SCENE I.
Rome. A street</h4>
Rome. A street</h4>


<p>Enter the JUDGES, TRIBUNES, and SENATORS, with TITUS' two sons
<p>Enter the JUDGES, TRIBUNES, and SENATORS, with TITUS' two sons
MARTIUS and QUINTUS bound, passing on the stage to the place of execution,
MARTIUS and QUINTUS bound, passing on the stage to the place of execution,
and TITUS going before, pleading</p>
and TITUS going before, pleading</p>


<p>  TITUS. Hear me, grave fathers; noble Tribunes, stay!<br/>
<p>  TITUS. Hear me, grave fathers; noble Tribunes, stay!<br/>
     For pity of mine age, whose youth was spent<br/>
     For pity of mine age, whose youth was spent<br/>
     In dangerous wars whilst you securely slept;<br/>
     In dangerous wars whilst you securely slept;<br/>
     For all my blood in Rome's great quarrel shed,<br/>
     For all my blood in Rome's great quarrel shed,<br/>
     For all the frosty nights that I have watch'd,<br/>
     For all the frosty nights that I have watch'd,<br/>
     And for these bitter tears, which now you see<br/>
     And for these bitter tears, which now you see<br/>
     Filling the aged wrinkles in my cheeks,<br/>
     Filling the aged wrinkles in my cheeks,<br/>
     Be pitiful to my condemned sons,<br/>
     Be pitiful to my condemned sons,<br/>
     Whose souls are not corrupted as 'tis thought.<br/>
     Whose souls are not corrupted as 'tis thought.<br/>
     For two and twenty sons I never wept,<br/>
     For two and twenty sons I never wept,<br/>
     Because they died in honour's lofty bed.<br/>
     Because they died in honour's lofty bed.<br/>
                           [ANDRONICUS lieth down, and the judges<br/>
                           [ANDRONICUS lieth down, and the judges<br/>
                     pass by him with the prisoners, and exeunt]<br/>
                     pass by him with the prisoners, and exeunt]<br/>
     For these, Tribunes, in the dust I write<br/>
     For these, Tribunes, in the dust I write<br/>
     My heart's deep languor and my soul's sad tears.<br/>
     My heart's deep languor and my soul's sad tears.<br/>
     Let my tears stanch the earth's dry appetite;<br/>
     Let my tears stanch the earth's dry appetite;<br/>
     My sons' sweet blood will make it shame and blush.<br/>
     My sons' sweet blood will make it shame and blush.<br/>
     O earth, I will befriend thee more with rain<br/>
     O earth, I will befriend thee more with rain<br/>
     That shall distil from these two ancient urns,<br/>
     That shall distil from these two ancient urns,<br/>
     Than youthful April shall with all his show'rs.<br/>
     Than youthful April shall with all his show'rs.<br/>
     In summer's drought I'll drop upon thee still;<br/>
     In summer's drought I'll drop upon thee still;<br/>
     In winter with warm tears I'll melt the snow<br/>
     In winter with warm tears I'll melt the snow<br/>
     And keep eternal spring-time on thy face,<br/>
     And keep eternal spring-time on thy face,<br/>
     So thou refuse to drink my dear sons' blood.<br/>
     So thou refuse to drink my dear sons' blood.<br/>
</p>
</p>


Line 1,298: Line 2,452:


<p>    O reverend Tribunes! O gentle aged men!<br/>
<p>    O reverend Tribunes! O gentle aged men!<br/>
     Unbind my sons, reverse the doom of death,<br/>
     Unbind my sons, reverse the doom of death,<br/>
     And let me say, that never wept before,<br/>
     And let me say, that never wept before,<br/>
     My tears are now prevailing orators.<br/>
     My tears are now prevailing orators.<br/>
   LUCIUS. O noble father, you lament in vain;<br/>
   LUCIUS. O noble father, you lament in vain;<br/>
     The Tribunes hear you not, no man is by,<br/>
     The Tribunes hear you not, no man is by,<br/>
     And you recount your sorrows to a stone.<br/>
     And you recount your sorrows to a stone.<br/>
   TITUS. Ah, Lucius, for thy brothers let me plead!<br/>
   TITUS. Ah, Lucius, for thy brothers let me plead!<br/>
     Grave Tribunes, once more I entreat of you.<br/>
     Grave Tribunes, once more I entreat of you.<br/>
   LUCIUS. My gracious lord, no tribune hears you speak.<br/>
   LUCIUS. My gracious lord, no tribune hears you speak.<br/>
   TITUS. Why, 'tis no matter, man: if they did hear,<br/>
   TITUS. Why, 'tis no matter, man: if they did hear,<br/>
     They would not mark me; if they did mark,<br/>
     They would not mark me; if they did mark,<br/>
     They would not pity me; yet plead I must,<br/>
     They would not pity me; yet plead I must,<br/>
     And bootless unto them.<br/>
     And bootless unto them.<br/>
     Therefore I tell my sorrows to the stones;<br/>
     Therefore I tell my sorrows to the stones;<br/>
     Who though they cannot answer my distress,<br/>
     Who though they cannot answer my distress,<br/>
     Yet in some sort they are better than the Tribunes,<br/>
     Yet in some sort they are better than the Tribunes,<br/>
     For that they will not intercept my tale.<br/>
     For that they will not intercept my tale.<br/>
     When I do weep, they humbly at my feet<br/>
     When I do weep, they humbly at my feet<br/>
     Receive my tears, and seem to weep with me;<br/>
     Receive my tears, and seem to weep with me;<br/>
     And were they but attired in grave weeds,<br/>
     And were they but attired in grave weeds,<br/>
     Rome could afford no tribunes like to these.<br/>
     Rome could afford no tribunes like to these.<br/>
     A stone is soft as wax: tribunes more hard than stones.<br/>
     A stone is soft as wax: tribunes more hard than stones.<br/>
     A stone is silent and offendeth not,<br/>
     A stone is silent and offendeth not,<br/>
     And tribunes with their tongues doom men to death.<br/>
     And tribunes with their tongues doom men to death.<br/>
                                                         [Rises]<br/>
                                                         [Rises]<br/>
     But wherefore stand'st thou with thy weapon drawn?<br/>
     But wherefore stand'st thou with thy weapon drawn?<br/>
   LUCIUS. To rescue my two brothers from their death;<br/>
   LUCIUS. To rescue my two brothers from their death;<br/>
     For which attempt the judges have pronounc'd<br/>
     For which attempt the judges have pronounc'd<br/>
     My everlasting doom of banishment.<br/>
     My everlasting doom of banishment.<br/>
   TITUS. O happy man! they have befriended thee.<br/>
   TITUS. O happy man! they have befriended thee.<br/>
     Why, foolish Lucius, dost thou not perceive<br/>
     Why, foolish Lucius, dost thou not perceive<br/>
     That Rome is but a wilderness of tigers?<br/>
     That Rome is but a wilderness of tigers?<br/>
     Tigers must prey, and Rome affords no prey<br/>
     Tigers must prey, and Rome affords no prey<br/>
     But me and mine; how happy art thou then<br/>
     But me and mine; how happy art thou then<br/>
     From these devourers to be banished!<br/>
     From these devourers to be banished!<br/>
     But who comes with our brother Marcus here?<br/>
     But who comes with our brother Marcus here?<br/>
</p>
</p>


Line 1,339: Line 2,530:


<p>  MARCUS. Titus, prepare thy aged eyes to weep,<br/>
<p>  MARCUS. Titus, prepare thy aged eyes to weep,<br/>
     Or if not so, thy noble heart to break.<br/>
     Or if not so, thy noble heart to break.<br/>
     I bring consuming sorrow to thine age.<br/>
     I bring consuming sorrow to thine age.<br/>
   TITUS. Will it consume me? Let me see it then.<br/>
   TITUS. Will it consume me? Let me see it then.<br/>
   MARCUS. This was thy daughter.<br/>
   MARCUS. This was thy daughter.<br/>
   TITUS. Why, Marcus, so she is.<br/>
   TITUS. Why, Marcus, so she is.<br/>
   LUCIUS. Ay me! this object kills me.<br/>
   LUCIUS. Ay me! this object kills me.<br/>
   TITUS. Faint-hearted boy, arise, and look upon her.<br/>
   TITUS. Faint-hearted boy, arise, and look upon her.<br/>
     Speak, Lavinia, what accursed hand<br/>
     Speak, Lavinia, what accursed hand<br/>
     Hath made thee handless in thy father's sight?<br/>
     Hath made thee handless in thy father's sight?<br/>
     What fool hath added water to the sea,<br/>
     What fool hath added water to the sea,<br/>
     Or brought a fagot to bright-burning Troy?<br/>
     Or brought a fagot to bright-burning Troy?<br/>
     My grief was at the height before thou cam'st,<br/>
     My grief was at the height before thou cam'st,<br/>
     And now like Nilus it disdaineth bounds.<br/>
     And now like Nilus it disdaineth bounds.<br/>
     Give me a sword, I'll chop off my hands too,<br/>
     Give me a sword, I'll chop off my hands too,<br/>
     For they have fought for Rome, and all in vain;<br/>
     For they have fought for Rome, and all in vain;<br/>
     And they have nurs'd this woe in feeding life;<br/>
     And they have nurs'd this woe in feeding life;<br/>
     In bootless prayer have they been held up,<br/>
     In bootless prayer have they been held up,<br/>
     And they have serv'd me to effectless use.<br/>
     And they have serv'd me to effectless use.<br/>
     Now all the service I require of them<br/>
     Now all the service I require of them<br/>
     Is that the one will help to cut the other.<br/>
     Is that the one will help to cut the other.<br/>
     'Tis well, Lavinia, that thou hast no hands;<br/>
     'Tis well, Lavinia, that thou hast no hands;<br/>
     For hands to do Rome service is but vain.<br/>
     For hands to do Rome service is but vain.<br/>
   LUCIUS. Speak, gentle sister, who hath martyr'd thee?<br/>
   LUCIUS. Speak, gentle sister, who hath martyr'd thee?<br/>
   MARCUS. O, that delightful engine of her thoughts<br/>
   MARCUS. O, that delightful engine of her thoughts<br/>
     That blabb'd them with such pleasing eloquence<br/>
     That blabb'd them with such pleasing eloquence<br/>
     Is torn from forth that pretty hollow cage,<br/>
     Is torn from forth that pretty hollow cage,<br/>
     Where like a sweet melodious bird it sung<br/>
     Where like a sweet melodious bird it sung<br/>
     Sweet varied notes, enchanting every ear!<br/>
     Sweet varied notes, enchanting every ear!<br/>
   LUCIUS. O, say thou for her, who hath done this deed?<br/>
   LUCIUS. O, say thou for her, who hath done this deed?<br/>
   MARCUS. O, thus I found her straying in the park,<br/>
   MARCUS. O, thus I found her straying in the park,<br/>
     Seeking to hide herself as doth the deer<br/>
     Seeking to hide herself as doth the deer<br/>
     That hath receiv'd some unrecuring wound.<br/>
     That hath receiv'd some unrecuring wound.<br/>
   TITUS. It was my dear, and he that wounded her<br/>
   TITUS. It was my dear, and he that wounded her<br/>
     Hath hurt me more than had he kill'd me dead;<br/>
     Hath hurt me more than had he kill'd me dead;<br/>
     For now I stand as one upon a rock,<br/>
     For now I stand as one upon a rock,<br/>
     Environ'd with a wilderness of sea,<br/>
     Environ'd with a wilderness of sea,<br/>
     Who marks the waxing tide grow wave by wave,<br/>
     Who marks the waxing tide grow wave by wave,<br/>
     Expecting ever when some envious surge<br/>
     Expecting ever when some envious surge<br/>
     Will in his brinish bowels swallow him.<br/>
     Will in his brinish bowels swallow him.<br/>
     This way to death my wretched sons are gone;<br/>
     This way to death my wretched sons are gone;<br/>
     Here stands my other son, a banish'd man,<br/>
     Here stands my other son, a banish'd man,<br/>
     And here my brother, weeping at my woes.<br/>
     And here my brother, weeping at my woes.<br/>
     But that which gives my soul the greatest spurn<br/>
     But that which gives my soul the greatest spurn<br/>
     Is dear Lavinia, dearer than my soul.<br/>
     Is dear Lavinia, dearer than my soul.<br/>
     Had I but seen thy picture in this plight,<br/>
     Had I but seen thy picture in this plight,<br/>
     It would have madded me; what shall I do<br/>
     It would have madded me; what shall I do<br/>
     Now I behold thy lively body so?<br/>
     Now I behold thy lively body so?<br/>
     Thou hast no hands to wipe away thy tears,<br/>
     Thou hast no hands to wipe away thy tears,<br/>
     Nor tongue to tell me who hath martyr'd thee;<br/>
     Nor tongue to tell me who hath martyr'd thee;<br/>
     Thy husband he is dead, and for his death<br/>
     Thy husband he is dead, and for his death<br/>
     Thy brothers are condemn'd, and dead by this.<br/>
     Thy brothers are condemn'd, and dead by this.<br/>
     Look, Marcus! Ah, son Lucius, look on her!<br/>
     Look, Marcus! Ah, son Lucius, look on her!<br/>
     When I did name her brothers, then fresh tears<br/>
     When I did name her brothers, then fresh tears<br/>
     Stood on her cheeks, as doth the honey dew<br/>
     Stood on her cheeks, as doth the honey dew<br/>
     Upon a gath'red lily almost withered.<br/>
     Upon a gath'red lily almost withered.<br/>
   MARCUS. Perchance she weeps because they kill'd her husband;<br/>
   MARCUS. Perchance she weeps because they kill'd her husband;<br/>
     Perchance because she knows them innocent.<br/>
     Perchance because she knows them innocent.<br/>
   TITUS. If they did kill thy husband, then be joyful,<br/>
   TITUS. If they did kill thy husband, then be joyful,<br/>
     Because the law hath ta'en revenge on them.<br/>
     Because the law hath ta'en revenge on them.<br/>
     No, no, they would not do so foul a deed;<br/>
     No, no, they would not do so foul a deed;<br/>
     Witness the sorrow that their sister makes.<br/>
     Witness the sorrow that their sister makes.<br/>
     Gentle Lavinia, let me kiss thy lips,<br/>
     Gentle Lavinia, let me kiss thy lips,<br/>
     Or make some sign how I may do thee ease.<br/>
     Or make some sign how I may do thee ease.<br/>
     Shall thy good uncle and thy brother Lucius<br/>
     Shall thy good uncle and thy brother Lucius<br/>
     And thou and I sit round about some fountain,<br/>
     And thou and I sit round about some fountain,<br/>
     Looking all downwards to behold our cheeks<br/>
     Looking all downwards to behold our cheeks<br/>
     How they are stain'd, like meadows yet not dry<br/>
     How they are stain'd, like meadows yet not dry<br/>
     With miry slime left on them by a flood?<br/>
     With miry slime left on them by a flood?<br/>
     And in the fountain shall we gaze so long,<br/>
     And in the fountain shall we gaze so long,<br/>
     Till the fresh taste be taken from that clearness,<br/>
     Till the fresh taste be taken from that clearness,<br/>
     And made a brine-pit with our bitter tears?<br/>
     And made a brine-pit with our bitter tears?<br/>
     Or shall we cut away our hands like thine?<br/>
     Or shall we cut away our hands like thine?<br/>
     Or shall we bite our tongues, and in dumb shows<br/>
     Or shall we bite our tongues, and in dumb shows<br/>
     Pass the remainder of our hateful days?<br/>
     Pass the remainder of our hateful days?<br/>
     What shall we do? Let us that have our tongues<br/>
     What shall we do? Let us that have our tongues<br/>
     Plot some device of further misery<br/>
     Plot some device of further misery<br/>
     To make us wonder'd at in time to come.<br/>
     To make us wonder'd at in time to come.<br/>
   LUCIUS. Sweet father, cease your tears; for at your grief<br/>
   LUCIUS. Sweet father, cease your tears; for at your grief<br/>
     See how my wretched sister sobs and weeps.<br/>
     See how my wretched sister sobs and weeps.<br/>
   MARCUS. Patience, dear niece. Good Titus, dry thine eyes.<br/>
   MARCUS. Patience, dear niece. Good Titus, dry thine eyes.<br/>
   TITUS. Ah, Marcus, Marcus! Brother, well I wot<br/>
   TITUS. Ah, Marcus, Marcus! Brother, well I wot<br/>
     Thy napkin cannot drink a tear of mine,<br/>
     Thy napkin cannot drink a tear of mine,<br/>
     For thou, poor man, hast drown'd it with thine own.<br/>
     For thou, poor man, hast drown'd it with thine own.<br/>
   LUCIUS. Ah, my Lavinia, I will wipe thy cheeks.<br/>
   LUCIUS. Ah, my Lavinia, I will wipe thy cheeks.<br/>
   TITUS. Mark, Marcus, mark! I understand her signs.<br/>
   TITUS. Mark, Marcus, mark! I understand her signs.<br/>
     Had she a tongue to speak, now would she say<br/>
     Had she a tongue to speak, now would she say<br/>
     That to her brother which I said to thee:<br/>
     That to her brother which I said to thee:<br/>
     His napkin, with his true tears all bewet,<br/>
     His napkin, with his true tears all bewet,<br/>
     Can do no service on her sorrowful cheeks.<br/>
     Can do no service on her sorrowful cheeks.<br/>
     O, what a sympathy of woe is this<br/>
     O, what a sympathy of woe is this<br/>
     As far from help as Limbo is from bliss!<br/>
     As far from help as Limbo is from bliss!<br/>
</p>
</p>


Line 1,435: Line 2,718:


<p>  AARON. Titus Andronicus, my lord the Emperor<br/>
<p>  AARON. Titus Andronicus, my lord the Emperor<br/>
     Sends thee this word, that, if thou love thy sons,<br/>
     Sends thee this word, that, if thou love thy sons,<br/>
     Let Marcus, Lucius, or thyself, old Titus,<br/>
     Let Marcus, Lucius, or thyself, old Titus,<br/>
     Or any one of you, chop off your hand<br/>
     Or any one of you, chop off your hand<br/>
     And send it to the King: he for the same<br/>
     And send it to the King: he for the same<br/>
     Will send thee hither both thy sons alive,<br/>
     Will send thee hither both thy sons alive,<br/>
     And that shall be the ransom for their fault.<br/>
     And that shall be the ransom for their fault.<br/>
   TITUS. O gracious Emperor! O gentle Aaron!<br/>
   TITUS. O gracious Emperor! O gentle Aaron!<br/>
     Did ever raven sing so like a lark<br/>
     Did ever raven sing so like a lark<br/>
     That gives sweet tidings of the sun's uprise?<br/>
     That gives sweet tidings of the sun's uprise?<br/>
     With all my heart I'll send the Emperor my hand.<br/>
     With all my heart I'll send the Emperor my hand.<br/>
     Good Aaron, wilt thou help to chop it off?<br/>
     Good Aaron, wilt thou help to chop it off?<br/>
   LUCIUS. Stay, father! for that noble hand of thine,<br/>
   LUCIUS. Stay, father! for that noble hand of thine,<br/>
     That hath thrown down so many enemies,<br/>
     That hath thrown down so many enemies,<br/>
     Shall not be sent. My hand will serve the turn,<br/>
     Shall not be sent. My hand will serve the turn,<br/>
     My youth can better spare my blood than you,<br/>
     My youth can better spare my blood than you,<br/>
     And therefore mine shall save my brothers' lives.<br/>
     And therefore mine shall save my brothers' lives.<br/>
   MARCUS. Which of your hands hath not defended Rome<br/>
   MARCUS. Which of your hands hath not defended Rome<br/>
     And rear'd aloft the bloody battle-axe,<br/>
     And rear'd aloft the bloody battle-axe,<br/>
     Writing destruction on the enemy's castle?<br/>
     Writing destruction on the enemy's castle?<br/>
     O, none of both but are of high desert!<br/>
     O, none of both but are of high desert!<br/>
     My hand hath been but idle; let it serve<br/>
     My hand hath been but idle; let it serve<br/>
     To ransom my two nephews from their death;<br/>
     To ransom my two nephews from their death;<br/>
     Then have I kept it to a worthy end.<br/>
     Then have I kept it to a worthy end.<br/>
   AARON. Nay, come, agree whose hand shall go along,<br/>
   AARON. Nay, come, agree whose hand shall go along,<br/>
     For fear they die before their pardon come.<br/>
     For fear they die before their pardon come.<br/>
   MARCUS. My hand shall go.<br/>
   MARCUS. My hand shall go.<br/>
   LUCIUS. By heaven, it shall not go!<br/>
   LUCIUS. By heaven, it shall not go!<br/>
   TITUS. Sirs, strive no more; such with'red herbs as these<br/>
   TITUS. Sirs, strive no more; such with'red herbs as these<br/>
     Are meet for plucking up, and therefore mine.<br/>
     Are meet for plucking up, and therefore mine.<br/>
   LUCIUS. Sweet father, if I shall be thought thy son,<br/>
   LUCIUS. Sweet father, if I shall be thought thy son,<br/>
     Let me redeem my brothers both from death.<br/>
     Let me redeem my brothers both from death.<br/>
   MARCUS. And for our father's sake and mother's care,<br/>
   MARCUS. And for our father's sake and mother's care,<br/>
     Now let me show a brother's love to thee.<br/>
     Now let me show a brother's love to thee.<br/>
   TITUS. Agree between you; I will spare my hand.<br/>
   TITUS. Agree between you; I will spare my hand.<br/>
   LUCIUS. Then I'll go fetch an axe.<br/>
   LUCIUS. Then I'll go fetch an axe.<br/>
   MARCUS. But I will use the axe.<br/>
   MARCUS. But I will use the axe.<br/>
                                         Exeunt LUCIUS and MARCUS<br/>
                                         Exeunt LUCIUS and MARCUS<br/>
   TITUS. Come hither, Aaron, I'll deceive them both;<br/>
   TITUS. Come hither, Aaron, I'll deceive them both;<br/>
     Lend me thy hand, and I will give thee mine.<br/>
     Lend me thy hand, and I will give thee mine.<br/>
   AARON.  [Aside]  If that be call'd deceit, I will be honest,<br/>
   AARON.  [Aside]  If that be call'd deceit, I will be honest,<br/>
     And never whilst I live deceive men so;<br/>
     And never whilst I live deceive men so;<br/>
     But I'll deceive you in another sort,<br/>
     But I'll deceive you in another sort,<br/>
     And that you'll say ere half an hour pass.<br/>
     And that you'll say ere half an hour pass.<br/>
                                       [He cuts off TITUS' hand]<br/>
                                       [He cuts off TITUS' hand]<br/>
</p>
</p>


Line 1,484: Line 2,812:


<p> TITUS. Now stay your strife. What shall be is dispatch'd.<br/>
<p> TITUS. Now stay your strife. What shall be is dispatch'd.<br/>
     Good Aaron, give his Majesty my hand;<br/>
     Good Aaron, give his Majesty my hand;<br/>
     Tell him it was a hand that warded him<br/>
     Tell him it was a hand that warded him<br/>
     From thousand dangers; bid him bury it.<br/>
     From thousand dangers; bid him bury it.<br/>
     More hath it merited- that let it have.<br/>
     More hath it merited- that let it have.<br/>
     As for my sons, say I account of them<br/>
     As for my sons, say I account of them<br/>
     As jewels purchas'd at an easy price;<br/>
     As jewels purchas'd at an easy price;<br/>
     And yet dear too, because I bought mine own.<br/>
     And yet dear too, because I bought mine own.<br/>
   AARON. I go, Andronicus; and for thy hand<br/>
   AARON. I go, Andronicus; and for thy hand<br/>
     Look by and by to have thy sons with thee.<br/>
     Look by and by to have thy sons with thee.<br/>
     [Aside]  Their heads I mean. O, how this villainy<br/>
     [Aside]  Their heads I mean. O, how this villainy<br/>
     Doth fat me with the very thoughts of it!<br/>
     Doth fat me with the very thoughts of it!<br/>
     Let fools do good, and fair men call for grace:<br/>
     Let fools do good, and fair men call for grace:<br/>
     Aaron will have his soul black like his face.          Exit<br/>
     Aaron will have his soul black like his face.          Exit<br/>
   TITUS. O, here I lift this one hand up to heaven,<br/>
   TITUS. O, here I lift this one hand up to heaven,<br/>
     And bow this feeble ruin to the earth;<br/>
     And bow this feeble ruin to the earth;<br/>
     If any power pities wretched tears,<br/>
     If any power pities wretched tears,<br/>
     To that I call!  [To LAVINIA]  What, would'st thou kneel with me?<br/>
     To that I call!  [To LAVINIA]  What, would'st thou kneel with me?<br/>
     Do, then, dear heart; for heaven shall hear our prayers,<br/>
     Do, then, dear heart; for heaven shall hear our prayers,<br/>
     Or with our sighs we'll breathe the welkin dim<br/>
     Or with our sighs we'll breathe the welkin dim<br/>
     And stain the sun with fog, as sometime clouds<br/>
     And stain the sun with fog, as sometime clouds<br/>
     When they do hug him in their melting bosoms.<br/>
     When they do hug him in their melting bosoms.<br/>
   MARCUS. O brother, speak with possibility,<br/>
   MARCUS. O brother, speak with possibility,<br/>
     And do not break into these deep extremes.<br/>
     And do not break into these deep extremes.<br/>
   TITUS. Is not my sorrow deep, having no bottom?<br/>
   TITUS. Is not my sorrow deep, having no bottom?<br/>
     Then be my passions bottomless with them.<br/>
     Then be my passions bottomless with them.<br/>
   MARCUS. But yet let reason govern thy lament.<br/>
   MARCUS. But yet let reason govern thy lament.<br/>
   TITUS. If there were reason for these miseries,<br/>
   TITUS. If there were reason for these miseries,<br/>
     Then into limits could I bind my woes.<br/>
     Then into limits could I bind my woes.<br/>
     When heaven doth weep, doth not the earth o'erflow?<br/>
     When heaven doth weep, doth not the earth o'erflow?<br/>
     If the winds rage, doth not the sea wax mad,<br/>
     If the winds rage, doth not the sea wax mad,<br/>
     Threat'ning the welkin with his big-swol'n face?<br/>
     Threat'ning the welkin with his big-swol'n face?<br/>
     And wilt thou have a reason for this coil?<br/>
     And wilt thou have a reason for this coil?<br/>
     I am the sea; hark how her sighs do blow.<br/>
     I am the sea; hark how her sighs do blow.<br/>
     She is the weeping welkin, I the earth;<br/>
     She is the weeping welkin, I the earth;<br/>
     Then must my sea be moved with her sighs;<br/>
     Then must my sea be moved with her sighs;<br/>
     Then must my earth with her continual tears<br/>
     Then must my earth with her continual tears<br/>
     Become a deluge, overflow'd and drown'd;<br/>
     Become a deluge, overflow'd and drown'd;<br/>
     For why my bowels cannot hide her woes,<br/>
     For why my bowels cannot hide her woes,<br/>
     But like a drunkard must I vomit them.<br/>
     But like a drunkard must I vomit them.<br/>
     Then give me leave; for losers will have leave<br/>
     Then give me leave; for losers will have leave<br/>
     To ease their stomachs with their bitter tongues.<br/>
     To ease their stomachs with their bitter tongues.<br/>
</p>
</p>


Line 1,530: Line 2,900:


<p>  MESSENGER. Worthy Andronicus, ill art thou repaid<br/>
<p>  MESSENGER. Worthy Andronicus, ill art thou repaid<br/>
     For that good hand thou sent'st the Emperor.<br/>
     For that good hand thou sent'st the Emperor.<br/>
     Here are the heads of thy two noble sons;<br/>
     Here are the heads of thy two noble sons;<br/>
     And here's thy hand, in scorn to thee sent back-<br/>
     And here's thy hand, in scorn to thee sent back-<br/>
     Thy grief their sports, thy resolution mock'd,<br/>
     Thy grief their sports, thy resolution mock'd,<br/>
     That woe is me to think upon thy woes,<br/>
     That woe is me to think upon thy woes,<br/>
     More than remembrance of my father's death.            Exit<br/>
     More than remembrance of my father's death.            Exit<br/>
   MARCUS. Now let hot Aetna cool in Sicily,<br/>
   MARCUS. Now let hot Aetna cool in Sicily,<br/>
     And be my heart an ever-burning hell!<br/>
     And be my heart an ever-burning hell!<br/>
     These miseries are more than may be borne.<br/>
     These miseries are more than may be borne.<br/>
     To weep with them that weep doth ease some deal,<br/>
     To weep with them that weep doth ease some deal,<br/>
     But sorrow flouted at is double death.<br/>
     But sorrow flouted at is double death.<br/>
   LUCIUS. Ah, that this sight should make so deep a wound,<br/>
   LUCIUS. Ah, that this sight should make so deep a wound,<br/>
     And yet detested life not shrink thereat!<br/>
     And yet detested life not shrink thereat!<br/>
     That ever death should let life bear his name,<br/>
     That ever death should let life bear his name,<br/>
     Where life hath no more interest but to breathe!<br/>
     Where life hath no more interest but to breathe!<br/>
                                           [LAVINIA kisses TITUS]<br/>
                                           [LAVINIA kisses TITUS]<br/>
   MARCUS. Alas, poor heart, that kiss is comfortless<br/>
   MARCUS. Alas, poor heart, that kiss is comfortless<br/>
     As frozen water to a starved snake.<br/>
     As frozen water to a starved snake.<br/>
   TITUS. When will this fearful slumber have an end?<br/>
   TITUS. When will this fearful slumber have an end?<br/>
   MARCUS. Now farewell, flatt'ry; die, Andronicus.<br/>
   MARCUS. Now farewell, flatt'ry; die, Andronicus.<br/>
     Thou dost not slumber: see thy two sons' heads,<br/>
     Thou dost not slumber: see thy two sons' heads,<br/>
     Thy warlike hand, thy mangled daughter here;<br/>
     Thy warlike hand, thy mangled daughter here;<br/>
     Thy other banish'd son with this dear sight<br/>
     Thy other banish'd son with this dear sight<br/>
     Struck pale and bloodless; and thy brother, I,<br/>
     Struck pale and bloodless; and thy brother, I,<br/>
     Even like a stony image, cold and numb.<br/>
     Even like a stony image, cold and numb.<br/>
     Ah! now no more will I control thy griefs.<br/>
     Ah! now no more will I control thy griefs.<br/>
     Rent off thy silver hair, thy other hand<br/>
     Rent off thy silver hair, thy other hand<br/>
     Gnawing with thy teeth; and be this dismal sight<br/>
     Gnawing with thy teeth; and be this dismal sight<br/>
     The closing up of our most wretched eyes.<br/>
     The closing up of our most wretched eyes.<br/>
     Now is a time to storm; why art thou still?<br/>
     Now is a time to storm; why art thou still?<br/>
   TITUS. Ha, ha, ha!<br/>
   TITUS. Ha, ha, ha!<br/>
   MARCUS. Why dost thou laugh? It fits not with this hour.<br/>
   MARCUS. Why dost thou laugh? It fits not with this hour.<br/>
   TITUS. Why, I have not another tear to shed;<br/>
   TITUS. Why, I have not another tear to shed;<br/>
     Besides, this sorrow is an enemy,<br/>
     Besides, this sorrow is an enemy,<br/>
     And would usurp upon my wat'ry eyes<br/>
     And would usurp upon my wat'ry eyes<br/>
     And make them blind with tributary tears.<br/>
     And make them blind with tributary tears.<br/>
     Then which way shall I find Revenge's cave?<br/>
     Then which way shall I find Revenge's cave?<br/>
     For these two heads do seem to speak to me,<br/>
     For these two heads do seem to speak to me,<br/>
     And threat me I shall never come to bliss<br/>
     And threat me I shall never come to bliss<br/>
     Till all these mischiefs be return'd again<br/>
     Till all these mischiefs be return'd again<br/>
     Even in their throats that have committed them.<br/>
     Even in their throats that have committed them.<br/>
     Come, let me see what task I have to do.<br/>
     Come, let me see what task I have to do.<br/>
     You heavy people, circle me about,<br/>
     You heavy people, circle me about,<br/>
     That I may turn me to each one of you<br/>
     That I may turn me to each one of you<br/>
     And swear unto my soul to right your wrongs.<br/>
     And swear unto my soul to right your wrongs.<br/>
     The vow is made. Come, brother, take a head,<br/>
     The vow is made. Come, brother, take a head,<br/>
     And in this hand the other will I bear.<br/>
     And in this hand the other will I bear.<br/>
     And, Lavinia, thou shalt be employ'd in this;<br/>
     And, Lavinia, thou shalt be employ'd in this;<br/>
     Bear thou my hand, sweet wench, between thy teeth.<br/>
     Bear thou my hand, sweet wench, between thy teeth.<br/>
     As for thee, boy, go, get thee from my sight;<br/>
     As for thee, boy, go, get thee from my sight;<br/>
     Thou art an exile, and thou must not stay.<br/>
     Thou art an exile, and thou must not stay.<br/>
     Hie to the Goths and raise an army there;<br/>
     Hie to the Goths and raise an army there;<br/>
     And if ye love me, as I think you do,<br/>
     And if ye love me, as I think you do,<br/>
     Let's kiss and part, for we have much to do.<br/>
     Let's kiss and part, for we have much to do.<br/>
                                           Exeunt all but Lucius<br/>
                                           Exeunt all but Lucius<br/>
   LUCIUS. Farewell, Andronicus, my noble father,<br/>
   LUCIUS. Farewell, Andronicus, my noble father,<br/>
     The woefull'st man that ever liv'd in Rome.<br/>
     The woefull'st man that ever liv'd in Rome.<br/>
     Farewell, proud Rome; till Lucius come again,<br/>
     Farewell, proud Rome; till Lucius come again,<br/>
     He leaves his pledges dearer than his life.<br/>
     He leaves his pledges dearer than his life.<br/>
     Farewell, Lavinia, my noble sister;<br/>
     Farewell, Lavinia, my noble sister;<br/>
     O, would thou wert as thou tofore hast been!<br/>
     O, would thou wert as thou tofore hast been!<br/>
     But now nor Lucius nor Lavinia lives<br/>
     But now nor Lucius nor Lavinia lives<br/>
     But in oblivion and hateful griefs.<br/>
     But in oblivion and hateful griefs.<br/>
     If Lucius live, he will requite your wrongs<br/>
     If Lucius live, he will requite your wrongs<br/>
     And make proud Saturnine and his emperess<br/>
     And make proud Saturnine and his emperess<br/>
     Beg at the gates like Tarquin and his queen.<br/>
     Beg at the gates like Tarquin and his queen.<br/>
     Now will I to the Goths, and raise a pow'r<br/>
     Now will I to the Goths, and raise a pow'r<br/>
     To be reveng'd on Rome and Saturnine.                  Exit<br/>
     To be reveng'd on Rome and Saturnine.                  Exit<br/>
</p>
</p>


<h4>SCENE II.
<h4>SCENE II.
Rome. TITUS' house</h4>
Rome. TITUS' house</h4>


Line 1,608: Line 3,048:


<p>  TITUS. So so, now sit; and look you eat no more<br/>
<p>  TITUS. So so, now sit; and look you eat no more<br/>
     Than will preserve just so much strength in us<br/>
     Than will preserve just so much strength in us<br/>
     As will revenge these bitter woes of ours.<br/>
     As will revenge these bitter woes of ours.<br/>
     Marcus, unknit that sorrow-wreathen knot;<br/>
     Marcus, unknit that sorrow-wreathen knot;<br/>
     Thy niece and I, poor creatures, want our hands,<br/>
     Thy niece and I, poor creatures, want our hands,<br/>
     And cannot passionate our tenfold grief<br/>
     And cannot passionate our tenfold grief<br/>
     With folded arms. This poor right hand of mine<br/>
     With folded arms. This poor right hand of mine<br/>
     Is left to tyrannize upon my breast;<br/>
     Is left to tyrannize upon my breast;<br/>
     Who, when my heart, all mad with misery,<br/>
     Who, when my heart, all mad with misery,<br/>
     Beats in this hollow prison of my flesh,<br/>
     Beats in this hollow prison of my flesh,<br/>
     Then thus I thump it down.<br/>
     Then thus I thump it down.<br/>
     [To LAVINIA]  Thou map of woe, that thus dost talk in signs!<br/>
     [To LAVINIA]  Thou map of woe, that thus dost talk in signs!<br/>
     When thy poor heart beats with outrageous beating,<br/>
     When thy poor heart beats with outrageous beating,<br/>
     Thou canst not strike it thus to make it still.<br/>
     Thou canst not strike it thus to make it still.<br/>
     Wound it with sighing, girl, kill it with groans;<br/>
     Wound it with sighing, girl, kill it with groans;<br/>
     Or get some little knife between thy teeth<br/>
     Or get some little knife between thy teeth<br/>
     And just against thy heart make thou a hole,<br/>
     And just against thy heart make thou a hole,<br/>
     That all the tears that thy poor eyes let fall<br/>
     That all the tears that thy poor eyes let fall<br/>
     May run into that sink and, soaking in,<br/>
     May run into that sink and, soaking in,<br/>
     Drown the lamenting fool in sea-salt tears.<br/>
     Drown the lamenting fool in sea-salt tears.<br/>
   MARCUS. Fie, brother, fie! Teach her not thus to lay<br/>
   MARCUS. Fie, brother, fie! Teach her not thus to lay<br/>
     Such violent hands upon her tender life.<br/>
     Such violent hands upon her tender life.<br/>
   TITUS. How now! Has sorrow made thee dote already?<br/>
   TITUS. How now! Has sorrow made thee dote already?<br/>
     Why, Marcus, no man should be mad but I.<br/>
     Why, Marcus, no man should be mad but I.<br/>
     What violent hands can she lay on her life?<br/>
     What violent hands can she lay on her life?<br/>
     Ah, wherefore dost thou urge the name of hands?<br/>
     Ah, wherefore dost thou urge the name of hands?<br/>
     To bid Aeneas tell the tale twice o'er<br/>
     To bid Aeneas tell the tale twice o'er<br/>
     How Troy was burnt and he made miserable?<br/>
     How Troy was burnt and he made miserable?<br/>
     O, handle not the theme, to talk of hands,<br/>
     O, handle not the theme, to talk of hands,<br/>
     Lest we remember still that we have none.<br/>
     Lest we remember still that we have none.<br/>
     Fie, fie, how franticly I square my talk,<br/>
     Fie, fie, how franticly I square my talk,<br/>
     As if we should forget we had no hands,<br/>
     As if we should forget we had no hands,<br/>
     If Marcus did not name the word of hands!<br/>
     If Marcus did not name the word of hands!<br/>
     Come, let's fall to; and, gentle girl, eat this:<br/>
     Come, let's fall to; and, gentle girl, eat this:<br/>
     Here is no drink. Hark, Marcus, what she says-<br/>
     Here is no drink. Hark, Marcus, what she says-<br/>
     I can interpret all her martyr'd signs;<br/>
     I can interpret all her martyr'd signs;<br/>
     She says she drinks no other drink but tears,<br/>
     She says she drinks no other drink but tears,<br/>
     Brew'd with her sorrow, mesh'd upon her cheeks.<br/>
     Brew'd with her sorrow, mesh'd upon her cheeks.<br/>
     Speechless complainer, I will learn thy thought;<br/>
     Speechless complainer, I will learn thy thought;<br/>
     In thy dumb action will I be as perfect<br/>
     In thy dumb action will I be as perfect<br/>
     As begging hermits in their holy prayers.<br/>
     As begging hermits in their holy prayers.<br/>
     Thou shalt not sigh, nor hold thy stumps to heaven,<br/>
     Thou shalt not sigh, nor hold thy stumps to heaven,<br/>
     Nor wink, nor nod, nor kneel, nor make a sign,<br/>
     Nor wink, nor nod, nor kneel, nor make a sign,<br/>
     But I of these will wrest an alphabet,<br/>
     But I of these will wrest an alphabet,<br/>
     And by still practice learn to know thy meaning.<br/>
     And by still practice learn to know thy meaning.<br/>
   BOY. Good grandsire, leave these bitter deep laments;<br/>
   BOY. Good grandsire, leave these bitter deep laments;<br/>
     Make my aunt merry with some pleasing tale.<br/>
     Make my aunt merry with some pleasing tale.<br/>
   MARCUS. Alas, the tender boy, in passion mov'd,<br/>
   MARCUS. Alas, the tender boy, in passion mov'd,<br/>
     Doth weep to see his grandsire's heaviness.<br/>
     Doth weep to see his grandsire's heaviness.<br/>
   TITUS. Peace, tender sapling; thou art made of tears,<br/>
   TITUS. Peace, tender sapling; thou art made of tears,<br/>
     And tears will quickly melt thy life away.<br/>
     And tears will quickly melt thy life away.<br/>
                           [MARCUS strikes the dish with a knife]<br/>
                           [MARCUS strikes the dish with a knife]<br/>
     What dost thou strike at, Marcus, with thy knife?<br/>
     What dost thou strike at, Marcus, with thy knife?<br/>
   MARCUS. At that that I have kill'd, my lord- a fly.<br/>
   MARCUS. At that that I have kill'd, my lord- a fly.<br/>
   TITUS. Out on thee, murderer, thou kill'st my heart!<br/>
   TITUS. Out on thee, murderer, thou kill'st my heart!<br/>
     Mine eyes are cloy'd with view of tyranny;<br/>
     Mine eyes are cloy'd with view of tyranny;<br/>
     A deed of death done on the innocent<br/>
     A deed of death done on the innocent<br/>
     Becomes not Titus' brother. Get thee gone;<br/>
     Becomes not Titus' brother. Get thee gone;<br/>
     I see thou art not for my company.<br/>
     I see thou art not for my company.<br/>
   MARCUS. Alas, my lord, I have but kill'd a fly.<br/>
   MARCUS. Alas, my lord, I have but kill'd a fly.<br/>
   TITUS. 'But!' How if that fly had a father and mother?<br/>
   TITUS. 'But!' How if that fly had a father and mother?<br/>
     How would he hang his slender gilded wings<br/>
     How would he hang his slender gilded wings<br/>
     And buzz lamenting doings in the air!<br/>
     And buzz lamenting doings in the air!<br/>
     Poor harmless fly,<br/>
     Poor harmless fly,<br/>
     That with his pretty buzzing melody<br/>
     That with his pretty buzzing melody<br/>
     Came here to make us merry! And thou hast kill'd him.<br/>
     Came here to make us merry! And thou hast kill'd him.<br/>
   MARCUS. Pardon me, sir; it was a black ill-favour'd fly,<br/>
   MARCUS. Pardon me, sir; it was a black ill-favour'd fly,<br/>
     Like to the Empress' Moor; therefore I kill'd him.<br/>
     Like to the Empress' Moor; therefore I kill'd him.<br/>
   TITUS. O, O, O!<br/>
   TITUS. O, O, O!<br/>
     Then pardon me for reprehending thee,<br/>
     Then pardon me for reprehending thee,<br/>
     For thou hast done a charitable deed.<br/>
     For thou hast done a charitable deed.<br/>
     Give me thy knife, I will insult on him,<br/>
     Give me thy knife, I will insult on him,<br/>
     Flattering myself as if it were the Moor<br/>
     Flattering myself as if it were the Moor<br/>
     Come hither purposely to poison me.<br/>
     Come hither purposely to poison me.<br/>
     There's for thyself, and that's for Tamora.<br/>
     There's for thyself, and that's for Tamora.<br/>
     Ah, sirrah!<br/>
     Ah, sirrah!<br/>
     Yet, I think, we are not brought so low<br/>
     Yet, I think, we are not brought so low<br/>
     But that between us we can kill a fly<br/>
     But that between us we can kill a fly<br/>
     That comes in likeness of a coal-black Moor.<br/>
     That comes in likeness of a coal-black Moor.<br/>
   MARCUS. Alas, poor man! grief has so wrought on him,<br/>
   MARCUS. Alas, poor man! grief has so wrought on him,<br/>
     He takes false shadows for true substances.<br/>
     He takes false shadows for true substances.<br/>
   TITUS. Come, take away. Lavinia, go with me;<br/>
   TITUS. Come, take away. Lavinia, go with me;<br/>
     I'll to thy closet, and go read with thee<br/>
     I'll to thy closet, and go read with thee<br/>
     Sad stories chanced in the times of old.<br/>
     Sad stories chanced in the times of old.<br/>
     Come, boy, and go with me; thy sight is young,<br/>
     Come, boy, and go with me; thy sight is young,<br/>
     And thou shalt read when mine begin to dazzle.        Exeunt<br/>
     And thou shalt read when mine begin to dazzle.        Exeunt<br/>
</p>
</p>


<h4>ACT IV. SCENE I.
<h4>ACT IV. SCENE I.
Rome. TITUS' garden</h4>
Rome. TITUS' garden</h4>


<p>Enter YOUNG LUCIUS and LAVINIA running after him,
<p>Enter YOUNG LUCIUS and LAVINIA running after him,
and the boy flies from her with his books under his arm.</p>
and the boy flies from her with his books under his arm.</p>


Line 1,704: Line 3,232:


<p>  BOY. Help, grandsire, help! my aunt Lavinia<br/>
<p>  BOY. Help, grandsire, help! my aunt Lavinia<br/>
     Follows me everywhere, I know not why.<br/>
     Follows me everywhere, I know not why.<br/>
     Good uncle Marcus, see how swift she comes!<br/>
     Good uncle Marcus, see how swift she comes!<br/>
     Alas, sweet aunt, I know not what you mean.<br/>
     Alas, sweet aunt, I know not what you mean.<br/>
   MARCUS. Stand by me, Lucius; do not fear thine aunt.<br/>
   MARCUS. Stand by me, Lucius; do not fear thine aunt.<br/>
   TITUS. She loves thee, boy, too well to do thee harm.<br/>
   TITUS. She loves thee, boy, too well to do thee harm.<br/>
   BOY. Ay, when my father was in Rome she did.<br/>
   BOY. Ay, when my father was in Rome she did.<br/>
   MARCUS. What means my niece Lavinia by these signs?<br/>
   MARCUS. What means my niece Lavinia by these signs?<br/>
   TITUS. Fear her not, Lucius; somewhat doth she mean.<br/>
   TITUS. Fear her not, Lucius; somewhat doth she mean.<br/>
     See, Lucius, see how much she makes of thee.<br/>
     See, Lucius, see how much she makes of thee.<br/>
     Somewhither would she have thee go with her.<br/>
     Somewhither would she have thee go with her.<br/>
     Ah, boy, Cornelia never with more care<br/>
     Ah, boy, Cornelia never with more care<br/>
     Read to her sons than she hath read to thee<br/>
     Read to her sons than she hath read to thee<br/>
     Sweet poetry and Tully's Orator.<br/>
     Sweet poetry and Tully's Orator.<br/>
   MARCUS. Canst thou not guess wherefore she plies thee thus?<br/>
   MARCUS. Canst thou not guess wherefore she plies thee thus?<br/>
   BOY. My lord, I know not, I, nor can I guess,<br/>
   BOY. My lord, I know not, I, nor can I guess,<br/>
     Unless some fit or frenzy do possess her;<br/>
     Unless some fit or frenzy do possess her;<br/>
     For I have heard my grandsire say full oft<br/>
     For I have heard my grandsire say full oft<br/>
     Extremity of griefs would make men mad;<br/>
     Extremity of griefs would make men mad;<br/>
     And I have read that Hecuba of Troy<br/>
     And I have read that Hecuba of Troy<br/>
     Ran mad for sorrow. That made me to fear;<br/>
     Ran mad for sorrow. That made me to fear;<br/>
     Although, my lord, I know my noble aunt<br/>
     Although, my lord, I know my noble aunt<br/>
     Loves me as dear as e'er my mother did,<br/>
     Loves me as dear as e'er my mother did,<br/>
     And would not, but in fury, fright my youth;<br/>
     And would not, but in fury, fright my youth;<br/>
     Which made me down to throw my books, and fly-<br/>
     Which made me down to throw my books, and fly-<br/>
     Causeless, perhaps. But pardon me, sweet aunt;<br/>
     Causeless, perhaps. But pardon me, sweet aunt;<br/>
     And, madam, if my uncle Marcus go,<br/>
     And, madam, if my uncle Marcus go,<br/>
     I will most willingly attend your ladyship.<br/>
     I will most willingly attend your ladyship.<br/>
   MARCUS. Lucius, I will.          [LAVINIA turns over with her<br/>
   MARCUS. Lucius, I will.          [LAVINIA turns over with her<br/>
                     stumps the books which Lucius has let fall]<br/>
                     stumps the books which Lucius has let fall]<br/>
   TITUS. How now, Lavinia! Marcus, what means this?<br/>
   TITUS. How now, Lavinia! Marcus, what means this?<br/>
     Some book there is that she desires to see.<br/>
     Some book there is that she desires to see.<br/>
     Which is it, girl, of these?- Open them, boy.-<br/>
     Which is it, girl, of these?- Open them, boy.-<br/>
     But thou art deeper read and better skill'd;<br/>
     But thou art deeper read and better skill'd;<br/>
     Come and take choice of all my library,<br/>
     Come and take choice of all my library,<br/>
     And so beguile thy sorrow, till the heavens<br/>
     And so beguile thy sorrow, till the heavens<br/>
     Reveal the damn'd contriver of this deed.<br/>
     Reveal the damn'd contriver of this deed.<br/>
     Why lifts she up her arms in sequence thus?<br/>
     Why lifts she up her arms in sequence thus?<br/>
   MARCUS. I think she means that there were more than one<br/>
   MARCUS. I think she means that there were more than one<br/>
     Confederate in the fact; ay, more there was,<br/>
     Confederate in the fact; ay, more there was,<br/>
     Or else to heaven she heaves them for revenge.<br/>
     Or else to heaven she heaves them for revenge.<br/>
   TITUS. Lucius, what book is that she tosseth so?<br/>
   TITUS. Lucius, what book is that she tosseth so?<br/>
   BOY. Grandsire, 'tis Ovid's Metamorphoses;<br/>
   BOY. Grandsire, 'tis Ovid's Metamorphoses;<br/>
     My mother gave it me.<br/>
     My mother gave it me.<br/>
   MARCUS. For love of her that's gone,<br/>
   MARCUS. For love of her that's gone,<br/>
     Perhaps she cull'd it from among the rest.<br/>
     Perhaps she cull'd it from among the rest.<br/>
   TITUS. Soft! So busily she turns the leaves! Help her.<br/>
   TITUS. Soft! So busily she turns the leaves! Help her.<br/>
     What would she find? Lavinia, shall I read?<br/>
     What would she find? Lavinia, shall I read?<br/>
     This is the tragic tale of Philomel<br/>
     This is the tragic tale of Philomel<br/>
     And treats of Tereus' treason and his rape;<br/>
     And treats of Tereus' treason and his rape;<br/>
     And rape, I fear, was root of thy annoy.<br/>
     And rape, I fear, was root of thy annoy.<br/>
   MARCUS. See, brother, see! Note how she quotes the leaves.<br/>
   MARCUS. See, brother, see! Note how she quotes the leaves.<br/>
   TITUS. Lavinia, wert thou thus surpris'd, sweet girl,<br/>
   TITUS. Lavinia, wert thou thus surpris'd, sweet girl,<br/>
     Ravish'd and wrong'd as Philomela was,<br/>
     Ravish'd and wrong'd as Philomela was,<br/>
     Forc'd in the ruthless, vast, and gloomy woods?<br/>
     Forc'd in the ruthless, vast, and gloomy woods?<br/>
     See, see!<br/>
     See, see!<br/>
     Ay, such a place there is where we did hunt-<br/>
     Ay, such a place there is where we did hunt-<br/>
     O, had we never, never hunted there!-<br/>
     O, had we never, never hunted there!-<br/>
     Pattern'd by that the poet here describes,<br/>
     Pattern'd by that the poet here describes,<br/>
     By nature made for murders and for rapes.<br/>
     By nature made for murders and for rapes.<br/>
   MARCUS. O, why should nature build so foul a den,<br/>
   MARCUS. O, why should nature build so foul a den,<br/>
     Unless the gods delight in tragedies?<br/>
     Unless the gods delight in tragedies?<br/>
   TITUS. Give signs, sweet girl, for here are none but friends,<br/>
   TITUS. Give signs, sweet girl, for here are none but friends,<br/>
     What Roman lord it was durst do the deed.<br/>
     What Roman lord it was durst do the deed.<br/>
     Or slunk not Saturnine, as Tarquin erst,<br/>
     Or slunk not Saturnine, as Tarquin erst,<br/>
     That left the camp to sin in Lucrece' bed?<br/>
     That left the camp to sin in Lucrece' bed?<br/>
   MARCUS. Sit down, sweet niece; brother, sit down by me.<br/>
   MARCUS. Sit down, sweet niece; brother, sit down by me.<br/>
     Apollo, Pallas, Jove, or Mercury,<br/>
     Apollo, Pallas, Jove, or Mercury,<br/>
     Inspire me, that I may this treason find!<br/>
     Inspire me, that I may this treason find!<br/>
     My lord, look here! Look here, Lavinia!<br/>
     My lord, look here! Look here, Lavinia!<br/>
                                     [He writes his name with his<br/>
                                     [He writes his name with his<br/>
                       staff, and guides it with feet and mouth]<br/>
                       staff, and guides it with feet and mouth]<br/>
     This sandy plot is plain; guide, if thou canst,<br/>
     This sandy plot is plain; guide, if thou canst,<br/>
     This after me. I have writ my name<br/>
     This after me. I have writ my name<br/>
     Without the help of any hand at all.<br/>
     Without the help of any hand at all.<br/>
     Curs'd be that heart that forc'd us to this shift!<br/>
     Curs'd be that heart that forc'd us to this shift!<br/>
     Write thou, good niece, and here display at last<br/>
     Write thou, good niece, and here display at last<br/>
     What God will have discovered for revenge.<br/>
     What God will have discovered for revenge.<br/>
     Heaven guide thy pen to print thy sorrows plain,<br/>
     Heaven guide thy pen to print thy sorrows plain,<br/>
     That we may know the traitors and the truth!<br/>
     That we may know the traitors and the truth!<br/>
                               [She takes the staff in her mouth<br/>
                               [She takes the staff in her mouth<br/>
                           and guides it with stumps, and writes]<br/>
                           and guides it with stumps, and writes]<br/>
     O, do ye read, my lord, what she hath writ?<br/>
     O, do ye read, my lord, what she hath writ?<br/>
   TITUS. 'Stuprum- Chiron- Demetrius.'<br/>
   TITUS. 'Stuprum- Chiron- Demetrius.'<br/>
   MARCUS. What, what! the lustful sons of Tamora<br/>
   MARCUS. What, what! the lustful sons of Tamora<br/>
     Performers of this heinous bloody deed?<br/>
     Performers of this heinous bloody deed?<br/>
   TITUS. Magni Dominator poli,<br/>
   TITUS. Magni Dominator poli,<br/>
     Tam lentus audis scelera? tam lentus vides?<br/>
     Tam lentus audis scelera? tam lentus vides?<br/>
   MARCUS. O, calm thee, gentle lord! although I know<br/>
   MARCUS. O, calm thee, gentle lord! although I know<br/>
     There is enough written upon this earth<br/>
     There is enough written upon this earth<br/>
     To stir a mutiny in the mildest thoughts,<br/>
     To stir a mutiny in the mildest thoughts,<br/>
     And arm the minds of infants to exclaims.<br/>
     And arm the minds of infants to exclaims.<br/>
     My lord, kneel down with me; Lavinia, kneel;<br/>
     My lord, kneel down with me; Lavinia, kneel;<br/>
     And kneel, sweet boy, the Roman Hector's hope;<br/>
     And kneel, sweet boy, the Roman Hector's hope;<br/>
     And swear with me- as, with the woeful fere<br/>
     And swear with me- as, with the woeful fere<br/>
     And father of that chaste dishonoured dame,<br/>
     And father of that chaste dishonoured dame,<br/>
     Lord Junius Brutus sware for Lucrece' rape-<br/>
     Lord Junius Brutus sware for Lucrece' rape-<br/>
     That we will prosecute, by good advice,<br/>
     That we will prosecute, by good advice,<br/>
     Mortal revenge upon these traitorous Goths,<br/>
     Mortal revenge upon these traitorous Goths,<br/>
     And see their blood or die with this reproach.<br/>
     And see their blood or die with this reproach.<br/>
   TITUS. 'Tis sure enough, an you knew how;<br/>
   TITUS. 'Tis sure enough, an you knew how;<br/>
     But if you hunt these bear-whelps, then beware:<br/>
     But if you hunt these bear-whelps, then beware:<br/>
     The dam will wake; and if she wind ye once,<br/>
     The dam will wake; and if she wind ye once,<br/>
     She's with the lion deeply still in league,<br/>
     She's with the lion deeply still in league,<br/>
     And lulls him whilst she playeth on her back,<br/>
     And lulls him whilst she playeth on her back,<br/>
     And when he sleeps will she do what she list.<br/>
     And when he sleeps will she do what she list.<br/>
     You are a young huntsman, Marcus; let alone;<br/>
     You are a young huntsman, Marcus; let alone;<br/>
     And come, I will go get a leaf of brass,<br/>
     And come, I will go get a leaf of brass,<br/>
     And with a gad of steel will write these words,<br/>
     And with a gad of steel will write these words,<br/>
     And lay it by. The angry northern wind<br/>
     And lay it by. The angry northern wind<br/>
     Will blow these sands like Sibyl's leaves abroad,<br/>
     Will blow these sands like Sibyl's leaves abroad,<br/>
     And where's our lesson, then? Boy, what say you?<br/>
     And where's our lesson, then? Boy, what say you?<br/>
   BOY. I say, my lord, that if I were a man<br/>
   BOY. I say, my lord, that if I were a man<br/>
     Their mother's bedchamber should not be safe<br/>
     Their mother's bedchamber should not be safe<br/>
     For these base bondmen to the yoke of Rome.<br/>
     For these base bondmen to the yoke of Rome.<br/>
   MARCUS. Ay, that's my boy! Thy father hath full oft<br/>
   MARCUS. Ay, that's my boy! Thy father hath full oft<br/>
     For his ungrateful country done the like.<br/>
     For his ungrateful country done the like.<br/>
   BOY. And, uncle, so will I, an if I live.<br/>
   BOY. And, uncle, so will I, an if I live.<br/>
   TITUS. Come, go with me into mine armoury.<br/>
   TITUS. Come, go with me into mine armoury.<br/>
     Lucius, I'll fit thee; and withal my boy<br/>
     Lucius, I'll fit thee; and withal my boy<br/>
     Shall carry from me to the Empress' sons<br/>
     Shall carry from me to the Empress' sons<br/>
     Presents that I intend to send them both.<br/>
     Presents that I intend to send them both.<br/>
     Come, come; thou'lt do my message, wilt thou not?<br/>
     Come, come; thou'lt do my message, wilt thou not?<br/>
   BOY. Ay, with my dagger in their bosoms, grandsire.<br/>
   BOY. Ay, with my dagger in their bosoms, grandsire.<br/>
   TITUS. No, boy, not so; I'll teach thee another course.<br/>
   TITUS. No, boy, not so; I'll teach thee another course.<br/>
     Lavinia, come. Marcus, look to my house.<br/>
     Lavinia, come. Marcus, look to my house.<br/>
     Lucius and I'll go brave it at the court;<br/>
     Lucius and I'll go brave it at the court;<br/>
     Ay, marry, will we, sir! and we'll be waited on.<br/>
     Ay, marry, will we, sir! and we'll be waited on.<br/>
                         Exeunt TITUS, LAVINIA, and YOUNG LUCIUS<br/>
                         Exeunt TITUS, LAVINIA, and YOUNG LUCIUS<br/>
   MARCUS. O heavens, can you hear a good man groan<br/>
   MARCUS. O heavens, can you hear a good man groan<br/>
     And not relent, or not compassion him?<br/>
     And not relent, or not compassion him?<br/>
     Marcus, attend him in his ecstasy,<br/>
     Marcus, attend him in his ecstasy,<br/>
     That hath more scars of sorrow in his heart<br/>
     That hath more scars of sorrow in his heart<br/>
     Than foemen's marks upon his batt'red shield,<br/>
     Than foemen's marks upon his batt'red shield,<br/>
     But yet so just that he will not revenge.<br/>
     But yet so just that he will not revenge.<br/>
     Revenge the heavens for old Andronicus!                Exit<br/>
     Revenge the heavens for old Andronicus!                Exit<br/>
</p>
</p>


<h4>SCENE II.
<h4>SCENE II.
Rome. The palace</h4>
Rome. The palace</h4>


<p>Enter AARON, DEMETRIUS and CHIRON, at one door; and at the other door,<br/>
<p>Enter AARON, DEMETRIUS and CHIRON, at one door; and at the other door,<br/>
YOUNG LUCIUS and another with a bundle of weapons, and verses writ upon them<br/>
YOUNG LUCIUS and another with a bundle of weapons, and verses writ upon them<br/>
</p>
</p>


<p>  CHIRON. Demetrius, here's the son of Lucius;<br/>
<p>  CHIRON. Demetrius, here's the son of Lucius;<br/>
     He hath some message to deliver us.<br/>
     He hath some message to deliver us.<br/>
   AARON. Ay, some mad message from his mad grandfather.<br/>
   AARON. Ay, some mad message from his mad grandfather.<br/>
   BOY. My lords, with all the humbleness I may,<br/>
   BOY. My lords, with all the humbleness I may,<br/>
     I greet your honours from Andronicus-<br/>
     I greet your honours from Andronicus-<br/>
     [Aside]  And pray the Roman gods confound you both!<br/>
     [Aside]  And pray the Roman gods confound you both!<br/>
   DEMETRIUS. Gramercy, lovely Lucius. What's the news?<br/>
   DEMETRIUS. Gramercy, lovely Lucius. What's the news?<br/>
   BOY.  [Aside]  That you are both decipher'd, that's the news,<br/>
   BOY.  [Aside]  That you are both decipher'd, that's the news,<br/>
     For villains mark'd with rape.- May it please you,<br/>
     For villains mark'd with rape.- May it please you,<br/>
     My grandsire, well advis'd, hath sent by me<br/>
     My grandsire, well advis'd, hath sent by me<br/>
     The goodliest weapons of his armoury<br/>
     The goodliest weapons of his armoury<br/>
     To gratify your honourable youth,<br/>
     To gratify your honourable youth,<br/>
     The hope of Rome; for so he bid me say;<br/>
     The hope of Rome; for so he bid me say;<br/>
     And so I do, and with his gifts present<br/>
     And so I do, and with his gifts present<br/>
     Your lordships, that, whenever you have need,<br/>
     Your lordships, that, whenever you have need,<br/>
     You may be armed and appointed well.<br/>
     You may be armed and appointed well.<br/>
     And so I leave you both-  [Aside]  like bloody villains.<br/>
     And so I leave you both-  [Aside]  like bloody villains.<br/>
                               Exeunt YOUNG LUCIUS and attendant<br/>
                               Exeunt YOUNG LUCIUS and attendant<br/>
   DEMETRIUS. What's here? A scroll, and written round about.<br/>
   DEMETRIUS. What's here? A scroll, and written round about.<br/>
     Let's see:<br/>
     Let's see:<br/>
     [Reads]  'Integer vitae, scelerisque purus,<br/>
     [Reads]  'Integer vitae, scelerisque purus,<br/>
     Non eget Mauri iaculis, nec arcu.'<br/>
     Non eget Mauri iaculis, nec arcu.'<br/>
   CHIRON. O, 'tis a verse in Horace, I know it well;<br/>
   CHIRON. O, 'tis a verse in Horace, I know it well;<br/>
     I read it in the grammar long ago.<br/>
     I read it in the grammar long ago.<br/>
   AARON. Ay, just- a verse in Horace. Right, you have it.<br/>
   AARON. Ay, just- a verse in Horace. Right, you have it.<br/>
     [Aside]  Now, what a thing it is to be an ass!<br/>
     [Aside]  Now, what a thing it is to be an ass!<br/>
     Here's no sound jest! The old man hath found their guilt,<br/>
     Here's no sound jest! The old man hath found their guilt,<br/>
     And sends them weapons wrapp'd about with lines<br/>
     And sends them weapons wrapp'd about with lines<br/>
     That wound, beyond their feeling, to the quick.<br/>
     That wound, beyond their feeling, to the quick.<br/>
     But were our witty Empress well afoot,<br/>
     But were our witty Empress well afoot,<br/>
     She would applaud Andronicus' conceit.<br/>
     She would applaud Andronicus' conceit.<br/>
     But let her rest in her unrest awhile-<br/>
     But let her rest in her unrest awhile-<br/>
     And now, young lords, was't not a happy star<br/>
     And now, young lords, was't not a happy star<br/>
     Led us to Rome, strangers, and more than so,<br/>
     Led us to Rome, strangers, and more than so,<br/>
     Captives, to be advanced to this height?<br/>
     Captives, to be advanced to this height?<br/>
     It did me good before the palace gate<br/>
     It did me good before the palace gate<br/>
     To brave the Tribune in his brother's hearing.<br/>
     To brave the Tribune in his brother's hearing.<br/>
   DEMETRIUS. But me more good to see so great a lord<br/>
   DEMETRIUS. But me more good to see so great a lord<br/>
     Basely insinuate and send us gifts.<br/>
     Basely insinuate and send us gifts.<br/>
   AARON. Had he not reason, Lord Demetrius?<br/>
   AARON. Had he not reason, Lord Demetrius?<br/>
     Did you not use his daughter very friendly?<br/>
     Did you not use his daughter very friendly?<br/>
   DEMETRIUS. I would we had a thousand Roman dames<br/>
   DEMETRIUS. I would we had a thousand Roman dames<br/>
     At such a bay, by turn to serve our lust.<br/>
     At such a bay, by turn to serve our lust.<br/>
   CHIRON. A charitable wish and full of love.<br/>
   CHIRON. A charitable wish and full of love.<br/>
   AARON. Here lacks but your mother for to say amen.<br/>
   AARON. Here lacks but your mother for to say amen.<br/>
   CHIRON. And that would she for twenty thousand more.<br/>
   CHIRON. And that would she for twenty thousand more.<br/>
   DEMETRIUS. Come, let us go and pray to all the gods<br/>
   DEMETRIUS. Come, let us go and pray to all the gods<br/>
     For our beloved mother in her pains.<br/>
     For our beloved mother in her pains.<br/>
   AARON.  [Aside]  Pray to the devils; the gods have given us over.<br/>
   AARON.  [Aside]  Pray to the devils; the gods have given us over.<br/>
                                                 [Trumpets sound]<br/>
                                                 [Trumpets sound]<br/>
   DEMETRIUS. Why do the Emperor's trumpets flourish thus?<br/>
   DEMETRIUS. Why do the Emperor's trumpets flourish thus?<br/>
   CHIRON. Belike, for joy the Emperor hath a son.<br/>
   CHIRON. Belike, for joy the Emperor hath a son.<br/>
   DEMETRIUS. Soft! who comes here?<br/>
   DEMETRIUS. Soft! who comes here?<br/>
</p>
</p>


Line 1,906: Line 3,626:


<p>  NURSE. Good morrow, lords.<br/>
<p>  NURSE. Good morrow, lords.<br/>
     O, tell me, did you see Aaron the Moor?<br/>
     O, tell me, did you see Aaron the Moor?<br/>
   AARON. Well, more or less, or ne'er a whit at all,<br/>
   AARON. Well, more or less, or ne'er a whit at all,<br/>
     Here Aaron is; and what with Aaron now?<br/>
     Here Aaron is; and what with Aaron now?<br/>
   NURSE. O gentle Aaron, we are all undone!<br/>
   NURSE. O gentle Aaron, we are all undone!<br/>
     Now help, or woe betide thee evermore!<br/>
     Now help, or woe betide thee evermore!<br/>
   AARON. Why, what a caterwauling dost thou keep!<br/>
   AARON. Why, what a caterwauling dost thou keep!<br/>
     What dost thou wrap and fumble in thy arms?<br/>
     What dost thou wrap and fumble in thy arms?<br/>
   NURSE. O, that which I would hide from heaven's eye:<br/>
   NURSE. O, that which I would hide from heaven's eye:<br/>
     Our Empress' shame and stately Rome's disgrace!<br/>
     Our Empress' shame and stately Rome's disgrace!<br/>
     She is delivered, lord; she is delivered.<br/>
     She is delivered, lord; she is delivered.<br/>
   AARON. To whom?<br/>
   AARON. To whom?<br/>
   NURSE. I mean she is brought a-bed.<br/>
   NURSE. I mean she is brought a-bed.<br/>
   AARON. Well, God give her good rest! What hath he sent her?<br/>
   AARON. Well, God give her good rest! What hath he sent her?<br/>
   NURSE. A devil.<br/>
   NURSE. A devil.<br/>
   AARON. Why, then she is the devil's dam;<br/>
   AARON. Why, then she is the devil's dam;<br/>
     A joyful issue.<br/>
     A joyful issue.<br/>
   NURSE. A joyless, dismal, black, and sorrowful issue!<br/>
   NURSE. A joyless, dismal, black, and sorrowful issue!<br/>
     Here is the babe, as loathsome as a toad<br/>
     Here is the babe, as loathsome as a toad<br/>
     Amongst the fair-fac'd breeders of our clime;<br/>
     Amongst the fair-fac'd breeders of our clime;<br/>
     The Empress sends it thee, thy stamp, thy seal,<br/>
     The Empress sends it thee, thy stamp, thy seal,<br/>
     And bids thee christen it with thy dagger's point.<br/>
     And bids thee christen it with thy dagger's point.<br/>
   AARON. Zounds, ye whore! Is black so base a hue?<br/>
   AARON. Zounds, ye whore! Is black so base a hue?<br/>
     Sweet blowse, you are a beauteous blossom sure.<br/>
     Sweet blowse, you are a beauteous blossom sure.<br/>
   DEMETRIUS. Villain, what hast thou done?<br/>
   DEMETRIUS. Villain, what hast thou done?<br/>
   AARON. That which thou canst not undo.<br/>
   AARON. That which thou canst not undo.<br/>
   CHIRON. Thou hast undone our mother.<br/>
   CHIRON. Thou hast undone our mother.<br/>
   AARON. Villain, I have done thy mother.<br/>
   AARON. Villain, I have done thy mother.<br/>
   DEMETRIUS. And therein, hellish dog, thou hast undone her.<br/>
   DEMETRIUS. And therein, hellish dog, thou hast undone her.<br/>
     Woe to her chance, and damn'd her loathed choice!<br/>
     Woe to her chance, and damn'd her loathed choice!<br/>
     Accurs'd the offspring of so foul a fiend!<br/>
     Accurs'd the offspring of so foul a fiend!<br/>
   CHIRON. It shall not live.<br/>
   CHIRON. It shall not live.<br/>
   AARON. It shall not die.<br/>
   AARON. It shall not die.<br/>
   NURSE. Aaron, it must; the mother wills it so.<br/>
   NURSE. Aaron, it must; the mother wills it so.<br/>
   AARON. What, must it, nurse? Then let no man but I<br/>
   AARON. What, must it, nurse? Then let no man but I<br/>
     Do execution on my flesh and blood.<br/>
     Do execution on my flesh and blood.<br/>
   DEMETRIUS. I'll broach the tadpole on my rapier's point.<br/>
   DEMETRIUS. I'll broach the tadpole on my rapier's point.<br/>
     Nurse, give it me; my sword shall soon dispatch it.<br/>
     Nurse, give it me; my sword shall soon dispatch it.<br/>
   AARON. Sooner this sword shall plough thy bowels up.<br/>
   AARON. Sooner this sword shall plough thy bowels up.<br/>
                     [Takes the CHILD from the NURSE, and draws]<br/>
                     [Takes the CHILD from the NURSE, and draws]<br/>
     Stay, murderous villains, will you kill your brother!<br/>
     Stay, murderous villains, will you kill your brother!<br/>
     Now, by the burning tapers of the sky<br/>
     Now, by the burning tapers of the sky<br/>
     That shone so brightly when this boy was got,<br/>
     That shone so brightly when this boy was got,<br/>
     He dies upon my scimitar's sharp point<br/>
     He dies upon my scimitar's sharp point<br/>
     That touches this my first-born son and heir.<br/>
     That touches this my first-born son and heir.<br/>
     I tell you, younglings, not Enceladus,<br/>
     I tell you, younglings, not Enceladus,<br/>
     With all his threat'ning band of Typhon's brood,<br/>
     With all his threat'ning band of Typhon's brood,<br/>
     Nor great Alcides, nor the god of war,<br/>
     Nor great Alcides, nor the god of war,<br/>
     Shall seize this prey out of his father's hands.<br/>
     Shall seize this prey out of his father's hands.<br/>
     What, what, ye sanguine, shallow-hearted boys!<br/>
     What, what, ye sanguine, shallow-hearted boys!<br/>
     Ye white-lim'd walls! ye alehouse painted signs!<br/>
     Ye white-lim'd walls! ye alehouse painted signs!<br/>
     Coal-black is better than another hue<br/>
     Coal-black is better than another hue<br/>
     In that it scorns to bear another hue;<br/>
     In that it scorns to bear another hue;<br/>
     For all the water in the ocean<br/>
     For all the water in the ocean<br/>
     Can never turn the swan's black legs to white,<br/>
     Can never turn the swan's black legs to white,<br/>
     Although she lave them hourly in the flood.<br/>
     Although she lave them hourly in the flood.<br/>
     Tell the Empress from me I am of age<br/>
     Tell the Empress from me I am of age<br/>
     To keep mine own- excuse it how she can.<br/>
     To keep mine own- excuse it how she can.<br/>
   DEMETRIUS. Wilt thou betray thy noble mistress thus?<br/>
   DEMETRIUS. Wilt thou betray thy noble mistress thus?<br/>
   AARON. My mistress is my mistress: this my self,<br/>
   AARON. My mistress is my mistress: this my self,<br/>
     The vigour and the picture of my youth.<br/>
     The vigour and the picture of my youth.<br/>
     This before all the world do I prefer;<br/>
     This before all the world do I prefer;<br/>
     This maugre all the world will I keep safe,<br/>
     This maugre all the world will I keep safe,<br/>
     Or some of you shall smoke for it in Rome.<br/>
     Or some of you shall smoke for it in Rome.<br/>
   DEMETRIUS. By this our mother is for ever sham'd.<br/>
   DEMETRIUS. By this our mother is for ever sham'd.<br/>
   CHIRON. Rome will despise her for this foul escape.<br/>
   CHIRON. Rome will despise her for this foul escape.<br/>
   NURSE. The Emperor in his rage will doom her death.<br/>
   NURSE. The Emperor in his rage will doom her death.<br/>
   CHIRON. I blush to think upon this ignomy.<br/>
   CHIRON. I blush to think upon this ignomy.<br/>
   AARON. Why, there's the privilege your beauty bears:<br/>
   AARON. Why, there's the privilege your beauty bears:<br/>
     Fie, treacherous hue, that will betray with blushing<br/>
     Fie, treacherous hue, that will betray with blushing<br/>
     The close enacts and counsels of thy heart!<br/>
     The close enacts and counsels of thy heart!<br/>
     Here's a young lad fram'd of another leer.<br/>
     Here's a young lad fram'd of another leer.<br/>
     Look how the black slave smiles upon the father,<br/>
     Look how the black slave smiles upon the father,<br/>
     As who should say 'Old lad, I am thine own.'<br/>
     As who should say 'Old lad, I am thine own.'<br/>
     He is your brother, lords, sensibly fed<br/>
     He is your brother, lords, sensibly fed<br/>
     Of that self-blood that first gave life to you;<br/>
     Of that self-blood that first gave life to you;<br/>
     And from your womb where you imprisoned were<br/>
     And from your womb where you imprisoned were<br/>
     He is enfranchised and come to light.<br/>
     He is enfranchised and come to light.<br/>
     Nay, he is your brother by the surer side,<br/>
     Nay, he is your brother by the surer side,<br/>
     Although my seal be stamped in his face.<br/>
     Although my seal be stamped in his face.<br/>
   NURSE. Aaron, what shall I say unto the Empress?<br/>
   NURSE. Aaron, what shall I say unto the Empress?<br/>
   DEMETRIUS. Advise thee, Aaron, what is to be done,<br/>
   DEMETRIUS. Advise thee, Aaron, what is to be done,<br/>
     And we will all subscribe to thy advice.<br/>
     And we will all subscribe to thy advice.<br/>
     Save thou the child, so we may all be safe.<br/>
     Save thou the child, so we may all be safe.<br/>
   AARON. Then sit we down and let us all consult.<br/>
   AARON. Then sit we down and let us all consult.<br/>
     My son and I will have the wind of you:<br/>
     My son and I will have the wind of you:<br/>
     Keep there; now talk at pleasure of your safety.<br/>
     Keep there; now talk at pleasure of your safety.<br/>
                                                       [They sit]<br/>
                                                       [They sit]<br/>
   DEMETRIUS. How many women saw this child of his?<br/>
   DEMETRIUS. How many women saw this child of his?<br/>
   AARON. Why, so, brave lords! When we join in league<br/>
   AARON. Why, so, brave lords! When we join in league<br/>
     I am a lamb; but if you brave the Moor,<br/>
     I am a lamb; but if you brave the Moor,<br/>
     The chafed boar, the mountain lioness,<br/>
     The chafed boar, the mountain lioness,<br/>
     The ocean swells not so as Aaron storms.<br/>
     The ocean swells not so as Aaron storms.<br/>
     But say, again, how many saw the child?<br/>
     But say, again, how many saw the child?<br/>
   NURSE. Cornelia the midwife and myself;<br/>
   NURSE. Cornelia the midwife and myself;<br/>
     And no one else but the delivered Empress.<br/>
     And no one else but the delivered Empress.<br/>
   AARON. The Emperess, the midwife, and yourself.<br/>
   AARON. The Emperess, the midwife, and yourself.<br/>
     Two may keep counsel when the third's away:<br/>
     Two may keep counsel when the third's away:<br/>
     Go to the Empress, tell her this I said.      [He kills her]<br/>
     Go to the Empress, tell her this I said.      [He kills her]<br/>
     Weeke weeke!<br/>
     Weeke weeke!<br/>
     So cries a pig prepared to the spit.<br/>
     So cries a pig prepared to the spit.<br/>
   DEMETRIUS. What mean'st thou, Aaron? Wherefore didst thou this?<br/>
   DEMETRIUS. What mean'st thou, Aaron? Wherefore didst thou this?<br/>
   AARON. O Lord, sir, 'tis a deed of policy.<br/>
   AARON. O Lord, sir, 'tis a deed of policy.<br/>
     Shall she live to betray this guilt of ours-<br/>
     Shall she live to betray this guilt of ours-<br/>
     A long-tongu'd babbling gossip? No, lords, no.<br/>
     A long-tongu'd babbling gossip? No, lords, no.<br/>
     And now be it known to you my full intent:<br/>
     And now be it known to you my full intent:<br/>
     Not far, one Muliteus, my countryman-<br/>
     Not far, one Muliteus, my countryman-<br/>
     His wife but yesternight was brought to bed;<br/>
     His wife but yesternight was brought to bed;<br/>
     His child is like to her, fair as you are.<br/>
     His child is like to her, fair as you are.<br/>
     Go pack with him, and give the mother gold,<br/>
     Go pack with him, and give the mother gold,<br/>
     And tell them both the circumstance of all,<br/>
     And tell them both the circumstance of all,<br/>
     And how by this their child shall be advanc'd,<br/>
     And how by this their child shall be advanc'd,<br/>
     And be received for the Emperor's heir<br/>
     And be received for the Emperor's heir<br/>
     And substituted in the place of mine,<br/>
     And substituted in the place of mine,<br/>
     To calm this tempest whirling in the court;<br/>
     To calm this tempest whirling in the court;<br/>
     And let the Emperor dandle him for his own.<br/>
     And let the Emperor dandle him for his own.<br/>
     Hark ye, lords. You see I have given her physic,<br/>
     Hark ye, lords. You see I have given her physic,<br/>
                                         [Pointing to the NURSE]<br/>
                                         [Pointing to the NURSE]<br/>
     And you must needs bestow her funeral;<br/>
     And you must needs bestow her funeral;<br/>
     The fields are near, and you are gallant grooms.<br/>
     The fields are near, and you are gallant grooms.<br/>
     This done, see that you take no longer days,<br/>
     This done, see that you take no longer days,<br/>
     But send the midwife presently to me.<br/>
     But send the midwife presently to me.<br/>
     The midwife and the nurse well made away,<br/>
     The midwife and the nurse well made away,<br/>
     Then let the ladies tattle what they please.<br/>
     Then let the ladies tattle what they please.<br/>
   CHIRON. Aaron, I see thou wilt not trust the air<br/>
   CHIRON. Aaron, I see thou wilt not trust the air<br/>
     With secrets.<br/>
     With secrets.<br/>
   DEMETRIUS. For this care of Tamora,<br/>
   DEMETRIUS. For this care of Tamora,<br/>
     Herself and hers are highly bound to thee.<br/>
     Herself and hers are highly bound to thee.<br/>
</p>
</p>


Line 2,038: Line 3,886:


<p>  AARON. Now to the Goths, as swift as swallow flies,<br/>
<p>  AARON. Now to the Goths, as swift as swallow flies,<br/>
     There to dispose this treasure in mine arms,<br/>
     There to dispose this treasure in mine arms,<br/>
     And secretly to greet the Empress' friends.<br/>
     And secretly to greet the Empress' friends.<br/>
     Come on, you thick-lipp'd slave, I'll bear you hence;<br/>
     Come on, you thick-lipp'd slave, I'll bear you hence;<br/>
     For it is you that puts us to our shifts.<br/>
     For it is you that puts us to our shifts.<br/>
     I'll make you feed on berries and on roots,<br/>
     I'll make you feed on berries and on roots,<br/>
     And feed on curds and whey, and suck the goat,<br/>
     And feed on curds and whey, and suck the goat,<br/>
     And cabin in a cave, and bring you up<br/>
     And cabin in a cave, and bring you up<br/>
     To be a warrior and command a camp.<br/>
     To be a warrior and command a camp.<br/>
                                             Exit with the CHILD<br/>
                                             Exit with the CHILD<br/>
</p>
</p>


<h4>SCENE III.
<h4>SCENE III.
Rome. A public place</h4>
Rome. A public place</h4>


<p>Enter TITUS, bearing arrows with letters on the ends of them;
<p>Enter TITUS, bearing arrows with letters on the ends of them;
with him MARCUS, YOUNG LUCIUS, and other gentlemen,
with him MARCUS, YOUNG LUCIUS, and other gentlemen,
PUBLIUS, SEMPRONIUS, and CAIUS, with bows</p>
PUBLIUS, SEMPRONIUS, and CAIUS, with bows</p>


<p>  TITUS. Come, Marcus, come; kinsmen, this is the way.<br/>
<p>  TITUS. Come, Marcus, come; kinsmen, this is the way.<br/>
     Sir boy, let me see your archery;<br/>
     Sir boy, let me see your archery;<br/>
     Look ye draw home enough, and 'tis there straight.<br/>
     Look ye draw home enough, and 'tis there straight.<br/>
     Terras Astrea reliquit,<br/>
     Terras Astrea reliquit,<br/>
     Be you rememb'red, Marcus; she's gone, she's fled.<br/>
     Be you rememb'red, Marcus; she's gone, she's fled.<br/>
     Sirs, take you to your tools. You, cousins, shall<br/>
     Sirs, take you to your tools. You, cousins, shall<br/>
     Go sound the ocean and cast your nets;<br/>
     Go sound the ocean and cast your nets;<br/>
     Happily you may catch her in the sea;<br/>
     Happily you may catch her in the sea;<br/>
     Yet there's as little justice as at land.<br/>
     Yet there's as little justice as at land.<br/>
     No; Publius and Sempronius, you must do it;<br/>
     No; Publius and Sempronius, you must do it;<br/>
     'Tis you must dig with mattock and with spade,<br/>
     'Tis you must dig with mattock and with spade,<br/>
     And pierce the inmost centre of the earth;<br/>
     And pierce the inmost centre of the earth;<br/>
     Then, when you come to Pluto's region,<br/>
     Then, when you come to Pluto's region,<br/>
     I pray you deliver him this petition.<br/>
     I pray you deliver him this petition.<br/>
     Tell him it is for justice and for aid,<br/>
     Tell him it is for justice and for aid,<br/>
     And that it comes from old Andronicus,<br/>
     And that it comes from old Andronicus,<br/>
     Shaken with sorrows in ungrateful Rome.<br/>
     Shaken with sorrows in ungrateful Rome.<br/>
     Ah, Rome! Well, well, I made thee miserable<br/>
     Ah, Rome! Well, well, I made thee miserable<br/>
     What time I threw the people's suffrages<br/>
     What time I threw the people's suffrages<br/>
     On him that thus doth tyrannize o'er me.<br/>
     On him that thus doth tyrannize o'er me.<br/>
     Go get you gone; and pray be careful all,<br/>
     Go get you gone; and pray be careful all,<br/>
     And leave you not a man-of-war unsearch'd.<br/>
     And leave you not a man-of-war unsearch'd.<br/>
     This wicked Emperor may have shipp'd her hence;<br/>
     This wicked Emperor may have shipp'd her hence;<br/>
     And, kinsmen, then we may go pipe for justice.<br/>
     And, kinsmen, then we may go pipe for justice.<br/>
   MARCUS. O Publius, is not this a heavy case,<br/>
   MARCUS. O Publius, is not this a heavy case,<br/>
     To see thy noble uncle thus distract?<br/>
     To see thy noble uncle thus distract?<br/>
   PUBLIUS. Therefore, my lords, it highly us concerns<br/>
   PUBLIUS. Therefore, my lords, it highly us concerns<br/>
     By day and night t' attend him carefully,<br/>
     By day and night t' attend him carefully,<br/>
     And feed his humour kindly as we may<br/>
     And feed his humour kindly as we may<br/>
     Till time beget some careful remedy.<br/>
     Till time beget some careful remedy.<br/>
   MARCUS. Kinsmen, his sorrows are past remedy.<br/>
   MARCUS. Kinsmen, his sorrows are past remedy.<br/>
     Join with the Goths, and with revengeful war<br/>
     Join with the Goths, and with revengeful war<br/>
     Take wreak on Rome for this ingratitude,<br/>
     Take wreak on Rome for this ingratitude,<br/>
     And vengeance on the traitor Saturnine.<br/>
     And vengeance on the traitor Saturnine.<br/>
   TITUS. Publius, how now? How now, my masters?<br/>
   TITUS. Publius, how now? How now, my masters?<br/>
     What, have you met with her?<br/>
     What, have you met with her?<br/>
   PUBLIUS. No, my good lord; but Pluto sends you word,<br/>
   PUBLIUS. No, my good lord; but Pluto sends you word,<br/>
     If you will have Revenge from hell, you shall.<br/>
     If you will have Revenge from hell, you shall.<br/>
     Marry, for Justice, she is so employ'd,<br/>
     Marry, for Justice, she is so employ'd,<br/>
     He thinks, with Jove in heaven, or somewhere else,<br/>
     He thinks, with Jove in heaven, or somewhere else,<br/>
     So that perforce you must needs stay a time.<br/>
     So that perforce you must needs stay a time.<br/>
   TITUS. He doth me wrong to feed me with delays.<br/>
   TITUS. He doth me wrong to feed me with delays.<br/>
     I'll dive into the burning lake below<br/>
     I'll dive into the burning lake below<br/>
     And pull her out of Acheron by the heels.<br/>
     And pull her out of Acheron by the heels.<br/>
     Marcus, we are but shrubs, no cedars we,<br/>
     Marcus, we are but shrubs, no cedars we,<br/>
     No big-bon'd men fram'd of the Cyclops' size;<br/>
     No big-bon'd men fram'd of the Cyclops' size;<br/>
     But metal, Marcus, steel to the very back,<br/>
     But metal, Marcus, steel to the very back,<br/>
     Yet wrung with wrongs more than our backs can bear;<br/>
     Yet wrung with wrongs more than our backs can bear;<br/>
     And, sith there's no justice in earth nor hell,<br/>
     And, sith there's no justice in earth nor hell,<br/>
     We will solicit heaven, and move the gods<br/>
     We will solicit heaven, and move the gods<br/>
     To send down justice for to wreak our wrongs.<br/>
     To send down justice for to wreak our wrongs.<br/>
     Come, to this gear. You are a good archer, Marcus.<br/>
     Come, to this gear. You are a good archer, Marcus.<br/>
                                       [He gives them the arrows]<br/>
                                       [He gives them the arrows]<br/>
     'Ad Jovem' that's for you; here 'Ad Apollinem.'<br/>
     'Ad Jovem' that's for you; here 'Ad Apollinem.'<br/>
     'Ad Martem' that's for myself.<br/>
     'Ad Martem' that's for myself.<br/>
     Here, boy, 'To Pallas'; here 'To Mercury.'<br/>
     Here, boy, 'To Pallas'; here 'To Mercury.'<br/>
     'To Saturn,' Caius- not to Saturnine:<br/>
     'To Saturn,' Caius- not to Saturnine:<br/>
     You were as good to shoot against the wind.<br/>
     You were as good to shoot against the wind.<br/>
     To it, boy. Marcus, loose when I bid.<br/>
     To it, boy. Marcus, loose when I bid.<br/>
     Of my word, I have written to effect;<br/>
     Of my word, I have written to effect;<br/>
     There's not a god left unsolicited.<br/>
     There's not a god left unsolicited.<br/>
   MARCUS. Kinsmen, shoot all your shafts into the court;<br/>
   MARCUS. Kinsmen, shoot all your shafts into the court;<br/>
     We will afflict the Emperor in his pride.<br/>
     We will afflict the Emperor in his pride.<br/>
   TITUS. Now, masters, draw.  [They shoot]  O, well said, Lucius!<br/>
   TITUS. Now, masters, draw.  [They shoot]  O, well said, Lucius!<br/>
     Good boy, in Virgo's lap! Give it Pallas.<br/>
     Good boy, in Virgo's lap! Give it Pallas.<br/>
   MARCUS. My lord, I aim a mile beyond the moon;<br/>
   MARCUS. My lord, I aim a mile beyond the moon;<br/>
     Your letter is with Jupiter by this.<br/>
     Your letter is with Jupiter by this.<br/>
   TITUS. Ha! ha!<br/>
   TITUS. Ha! ha!<br/>
     Publius, Publius, hast thou done?<br/>
     Publius, Publius, hast thou done?<br/>
     See, see, thou hast shot off one of Taurus' horns.<br/>
     See, see, thou hast shot off one of Taurus' horns.<br/>
   MARCUS. This was the sport, my lord: when Publius shot,<br/>
   MARCUS. This was the sport, my lord: when Publius shot,<br/>
     The Bull, being gall'd, gave Aries such a knock<br/>
     The Bull, being gall'd, gave Aries such a knock<br/>
     That down fell both the Ram's horns in the court;<br/>
     That down fell both the Ram's horns in the court;<br/>
     And who should find them but the Empress' villain?<br/>
     And who should find them but the Empress' villain?<br/>
     She laugh'd, and told the Moor he should not choose<br/>
     She laugh'd, and told the Moor he should not choose<br/>
     But give them to his master for a present.<br/>
     But give them to his master for a present.<br/>
   TITUS. Why, there it goes! God give his lordship joy!<br/>
   TITUS. Why, there it goes! God give his lordship joy!<br/>
</p>
</p>


Line 2,138: Line 4,076:


<p>    News, news from heaven! Marcus, the post is come.<br/>
<p>    News, news from heaven! Marcus, the post is come.<br/>
     Sirrah, what tidings? Have you any letters?<br/>
     Sirrah, what tidings? Have you any letters?<br/>
     Shall I have justice? What says Jupiter?<br/>
     Shall I have justice? What says Jupiter?<br/>
   CLOWN. Ho, the gibbet-maker? He says that he hath taken them down<br/>
   CLOWN. Ho, the gibbet-maker? He says that he hath taken them down<br/>
     again, for the man must not be hang'd till the next week.<br/>
     again, for the man must not be hang'd till the next week.<br/>
   TITUS. But what says Jupiter, I ask thee?<br/>
   TITUS. But what says Jupiter, I ask thee?<br/>
   CLOWN. Alas, sir, I know not Jupiter; I never drank with him in all<br/>
   CLOWN. Alas, sir, I know not Jupiter; I never drank with him in all<br/>
     my life.<br/>
     my life.<br/>
   TITUS. Why, villain, art not thou the carrier?<br/>
   TITUS. Why, villain, art not thou the carrier?<br/>
   CLOWN. Ay, of my pigeons, sir; nothing else.<br/>
   CLOWN. Ay, of my pigeons, sir; nothing else.<br/>
   TITUS. Why, didst thou not come from heaven?<br/>
   TITUS. Why, didst thou not come from heaven?<br/>
   CLOWN. From heaven! Alas, sir, I never came there. God forbid I<br/>
   CLOWN. From heaven! Alas, sir, I never came there. God forbid I<br/>
     should be so bold to press to heaven in my young days. Why, I am<br/>
     should be so bold to press to heaven in my young days. Why, I am<br/>
     going with my pigeons to the Tribunal Plebs, to take up a matter<br/>
     going with my pigeons to the Tribunal Plebs, to take up a matter<br/>
     of brawl betwixt my uncle and one of the Emperal's men.<br/>
     of brawl betwixt my uncle and one of the Emperal's men.<br/>
   MARCUS. Why, sir, that is as fit as can be to serve for your<br/>
   MARCUS. Why, sir, that is as fit as can be to serve for your<br/>
     oration; and let him deliver the pigeons to the Emperor from you.<br/>
     oration; and let him deliver the pigeons to the Emperor from you.<br/>
   TITUS. Tell me, can you deliver an oration to the Emperor with a<br/>
   TITUS. Tell me, can you deliver an oration to the Emperor with a<br/>
     grace?<br/>
     grace?<br/>
   CLOWN. Nay, truly, sir, I could never say grace in all my life.<br/>
   CLOWN. Nay, truly, sir, I could never say grace in all my life.<br/>
   TITUS. Sirrah, come hither. Make no more ado,<br/>
   TITUS. Sirrah, come hither. Make no more ado,<br/>
     But give your pigeons to the Emperor;<br/>
     But give your pigeons to the Emperor;<br/>
     By me thou shalt have justice at his hands.<br/>
     By me thou shalt have justice at his hands.<br/>
     Hold, hold! Meanwhile here's money for thy charges.<br/>
     Hold, hold! Meanwhile here's money for thy charges.<br/>
     Give me pen and ink. Sirrah, can you with a grace deliver up a<br/>
     Give me pen and ink. Sirrah, can you with a grace deliver up a<br/>
     supplication?<br/>
     supplication?<br/>
   CLOWN. Ay, sir.<br/>
   CLOWN. Ay, sir.<br/>
   TITUS. Then here is a supplication for you. And when you come to<br/>
   TITUS. Then here is a supplication for you. And when you come to<br/>
     him, at the first approach you must kneel; then kiss his foot;<br/>
     him, at the first approach you must kneel; then kiss his foot;<br/>
     then deliver up your pigeons; and then look for your reward. I'll<br/>
     then deliver up your pigeons; and then look for your reward. I'll<br/>
     be at hand, sir; see you do it bravely.<br/>
     be at hand, sir; see you do it bravely.<br/>
   CLOWN. I warrant you, sir; let me alone.<br/>
   CLOWN. I warrant you, sir; let me alone.<br/>
   TITUS. Sirrah, hast thou a knife? Come let me see it.<br/>
   TITUS. Sirrah, hast thou a knife? Come let me see it.<br/>
     Here, Marcus, fold it in the oration;<br/>
     Here, Marcus, fold it in the oration;<br/>
     For thou hast made it like a humble suppliant.<br/>
     For thou hast made it like a humble suppliant.<br/>
     And when thou hast given it to the Emperor,<br/>
     And when thou hast given it to the Emperor,<br/>
     Knock at my door, and tell me what he says.<br/>
     Knock at my door, and tell me what he says.<br/>
   CLOWN. God be with you, sir; I will.<br/>
   CLOWN. God be with you, sir; I will.<br/>
   TITUS. Come, Marcus, let us go. Publius, follow me.    Exeunt<br/>
   TITUS. Come, Marcus, let us go. Publius, follow me.    Exeunt<br/>
</p>
</p>


<h4>SCENE IV.
<h4>SCENE IV.
Rome. Before the palace</h4>
Rome. Before the palace</h4>


<p>Enter the EMPEROR, and the EMPRESS and her two sons, DEMETRIUS and CHIRON;
<p>Enter the EMPEROR, and the EMPRESS and her two sons, DEMETRIUS and CHIRON;
LORDS and others. The EMPEROR brings the arrows in his hand that TITUS
LORDS and others. The EMPEROR brings the arrows in his hand that TITUS
shot at him</p>
shot at him</p>


<p>  SATURNINUS. Why, lords, what wrongs are these! Was ever seen<br/>
<p>  SATURNINUS. Why, lords, what wrongs are these! Was ever seen<br/>
     An emperor in Rome thus overborne,<br/>
     An emperor in Rome thus overborne,<br/>
     Troubled, confronted thus; and, for the extent<br/>
     Troubled, confronted thus; and, for the extent<br/>
     Of egal justice, us'd in such contempt?<br/>
     Of egal justice, us'd in such contempt?<br/>
     My lords, you know, as know the mightful gods,<br/>
     My lords, you know, as know the mightful gods,<br/>
     However these disturbers of our peace<br/>
     However these disturbers of our peace<br/>
     Buzz in the people's ears, there nought hath pass'd<br/>
     Buzz in the people's ears, there nought hath pass'd<br/>
     But even with law against the wilful sons<br/>
     But even with law against the wilful sons<br/>
     Of old Andronicus. And what an if<br/>
     Of old Andronicus. And what an if<br/>
     His sorrows have so overwhelm'd his wits,<br/>
     His sorrows have so overwhelm'd his wits,<br/>
     Shall we be thus afflicted in his wreaks,<br/>
     Shall we be thus afflicted in his wreaks,<br/>
     His fits, his frenzy, and his bitterness?<br/>
     His fits, his frenzy, and his bitterness?<br/>
     And now he writes to heaven for his redress.<br/>
     And now he writes to heaven for his redress.<br/>
     See, here's 'To Jove' and this 'To Mercury';<br/>
     See, here's 'To Jove' and this 'To Mercury';<br/>
     This 'To Apollo'; this 'To the God of War'-<br/>
     This 'To Apollo'; this 'To the God of War'-<br/>
     Sweet scrolls to fly about the streets of Rome!<br/>
     Sweet scrolls to fly about the streets of Rome!<br/>
     What's this but libelling against the Senate,<br/>
     What's this but libelling against the Senate,<br/>
     And blazoning our unjustice every where?<br/>
     And blazoning our unjustice every where?<br/>
     A goodly humour, is it not, my lords?<br/>
     A goodly humour, is it not, my lords?<br/>
     As who would say in Rome no justice were.<br/>
     As who would say in Rome no justice were.<br/>
     But if I live, his feigned ecstasies<br/>
     But if I live, his feigned ecstasies<br/>
     Shall be no shelter to these outrages;<br/>
     Shall be no shelter to these outrages;<br/>
     But he and his shall know that justice lives<br/>
     But he and his shall know that justice lives<br/>
     In Saturninus' health; whom, if she sleep,<br/>
     In Saturninus' health; whom, if she sleep,<br/>
     He'll so awake as he in fury shall<br/>
     He'll so awake as he in fury shall<br/>
     Cut off the proud'st conspirator that lives.<br/>
     Cut off the proud'st conspirator that lives.<br/>
   TAMORA. My gracious lord, my lovely Saturnine,<br/>
   TAMORA. My gracious lord, my lovely Saturnine,<br/>
     Lord of my life, commander of my thoughts,<br/>
     Lord of my life, commander of my thoughts,<br/>
     Calm thee, and bear the faults of Titus' age,<br/>
     Calm thee, and bear the faults of Titus' age,<br/>
     Th' effects of sorrow for his valiant sons<br/>
     Th' effects of sorrow for his valiant sons<br/>
     Whose loss hath pierc'd him deep and scarr'd his heart;<br/>
     Whose loss hath pierc'd him deep and scarr'd his heart;<br/>
     And rather comfort his distressed plight<br/>
     And rather comfort his distressed plight<br/>
     Than prosecute the meanest or the best<br/>
     Than prosecute the meanest or the best<br/>
     For these contempts.  [Aside]  Why, thus it shall become<br/>
     For these contempts.  [Aside]  Why, thus it shall become<br/>
     High-witted Tamora to gloze with all.<br/>
     High-witted Tamora to gloze with all.<br/>
     But, Titus, I have touch'd thee to the quick,<br/>
     But, Titus, I have touch'd thee to the quick,<br/>
     Thy life-blood out; if Aaron now be wise,<br/>
     Thy life-blood out; if Aaron now be wise,<br/>
     Then is all safe, the anchor in the port.<br/>
     Then is all safe, the anchor in the port.<br/>
</p>
</p>


Line 2,228: Line 4,246:


<p>    How now, good fellow! Wouldst thou speak with us?<br/>
<p>    How now, good fellow! Wouldst thou speak with us?<br/>
   CLOWN. Yes, forsooth, an your mistriship be Emperial.<br/>
   CLOWN. Yes, forsooth, an your mistriship be Emperial.<br/>
   TAMORA. Empress I am, but yonder sits the Emperor.<br/>
   TAMORA. Empress I am, but yonder sits the Emperor.<br/>
   CLOWN. 'Tis he.- God and Saint Stephen give you godden. I have<br/>
   CLOWN. 'Tis he.- God and Saint Stephen give you godden. I have<br/>
     brought you a letter and a couple of pigeons here.<br/>
     brought you a letter and a couple of pigeons here.<br/>
                                   [SATURNINUS reads the letter]<br/>
                                   [SATURNINUS reads the letter]<br/>
   SATURNINUS. Go take him away, and hang him presently.<br/>
   SATURNINUS. Go take him away, and hang him presently.<br/>
   CLOWN. How much money must I have?<br/>
   CLOWN. How much money must I have?<br/>
   TAMORA. Come, sirrah, you must be hang'd.<br/>
   TAMORA. Come, sirrah, you must be hang'd.<br/>
   CLOWN. Hang'd! by'r lady, then I have brought up a neck to a fair<br/>
   CLOWN. Hang'd! by'r lady, then I have brought up a neck to a fair<br/>
     end.                                          [Exit guarded]<br/>
     end.                                          [Exit guarded]<br/>
   SATURNINUS. Despiteful and intolerable wrongs!<br/>
   SATURNINUS. Despiteful and intolerable wrongs!<br/>
     Shall I endure this monstrous villainy?<br/>
     Shall I endure this monstrous villainy?<br/>
     I know from whence this same device proceeds.<br/>
     I know from whence this same device proceeds.<br/>
     May this be borne- as if his traitorous sons<br/>
     May this be borne- as if his traitorous sons<br/>
     That died by law for murder of our brother<br/>
     That died by law for murder of our brother<br/>
     Have by my means been butchered wrongfully?<br/>
     Have by my means been butchered wrongfully?<br/>
     Go drag the villain hither by the hair;<br/>
     Go drag the villain hither by the hair;<br/>
     Nor age nor honour shall shape privilege.<br/>
     Nor age nor honour shall shape privilege.<br/>
     For this proud mock I'll be thy slaughterman,<br/>
     For this proud mock I'll be thy slaughterman,<br/>
     Sly frantic wretch, that holp'st to make me great,<br/>
     Sly frantic wretch, that holp'st to make me great,<br/>
     In hope thyself should govern Rome and me.<br/>
     In hope thyself should govern Rome and me.<br/>
</p>
</p>


Line 2,254: Line 4,294:


<p>    What news with thee, Aemilius?<br/>
<p>    What news with thee, Aemilius?<br/>
   AEMILIUS. Arm, my lords! Rome never had more cause.<br/>
   AEMILIUS. Arm, my lords! Rome never had more cause.<br/>
     The Goths have gathered head; and with a power<br/>
     The Goths have gathered head; and with a power<br/>
     Of high resolved men, bent to the spoil,<br/>
     Of high resolved men, bent to the spoil,<br/>
     They hither march amain, under conduct<br/>
     They hither march amain, under conduct<br/>
     Of Lucius, son to old Andronicus;<br/>
     Of Lucius, son to old Andronicus;<br/>
     Who threats in course of this revenge to do<br/>
     Who threats in course of this revenge to do<br/>
     As much as ever Coriolanus did.<br/>
     As much as ever Coriolanus did.<br/>
   SATURNINUS. Is warlike Lucius general of the Goths?<br/>
   SATURNINUS. Is warlike Lucius general of the Goths?<br/>
     These tidings nip me, and I hang the head<br/>
     These tidings nip me, and I hang the head<br/>
     As flowers with frost, or grass beat down with storms.<br/>
     As flowers with frost, or grass beat down with storms.<br/>
     Ay, now begins our sorrows to approach.<br/>
     Ay, now begins our sorrows to approach.<br/>
     'Tis he the common people love so much;<br/>
     'Tis he the common people love so much;<br/>
     Myself hath often heard them say-<br/>
     Myself hath often heard them say-<br/>
     When I have walked like a private man-<br/>
     When I have walked like a private man-<br/>
     That Lucius' banishment was wrongfully,<br/>
     That Lucius' banishment was wrongfully,<br/>
     And they have wish'd that Lucius were their emperor.<br/>
     And they have wish'd that Lucius were their emperor.<br/>
   TAMORA. Why should you fear? Is not your city strong?<br/>
   TAMORA. Why should you fear? Is not your city strong?<br/>
   SATURNINUS. Ay, but the citizens favour Lucius,<br/>
   SATURNINUS. Ay, but the citizens favour Lucius,<br/>
     And will revolt from me to succour him.<br/>
     And will revolt from me to succour him.<br/>
   TAMORA. King, be thy thoughts imperious like thy name!<br/>
   TAMORA. King, be thy thoughts imperious like thy name!<br/>
     Is the sun dimm'd, that gnats do fly in it?<br/>
     Is the sun dimm'd, that gnats do fly in it?<br/>
     The eagle suffers little birds to sing,<br/>
     The eagle suffers little birds to sing,<br/>
     And is not careful what they mean thereby,<br/>
     And is not careful what they mean thereby,<br/>
     Knowing that with the shadow of his wings<br/>
     Knowing that with the shadow of his wings<br/>
     He can at pleasure stint their melody;<br/>
     He can at pleasure stint their melody;<br/>
     Even so mayest thou the giddy men of Rome.<br/>
     Even so mayest thou the giddy men of Rome.<br/>
     Then cheer thy spirit; for know thou, Emperor,<br/>
     Then cheer thy spirit; for know thou, Emperor,<br/>
     I will enchant the old Andronicus<br/>
     I will enchant the old Andronicus<br/>
     With words more sweet, and yet more dangerous,<br/>
     With words more sweet, and yet more dangerous,<br/>
     Than baits to fish or honey-stalks to sheep,<br/>
     Than baits to fish or honey-stalks to sheep,<br/>
     When as the one is wounded with the bait,<br/>
     When as the one is wounded with the bait,<br/>
     The other rotted with delicious feed.<br/>
     The other rotted with delicious feed.<br/>
   SATURNINUS. But he will not entreat his son for us.<br/>
   SATURNINUS. But he will not entreat his son for us.<br/>
   TAMORA. If Tamora entreat him, then he will;<br/>
   TAMORA. If Tamora entreat him, then he will;<br/>
     For I can smooth and fill his aged ears<br/>
     For I can smooth and fill his aged ears<br/>
     With golden promises, that, were his heart<br/>
     With golden promises, that, were his heart<br/>
     Almost impregnable, his old ears deaf,<br/>
     Almost impregnable, his old ears deaf,<br/>
     Yet should both ear and heart obey my tongue.<br/>
     Yet should both ear and heart obey my tongue.<br/>
     [To AEMILIUS]  Go thou before to be our ambassador;<br/>
     [To AEMILIUS]  Go thou before to be our ambassador;<br/>
     Say that the Emperor requests a parley<br/>
     Say that the Emperor requests a parley<br/>
     Of warlike Lucius, and appoint the meeting<br/>
     Of warlike Lucius, and appoint the meeting<br/>
     Even at his father's house, the old Andronicus.<br/>
     Even at his father's house, the old Andronicus.<br/>
   SATURNINUS. Aemilius, do this message honourably;<br/>
   SATURNINUS. Aemilius, do this message honourably;<br/>
     And if he stand on hostage for his safety,<br/>
     And if he stand on hostage for his safety,<br/>
     Bid him demand what pledge will please him best.<br/>
     Bid him demand what pledge will please him best.<br/>
   AEMILIUS. Your bidding shall I do effectually.            Exit<br/>
   AEMILIUS. Your bidding shall I do effectually.            Exit<br/>
   TAMORA. Now will I to that old Andronicus,<br/>
   TAMORA. Now will I to that old Andronicus,<br/>
     And temper him with all the art I have,<br/>
     And temper him with all the art I have,<br/>
     To pluck proud Lucius from the warlike Goths.<br/>
     To pluck proud Lucius from the warlike Goths.<br/>
     And now, sweet Emperor, be blithe again,<br/>
     And now, sweet Emperor, be blithe again,<br/>
     And bury all thy fear in my devices.<br/>
     And bury all thy fear in my devices.<br/>
   SATURNINUS. Then go successantly, and plead to him.<br/>
   SATURNINUS. Then go successantly, and plead to him.<br/>
                                                           Exeunt<br/>
                                                           Exeunt<br/>
</p>
</p>


<h4>ACT V. SCENE I.
<h4>ACT V. SCENE I.
Plains near Rome</h4>
Plains near Rome</h4>


Line 2,315: Line 4,410:


<p>  LUCIUS. Approved warriors and my faithful friends,<br/>
<p>  LUCIUS. Approved warriors and my faithful friends,<br/>
     I have received letters from great Rome<br/>
     I have received letters from great Rome<br/>
     Which signifies what hate they bear their Emperor<br/>
     Which signifies what hate they bear their Emperor<br/>
     And how desirous of our sight they are.<br/>
     And how desirous of our sight they are.<br/>
     Therefore, great lords, be, as your titles witness,<br/>
     Therefore, great lords, be, as your titles witness,<br/>
     Imperious and impatient of your wrongs;<br/>
     Imperious and impatient of your wrongs;<br/>
     And wherein Rome hath done you any scath,<br/>
     And wherein Rome hath done you any scath,<br/>
     Let him make treble satisfaction.<br/>
     Let him make treble satisfaction.<br/>
   FIRST GOTH. Brave slip, sprung from the great Andronicus,<br/>
   FIRST GOTH. Brave slip, sprung from the great Andronicus,<br/>
     Whose name was once our terror, now our comfort,<br/>
     Whose name was once our terror, now our comfort,<br/>
     Whose high exploits and honourable deeds<br/>
     Whose high exploits and honourable deeds<br/>
     Ingrateful Rome requites with foul contempt,<br/>
     Ingrateful Rome requites with foul contempt,<br/>
     Be bold in us: we'll follow where thou lead'st,<br/>
     Be bold in us: we'll follow where thou lead'st,<br/>
     Like stinging bees in hottest summer's day,<br/>
     Like stinging bees in hottest summer's day,<br/>
     Led by their master to the flow'red fields,<br/>
     Led by their master to the flow'red fields,<br/>
     And be aveng'd on cursed Tamora.<br/>
     And be aveng'd on cursed Tamora.<br/>
   ALL THE GOTHS. And as he saith, so say we all with him.<br/>
   ALL THE GOTHS. And as he saith, so say we all with him.<br/>
   LUCIUS. I humbly thank him, and I thank you all.<br/>
   LUCIUS. I humbly thank him, and I thank you all.<br/>
     But who comes here, led by a lusty Goth?<br/>
     But who comes here, led by a lusty Goth?<br/>
</p>
</p>


Line 2,338: Line 4,452:


<p>  SECOND GOTH. Renowned Lucius, from our troops I stray'd<br/>
<p>  SECOND GOTH. Renowned Lucius, from our troops I stray'd<br/>
     To gaze upon a ruinous monastery;<br/>
     To gaze upon a ruinous monastery;<br/>
     And as I earnestly did fix mine eye<br/>
     And as I earnestly did fix mine eye<br/>
     Upon the wasted building, suddenly<br/>
     Upon the wasted building, suddenly<br/>
     I heard a child cry underneath a wall.<br/>
     I heard a child cry underneath a wall.<br/>
     I made unto the noise, when soon I heard<br/>
     I made unto the noise, when soon I heard<br/>
     The crying babe controll'd with this discourse:<br/>
     The crying babe controll'd with this discourse:<br/>
     'Peace, tawny slave, half me and half thy dam!<br/>
     'Peace, tawny slave, half me and half thy dam!<br/>
     Did not thy hue bewray whose brat thou art,<br/>
     Did not thy hue bewray whose brat thou art,<br/>
     Had nature lent thee but thy mother's look,<br/>
     Had nature lent thee but thy mother's look,<br/>
     Villain, thou mightst have been an emperor;<br/>
     Villain, thou mightst have been an emperor;<br/>
     But where the bull and cow are both milk-white,<br/>
     But where the bull and cow are both milk-white,<br/>
     They never do beget a coal-black calf.<br/>
     They never do beget a coal-black calf.<br/>
     Peace, villain, peace!'- even thus he rates the babe-<br/>
     Peace, villain, peace!'- even thus he rates the babe-<br/>
     'For I must bear thee to a trusty Goth,<br/>
     'For I must bear thee to a trusty Goth,<br/>
     Who, when he knows thou art the Empress' babe,<br/>
     Who, when he knows thou art the Empress' babe,<br/>
     Will hold thee dearly for thy mother's sake.'<br/>
     Will hold thee dearly for thy mother's sake.'<br/>
     With this, my weapon drawn, I rush'd upon him,<br/>
     With this, my weapon drawn, I rush'd upon him,<br/>
     Surpris'd him suddenly, and brought him hither<br/>
     Surpris'd him suddenly, and brought him hither<br/>
     To use as you think needful of the man.<br/>
     To use as you think needful of the man.<br/>
   LUCIUS. O worthy Goth, this is the incarnate devil<br/>
   LUCIUS. O worthy Goth, this is the incarnate devil<br/>
     That robb'd Andronicus of his good hand;<br/>
     That robb'd Andronicus of his good hand;<br/>
     This is the pearl that pleas'd your Empress' eye;<br/>
     This is the pearl that pleas'd your Empress' eye;<br/>
     And here's the base fruit of her burning lust.<br/>
     And here's the base fruit of her burning lust.<br/>
     Say, wall-ey'd slave, whither wouldst thou convey<br/>
     Say, wall-ey'd slave, whither wouldst thou convey<br/>
     This growing image of thy fiend-like face?<br/>
     This growing image of thy fiend-like face?<br/>
     Why dost not speak? What, deaf? Not a word?<br/>
     Why dost not speak? What, deaf? Not a word?<br/>
     A halter, soldiers! Hang him on this tree,<br/>
     A halter, soldiers! Hang him on this tree,<br/>
     And by his side his fruit of bastardy.<br/>
     And by his side his fruit of bastardy.<br/>
   AARON. Touch not the boy, he is of royal blood.<br/>
   AARON. Touch not the boy, he is of royal blood.<br/>
   LUCIUS. Too like the sire for ever being good.<br/>
   LUCIUS. Too like the sire for ever being good.<br/>
     First hang the child, that he may see it sprawl-<br/>
     First hang the child, that he may see it sprawl-<br/>
     A sight to vex the father's soul withal.<br/>
     A sight to vex the father's soul withal.<br/>
     Get me a ladder.<br/>
     Get me a ladder.<br/>
                 [A ladder brought, which AARON is made to climb]<br/>
                 [A ladder brought, which AARON is made to climb]<br/>
   AARON. Lucius, save the child,<br/>
   AARON. Lucius, save the child,<br/>
     And bear it from me to the Emperess.<br/>
     And bear it from me to the Emperess.<br/>
     If thou do this, I'll show thee wondrous things<br/>
     If thou do this, I'll show thee wondrous things<br/>
     That highly may advantage thee to hear;<br/>
     That highly may advantage thee to hear;<br/>
     If thou wilt not, befall what may befall,<br/>
     If thou wilt not, befall what may befall,<br/>
     I'll speak no more but 'Vengeance rot you all!'<br/>
     I'll speak no more but 'Vengeance rot you all!'<br/>
   LUCIUS. Say on; an if it please me which thou speak'st,<br/>
   LUCIUS. Say on; an if it please me which thou speak'st,<br/>
     Thy child shall live, and I will see it nourish'd.<br/>
     Thy child shall live, and I will see it nourish'd.<br/>
   AARON. An if it please thee! Why, assure thee, Lucius,<br/>
   AARON. An if it please thee! Why, assure thee, Lucius,<br/>
     'Twill vex thy soul to hear what I shall speak;<br/>
     'Twill vex thy soul to hear what I shall speak;<br/>
     For I must talk of murders, rapes, and massacres,<br/>
     For I must talk of murders, rapes, and massacres,<br/>
     Acts of black night, abominable deeds,<br/>
     Acts of black night, abominable deeds,<br/>
     Complots of mischief, treason, villainies,<br/>
     Complots of mischief, treason, villainies,<br/>
     Ruthful to hear, yet piteously perform'd;<br/>
     Ruthful to hear, yet piteously perform'd;<br/>
     And this shall all be buried in my death,<br/>
     And this shall all be buried in my death,<br/>
     Unless thou swear to me my child shall live.<br/>
     Unless thou swear to me my child shall live.<br/>
   LUCIUS. Tell on thy mind; I say thy child shall live.<br/>
   LUCIUS. Tell on thy mind; I say thy child shall live.<br/>
   AARON. Swear that he shall, and then I will begin.<br/>
   AARON. Swear that he shall, and then I will begin.<br/>
   LUCIUS. Who should I swear by? Thou believest no god;<br/>
   LUCIUS. Who should I swear by? Thou believest no god;<br/>
     That granted, how canst thou believe an oath?<br/>
     That granted, how canst thou believe an oath?<br/>
   AARON. What if I do not? as indeed I do not;<br/>
   AARON. What if I do not? as indeed I do not;<br/>
     Yet, for I know thou art religious<br/>
     Yet, for I know thou art religious<br/>
     And hast a thing within thee called conscience,<br/>
     And hast a thing within thee called conscience,<br/>
     With twenty popish tricks and ceremonies<br/>
     With twenty popish tricks and ceremonies<br/>
     Which I have seen thee careful to observe,<br/>
     Which I have seen thee careful to observe,<br/>
     Therefore I urge thy oath. For that I know<br/>
     Therefore I urge thy oath. For that I know<br/>
     An idiot holds his bauble for a god,<br/>
     An idiot holds his bauble for a god,<br/>
     And keeps the oath which by that god he swears,<br/>
     And keeps the oath which by that god he swears,<br/>
     To that I'll urge him. Therefore thou shalt vow<br/>
     To that I'll urge him. Therefore thou shalt vow<br/>
     By that same god- what god soe'er it be<br/>
     By that same god- what god soe'er it be<br/>
     That thou adorest and hast in reverence-<br/>
     That thou adorest and hast in reverence-<br/>
     To save my boy, to nourish and bring him up;<br/>
     To save my boy, to nourish and bring him up;<br/>
     Or else I will discover nought to thee.<br/>
     Or else I will discover nought to thee.<br/>
   LUCIUS. Even by my god I swear to thee I will.<br/>
   LUCIUS. Even by my god I swear to thee I will.<br/>
   AARON. First know thou, I begot him on the Empress.<br/>
   AARON. First know thou, I begot him on the Empress.<br/>
   LUCIUS. O most insatiate and luxurious woman!<br/>
   LUCIUS. O most insatiate and luxurious woman!<br/>
   AARON. Tut, Lucius, this was but a deed of charity<br/>
   AARON. Tut, Lucius, this was but a deed of charity<br/>
     To that which thou shalt hear of me anon.<br/>
     To that which thou shalt hear of me anon.<br/>
     'Twas her two sons that murdered Bassianus;<br/>
     'Twas her two sons that murdered Bassianus;<br/>
     They cut thy sister's tongue, and ravish'd her,<br/>
     They cut thy sister's tongue, and ravish'd her,<br/>
     And cut her hands, and trimm'd her as thou sawest.<br/>
     And cut her hands, and trimm'd her as thou sawest.<br/>
   LUCIUS. O detestable villain! Call'st thou that trimming?<br/>
   LUCIUS. O detestable villain! Call'st thou that trimming?<br/>
   AARON. Why, she was wash'd, and cut, and trimm'd, and 'twas<br/>
   AARON. Why, she was wash'd, and cut, and trimm'd, and 'twas<br/>
     Trim sport for them which had the doing of it.<br/>
     Trim sport for them which had the doing of it.<br/>
   LUCIUS. O barbarous beastly villains like thyself!<br/>
   LUCIUS. O barbarous beastly villains like thyself!<br/>
   AARON. Indeed, I was their tutor to instruct them.<br/>
   AARON. Indeed, I was their tutor to instruct them.<br/>
     That codding spirit had they from their mother,<br/>
     That codding spirit had they from their mother,<br/>
     As sure a card as ever won the set;<br/>
     As sure a card as ever won the set;<br/>
     That bloody mind, I think, they learn'd of me,<br/>
     That bloody mind, I think, they learn'd of me,<br/>
     As true a dog as ever fought at head.<br/>
     As true a dog as ever fought at head.<br/>
     Well, let my deeds be witness of my worth.<br/>
     Well, let my deeds be witness of my worth.<br/>
     I train'd thy brethren to that guileful hole<br/>
     I train'd thy brethren to that guileful hole<br/>
     Where the dead corpse of Bassianus lay;<br/>
     Where the dead corpse of Bassianus lay;<br/>
     I wrote the letter that thy father found,<br/>
     I wrote the letter that thy father found,<br/>
     And hid the gold within that letter mention'd,<br/>
     And hid the gold within that letter mention'd,<br/>
     Confederate with the Queen and her two sons;<br/>
     Confederate with the Queen and her two sons;<br/>
     And what not done, that thou hast cause to rue,<br/>
     And what not done, that thou hast cause to rue,<br/>
     Wherein I had no stroke of mischief in it?<br/>
     Wherein I had no stroke of mischief in it?<br/>
     I play'd the cheater for thy father's hand,<br/>
     I play'd the cheater for thy father's hand,<br/>
     And, when I had it, drew myself apart<br/>
     And, when I had it, drew myself apart<br/>
     And almost broke my heart with extreme laughter.<br/>
     And almost broke my heart with extreme laughter.<br/>
     I pried me through the crevice of a wall,<br/>
     I pried me through the crevice of a wall,<br/>
     When, for his hand, he had his two sons' heads;<br/>
     When, for his hand, he had his two sons' heads;<br/>
     Beheld his tears, and laugh'd so heartily<br/>
     Beheld his tears, and laugh'd so heartily<br/>
     That both mine eyes were rainy like to his;<br/>
     That both mine eyes were rainy like to his;<br/>
     And when I told the Empress of this sport,<br/>
     And when I told the Empress of this sport,<br/>
     She swooned almost at my pleasing tale,<br/>
     She swooned almost at my pleasing tale,<br/>
     And for my tidings gave me twenty kisses.<br/>
     And for my tidings gave me twenty kisses.<br/>
   GOTH. What, canst thou say all this and never blush?<br/>
   GOTH. What, canst thou say all this and never blush?<br/>
   AARON. Ay, like a black dog, as the saying is.<br/>
   AARON. Ay, like a black dog, as the saying is.<br/>
   LUCIUS. Art thou not sorry for these heinous deeds?<br/>
   LUCIUS. Art thou not sorry for these heinous deeds?<br/>
   AARON. Ay, that I had not done a thousand more.<br/>
   AARON. Ay, that I had not done a thousand more.<br/>
     Even now I curse the day- and yet, I think,<br/>
     Even now I curse the day- and yet, I think,<br/>
     Few come within the compass of my curse-<br/>
     Few come within the compass of my curse-<br/>
     Wherein I did not some notorious ill;<br/>
     Wherein I did not some notorious ill;<br/>
     As kill a man, or else devise his death;<br/>
     As kill a man, or else devise his death;<br/>
     Ravish a maid, or plot the way to do it;<br/>
     Ravish a maid, or plot the way to do it;<br/>
     Accuse some innocent, and forswear myself;<br/>
     Accuse some innocent, and forswear myself;<br/>
     Set deadly enmity between two friends;<br/>
     Set deadly enmity between two friends;<br/>
     Make poor men's cattle break their necks;<br/>
     Make poor men's cattle break their necks;<br/>
     Set fire on barns and hay-stacks in the night,<br/>
     Set fire on barns and hay-stacks in the night,<br/>
     And bid the owners quench them with their tears.<br/>
     And bid the owners quench them with their tears.<br/>
     Oft have I digg'd up dead men from their graves,<br/>
     Oft have I digg'd up dead men from their graves,<br/>
     And set them upright at their dear friends' door<br/>
     And set them upright at their dear friends' door<br/>
     Even when their sorrows almost was forgot,<br/>
     Even when their sorrows almost was forgot,<br/>
     And on their skins, as on the bark of trees,<br/>
     And on their skins, as on the bark of trees,<br/>
     Have with my knife carved in Roman letters<br/>
     Have with my knife carved in Roman letters<br/>
     'Let not your sorrow die, though I am dead.'<br/>
     'Let not your sorrow die, though I am dead.'<br/>
     Tut, I have done a thousand dreadful things<br/>
     Tut, I have done a thousand dreadful things<br/>
     As willingly as one would kill a fly;<br/>
     As willingly as one would kill a fly;<br/>
     And nothing grieves me heartily indeed<br/>
     And nothing grieves me heartily indeed<br/>
     But that I cannot do ten thousand more.<br/>
     But that I cannot do ten thousand more.<br/>
   LUCIUS. Bring down the devil, for he must not die<br/>
   LUCIUS. Bring down the devil, for he must not die<br/>
     So sweet a death as hanging presently.<br/>
     So sweet a death as hanging presently.<br/>
   AARON. If there be devils, would I were a devil,<br/>
   AARON. If there be devils, would I were a devil,<br/>
     To live and burn in everlasting fire,<br/>
     To live and burn in everlasting fire,<br/>
     So I might have your company in hell<br/>
     So I might have your company in hell<br/>
     But to torment you with my bitter tongue!<br/>
     But to torment you with my bitter tongue!<br/>
   LUCIUS. Sirs, stop his mouth, and let him speak no more.<br/>
   LUCIUS. Sirs, stop his mouth, and let him speak no more.<br/>
</p>
</p>


Line 2,476: Line 4,724:


<p>  GOTH. My lord, there is a messenger from Rome<br/>
<p>  GOTH. My lord, there is a messenger from Rome<br/>
     Desires to be admitted to your presence.<br/>
     Desires to be admitted to your presence.<br/>
   LUCIUS. Let him come near.<br/>
   LUCIUS. Let him come near.<br/>
     Welcome, Aemilius. What's the news from Rome?<br/>
     Welcome, Aemilius. What's the news from Rome?<br/>
   AEMILIUS. Lord Lucius, and you Princes of the Goths,<br/>
   AEMILIUS. Lord Lucius, and you Princes of the Goths,<br/>
     The Roman Emperor greets you all by me;<br/>
     The Roman Emperor greets you all by me;<br/>
     And, for he understands you are in arms,<br/>
     And, for he understands you are in arms,<br/>
     He craves a parley at your father's house,<br/>
     He craves a parley at your father's house,<br/>
     Willing you to demand your hostages,<br/>
     Willing you to demand your hostages,<br/>
     And they shall be immediately deliver'd.<br/>
     And they shall be immediately deliver'd.<br/>
   FIRST GOTH. What says our general?<br/>
   FIRST GOTH. What says our general?<br/>
   LUCIUS. Aemilius, let the Emperor give his pledges<br/>
   LUCIUS. Aemilius, let the Emperor give his pledges<br/>
     Unto my father and my uncle Marcus.<br/>
     Unto my father and my uncle Marcus.<br/>
     And we will come. March away.                        Exeunt<br/>
     And we will come. March away.                        Exeunt<br/>
</p>
</p>


<h4>SCENE II.
<h4>SCENE II.
Rome. Before TITUS' house</h4>
Rome. Before TITUS' house</h4>


Line 2,497: Line 4,760:


<p>  TAMORA. Thus, in this strange and sad habiliment,<br/>
<p>  TAMORA. Thus, in this strange and sad habiliment,<br/>
     I will encounter with Andronicus,<br/>
     I will encounter with Andronicus,<br/>
     And say I am Revenge, sent from below<br/>
     And say I am Revenge, sent from below<br/>
     To join with him and right his heinous wrongs.<br/>
     To join with him and right his heinous wrongs.<br/>
     Knock at his study, where they say he keeps<br/>
     Knock at his study, where they say he keeps<br/>
     To ruminate strange plots of dire revenge;<br/>
     To ruminate strange plots of dire revenge;<br/>
     Tell him Revenge is come to join with him,<br/>
     Tell him Revenge is come to join with him,<br/>
     And work confusion on his enemies.<br/>
     And work confusion on his enemies.<br/>
</p>
</p>


Line 2,509: Line 4,780:


<p>  TITUS. Who doth molest my contemplation?<br/>
<p>  TITUS. Who doth molest my contemplation?<br/>
     Is it your trick to make me ope the door,<br/>
     Is it your trick to make me ope the door,<br/>
     That so my sad decrees may fly away<br/>
     That so my sad decrees may fly away<br/>
     And all my study be to no effect?<br/>
     And all my study be to no effect?<br/>
     You are deceiv'd; for what I mean to do<br/>
     You are deceiv'd; for what I mean to do<br/>
     See here in bloody lines I have set down;<br/>
     See here in bloody lines I have set down;<br/>
     And what is written shall be executed.<br/>
     And what is written shall be executed.<br/>
   TAMORA. Titus, I am come to talk with thee.<br/>
   TAMORA. Titus, I am come to talk with thee.<br/>
   TITUS. No, not a word. How can I grace my talk,<br/>
   TITUS. No, not a word. How can I grace my talk,<br/>
     Wanting a hand to give it that accord?<br/>
     Wanting a hand to give it that accord?<br/>
     Thou hast the odds of me; therefore no more.<br/>
     Thou hast the odds of me; therefore no more.<br/>
   TAMORA. If thou didst know me, thou wouldst talk with me.<br/>
   TAMORA. If thou didst know me, thou wouldst talk with me.<br/>
   TITUS. I am not mad, I know thee well enough:<br/>
   TITUS. I am not mad, I know thee well enough:<br/>
     Witness this wretched stump, witness these crimson lines;<br/>
     Witness this wretched stump, witness these crimson lines;<br/>
     Witness these trenches made by grief and care;<br/>
     Witness these trenches made by grief and care;<br/>
     Witness the tiring day and heavy night;<br/>
     Witness the tiring day and heavy night;<br/>
     Witness all sorrow that I know thee well<br/>
     Witness all sorrow that I know thee well<br/>
     For our proud Empress, mighty Tamora.<br/>
     For our proud Empress, mighty Tamora.<br/>
     Is not thy coming for my other hand?<br/>
     Is not thy coming for my other hand?<br/>
   TAMORA. Know thou, sad man, I am not Tamora:<br/>
   TAMORA. Know thou, sad man, I am not Tamora:<br/>
     She is thy enemy and I thy friend.<br/>
     She is thy enemy and I thy friend.<br/>
     I am Revenge, sent from th' infernal kingdom<br/>
     I am Revenge, sent from th' infernal kingdom<br/>
     To ease the gnawing vulture of thy mind<br/>
     To ease the gnawing vulture of thy mind<br/>
     By working wreakful vengeance on thy foes.<br/>
     By working wreakful vengeance on thy foes.<br/>
     Come down and welcome me to this world's light;<br/>
     Come down and welcome me to this world's light;<br/>
     Confer with me of murder and of death;<br/>
     Confer with me of murder and of death;<br/>
     There's not a hollow cave or lurking-place,<br/>
     There's not a hollow cave or lurking-place,<br/>
     No vast obscurity or misty vale,<br/>
     No vast obscurity or misty vale,<br/>
     Where bloody murder or detested rape<br/>
     Where bloody murder or detested rape<br/>
     Can couch for fear but I will find them out;<br/>
     Can couch for fear but I will find them out;<br/>
     And in their ears tell them my dreadful name-<br/>
     And in their ears tell them my dreadful name-<br/>
     Revenge, which makes the foul offender quake.<br/>
     Revenge, which makes the foul offender quake.<br/>
   TITUS. Art thou Revenge? and art thou sent to me<br/>
   TITUS. Art thou Revenge? and art thou sent to me<br/>
     To be a torment to mine enemies?<br/>
     To be a torment to mine enemies?<br/>
   TAMORA. I am; therefore come down and welcome me.<br/>
   TAMORA. I am; therefore come down and welcome me.<br/>
   TITUS. Do me some service ere I come to thee.<br/>
   TITUS. Do me some service ere I come to thee.<br/>
     Lo, by thy side where Rape and Murder stands;<br/>
     Lo, by thy side where Rape and Murder stands;<br/>
     Now give some surance that thou art Revenge-<br/>
     Now give some surance that thou art Revenge-<br/>
     Stab them, or tear them on thy chariot wheels;<br/>
     Stab them, or tear them on thy chariot wheels;<br/>
     And then I'll come and be thy waggoner<br/>
     And then I'll come and be thy waggoner<br/>
     And whirl along with thee about the globes.<br/>
     And whirl along with thee about the globes.<br/>
     Provide thee two proper palfreys, black as jet,<br/>
     Provide thee two proper palfreys, black as jet,<br/>
     To hale thy vengeful waggon swift away,<br/>
     To hale thy vengeful waggon swift away,<br/>
     And find out murderers in their guilty caves;<br/>
     And find out murderers in their guilty caves;<br/>
     And when thy car is loaden with their heads,<br/>
     And when thy car is loaden with their heads,<br/>
     I will dismount, and by thy waggon wheel<br/>
     I will dismount, and by thy waggon wheel<br/>
     Trot, like a servile footman, all day long,<br/>
     Trot, like a servile footman, all day long,<br/>
     Even from Hyperion's rising in the east<br/>
     Even from Hyperion's rising in the east<br/>
     Until his very downfall in the sea.<br/>
     Until his very downfall in the sea.<br/>
     And day by day I'll do this heavy task,<br/>
     And day by day I'll do this heavy task,<br/>
     So thou destroy Rapine and Murder there.<br/>
     So thou destroy Rapine and Murder there.<br/>
   TAMORA. These are my ministers, and come with me.<br/>
   TAMORA. These are my ministers, and come with me.<br/>
   TITUS. Are they thy ministers? What are they call'd?<br/>
   TITUS. Are they thy ministers? What are they call'd?<br/>
   TAMORA. Rape and Murder; therefore called so<br/>
   TAMORA. Rape and Murder; therefore called so<br/>
     'Cause they take vengeance of such kind of men.<br/>
     'Cause they take vengeance of such kind of men.<br/>
   TITUS. Good Lord, how like the Empress' sons they are!<br/>
   TITUS. Good Lord, how like the Empress' sons they are!<br/>
     And you the Empress! But we worldly men<br/>
     And you the Empress! But we worldly men<br/>
     Have miserable, mad, mistaking eyes.<br/>
     Have miserable, mad, mistaking eyes.<br/>
     O sweet Revenge, now do I come to thee;<br/>
     O sweet Revenge, now do I come to thee;<br/>
     And, if one arm's embracement will content thee,<br/>
     And, if one arm's embracement will content thee,<br/>
     I will embrace thee in it by and by.<br/>
     I will embrace thee in it by and by.<br/>
   TAMORA. This closing with him fits his lunacy.<br/>
   TAMORA. This closing with him fits his lunacy.<br/>
     Whate'er I forge to feed his brain-sick humours,<br/>
     Whate'er I forge to feed his brain-sick humours,<br/>
     Do you uphold and maintain in your speeches,<br/>
     Do you uphold and maintain in your speeches,<br/>
     For now he firmly takes me for Revenge;<br/>
     For now he firmly takes me for Revenge;<br/>
     And, being credulous in this mad thought,<br/>
     And, being credulous in this mad thought,<br/>
     I'll make him send for Lucius his son,<br/>
     I'll make him send for Lucius his son,<br/>
     And whilst I at a banquet hold him sure,<br/>
     And whilst I at a banquet hold him sure,<br/>
     I'll find some cunning practice out of hand<br/>
     I'll find some cunning practice out of hand<br/>
     To scatter and disperse the giddy Goths,<br/>
     To scatter and disperse the giddy Goths,<br/>
     Or, at the least, make them his enemies.<br/>
     Or, at the least, make them his enemies.<br/>
     See, here he comes, and I must ply my theme.<br/>
     See, here he comes, and I must ply my theme.<br/>
</p>
</p>


Line 2,585: Line 4,928:


<p>  TITUS. Long have I been forlorn, and all for thee.<br/>
<p>  TITUS. Long have I been forlorn, and all for thee.<br/>
     Welcome, dread Fury, to my woeful house.<br/>
     Welcome, dread Fury, to my woeful house.<br/>
     Rapine and Murder, you are welcome too.<br/>
     Rapine and Murder, you are welcome too.<br/>
     How like the Empress and her sons you are!<br/>
     How like the Empress and her sons you are!<br/>
     Well are you fitted, had you but a Moor.<br/>
     Well are you fitted, had you but a Moor.<br/>
     Could not all hell afford you such a devil?<br/>
     Could not all hell afford you such a devil?<br/>
     For well I wot the Empress never wags<br/>
     For well I wot the Empress never wags<br/>
     But in her company there is a Moor;<br/>
     But in her company there is a Moor;<br/>
     And, would you represent our queen aright,<br/>
     And, would you represent our queen aright,<br/>
     It were convenient you had such a devil.<br/>
     It were convenient you had such a devil.<br/>
     But welcome as you are. What shall we do?<br/>
     But welcome as you are. What shall we do?<br/>
   TAMORA. What wouldst thou have us do, Andronicus?<br/>
   TAMORA. What wouldst thou have us do, Andronicus?<br/>
   DEMETRIUS. Show me a murderer, I'll deal with him.<br/>
   DEMETRIUS. Show me a murderer, I'll deal with him.<br/>
   CHIRON. Show me a villain that hath done a rape,<br/>
   CHIRON. Show me a villain that hath done a rape,<br/>
     And I am sent to be reveng'd on him.<br/>
     And I am sent to be reveng'd on him.<br/>
   TAMORA. Show me a thousand that hath done thee wrong,<br/>
   TAMORA. Show me a thousand that hath done thee wrong,<br/>
     And I will be revenged on them all.<br/>
     And I will be revenged on them all.<br/>
   TITUS. Look round about the wicked streets of Rome,<br/>
   TITUS. Look round about the wicked streets of Rome,<br/>
     And when thou find'st a man that's like thyself,<br/>
     And when thou find'st a man that's like thyself,<br/>
     Good Murder, stab him; he's a murderer.<br/>
     Good Murder, stab him; he's a murderer.<br/>
     Go thou with him, and when it is thy hap<br/>
     Go thou with him, and when it is thy hap<br/>
     To find another that is like to thee,<br/>
     To find another that is like to thee,<br/>
     Good Rapine, stab him; he is a ravisher.<br/>
     Good Rapine, stab him; he is a ravisher.<br/>
     Go thou with them; and in the Emperor's court<br/>
     Go thou with them; and in the Emperor's court<br/>
     There is a queen, attended by a Moor;<br/>
     There is a queen, attended by a Moor;<br/>
     Well shalt thou know her by thine own proportion,<br/>
     Well shalt thou know her by thine own proportion,<br/>
     For up and down she doth resemble thee.<br/>
     For up and down she doth resemble thee.<br/>
     I pray thee, do on them some violent death;<br/>
     I pray thee, do on them some violent death;<br/>
     They have been violent to me and mine.<br/>
     They have been violent to me and mine.<br/>
   TAMORA. Well hast thou lesson'd us; this shall we do.<br/>
   TAMORA. Well hast thou lesson'd us; this shall we do.<br/>
     But would it please thee, good Andronicus,<br/>
     But would it please thee, good Andronicus,<br/>
     To send for Lucius, thy thrice-valiant son,<br/>
     To send for Lucius, thy thrice-valiant son,<br/>
     Who leads towards Rome a band of warlike Goths,<br/>
     Who leads towards Rome a band of warlike Goths,<br/>
     And bid him come and banquet at thy house;<br/>
     And bid him come and banquet at thy house;<br/>
     When he is here, even at thy solemn feast,<br/>
     When he is here, even at thy solemn feast,<br/>
     I will bring in the Empress and her sons,<br/>
     I will bring in the Empress and her sons,<br/>
     The Emperor himself, and all thy foes;<br/>
     The Emperor himself, and all thy foes;<br/>
     And at thy mercy shall they stoop and kneel,<br/>
     And at thy mercy shall they stoop and kneel,<br/>
     And on them shalt thou ease thy angry heart.<br/>
     And on them shalt thou ease thy angry heart.<br/>
     What says Andronicus to this device?<br/>
     What says Andronicus to this device?<br/>
   TITUS. Marcus, my brother! 'Tis sad Titus calls.<br/>
   TITUS. Marcus, my brother! 'Tis sad Titus calls.<br/>
</p>
</p>


Line 2,630: Line 5,014:


<p>    Go, gentle Marcus, to thy nephew Lucius;<br/>
<p>    Go, gentle Marcus, to thy nephew Lucius;<br/>
     Thou shalt inquire him out among the Goths.<br/>
     Thou shalt inquire him out among the Goths.<br/>
     Bid him repair to me, and bring with him<br/>
     Bid him repair to me, and bring with him<br/>
     Some of the chiefest princes of the Goths;<br/>
     Some of the chiefest princes of the Goths;<br/>
     Bid him encamp his soldiers where they are.<br/>
     Bid him encamp his soldiers where they are.<br/>
     Tell him the Emperor and the Empress too<br/>
     Tell him the Emperor and the Empress too<br/>
     Feast at my house, and he shall feast with them.<br/>
     Feast at my house, and he shall feast with them.<br/>
     This do thou for my love; and so let him,<br/>
     This do thou for my love; and so let him,<br/>
     As he regards his aged father's life.<br/>
     As he regards his aged father's life.<br/>
   MARCUS. This will I do, and soon return again.            Exit<br/>
   MARCUS. This will I do, and soon return again.            Exit<br/>
   TAMORA. Now will I hence about thy business,<br/>
   TAMORA. Now will I hence about thy business,<br/>
     And take my ministers along with me.<br/>
     And take my ministers along with me.<br/>
   TITUS. Nay, nay, let Rape and Murder stay with me,<br/>
   TITUS. Nay, nay, let Rape and Murder stay with me,<br/>
     Or else I'll call my brother back again,<br/>
     Or else I'll call my brother back again,<br/>
     And cleave to no revenge but Lucius.<br/>
     And cleave to no revenge but Lucius.<br/>
   TAMORA.  [Aside to her sons]  What say you, boys? Will you abide<br/>
   TAMORA.  [Aside to her sons]  What say you, boys? Will you abide<br/>
       with him,<br/>
       with him,<br/>
     Whiles I go tell my lord the Emperor<br/>
     Whiles I go tell my lord the Emperor<br/>
     How I have govern'd our determin'd jest?<br/>
     How I have govern'd our determin'd jest?<br/>
     Yield to his humour, smooth and speak him fair,<br/>
     Yield to his humour, smooth and speak him fair,<br/>
     And tarry with him till I turn again.<br/>
     And tarry with him till I turn again.<br/>
   TITUS.  [Aside]  I knew them all, though they suppos'd me mad,<br/>
   TITUS.  [Aside]  I knew them all, though they suppos'd me mad,<br/>
     And will o'er reach them in their own devices,<br/>
     And will o'er reach them in their own devices,<br/>
     A pair of cursed hell-hounds and their dam.<br/>
     A pair of cursed hell-hounds and their dam.<br/>
   DEMETRIUS. Madam, depart at pleasure; leave us here.<br/>
   DEMETRIUS. Madam, depart at pleasure; leave us here.<br/>
   TAMORA. Farewell, Andronicus, Revenge now goes<br/>
   TAMORA. Farewell, Andronicus, Revenge now goes<br/>
     To lay a complot to betray thy foes.<br/>
     To lay a complot to betray thy foes.<br/>
   TITUS. I know thou dost; and, sweet Revenge, farewell.<br/>
   TITUS. I know thou dost; and, sweet Revenge, farewell.<br/>
                                                     Exit TAMORA<br/>
                                                     Exit TAMORA<br/>
   CHIRON. Tell us, old man, how shall we be employ'd?<br/>
   CHIRON. Tell us, old man, how shall we be employ'd?<br/>
   TITUS. Tut, I have work enough for you to do.<br/>
   TITUS. Tut, I have work enough for you to do.<br/>
     Publius, come hither, Caius, and Valentine.<br/>
     Publius, come hither, Caius, and Valentine.<br/>
</p>
</p>


Line 2,666: Line 5,082:


<p>  PUBLIUS. What is your will?<br/>
<p>  PUBLIUS. What is your will?<br/>
   TITUS. Know you these two?<br/>
   TITUS. Know you these two?<br/>
   PUBLIUS. The Empress' sons, I take them: Chiron, Demetrius.<br/>
   PUBLIUS. The Empress' sons, I take them: Chiron, Demetrius.<br/>
   TITUS. Fie, Publius, fie! thou art too much deceiv'd.<br/>
   TITUS. Fie, Publius, fie! thou art too much deceiv'd.<br/>
     The one is Murder, and Rape is the other's name;<br/>
     The one is Murder, and Rape is the other's name;<br/>
     And therefore bind them, gentle Publius-<br/>
     And therefore bind them, gentle Publius-<br/>
     Caius and Valentine, lay hands on them.<br/>
     Caius and Valentine, lay hands on them.<br/>
     Oft have you heard me wish for such an hour,<br/>
     Oft have you heard me wish for such an hour,<br/>
     And now I find it; therefore bind them sure,<br/>
     And now I find it; therefore bind them sure,<br/>
     And stop their mouths if they begin to cry.            Exit<br/>
     And stop their mouths if they begin to cry.            Exit<br/>
                         [They lay hold on CHIRON and DEMETRIUS]<br/>
                         [They lay hold on CHIRON and DEMETRIUS]<br/>
   CHIRON. Villains, forbear! we are the Empress' sons.<br/>
   CHIRON. Villains, forbear! we are the Empress' sons.<br/>
   PUBLIUS. And therefore do we what we are commanded.<br/>
   PUBLIUS. And therefore do we what we are commanded.<br/>
     Stop close their mouths, let them not speak a word.<br/>
     Stop close their mouths, let them not speak a word.<br/>
     Is he sure bound? Look that you bind them fast.<br/>
     Is he sure bound? Look that you bind them fast.<br/>
</p>
</p>


<p>              Re-enter TITUS ANDRONICUS<br/>
<p>              Re-enter TITUS ANDRONICUS<br/>
         with a knife, and LAVINIA, with a basin<br/>
         with a knife, and LAVINIA, with a basin<br/>
</p>
</p>


<p>  TITUS. Come, come, Lavinia; look, thy foes are bound.<br/>
<p>  TITUS. Come, come, Lavinia; look, thy foes are bound.<br/>
     Sirs, stop their mouths, let them not speak to me;<br/>
     Sirs, stop their mouths, let them not speak to me;<br/>
     But let them hear what fearful words I utter.<br/>
     But let them hear what fearful words I utter.<br/>
     O villains, Chiron and Demetrius!<br/>
     O villains, Chiron and Demetrius!<br/>
     Here stands the spring whom you have stain'd with mud;<br/>
     Here stands the spring whom you have stain'd with mud;<br/>
     This goodly summer with your winter mix'd.<br/>
     This goodly summer with your winter mix'd.<br/>
     You kill'd her husband; and for that vile fault<br/>
     You kill'd her husband; and for that vile fault<br/>
     Two of her brothers were condemn'd to death,<br/>
     Two of her brothers were condemn'd to death,<br/>
     My hand cut off and made a merry jest;<br/>
     My hand cut off and made a merry jest;<br/>
     Both her sweet hands, her tongue, and that more dear<br/>
     Both her sweet hands, her tongue, and that more dear<br/>
     Than hands or tongue, her spotless chastity,<br/>
     Than hands or tongue, her spotless chastity,<br/>
     Inhuman traitors, you constrain'd and forc'd.<br/>
     Inhuman traitors, you constrain'd and forc'd.<br/>
     What would you say, if I should let you speak?<br/>
     What would you say, if I should let you speak?<br/>
     Villains, for shame you could not beg for grace.<br/>
     Villains, for shame you could not beg for grace.<br/>
     Hark, wretches! how I mean to martyr you.<br/>
     Hark, wretches! how I mean to martyr you.<br/>
     This one hand yet is left to cut your throats,<br/>
     This one hand yet is left to cut your throats,<br/>
     Whiles that Lavinia 'tween her stumps doth hold<br/>
     Whiles that Lavinia 'tween her stumps doth hold<br/>
     The basin that receives your guilty blood.<br/>
     The basin that receives your guilty blood.<br/>
     You know your mother means to feast with me,<br/>
     You know your mother means to feast with me,<br/>
     And calls herself Revenge, and thinks me mad.<br/>
     And calls herself Revenge, and thinks me mad.<br/>
     Hark, villains! I will grind your bones to dust,<br/>
     Hark, villains! I will grind your bones to dust,<br/>
     And with your blood and it I'll make a paste;<br/>
     And with your blood and it I'll make a paste;<br/>
     And of the paste a coffin I will rear,<br/>
     And of the paste a coffin I will rear,<br/>
     And make two pasties of your shameful heads;<br/>
     And make two pasties of your shameful heads;<br/>
     And bid that strumpet, your unhallowed dam,<br/>
     And bid that strumpet, your unhallowed dam,<br/>
     Like to the earth, swallow her own increase.<br/>
     Like to the earth, swallow her own increase.<br/>
     This is the feast that I have bid her to,<br/>
     This is the feast that I have bid her to,<br/>
     And this the banquet she shall surfeit on;<br/>
     And this the banquet she shall surfeit on;<br/>
     For worse than Philomel you us'd my daughter,<br/>
     For worse than Philomel you us'd my daughter,<br/>
     And worse than Progne I will be reveng'd.<br/>
     And worse than Progne I will be reveng'd.<br/>
     And now prepare your throats. Lavinia, come,<br/>
     And now prepare your throats. Lavinia, come,<br/>
     Receive the blood; and when that they are dead,<br/>
     Receive the blood; and when that they are dead,<br/>
     Let me go grind their bones to powder small,<br/>
     Let me go grind their bones to powder small,<br/>
     And with this hateful liquor temper it;<br/>
     And with this hateful liquor temper it;<br/>
     And in that paste let their vile heads be bak'd.<br/>
     And in that paste let their vile heads be bak'd.<br/>
     Come, come, be every one officious<br/>
     Come, come, be every one officious<br/>
     To make this banquet, which I wish may prove<br/>
     To make this banquet, which I wish may prove<br/>
     More stern and bloody than the Centaurs' feast.<br/>
     More stern and bloody than the Centaurs' feast.<br/>
                                         [He cuts their throats]<br/>
                                         [He cuts their throats]<br/>
     So.<br/>
     So.<br/>
     Now bring them in, for I will play the cook,<br/>
     Now bring them in, for I will play the cook,<br/>
     And see them ready against their mother comes.<br/>
     And see them ready against their mother comes.<br/>
                                 Exeunt, bearing the dead bodies<br/>
                                 Exeunt, bearing the dead bodies<br/>
</p>
</p>


<h4>SCENE III.
<h4>SCENE III.
The court of TITUS' house</h4>
The court of TITUS' house</h4>


<p>Enter Lucius, MARCUS, and the GOTHS, with AARON prisoner,
<p>Enter Lucius, MARCUS, and the GOTHS, with AARON prisoner,
and his CHILD in the arms of an attendant</p>
and his CHILD in the arms of an attendant</p>


<p>  LUCIUS. Uncle Marcus, since 'tis my father's mind<br/>
<p>  LUCIUS. Uncle Marcus, since 'tis my father's mind<br/>
     That I repair to Rome, I am content.<br/>
     That I repair to Rome, I am content.<br/>
     FIRST GOTH. And ours with thine, befall what fortune will.<br/>
     FIRST GOTH. And ours with thine, befall what fortune will.<br/>
   LUCIUS. Good uncle, take you in this barbarous Moor,<br/>
   LUCIUS. Good uncle, take you in this barbarous Moor,<br/>
     This ravenous tiger, this accursed devil;<br/>
     This ravenous tiger, this accursed devil;<br/>
     Let him receive no sust'nance, fetter him,<br/>
     Let him receive no sust'nance, fetter him,<br/>
     Till he be brought unto the Empress' face<br/>
     Till he be brought unto the Empress' face<br/>
     For testimony of her foul proceedings.<br/>
     For testimony of her foul proceedings.<br/>
     And see the ambush of our friends be strong;<br/>
     And see the ambush of our friends be strong;<br/>
     I fear the Emperor means no good to us.<br/>
     I fear the Emperor means no good to us.<br/>
   AARON. Some devil whisper curses in my ear,<br/>
   AARON. Some devil whisper curses in my ear,<br/>
     And prompt me that my tongue may utter forth<br/>
     And prompt me that my tongue may utter forth<br/>
     The venomous malice of my swelling heart!<br/>
     The venomous malice of my swelling heart!<br/>
   LUCIUS. Away, inhuman dog, unhallowed slave!<br/>
   LUCIUS. Away, inhuman dog, unhallowed slave!<br/>
     Sirs, help our uncle to convey him in.<br/>
     Sirs, help our uncle to convey him in.<br/>
                         Exeunt GOTHS with AARON. Flourish within<br/>
                         Exeunt GOTHS with AARON. Flourish within<br/>
     The trumpets show the Emperor is at hand.<br/>
     The trumpets show the Emperor is at hand.<br/>
</p>
</p>


<p>            Sound trumpets. Enter SATURNINUS and<br/>
<p>            Sound trumpets. Enter SATURNINUS and<br/>
     TAMORA, with AEMILIUS, TRIBUNES, SENATORS, and others<br/>
     TAMORA, with AEMILIUS, TRIBUNES, SENATORS, and others<br/>
</p>
</p>


<p>  SATURNINUS. What, hath the firmament more suns than one?<br/>
<p>  SATURNINUS. What, hath the firmament more suns than one?<br/>
   LUCIUS. What boots it thee to can thyself a sun?<br/>
   LUCIUS. What boots it thee to can thyself a sun?<br/>
   MARCUS. Rome's Emperor, and nephew, break the parle;<br/>
   MARCUS. Rome's Emperor, and nephew, break the parle;<br/>
     These quarrels must be quietly debated.<br/>
     These quarrels must be quietly debated.<br/>
     The feast is ready which the careful Titus<br/>
     The feast is ready which the careful Titus<br/>
     Hath ordain'd to an honourable end,<br/>
     Hath ordain'd to an honourable end,<br/>
     For peace, for love, for league, and good to Rome.<br/>
     For peace, for love, for league, and good to Rome.<br/>
     Please you, therefore, draw nigh and take your places.<br/>
     Please you, therefore, draw nigh and take your places.<br/>
   SATURNINUS. Marcus, we will.<br/>
   SATURNINUS. Marcus, we will.<br/>
                       [A table brought in. The company sit down]<br/>
                       [A table brought in. The company sit down]<br/>
</p>
</p>


<p>              Trumpets sounding, enter TITUS<br/>
<p>              Trumpets sounding, enter TITUS<br/>
         like a cook, placing the dishes, and LAVINIA<br/>
         like a cook, placing the dishes, and LAVINIA<br/>
   with a veil over her face; also YOUNG LUCIUS, and others<br/>
   with a veil over her face; also YOUNG LUCIUS, and others<br/>
</p>
</p>


<p>  TITUS. Welcome, my lord; welcome, dread Queen;<br/>
<p>  TITUS. Welcome, my lord; welcome, dread Queen;<br/>
     Welcome, ye warlike Goths; welcome, Lucius;<br/>
     Welcome, ye warlike Goths; welcome, Lucius;<br/>
     And welcome all. Although the cheer be poor,<br/>
     And welcome all. Although the cheer be poor,<br/>
     'Twill fill your stomachs; please you eat of it.<br/>
     'Twill fill your stomachs; please you eat of it.<br/>
   SATURNINUS. Why art thou thus attir'd, Andronicus?<br/>
   SATURNINUS. Why art thou thus attir'd, Andronicus?<br/>
   TITUS. Because I would be sure to have all well<br/>
   TITUS. Because I would be sure to have all well<br/>
     To entertain your Highness and your Empress.<br/>
     To entertain your Highness and your Empress.<br/>
   TAMORA. We are beholding to you, good Andronicus.<br/>
   TAMORA. We are beholding to you, good Andronicus.<br/>
   TITUS. An if your Highness knew my heart, you were.<br/>
   TITUS. An if your Highness knew my heart, you were.<br/>
     My lord the Emperor, resolve me this:<br/>
     My lord the Emperor, resolve me this:<br/>
     Was it well done of rash Virginius<br/>
     Was it well done of rash Virginius<br/>
     To slay his daughter with his own right hand,<br/>
     To slay his daughter with his own right hand,<br/>
     Because she was enforc'd, stain'd, and deflower'd?<br/>
     Because she was enforc'd, stain'd, and deflower'd?<br/>
   SATURNINUS. It was, Andronicus.<br/>
   SATURNINUS. It was, Andronicus.<br/>
   TITUS. Your reason, mighty lord.<br/>
   TITUS. Your reason, mighty lord.<br/>
   SATURNINUS. Because the girl should not survive her shame,<br/>
   SATURNINUS. Because the girl should not survive her shame,<br/>
     And by her presence still renew his sorrows.<br/>
     And by her presence still renew his sorrows.<br/>
   TITUS. A reason mighty, strong, and effectual;<br/>
   TITUS. A reason mighty, strong, and effectual;<br/>
     A pattern, precedent, and lively warrant<br/>
     A pattern, precedent, and lively warrant<br/>
     For me, most wretched, to perform the like.<br/>
     For me, most wretched, to perform the like.<br/>
     Die, die, Lavinia, and thy shame with thee;  [He kills her]<br/>
     Die, die, Lavinia, and thy shame with thee;  [He kills her]<br/>
     And with thy shame thy father's sorrow die!<br/>
     And with thy shame thy father's sorrow die!<br/>
   SATURNINUS. What hast thou done, unnatural and unkind?<br/>
   SATURNINUS. What hast thou done, unnatural and unkind?<br/>
   TITUS. Kill'd her for whom my tears have made me blind.<br/>
   TITUS. Kill'd her for whom my tears have made me blind.<br/>
     I am as woeful as Virginius was,<br/>
     I am as woeful as Virginius was,<br/>
     And have a thousand times more cause than he<br/>
     And have a thousand times more cause than he<br/>
     To do this outrage; and it now is done.<br/>
     To do this outrage; and it now is done.<br/>
   SATURNINUS. What, was she ravish'd? Tell who did the deed.<br/>
   SATURNINUS. What, was she ravish'd? Tell who did the deed.<br/>
   TITUS. Will't please you eat?  Will't please your Highness feed?<br/>
   TITUS. Will't please you eat?  Will't please your Highness feed?<br/>
   TAMORA. Why hast thou slain thine only daughter thus?<br/>
   TAMORA. Why hast thou slain thine only daughter thus?<br/>
   TITUS. Not I; 'twas Chiron and Demetrius.<br/>
   TITUS. Not I; 'twas Chiron and Demetrius.<br/>
     They ravish'd her, and cut away her tongue;<br/>
     They ravish'd her, and cut away her tongue;<br/>
     And they, 'twas they, that did her all this wrong.<br/>
     And they, 'twas they, that did her all this wrong.<br/>
   SATURNINUS. Go, fetch them hither to us presently.<br/>
   SATURNINUS. Go, fetch them hither to us presently.<br/>
   TITUS. Why, there they are, both baked in this pie,<br/>
   TITUS. Why, there they are, both baked in this pie,<br/>
     Whereof their mother daintily hath fed,<br/>
     Whereof their mother daintily hath fed,<br/>
     Eating the flesh that she herself hath bred.<br/>
     Eating the flesh that she herself hath bred.<br/>
     'Tis true, 'tis true: witness my knife's sharp point.<br/>
     'Tis true, 'tis true: witness my knife's sharp point.<br/>
                                           [He stabs the EMPRESS]<br/>
                                           [He stabs the EMPRESS]<br/>
   SATURNINUS. Die, frantic wretch, for this accursed deed!<br/>
   SATURNINUS. Die, frantic wretch, for this accursed deed!<br/>
                                                 [He stabs TITUS]<br/>
                                                 [He stabs TITUS]<br/>
   LUCIUS. Can the son's eye behold his father bleed?<br/>
   LUCIUS. Can the son's eye behold his father bleed?<br/>
     There's meed for meed, death for a deadly deed.<br/>
     There's meed for meed, death for a deadly deed.<br/>
                   [He stabs SATURNINUS. A great tumult. LUCIUS,<br/>
                   [He stabs SATURNINUS. A great tumult. LUCIUS,<br/>
               MARCUS, and their friends go up into the balcony]<br/>
               MARCUS, and their friends go up into the balcony]<br/>
   MARCUS. You sad-fac'd men, people and sons of Rome,<br/>
   MARCUS. You sad-fac'd men, people and sons of Rome,<br/>
     By uproars sever'd, as a flight of fowl<br/>
     By uproars sever'd, as a flight of fowl<br/>
     Scatter'd by winds and high tempestuous gusts?<br/>
     Scatter'd by winds and high tempestuous gusts?<br/>
     O, let me teach you how to knit again<br/>
     O, let me teach you how to knit again<br/>
     This scattered corn into one mutual sheaf,<br/>
     This scattered corn into one mutual sheaf,<br/>
     These broken limbs again into one body;<br/>
     These broken limbs again into one body;<br/>
     Lest Rome herself be bane unto herself,<br/>
     Lest Rome herself be bane unto herself,<br/>
     And she whom mighty kingdoms curtsy to,<br/>
     And she whom mighty kingdoms curtsy to,<br/>
     Like a forlorn and desperate castaway,<br/>
     Like a forlorn and desperate castaway,<br/>
     Do shameful execution on herself.<br/>
     Do shameful execution on herself.<br/>
     But if my frosty signs and chaps of age,<br/>
     But if my frosty signs and chaps of age,<br/>
     Grave witnesses of true experience,<br/>
     Grave witnesses of true experience,<br/>
     Cannot induce you to attend my words,<br/>
     Cannot induce you to attend my words,<br/>
     [To Lucius]  Speak, Rome's dear friend, as erst our ancestor,<br/>
     [To Lucius]  Speak, Rome's dear friend, as erst our ancestor,<br/>
     When with his solemn tongue he did discourse<br/>
     When with his solemn tongue he did discourse<br/>
     To love-sick Dido's sad attending ear<br/>
     To love-sick Dido's sad attending ear<br/>
     The story of that baleful burning night,<br/>
     The story of that baleful burning night,<br/>
     When subtle Greeks surpris'd King Priam's Troy.<br/>
     When subtle Greeks surpris'd King Priam's Troy.<br/>
     Tell us what Sinon hath bewitch'd our ears,<br/>
     Tell us what Sinon hath bewitch'd our ears,<br/>
     Or who hath brought the fatal engine in<br/>
     Or who hath brought the fatal engine in<br/>
     That gives our Troy, our Rome, the civil wound.<br/>
     That gives our Troy, our Rome, the civil wound.<br/>
     My heart is not compact of flint nor steel;<br/>
     My heart is not compact of flint nor steel;<br/>
     Nor can I utter all our bitter grief,<br/>
     Nor can I utter all our bitter grief,<br/>
     But floods of tears will drown my oratory<br/>
     But floods of tears will drown my oratory<br/>
     And break my utt'rance, even in the time<br/>
     And break my utt'rance, even in the time<br/>
     When it should move ye to attend me most,<br/>
     When it should move ye to attend me most,<br/>
     And force you to commiseration.<br/>
     And force you to commiseration.<br/>
     Here's Rome's young Captain, let him tell the tale;<br/>
     Here's Rome's young Captain, let him tell the tale;<br/>
     While I stand by and weep to hear him speak.<br/>
     While I stand by and weep to hear him speak.<br/>
   LUCIUS. Then, gracious auditory, be it known to you<br/>
   LUCIUS. Then, gracious auditory, be it known to you<br/>
     That Chiron and the damn'd Demetrius<br/>
     That Chiron and the damn'd Demetrius<br/>
     Were they that murd'red our Emperor's brother;<br/>
     Were they that murd'red our Emperor's brother;<br/>
     And they it were that ravished our sister.<br/>
     And they it were that ravished our sister.<br/>
     For their fell faults our brothers were beheaded,<br/>
     For their fell faults our brothers were beheaded,<br/>
     Our father's tears despis'd, and basely cozen'd<br/>
     Our father's tears despis'd, and basely cozen'd<br/>
     Of that true hand that fought Rome's quarrel out<br/>
     Of that true hand that fought Rome's quarrel out<br/>
     And sent her enemies unto the grave.<br/>
     And sent her enemies unto the grave.<br/>
     Lastly, myself unkindly banished,<br/>
     Lastly, myself unkindly banished,<br/>
     The gates shut on me, and turn'd weeping out,<br/>
     The gates shut on me, and turn'd weeping out,<br/>
     To beg relief among Rome's enemies;<br/>
     To beg relief among Rome's enemies;<br/>
     Who drown'd their enmity in my true tears,<br/>
     Who drown'd their enmity in my true tears,<br/>
     And op'd their arms to embrace me as a friend.<br/>
     And op'd their arms to embrace me as a friend.<br/>
     I am the turned forth, be it known to you,<br/>
     I am the turned forth, be it known to you,<br/>
     That have preserv'd her welfare in my blood<br/>
     That have preserv'd her welfare in my blood<br/>
     And from her bosom took the enemy's point,<br/>
     And from her bosom took the enemy's point,<br/>
     Sheathing the steel in my advent'rous body.<br/>
     Sheathing the steel in my advent'rous body.<br/>
     Alas! you know I am no vaunter, I;<br/>
     Alas! you know I am no vaunter, I;<br/>
     My scars can witness, dumb although they are,<br/>
     My scars can witness, dumb although they are,<br/>
     That my report is just and full of truth.<br/>
     That my report is just and full of truth.<br/>
     But, soft! methinks I do digress too much,<br/>
     But, soft! methinks I do digress too much,<br/>
     Citing my worthless praise. O, pardon me!<br/>
     Citing my worthless praise. O, pardon me!<br/>
     For when no friends are by, men praise themselves.<br/>
     For when no friends are by, men praise themselves.<br/>
   MARCUS. Now is my turn to speak. Behold the child.<br/>
   MARCUS. Now is my turn to speak. Behold the child.<br/>
                   [Pointing to the CHILD in an attendant's arms]<br/>
                   [Pointing to the CHILD in an attendant's arms]<br/>
     Of this was Tamora delivered,<br/>
     Of this was Tamora delivered,<br/>
     The issue of an irreligious Moor,<br/>
     The issue of an irreligious Moor,<br/>
     Chief architect and plotter of these woes.<br/>
     Chief architect and plotter of these woes.<br/>
     The villain is alive in Titus' house,<br/>
     The villain is alive in Titus' house,<br/>
     Damn'd as he is, to witness this is true.<br/>
     Damn'd as he is, to witness this is true.<br/>
     Now judge what cause had Titus to revenge<br/>
     Now judge what cause had Titus to revenge<br/>
     These wrongs unspeakable, past patience,<br/>
     These wrongs unspeakable, past patience,<br/>
     Or more than any living man could bear.<br/>
     Or more than any living man could bear.<br/>
     Now have you heard the truth: what say you, Romans?<br/>
     Now have you heard the truth: what say you, Romans?<br/>
     Have we done aught amiss, show us wherein,<br/>
     Have we done aught amiss, show us wherein,<br/>
     And, from the place where you behold us pleading,<br/>
     And, from the place where you behold us pleading,<br/>
     The poor remainder of Andronici<br/>
     The poor remainder of Andronici<br/>
     Will, hand in hand, all headlong hurl ourselves,<br/>
     Will, hand in hand, all headlong hurl ourselves,<br/>
     And on the ragged stones beat forth our souls,<br/>
     And on the ragged stones beat forth our souls,<br/>
     And make a mutual closure of our house.<br/>
     And make a mutual closure of our house.<br/>
     Speak, Romans, speak; and if you say we shall,<br/>
     Speak, Romans, speak; and if you say we shall,<br/>
     Lo, hand in hand, Lucius and I will fall.<br/>
     Lo, hand in hand, Lucius and I will fall.<br/>
   AEMILIUS. Come, come, thou reverend man of Rome,<br/>
   AEMILIUS. Come, come, thou reverend man of Rome,<br/>
     And bring our Emperor gently in thy hand,<br/>
     And bring our Emperor gently in thy hand,<br/>
     Lucius our Emperor; for well I know<br/>
     Lucius our Emperor; for well I know<br/>
     The common voice do cry it shall be so.<br/>
     The common voice do cry it shall be so.<br/>
   ALL. Lucius, all hail, Rome's royal Emperor!<br/>
   ALL. Lucius, all hail, Rome's royal Emperor!<br/>
   MARCUS. Go, go into old Titus' sorrowful house,<br/>
   MARCUS. Go, go into old Titus' sorrowful house,<br/>
     And hither hale that misbelieving Moor<br/>
     And hither hale that misbelieving Moor<br/>
     To be adjudg'd some direful slaught'ring death,<br/>
     To be adjudg'd some direful slaught'ring death,<br/>
     As punishment for his most wicked life.          Exeunt some<br/>
     As punishment for his most wicked life.          Exeunt some<br/>
               attendants. LUCIUS, MARCUS, and the others descend<br/>
               attendants. LUCIUS, MARCUS, and the others descend<br/>
   ALL. Lucius, all hail, Rome's gracious governor!<br/>
   ALL. Lucius, all hail, Rome's gracious governor!<br/>
   LUCIUS. Thanks, gentle Romans! May I govern so<br/>
   LUCIUS. Thanks, gentle Romans! May I govern so<br/>
     To heal Rome's harms and wipe away her woe!<br/>
     To heal Rome's harms and wipe away her woe!<br/>
     But, gentle people, give me aim awhile,<br/>
     But, gentle people, give me aim awhile,<br/>
     For nature puts me to a heavy task.<br/>
     For nature puts me to a heavy task.<br/>
     Stand all aloof; but, uncle, draw you near<br/>
     Stand all aloof; but, uncle, draw you near<br/>
     To shed obsequious tears upon this trunk.<br/>
     To shed obsequious tears upon this trunk.<br/>
     O, take this warm kiss on thy pale cold lips.  [Kisses TITUS]<br/>
     O, take this warm kiss on thy pale cold lips.  [Kisses TITUS]<br/>
     These sorrowful drops upon thy blood-stain'd face,<br/>
     These sorrowful drops upon thy blood-stain'd face,<br/>
     The last true duties of thy noble son!<br/>
     The last true duties of thy noble son!<br/>
   MARCUS. Tear for tear and loving kiss for kiss<br/>
   MARCUS. Tear for tear and loving kiss for kiss<br/>
     Thy brother Marcus tenders on thy lips.<br/>
     Thy brother Marcus tenders on thy lips.<br/>
     O, were the sum of these that I should pay<br/>
     O, were the sum of these that I should pay<br/>
     Countless and infinite, yet would I pay them!<br/>
     Countless and infinite, yet would I pay them!<br/>
   LUCIUS. Come hither, boy; come, come, come, and learn of us<br/>
   LUCIUS. Come hither, boy; come, come, come, and learn of us<br/>
     To melt in showers. Thy grandsire lov'd thee well;<br/>
     To melt in showers. Thy grandsire lov'd thee well;<br/>
     Many a time he danc'd thee on his knee,<br/>
     Many a time he danc'd thee on his knee,<br/>
     Sung thee asleep, his loving breast thy pillow;<br/>
     Sung thee asleep, his loving breast thy pillow;<br/>
     Many a story hath he told to thee,<br/>
     Many a story hath he told to thee,<br/>
     And bid thee bear his pretty tales in mind<br/>
     And bid thee bear his pretty tales in mind<br/>
     And talk of them when he was dead and gone.<br/>
     And talk of them when he was dead and gone.<br/>
   MARCUS. How many thousand times hath these poor lips,<br/>
   MARCUS. How many thousand times hath these poor lips,<br/>
     When they were living, warm'd themselves on thine!<br/>
     When they were living, warm'd themselves on thine!<br/>
     O, now, sweet boy, give them their latest kiss!<br/>
     O, now, sweet boy, give them their latest kiss!<br/>
     Bid him farewell; commit him to the grave;<br/>
     Bid him farewell; commit him to the grave;<br/>
     Do them that kindness, and take leave of them.<br/>
     Do them that kindness, and take leave of them.<br/>
   BOY. O grandsire, grandsire! ev'n with all my heart<br/>
   BOY. O grandsire, grandsire! ev'n with all my heart<br/>
     Would I were dead, so you did live again!<br/>
     Would I were dead, so you did live again!<br/>
     O Lord, I cannot speak to him for weeping;<br/>
     O Lord, I cannot speak to him for weeping;<br/>
     My tears will choke me, if I ope my mouth.<br/>
     My tears will choke me, if I ope my mouth.<br/>
</p>
</p>


Line 2,938: Line 5,604:


<p>  A ROMAN. You sad Andronici, have done with woes;<br/>
<p>  A ROMAN. You sad Andronici, have done with woes;<br/>
     Give sentence on the execrable wretch<br/>
     Give sentence on the execrable wretch<br/>
     That hath been breeder of these dire events.<br/>
     That hath been breeder of these dire events.<br/>
   LUCIUS. Set him breast-deep in earth, and famish him;<br/>
   LUCIUS. Set him breast-deep in earth, and famish him;<br/>
     There let him stand and rave and cry for food.<br/>
     There let him stand and rave and cry for food.<br/>
     If any one relieves or pities him,<br/>
     If any one relieves or pities him,<br/>
     For the offence he dies. This is our doom.<br/>
     For the offence he dies. This is our doom.<br/>
     Some stay to see him fast'ned in the earth.<br/>
     Some stay to see him fast'ned in the earth.<br/>
   AARON. Ah, why should wrath be mute and fury dumb?<br/>
   AARON. Ah, why should wrath be mute and fury dumb?<br/>
     I am no baby, I, that with base prayers<br/>
     I am no baby, I, that with base prayers<br/>
     I should repent the evils I have done;<br/>
     I should repent the evils I have done;<br/>
     Ten thousand worse than ever yet I did<br/>
     Ten thousand worse than ever yet I did<br/>
     Would I perform, if I might have my will.<br/>
     Would I perform, if I might have my will.<br/>
     If one good deed in all my life I did,<br/>
     If one good deed in all my life I did,<br/>
     I do repent it from my very soul.<br/>
     I do repent it from my very soul.<br/>
   LUCIUS. Some loving friends convey the Emperor hence,<br/>
   LUCIUS. Some loving friends convey the Emperor hence,<br/>
     And give him burial in his father's grave.<br/>
     And give him burial in his father's grave.<br/>
     My father and Lavinia shall forthwith<br/>
     My father and Lavinia shall forthwith<br/>
     Be closed in our household's monument.<br/>
     Be closed in our household's monument.<br/>
     As for that ravenous tiger, Tamora,<br/>
     As for that ravenous tiger, Tamora,<br/>
     No funeral rite, nor man in mourning weed,<br/>
     No funeral rite, nor man in mourning weed,<br/>
     No mournful bell shall ring her burial;<br/>
     No mournful bell shall ring her burial;<br/>
     But throw her forth to beasts and birds to prey.<br/>
     But throw her forth to beasts and birds to prey.<br/>
     Her life was beastly and devoid of pity,<br/>
     Her life was beastly and devoid of pity,<br/>
     And being dead, let birds on her take pity.          Exeunt<br/>
     And being dead, let birds on her take pity.          Exeunt<br/>
</p>
<h2>THE HISTORY OF TROILUS AND CRESSIDA</h2>
<hr />
<h4>Contents</h4>
<p>
ACT&nbsp;I<br/>
[[#sceneI_350">Prologue. <br/>
[[#sceneI_351|Scene I.
Troy. Before PRIAM'S palace.<br/>
[[#sceneI_352|Scene II.
Troy. A street.<br/>
[[#sceneI_353|Scene III.
The Grecian camp. Before AGAMEMNON'S tent.<br/>
<br/>
ACT&nbsp;II<br/>
[[#sceneII_351|Scene I.
The Grecian camp.<br/>
[[#sceneII_352|Scene II.
Troy. PRIAM'S palace.<br/>
[[#sceneII_353|Scene III.
The Grecian camp. Before the tent of ACHILLES.<br/>
<br/>
ACT&nbsp;III<br/>
[[#sceneIII_351|Scene I.
Troy. PRIAM'S palace.<br/>
[[#sceneIII_352|Scene II.
Troy. PANDARUS' orchard.<br/>
[[#sceneIII_353|Scene III.
The Greek camp.<br/>
<br/>
ACT&nbsp;IV<br/>
[[#sceneIV_351|Scene I.
Troy. A street.<br/>
[[#sceneIV_352|Scene II.
Troy. The court of PANDARUS' house.<br/>
[[#sceneIV_353|Scene III.
Troy. A street before PANDARUS' house.<br/>
[[#sceneIV_354|Scene IV.
Troy. PANDARUS' house.<br/>
[[#sceneIV_355|Scene V.
The Grecian camp. Lists set out.<br/>
<br/>
ACT&nbsp;V<br/>
[[#sceneV_351|Scene I.
The Grecian camp. Before the tent of ACHILLES.<br/>
[[#sceneV_352|Scene II.
The Grecian camp. Before CALCHAS' tent.<br/>
[[#sceneV_353|Scene III.
Troy. Before PRIAM'S palace.<br/>
[[#sceneV_354|Scene IV.
The plain between Troy and the Grecian camp.<br/>
[[#sceneV_355|Scene V.
Another part of the plain.<br/>
[[#sceneV_356|Scene VI.
Another part of the plain.<br/>
[[#sceneV_357|Scene VII.
Another part of the plain.<br/>
[[#sceneV_358|Scene VIII.
Another part of the plain.<br/>
[[#sceneV_359|Scene IX.
Another part of the plain.<br/>
[[#sceneV_3510|Scene X.
Another part of the plain.<br/>
<br/>
<br/>
</p>
<h4> Dramatis Personæ </h4>


<p>PRIAM, King of Troy</p>
<p>His sons:<br/>
HECTOR<br/>
TROILUS<br/>
PARIS<br/>
DEIPHOBUS<br/>
HELENUS<br/>
MARGARELON, a bastard son of Priam
</p>
</p>
<p>Trojan commanders:<br/>
AENEAS<br/>
ANTENOR
</p>
<p>CALCHAS, a Trojan priest, taking part with the Greeks<br/>
PANDARUS, uncle to Cressida<br/>
AGAMEMNON, the Greek general<br/>
MENELAUS, his brother
</p>
<p>Greek commanders:<br/>
ACHILLES<br/>
AJAX<br/>
ULYSSES<br/>
NESTOR<br/>
DIOMEDES<br/>
PATROCLUS
</p>
<p>THERSITES, a deformed and scurrilous Greek<br/>
ALEXANDER, servant to Cressida<br/>
SERVANT to Troilus<br/>
SERVANT to Paris<br/>
SERVANT to Diomedes<br/>
HELEN, wife to Menelaus<br/>
ANDROMACHE, wife to Hector<br/>
CASSANDRA, daughter to Priam, a prophetess<br/>
CRESSIDA, daughter to Calchas
</p>
<p>Trojan and Greek Soldiers, and Attendants</p>
<h4><b>SCENE: Troy and the Greek camp before it</b></h4>
<h4 id="sceneI_350"> <b>PROLOGUE</b></h4>
<p>In Troy, there lies the scene. From isles of Greece<br/>
The princes orgulous, their high blood chaf'd,<br/>
Have to the port of Athens sent their ships<br/>
Fraught with the ministers and instruments<br/>
Of cruel war. Sixty and nine that wore<br/>
Their crownets regal from the Athenian bay<br/>
Put forth toward Phrygia; and their vow is made<br/>
To ransack Troy, within whose strong immures<br/>
The ravish'd Helen, Menelaus' queen,<br/>
With wanton Paris sleeps—and that's the quarrel.<br/>
To Tenedos they come,<br/>
And the deep-drawing barks do there disgorge<br/>
Their war-like fraughtage. Now on Dardan plains<br/>
The fresh and yet unbruised Greeks do pitch<br/>
Their brave pavilions: Priam's six-gated city,<br/>
Dardan, and Tymbria, Ilias, Chetas, Troien,<br/>
And Antenorides, with massy staples<br/>
And corresponsive and fulfilling bolts,<br/>
Stir up the sons of Troy.<br/>
Now expectation, tickling skittish spirits<br/>
On one and other side, Trojan and Greek,<br/>
Sets all on hazard. And hither am I come<br/>
A prologue arm'd, but not in confidence<br/>
Of author's pen or actor's voice, but suited<br/>
In like conditions as our argument,<br/>
To tell you, fair beholders, that our play<br/>
Leaps o'er the vaunt and firstlings of those broils,<br/>
Beginning in the middle; starting thence away,<br/>
To what may be digested in a play.<br/>
Like or find fault; do as your pleasures are;<br/>
Now good or bad, 'tis but the chance of war.
</p>
<h3 id="sceneI_351"> <b>ACT I</b></h3>
<h4><b>SCENE I. Troy. Before PRIAM'S palace.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Troilus</span> armed, and <span
class="charname">Pandarus</span>.</p>
<p>TROILUS.<br/>
Call here my varlet; I'll unarm again.<br/>
Why should I war without the walls of Troy<br/>
That find such cruel battle here within?<br/>
Each Trojan that is master of his heart,<br/>
Let him to field; Troilus, alas! hath none.
</p>
<p>PANDARUS.<br/>
Will this gear ne'er be mended?
</p>
<p>TROILUS.<br/>
The Greeks are strong, and skilful to their strength,<br/>
Fierce to their skill, and to their fierceness valiant;<br/>
But I am weaker than a woman's tear,<br/>
Tamer than sleep, fonder than ignorance,<br/>
Less valiant than the virgin in the night,<br/>
And skilless as unpractis'd infancy.
</p>
<p>PANDARUS.<br/>
Well, I have told you enough of this; for my part, I'll not meddle nor make no
farther. He that will have a cake out of the wheat must tarry the grinding.</p>
<p>TROILUS.<br/>
Have I not tarried?
</p>
<p>PANDARUS.<br/>
Ay, the grinding; but you must tarry the bolting.
</p>
<p>TROILUS.<br/>
Have I not tarried?
</p>
<p>PANDARUS.<br/>
Ay, the bolting; but you must tarry the leavening.
</p>
<p>TROILUS.<br/>
Still have I tarried.
</p>
<p>PANDARUS.<br/>
Ay, to the leavening; but here's yet in the word 'hereafter' the
kneading, the making of the cake, the heating of the oven, and the baking; nay, you must
stay the cooling too, or you may chance burn your lips.</p>
<p>TROILUS.<br/>
Patience herself, what goddess e'er she be,<br/>
Doth lesser blench at suff'rance than I do.<br/>
At Priam's royal table do I sit;<br/>
And when fair Cressid comes into my thoughts,<br/>
So, traitor! 'when she comes'! when she is thence?
</p>
<p>PANDARUS.<br/>
Well, she look'd yesternight fairer than ever I saw her look, or any woman else.</p>
<p>TROILUS.<br/>
I was about to tell thee: when my heart,<br/>
As wedged with a sigh, would rive in twain,<br/>
Lest Hector or my father should perceive me,<br/>
I have, as when the sun doth light a storm,<br/>
Buried this sigh in wrinkle of a smile.<br/>
But sorrow that is couch'd in seeming gladness<br/>
Is like that mirth fate turns to sudden sadness.
</p>
<p>PANDARUS.<br/>
An her hair were not somewhat darker than Helen's, well, go to, there were no more
comparison between the women. But, for my part, she is my kinswoman; I would not, as they
term it, praise her, but I would somebody had heard her talk yesterday, as I did. I will
not dispraise your sister Cassandra's wit; but—</p>
<p>TROILUS.<br/>
O Pandarus! I tell thee, Pandarus,<br/>
When I do tell thee there my hopes lie drown'd,<br/>
Reply not in how many fathoms deep<br/>
They lie indrench'd. I tell thee I am mad<br/>
In Cressid's love. Thou answer'st 'She is fair';<br/>
Pour'st in the open ulcer of my heart<br/>
Her eyes, her hair, her cheek, her gait, her voice,<br/>
Handlest in thy discourse. O! that her hand,<br/>
In whose comparison all whites are ink<br/>
Writing their own reproach; to whose soft seizure<br/>
The cygnet's down is harsh, and spirit of sense<br/>
Hard as the palm of ploughman! This thou tell'st me,<br/>
As true thou tell'st me, when I say I love her;<br/>
But, saying thus, instead of oil and balm,<br/>
Thou lay'st in every gash that love hath given me<br/>
The knife that made it.
</p>
<p>PANDARUS.<br/>
I speak no more than truth.
</p>
<p>TROILUS.<br/>
Thou dost not speak so much.
</p>
<p>PANDARUS.<br/>
Faith, I'll not meddle in't. Let her be as she is: if she be fair, 'tis
the better for her; and she be not, she has the mends in her own hands.</p>
<p>TROILUS.<br/>
Good Pandarus! How now, Pandarus!
</p>
<p>PANDARUS.<br/>
I have had my labour for my travail, ill thought on of her and ill thought on of you; gone
between and between, but small thanks for my labour.</p>
<p>TROILUS.<br/>
What! art thou angry, Pandarus? What! with me?
</p>
<p>PANDARUS.<br/>
Because she's kin to me, therefore she's not so fair as Helen. And she were
not kin to me, she would be as fair on Friday as Helen is on Sunday. But what care I? I
care not and she were a blackamoor; 'tis all one to me.
</p>
<p>TROILUS.<br/>
Say I she is not fair?
</p>
<p>PANDARUS.<br/>
I do not care whether you do or no. She's a fool to stay behind her father. Let her
to the Greeks; and so I'll tell her the next time I see her. For my part, I'll
meddle nor make no more i' the matter.</p>
<p>TROILUS.<br/>
Pandarus—
</p>
<p>PANDARUS.<br/>
Not I.
</p>
<p>TROILUS.<br/>
Sweet Pandarus—
</p>
<p>PANDARUS.<br/>
Pray you, speak no more to me: I will leave all as I found it, and there an end.</p>
<p class="right"> [<i>Exit <span class="charname">Pandarus</span>. An alarum.</i>]</p>
<p>TROILUS.<br/>
Peace, you ungracious clamours! Peace, rude sounds!<br/>
Fools on both sides! Helen must needs be fair,<br/>
When with your blood you daily paint her thus.<br/>
I cannot fight upon this argument;<br/>
It is too starv'd a subject for my sword.<br/>
But Pandarus, O gods! how do you plague me!<br/>
I cannot come to Cressid but by Pandar;<br/>
And he's as tetchy to be woo'd to woo<br/>
As she is stubborn-chaste against all suit.<br/>
Tell me, Apollo, for thy Daphne's love,<br/>
What Cressid is, what Pandar, and what we?<br/>
Her bed is India; there she lies, a pearl;<br/>
Between our Ilium and where she resides<br/>
Let it be call'd the wild and wandering flood;<br/>
Ourself the merchant, and this sailing Pandar<br/>
Our doubtful hope, our convoy, and our bark.
</p>
<p class="scenedesc"> Alarum. Enter <span class="charname">Aeneas</span>.</p>
<p>AENEAS.<br/>
How now, Prince Troilus! Wherefore not afield?
</p>
<p>TROILUS.<br/>
Because not there. This woman's answer sorts,<br/>
For womanish it is to be from thence.<br/>
What news, Aeneas, from the field today?
</p>
<p>AENEAS.<br/>
That Paris is returned home, and hurt.
</p>
<p>TROILUS.<br/>
By whom, Aeneas?
</p>
<p>AENEAS.<br/>
Troilus, by Menelaus.
</p>
<p>TROILUS.<br/>
Let Paris bleed: 'tis but a scar to scorn;<br/>
Paris is gor'd with Menelaus' horn.
</p>
<p class="right"> [<i>Alarum.</i>]</p>
<p>AENEAS.<br/>
Hark what good sport is out of town today!
</p>
<p>TROILUS.<br/>
Better at home, if 'would I might' were 'may.'<br/>
But to the sport abroad. Are you bound thither?
</p>
<p>AENEAS.<br/>
In all swift haste.
</p>
<p>TROILUS.<br/>
Come, go we then together.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneI_352"> <b>SCENE II. Troy. A street.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Cressida</span> and her man <span
class="charname">Alexander</span>.</p>
<p>CRESSIDA.<br/>
Who were those went by?
</p>
<p>ALEXANDER.<br/>
Queen Hecuba and Helen.
</p>
<p>CRESSIDA.<br/>
And whither go they?
</p>
<p>ALEXANDER.<br/>
Up to the eastern tower,<br/>
Whose height commands as subject all the vale,<br/>
To see the battle. Hector, whose patience<br/>
Is as a virtue fix'd, today was mov'd.<br/>
He chid Andromache, and struck his armourer;<br/>
And, like as there were husbandry in war,<br/>
Before the sun rose he was harness'd light,<br/>
And to the field goes he; where every flower<br/>
Did as a prophet weep what it foresaw<br/>
In Hector's wrath.
</p>
<p>CRESSIDA.<br/>
What was his cause of anger?
</p>
<p>ALEXANDER.<br/>
The noise goes, this: there is among the Greeks<br/>
A lord of Trojan blood, nephew to Hector;<br/>
They call him Ajax.
</p>
<p>CRESSIDA.<br/>
Good; and what of him?
</p>
<p>ALEXANDER.<br/>
They say he is a very man <i>per se</i><br/>
And stands alone.
</p>
<p>CRESSIDA.<br/>
So do all men, unless they are drunk, sick, or have no legs.
</p>
<p>ALEXANDER.<br/>
This man, lady, hath robb'd many beasts of their particular additions: he is as
valiant as the lion, churlish as the bear, slow as the elephant—a man into whom nature
hath so crowded humours that his valour is crush'd into folly, his folly sauced with
discretion. There is no man hath a virtue that he hath not a glimpse of, nor any man an
attaint but he carries some stain of it; he is melancholy without cause and merry against
the hair; he hath the joints of everything; but everything so out of joint that he is a
gouty Briareus, many hands and no use, or purblind Argus, all eyes and no sight.
</p>
<p>CRESSIDA.<br/>
But how should this man, that makes me smile, make Hector angry?</p>
<p>ALEXANDER.<br/>
They say he yesterday cop'd Hector in the battle and struck him down, the disdain
and shame whereof hath ever since kept Hector fasting and waking.</p>
<p class="scenedesc"> Enter <span class="charname">Pandarus</span>.</p>
<p>CRESSIDA.<br/>
Who comes here?
</p>
<p>ALEXANDER.<br/>
Madam, your uncle Pandarus.
</p>
<p>CRESSIDA.<br/>
Hector's a gallant man.
</p>
<p>ALEXANDER.<br/>
As may be in the world, lady.
</p>
<p>PANDARUS.<br/>
What's that? What's that?
</p>
<p>CRESSIDA.<br/>
Good morrow, uncle Pandarus.
</p>
<p>PANDARUS.<br/>
Good morrow, cousin Cressid. What do you talk of?—Good morrow, Alexander.—How do you,
cousin? When were you at Ilium?
</p>
<p>CRESSIDA.<br/>
This morning, uncle.
</p>
<p>PANDARUS.<br/>
What were you talking of when I came? Was Hector arm'd and gone ere you came to
Ilium? Helen was not up, was she?</p>
<p>CRESSIDA.<br/>
Hector was gone; but Helen was not up.
</p>
<p>PANDARUS.<br/>
E'en so. Hector was stirring early.
</p>
<p>CRESSIDA.<br/>
That were we talking of, and of his anger.
</p>
<p>PANDARUS.<br/>
Was he angry?
</p>
<p>CRESSIDA.<br/>
So he says here.
</p>
<p>PANDARUS.<br/>
True, he was so; I know the cause too; he'll lay about him today, I can tell them
that. And there's Troilus will not come far behind him; let them take heed of
Troilus, I can tell them that too.</p>
<p>CRESSIDA.<br/>
What, is he angry too?
</p>
<p>PANDARUS.<br/>
Who, Troilus? Troilus is the better man of the two.
</p>
<p>CRESSIDA.<br/>
O Jupiter! there's no comparison.
</p>
<p>PANDARUS.<br/>
What, not between Troilus and Hector? Do you know a man if you see him?</p>
<p>CRESSIDA.<br/>
Ay, if I ever saw him before and knew him.
</p>
<p>PANDARUS.<br/>
Well, I say Troilus is Troilus.
</p>
<p>CRESSIDA.<br/>
Then you say as I say, for I am sure he is not Hector.
</p>
<p>PANDARUS.<br/>
No, nor Hector is not Troilus in some degrees.
</p>
<p>CRESSIDA.<br/>
'Tis just to each of them: he is himself.
</p>
<p>PANDARUS.<br/>
Himself! Alas, poor Troilus! I would he were!
</p>
<p>CRESSIDA.<br/>
So he is.
</p>
<p>PANDARUS.<br/>
Condition I had gone barefoot to India.
</p>
<p>CRESSIDA.<br/>
He is not Hector.
</p>
<p>PANDARUS.<br/>
Himself! no, he's not himself. Would a' were himself! Well, the gods are
above; time must friend or end. Well, Troilus, well! I would my heart were in her body!
No, Hector is not a better man than Troilus.
</p>
<p>CRESSIDA.<br/>
Excuse me.
</p>
<p>PANDARUS.<br/>
He is elder.
</p>
<p>CRESSIDA.<br/>
Pardon me, pardon me.
</p>
<p>PANDARUS.<br/>
Th'other's not come to't; you shall tell me another tale
when th'other's come to't. Hector shall not have his wit this year.</p>
<p>CRESSIDA.<br/>
He shall not need it if he have his own.
</p>
<p>ANDARUS.<br/>
Nor his qualities.
</p>
<p>CRESSIDA.<br/>
No matter.
</p>
<p>PANDARUS.<br/>
Nor his beauty.
</p>
<p>CRESSIDA.<br/>
'Twould not become him: his own's better.
</p>
<p>PANDARUS.<br/>
You have no judgement, niece. Helen herself swore th'other day that Troilus, for a
brown favour, for so 'tis, I must confess—not brown neither—</p>
<p>CRESSIDA.<br/>
No, but brown.
</p>
<p>PANDARUS.<br/>
Faith, to say truth, brown and not brown.
</p>
<p>CRESSIDA.<br/>
To say the truth, true and not true.
</p>
<p>PANDARUS.<br/>
She prais'd his complexion above Paris.
</p>
<p >CRESSIDA.<br/>
Why, Paris hath colour enough.
</p>
<p>PANDARUS.<br/>
So he has.
</p>
<p>CRESSIDA.<br/>
Then Troilus should have too much. If she prais'd him above, his complexion is
higher than his; he having colour enough, and the other higher, is too flaming a praise
for a good complexion. I had as lief Helen's golden tongue had commended Troilus for
a copper nose.</p>
<p>PANDARUS.<br/>
I swear to you I think Helen loves him better than Paris.
</p>
<p>CRESSIDA.<br/>
Then she's a merry Greek indeed.
</p>
<p>PANDARUS.<br/>
Nay, I am sure she does. She came to him th'other day into the compass'd
window—and you know he has not past three or four hairs on his chin—</p>
<p>CRESSIDA.<br/>
Indeed a tapster's arithmetic may soon bring his particulars therein to a total.</p>
<p>PANDARUS.<br/>
Why, he is very young, and yet will he within three pound lift as much as his brother
Hector.</p>
<p>CRESSIDA.<br/>
Is he so young a man and so old a lifter?
</p>
<p>PANDARUS.<br/>
But to prove to you that Helen loves him: she came and puts me her white hand to his
cloven chin—</p>
<p>CRESSIDA.<br/>
Juno have mercy! How came it cloven?
</p>
<p>PANDARUS.<br/>
Why, you know, 'tis dimpled. I think his smiling becomes him better than any man in
all Phrygia.</p>
<p>CRESSIDA.<br/>
O, he smiles valiantly!
</p>
<p>PANDARUS.<br/>
Does he not?
</p>
<p>CRESSIDA.<br/>
O yes, an 'twere a cloud in autumn!
</p>
<p>PANDARUS.<br/>
Why, go to, then! But to prove to you that Helen loves Troilus—
</p>
<p>CRESSIDA.<br/>
Troilus will stand to the proof, if you'll prove it so.
</p>
<p>PANDARUS.<br/>
Troilus! Why, he esteems her no more than I esteem an addle egg.</p>
<p>CRESSIDA.<br/>
If you love an addle egg as well as you love an idle head, you would eat chickens i'
th' shell.</p>
<p>PANDARUS.<br/>
I cannot choose but laugh to think how she tickled his chin. Indeed, she has a
marvell's white hand, I must needs confess.</p>
<p>CRESSIDA.<br/>
Without the rack.
</p>
<p>PANDARUS.<br/>
And she takes upon her to spy a white hair on his chin.
</p>
<p>CRESSIDA.<br/>
Alas, poor chin! Many a wart is richer.
</p>
<p>PANDARUS.<br/>
But there was such laughing! Queen Hecuba laugh'd that her eyes ran o'er.</p>
<p>CRESSIDA.<br/>
With millstones.
</p>
<p>PANDARUS.<br/>
And Cassandra laugh'd.
</p>
<p>CRESSIDA.<br/>
But there was a more temperate fire under the pot of her eyes. Did her eyes run o'er
too?</p>
<p>PANDARUS.<br/>
And Hector laugh'd.
</p>
<p>CRESSIDA.<br/>
At what was all this laughing?
</p>
<p>PANDARUS.<br/>
Marry, at the white hair that Helen spied on Troilus' chin.</p>
<p>CRESSIDA.<br/>
And't had been a green hair I should have laugh'd too.
</p>
<p>PANDARUS.<br/>
They laugh'd not so much at the hair as at his pretty answer.</p>
<p>CRESSIDA.<br/>
What was his answer?
</p>
<p>PANDARUS.<br/>
Quoth she 'Here's but two and fifty hairs on your chin, and one of them is
white.'</p>
<p>CRESSIDA.<br/>
This is her question.
</p>
<p>PANDARUS.<br/>
That's true; make no question of that. 'Two and fifty hairs,' quoth he
'and one white. That white hair is my father, and all the rest are his sons.'
'Jupiter!' quoth she 'which of these hairs is Paris my husband?'
'The forked one,' quoth he, 'pluck't out and give it him.'
But there was such laughing! and Helen so blush'd, and Paris so chaf'd; and
all the rest so laugh'd that it pass'd.</p>
<p>CRESSIDA.<br/>
So let it now; for it has been a great while going by.
</p>
<p>PANDARUS.<br/>
Well, cousin, I told you a thing yesterday; think on't.
</p>
<p>CRESSIDA.<br/>
So I do.
</p>
<p>PANDARUS.<br/>
I'll be sworn 'tis true; he will weep you, and 'twere a man born in
April.</p>
<p>CRESSIDA.<br/>
And I'll spring up in his tears, an 'twere a nettle against May.</p>
<p class="right"> [<i>Sound a retreat.</i>]</p>
<p>PANDARUS.<br/>
Hark! they are coming from the field. Shall we stand up here and see them as they pass
toward Ilium? Good niece, do, sweet niece Cressida.</p>
<p>CRESSIDA.<br/>
At your pleasure.
</p>
<p>PANDARUS.<br/>
Here, here, here's an excellent place; here we may see most bravely. I'll tell
you them all by their names as they pass by; but mark Troilus above the rest.</p>
<p class="right"> [<span class="charname">Aeneas</span> <i>passes</i>.]</p>
<p>CRESSIDA.<br/>
Speak not so loud.
</p>
<p>PANDARUS.<br/>
That's Aeneas. Is not that a brave man? He's one of the flowers of Troy, I can
tell you. But mark Troilus; you shall see anon.</p>
<p class="right"> [<span class="charname">Antenor</span> <i>passes</i>.]</p>
<p>CRESSIDA.<br/>
Who's that?
</p>
<p>PANDARUS.<br/>
That's Antenor. He has a shrewd wit, I can tell you; and he's a man good
enough; he's one o' th' soundest judgements in Troy, whosoever, and a
proper man of person. When comes Troilus? I'll show you Troilus anon. If he see me,
you shall see him nod at me.</p>
<p>CRESSIDA.<br/>
Will he give you the nod?
</p>
<p>PANDARUS.<br/>
You shall see.
</p>
<p>CRESSIDA.<br/>
If he do, the rich shall have more.
</p>
<p class="right"> [<span class="charname">Hector</span> <i>passes</i>.]</p>
<p>PANDARUS.<br/>
That's Hector, that, that, look you, that; there's a fellow! Go thy way,
Hector! There's a brave man, niece. O brave Hector! Look how he looks. There's
a countenance! Is't not a brave man?</p>
<p>CRESSIDA.<br/>
O, a brave man!
</p>
<p>PANDARUS.<br/>
Is a' not? It does a man's heart good. Look you what hacks are on his helmet!
Look you yonder, do you see? Look you there. There's no jesting; there's
laying on; take't off who will, as they say. There be hacks.</p>
<p>CRESSIDA.<br/>
Be those with swords?
</p>
<p>PANDARUS.<br/>
Swords! anything, he cares not; and the devil come to him, it's all one. By
God's lid, it does one's heart good. Yonder comes Paris, yonder comes
Paris.</p>
<p class="right"> [<span class="charname">Paris</span> <i>passes</i>.]</p>
<p>Look ye yonder, niece; is't not a gallant man too, is't not? Why, this is
brave now. Who said he came hurt home today? He's not hurt. Why, this will do
Helen's heart good now, ha! Would I could see Troilus now! You shall see Troilus
anon.</p>
<p class="right"> [<span class="charname">Helenus</span> <i>passes</i>.]</p>
<p>CRESSIDA.<br/>
Who's that?
</p>
<p>PANDARUS.<br/>
That's Helenus. I marvel where Troilus is. That's<br/>
Helenus. I think he went not forth today. That's Helenus.
</p>
<p>CRESSIDA.<br/>
Can Helenus fight, uncle?
</p>
<p>PANDARUS.<br/>
Helenus! no. Yes, he'll fight indifferent well. I marvel where Troilus is. Hark! do
you not hear the people cry 'Troilus'?—Helenus is a priest.
</p>
<p>CRESSIDA.<br/>
What sneaking fellow comes yonder?
</p>
<p class="right"> [<span class="charname">Troilus</span> <i>passes</i>.]</p>
<p>PANDARUS.<br/>
Where? yonder? That's Deiphobus. 'Tis Troilus. There's a man, niece.
Hem! Brave Troilus, the prince of chivalry!</p>
<p>CRESSIDA.<br/>
Peace, for shame, peace!
</p>
<p>PANDARUS.<br/>
Mark him; note him. O brave Troilus! Look well upon him, niece; look you how his sword is
bloodied, and his helm more hack'd than Hector's; and how he looks, and how he
goes! O admirable youth! he never saw three and twenty. Go thy way, Troilus, go thy way.
Had I a sister were a grace or a daughter a goddess, he should take his choice. O
admirable man! Paris? Paris is dirt to him; and, I warrant, Helen, to change, would give
an eye to boot.</p>
<p>CRESSIDA.<br/>
Here comes more.
</p>
<p class="right"> [<i>Common soldiers pass</i>.]</p>
<p>PANDARUS.<br/>
Asses, fools, dolts! chaff and bran, chaff and bran! porridge after meat! I could live and
die in the eyes of Troilus. Ne'er look, ne'er look; the eagles are gone. Crows
and daws, crows and daws! I had rather be such a man as Troilus than Agamemnon and all
Greece.</p>
<p>CRESSIDA.<br/>
There is amongst the Greeks Achilles, a better man than Troilus.
</p>
<p>PANDARUS.<br/>
Achilles? A drayman, a porter, a very camel!
</p>
<p>CRESSIDA.<br/>
Well, well.
</p>
<p>PANDARUS.<br/>
Well, well! Why, have you any discretion? Have you any eyes? Do you know what a man is? Is
not birth, beauty, good shape, discourse, manhood, learning, gentleness, virtue, youth,
liberality, and such like, the spice and salt that season a man?</p>
<p>CRESSIDA.<br/>
Ay, a minc'd man; and then to be bak'd with no date in the pie, for then the
man's date is out.</p>
<p>PANDARUS.<br/>
You are such a woman! A man knows not at what ward you lie.</p>
<p>CRESSIDA.<br/>
Upon my back, to defend my belly; upon my wit, to defend my wiles; upon my secrecy, to
defend mine honesty; my mask, to defend my beauty; and you, to defend all these; and at
all these wards I lie, at a thousand watches.</p>
<p>PANDARUS.<br/>
Say one of your watches.
</p>
<p>CRESSIDA.<br/>
Nay, I'll watch you for that; and that's one of the chiefest of them too. If I
cannot ward what I would not have hit, I can watch you for telling how I took the blow;
unless it swell past hiding, and then it's past watching.</p>
<p>PANDARUS.<br/>
You are such another!
</p>
<p class="scenedesc"> Enter <span class="charname">Troilus' Boy</span>.</p>
<p>BOY.<br/>
Sir, my lord would instantly speak with you.
</p>
<p>PANDARUS.<br/>
Where?
</p>
<p>BOY.<br/>
At your own house; there he unarms him.
</p>
<p>PANDARUS.<br/>
Good boy, tell him I come. [<i>Exit</i> <span class="charname">Boy</span>.]
I doubt he be hurt. Fare ye well, good niece.
</p>
<p>CRESSIDA.<br/>
Adieu, uncle.
</p>
<p>PANDARUS.<br/>
I will be with you, niece, by and by.
</p>
<p>CRESSIDA.<br/>
To bring, uncle.
</p>
<p>PANDARUS.<br/>
Ay, a token from Troilus.
</p>
<p class="right"> [<i>Exit</i> <span class="charname">Pandarus</span>.]</p>
<p>CRESSIDA.<br/>
By the same token, you are a bawd.<br/>
Words, vows, gifts, tears, and love's full sacrifice,<br/>
He offers in another's enterprise;<br/>
But more in Troilus thousand-fold I see<br/>
Than in the glass of Pandar's praise may be,<br/>
Yet hold I off. Women are angels, wooing:<br/>
Things won are done; joy's soul lies in the doing.<br/>
That she belov'd knows naught that knows not this:<br/>
Men prize the thing ungain'd more than it is.<br/>
That she was never yet that ever knew<br/>
Love got so sweet as when desire did sue;<br/>
Therefore this maxim out of love I teach:<br/>
'Achievement is command; ungain'd, beseech.'<br/>
Then though my heart's content firm love doth bear,<br/>
Nothing of that shall from mine eyes appear.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<h4 id="sceneI_353"> <b>SCENE III. The Grecian camp. Before AGAMEMNON'S tent.</b></h4>
<p class="scenedesc"> Sennet. Enter <span class="charname">Agamemnon, Nestor, Ulysses,
Diomedes, Menelaus</span> and others.</p>
<p>AGAMEMNON.<br/>
Princes,<br/>
What grief hath set these jaundies o'er your cheeks?<br/>
The ample proposition that hope makes<br/>
In all designs begun on earth below<br/>
Fails in the promis'd largeness; checks and disasters<br/>
Grow in the veins of actions highest rear'd,<br/>
As knots, by the conflux of meeting sap,<br/>
Infects the sound pine, and diverts his grain<br/>
Tortive and errant from his course of growth.<br/>
Nor, princes, is it matter new to us<br/>
That we come short of our suppose so far<br/>
That after seven years' siege yet Troy walls stand;<br/>
Sith every action that hath gone before,<br/>
Whereof we have record, trial did draw<br/>
Bias and thwart, not answering the aim,<br/>
And that unbodied figure of the thought<br/>
That gave't surmised shape. Why then, you princes,<br/>
Do you with cheeks abash'd behold our works<br/>
And call them shames, which are, indeed, naught else<br/>
But the protractive trials of great Jove<br/>
To find persistive constancy in men;<br/>
The fineness of which metal is not found<br/>
In fortune's love? For then the bold and coward,<br/>
The wise and fool, the artist and unread,<br/>
The hard and soft, seem all affin'd and kin.<br/>
But in the wind and tempest of her frown<br/>
Distinction, with a broad and powerful fan,<br/>
Puffing at all, winnows the light away;<br/>
And what hath mass or matter by itself<br/>
Lies rich in virtue and unmingled.
</p>
<p>NESTOR.<br/>
With due observance of thy godlike seat,<br/>
Great Agamemnon, Nestor shall apply<br/>
Thy latest words. In the reproof of chance<br/>
Lies the true proof of men. The sea being smooth,<br/>
How many shallow bauble boats dare sail<br/>
Upon her patient breast, making their way<br/>
With those of nobler bulk!<br/>
But let the ruffian Boreas once enrage<br/>
The gentle Thetis, and anon behold<br/>
The strong-ribb'd bark through liquid mountains cut,<br/>
Bounding between the two moist elements<br/>
Like Perseus' horse. Where's then the saucy boat,<br/>
Whose weak untimber'd sides but even now<br/>
Co-rivall'd greatness? Either to harbour fled<br/>
Or made a toast for Neptune. Even so<br/>
Doth valour's show and valour's worth divide<br/>
In storms of fortune; for in her ray and brightness<br/>
The herd hath more annoyance by the breeze<br/>
Than by the tiger; but when the splitting wind<br/>
Makes flexible the knees of knotted oaks,<br/>
And flies fled under shade—why, then the thing of courage,<br/>
As rous'd with rage, with rage doth sympathise,<br/>
And with an accent tun'd in self-same key<br/>
Retorts to chiding fortune.
</p>
<p>ULYSSES.<br/>
Agamemnon,<br/>
Thou great commander, nerve and bone of Greece,<br/>
Heart of our numbers, soul and only spirit<br/>
In whom the tempers and the minds of all<br/>
Should be shut up—hear what Ulysses speaks.<br/>
Besides th'applause and approbation<br/>
The which, [<i>To Agamemnon</i>] most mighty, for thy place and sway,<br/>
[<i>To Nestor</i>] And, thou most reverend, for thy stretch'd-out life,<br/>
I give to both your speeches—which were such<br/>
As Agamemnon and the hand of Greece<br/>
Should hold up high in brass; and such again<br/>
As venerable Nestor, hatch'd in silver,<br/>
Should with a bond of air, strong as the axle-tree<br/>
On which heaven rides, knit all the Greekish ears<br/>
To his experienc'd tongue—yet let it please both,<br/>
Thou great, and wise, to hear Ulysses speak.
</p>
<p>AGAMEMNON.<br/>
Speak, Prince of Ithaca; and be't of less expect<br/>
That matter needless, of importless burden,<br/>
Divide thy lips than we are confident,<br/>
When rank Thersites opes his mastic jaws,<br/>
We shall hear music, wit, and oracle.
</p>
<p>ULYSSES.<br/>
Troy, yet upon his basis, had been down,<br/>
And the great Hector's sword had lack'd a master,<br/>
But for these instances:<br/>
The specialty of rule hath been neglected;<br/>
And look how many Grecian tents do stand<br/>
Hollow upon this plain, so many hollow factions.<br/>
When that the general is not like the hive,<br/>
To whom the foragers shall all repair,<br/>
What honey is expected? Degree being vizarded,<br/>
Th'unworthiest shows as fairly in the mask.<br/>
The heavens themselves, the planets, and this centre,<br/>
Observe degree, priority, and place,<br/>
Insisture, course, proportion, season, form,<br/>
Office, and custom, in all line of order;<br/>
And therefore is the glorious planet Sol<br/>
In noble eminence enthron'd and spher'd<br/>
Amidst the other, whose med'cinable eye<br/>
Corrects the influence of evil planets,<br/>
And posts, like the commandment of a king,<br/>
Sans check, to good and bad. But when the planets<br/>
In evil mixture to disorder wander,<br/>
What plagues and what portents, what mutiny,<br/>
What raging of the sea, shaking of earth,<br/>
Commotion in the winds! Frights, changes, horrors,<br/>
Divert and crack, rend and deracinate,<br/>
The unity and married calm of states<br/>
Quite from their fixture! O, when degree is shak'd,<br/>
Which is the ladder of all high designs,<br/>
The enterprise is sick! How could communities,<br/>
Degrees in schools, and brotherhoods in cities,<br/>
Peaceful commerce from dividable shores,<br/>
The primogenity and due of birth,<br/>
Prerogative of age, crowns, sceptres, laurels,<br/>
But by degree stand in authentic place?<br/>
Take but degree away, untune that string,<br/>
And hark what discord follows! Each thing melts<br/>
In mere oppugnancy: the bounded waters<br/>
Should lift their bosoms higher than the shores,<br/>
And make a sop of all this solid globe;<br/>
Strength should be lord of imbecility,<br/>
And the rude son should strike his father dead;<br/>
Force should be right; or, rather, right and wrong—<br/>
Between whose endless jar justice resides—<br/>
Should lose their names, and so should justice too.<br/>
Then everything includes itself in power,<br/>
Power into will, will into appetite;<br/>
And appetite, an universal wolf,<br/>
So doubly seconded with will and power,<br/>
Must make perforce an universal prey,<br/>
And last eat up himself. Great Agamemnon,<br/>
This chaos, when degree is suffocate,<br/>
Follows the choking.<br/>
And this neglection of degree it is<br/>
That by a pace goes backward, with a purpose<br/>
It hath to climb. The general's disdain'd<br/>
By him one step below, he by the next,<br/>
That next by him beneath; so every step,<br/>
Exampl'd by the first pace that is sick<br/>
Of his superior, grows to an envious fever<br/>
Of pale and bloodless emulation.<br/>
And 'tis this fever that keeps Troy on foot,<br/>
Not her own sinews. To end a tale of length,<br/>
Troy in our weakness stands, not in her strength.
</p>
<p>NESTOR.<br/>
Most wisely hath Ulysses here discover'd<br/>
The fever whereof all our power is sick.
</p>
<p>AGAMEMNON.<br/>
The nature of the sickness found, Ulysses,<br/>
What is the remedy?
</p>
<p>ULYSSES.<br/>
The great Achilles, whom opinion crowns<br/>
The sinew and the forehand of our host,<br/>
Having his ear full of his airy fame,<br/>
Grows dainty of his worth, and in his tent<br/>
Lies mocking our designs; with him Patroclus<br/>
Upon a lazy bed the livelong day<br/>
Breaks scurril jests;<br/>
And with ridiculous and awkward action—<br/>
Which, slanderer, he imitation calls—<br/>
He pageants us. Sometime, great Agamemnon,<br/>
Thy topless deputation he puts on;<br/>
And like a strutting player whose conceit<br/>
Lies in his hamstring, and doth think it rich<br/>
To hear the wooden dialogue and sound<br/>
'Twixt his stretch'd footing and the scaffoldage—<br/>
Such to-be-pitied and o'er-wrested seeming<br/>
He acts thy greatness in; and when he speaks<br/>
'Tis like a chime a-mending; with terms unsquar'd,<br/>
Which, from the tongue of roaring Typhon dropp'd,<br/>
Would seem hyperboles. At this fusty stuff<br/>
The large Achilles, on his press'd bed lolling,<br/>
From his deep chest laughs out a loud applause;<br/>
Cries 'Excellent! 'Tis Agamemnon right!<br/>
Now play me Nestor; hem, and stroke thy beard,<br/>
As he being drest to some oration.'<br/>
That's done—as near as the extremest ends<br/>
Of parallels, as like as Vulcan and his wife;<br/>
Yet god Achilles still cries 'Excellent!<br/>
'Tis Nestor right. Now play him me, Patroclus,<br/>
Arming to answer in a night alarm.'<br/>
And then, forsooth, the faint defects of age<br/>
Must be the scene of mirth: to cough and spit<br/>
And, with a palsy fumbling on his gorget,<br/>
Shake in and out the rivet. And at this sport<br/>
Sir Valour dies; cries 'O, enough, Patroclus;<br/>
Or give me ribs of steel! I shall split all<br/>
In pleasure of my spleen.' And in this fashion<br/>
All our abilities, gifts, natures, shapes,<br/>
Severals and generals of grace exact,<br/>
Achievements, plots, orders, preventions,<br/>
Excitements to the field or speech for truce,<br/>
Success or loss, what is or is not, serves<br/>
As stuff for these two to make paradoxes.
</p>
<p>NESTOR.<br/>
And in the imitation of these twain—<br/>
Who, as Ulysses says, opinion crowns<br/>
With an imperial voice—many are infect.<br/>
Ajax is grown self-will'd and bears his head<br/>
In such a rein, in full as proud a place<br/>
As broad Achilles; keeps his tent like him;<br/>
Makes factious feasts; rails on our state of war<br/>
Bold as an oracle, and sets Thersites,<br/>
A slave whose gall coins slanders like a mint,<br/>
To match us in comparisons with dirt,<br/>
To weaken and discredit our exposure,<br/>
How rank soever rounded in with danger.
</p>
<p>ULYSSES.<br/>
They tax our policy and call it cowardice,<br/>
Count wisdom as no member of the war,<br/>
Forestall prescience, and esteem no act<br/>
But that of hand. The still and mental parts<br/>
That do contrive how many hands shall strike<br/>
When fitness calls them on, and know, by measure<br/>
Of their observant toil, the enemies' weight—<br/>
Why, this hath not a finger's dignity:<br/>
They call this bed-work, mapp'ry, closet-war;<br/>
So that the ram that batters down the wall,<br/>
For the great swinge and rudeness of his poise,<br/>
They place before his hand that made the engine,<br/>
Or those that with the fineness of their souls<br/>
By reason guide his execution.
</p>
<p>NESTOR.<br/>
Let this be granted, and Achilles' horse<br/>
Makes many Thetis' sons.
</p>
<p class="right"> [<i>Tucket</i>.]</p>
<p>AGAMEMNON.<br/>
What trumpet? Look, Menelaus.
</p>
<p>MENELAUS.<br/>
From Troy.
</p>
<p class="scenedesc"> Enter <span class="charname">Aeneas</span>.</p>
<p>AGAMEMNON.<br/>
What would you fore our tent?
</p>
<p>AENEAS.<br/>
Is this great Agamemnon's tent, I pray you?
</p>
<p>AGAMEMNON.<br/>
Even this.
</p>
<p>AENEAS.<br/>
May one that is a herald and a prince<br/>
Do a fair message to his kingly eyes?
</p>
<p>AGAMEMNON.<br/>
With surety stronger than Achilles' arm<br/>
Fore all the Greekish heads, which with one voice<br/>
Call Agamemnon head and general.
</p>
<p>AENEAS.<br/>
Fair leave and large security. How may<br/>
A stranger to those most imperial looks<br/>
Know them from eyes of other mortals?
</p>
<p>AGAMEMNON.<br/>
How?
</p>
<p>AENEAS.<br/>
Ay;<br/>
I ask, that I might waken reverence,<br/>
And bid the cheek be ready with a blush<br/>
Modest as morning when she coldly eyes<br/>
The youthful Phoebus.<br/>
Which is that god in office, guiding men?<br/>
Which is the high and mighty Agamemnon?
</p>
<p>AGAMEMNON.<br/>
This Trojan scorns us, or the men of Troy<br/>
Are ceremonious courtiers.
</p>
<p>AENEAS.<br/>
Courtiers as free, as debonair, unarm'd,<br/>
As bending angels; that's their fame in peace.<br/>
But when they would seem soldiers, they have galls,<br/>
Good arms, strong joints, true swords; and, Jove's accord,<br/>
Nothing so full of heart. But peace, Aeneas,<br/>
Peace, Trojan; lay thy finger on thy lips.<br/>
The worthiness of praise distains his worth,<br/>
If that the prais'd himself bring the praise forth;<br/>
But what the repining enemy commends,<br/>
That breath fame blows; that praise, sole pure, transcends.
</p>
<p>AGAMEMNON.<br/>
Sir, you of Troy, call you yourself Aeneas?
</p>
<p>AENEAS.<br/>
Ay, Greek, that is my name.
</p>
<p>AGAMEMNON.<br/>
What's your affairs, I pray you?
</p>
<p>AENEAS.<br/>
Sir, pardon; 'tis for Agamemnon's ears.
</p>
<p>AGAMEMNON<br/>
He hears naught privately that comes from Troy.
</p>
<p>AENEAS.<br/>
Nor I from Troy come not to whisper with him;<br/>
I bring a trumpet to awake his ear,<br/>
To set his sense on the attentive bent,<br/>
And then to speak.
</p>
<p>AGAMEMNON.<br/>
Speak frankly as the wind;<br/>
It is not Agamemnon's sleeping hour.<br/>
That thou shalt know, Trojan, he is awake,<br/>
He tells thee so himself.
</p>
<p>AENEAS.<br/>
Trumpet, blow loud,<br/>
Send thy brass voice through all these lazy tents;<br/>
And every Greek of mettle, let him know<br/>
What Troy means fairly shall be spoke aloud.
</p>
<p class="right"> [<i>Sound trumpet</i>.]</p>
<p>We have, great Agamemnon, here in Troy<br/>
A prince called Hector—Priam is his father—<br/>
Who in this dull and long-continued truce<br/>
Is resty grown; he bade me take a trumpet<br/>
And to this purpose speak: Kings, princes, lords!<br/>
If there be one among the fair'st of Greece<br/>
That holds his honour higher than his ease,<br/>
That feeds his praise more than he fears his peril,<br/>
That knows his valour and knows not his fear,<br/>
That loves his mistress more than in confession<br/>
With truant vows to her own lips he loves,<br/>
And dare avow her beauty and her worth<br/>
In other arms than hers—to him this challenge.<br/>
Hector, in view of Trojans and of Greeks,<br/>
Shall make it good or do his best to do it:<br/>
He hath a lady wiser, fairer, truer,<br/>
Than ever Greek did couple in his arms;<br/>
And will tomorrow with his trumpet call<br/>
Mid-way between your tents and walls of Troy<br/>
To rouse a Grecian that is true in love.<br/>
If any come, Hector shall honour him;<br/>
If none, he'll say in Troy, when he retires,<br/>
The Grecian dames are sunburnt and not worth<br/>
The splinter of a lance. Even so much.
</p>
<p>AGAMEMNON.<br/>
This shall be told our lovers, Lord Aeneas.<br/>
If none of them have soul in such a kind,<br/>
We left them all at home. But we are soldiers;<br/>
And may that soldier a mere recreant prove<br/>
That means not, hath not, or is not in love.<br/>
If then one is, or hath, or means to be,<br/>
That one meets Hector; if none else, I am he.
</p>
<p>NESTOR.<br/>
Tell him of Nestor, one that was a man<br/>
When Hector's grandsire suck'd. He is old now;<br/>
But if there be not in our Grecian host<br/>
A noble man that hath one spark of fire<br/>
To answer for his love, tell him from me<br/>
I'll hide my silver beard in a gold beaver,<br/>
And in my vambrace put this wither'd brawns,<br/>
And meeting him, will tell him that my lady<br/>
Was fairer than his grandam, and as chaste<br/>
As may be in the world. His youth in flood,<br/>
I'll prove this troth with my three drops of blood.
</p>
<p>AENEAS.<br/>
Now heavens forfend such scarcity of youth!
</p>
<p>ULYSSES.<br/>
Amen.
</p>
<p>AGAMEMNON.<br/>
Fair Lord Aeneas, let me touch your hand;<br/>
To our pavilion shall I lead you, sir.<br/>
Achilles shall have word of this intent;<br/>
So shall each lord of Greece, from tent to tent.<br/>
Yourself shall feast with us before you go,<br/>
And find the welcome of a noble foe.
</p>
<p class="right"> [<i>Exeunt all but <span class="charname">Ulysses</span> and <span
class="charname">Nestor</span></i>.]</p>
<p>ULYSSES.<br/>
Nestor!
</p>
<p>NESTOR.<br/>
What says Ulysses?
</p>
<p>ULYSSES.<br/>
I have a young conception in my brain;<br/>
Be you my time to bring it to some shape.
</p>
<p>NESTOR.<br/>
What is't?
</p>
<p>ULYSSES.<br/>
This 'tis:<br/>
Blunt wedges rive hard knots. The seeded pride<br/>
That hath to this maturity blown up<br/>
In rank Achilles must or now be cropp'd<br/>
Or, shedding, breed a nursery of like evil<br/>
To overbulk us all.
</p>
<p>NESTOR.<br/>
Well, and how?
</p>
<p>ULYSSES.<br/>
This challenge that the gallant Hector sends,<br/>
However it is spread in general name,<br/>
Relates in purpose only to Achilles.
</p>
<p>NESTOR.<br/>
True. The purpose is perspicuous even as substance<br/>
Whose grossness little characters sum up;<br/>
And, in the publication, make no strain<br/>
But that Achilles, were his brain as barren<br/>
As banks of Libya—though, Apollo knows,<br/>
'Tis dry enough—will with great speed of judgement,<br/>
Ay, with celerity, find Hector's purpose<br/>
Pointing on him.
</p>
<p>ULYSSES.<br/>
And wake him to the answer, think you?
</p>
<p>NESTOR.<br/>
Why, 'tis most meet. Who may you else oppose<br/>
That can from Hector bring those honours off,<br/>
If not Achilles? Though 't be a sportful combat,<br/>
Yet in this trial much opinion dwells<br/>
For here the Trojans taste our dear'st repute<br/>
With their fin'st palate; and trust to me, Ulysses,<br/>
Our imputation shall be oddly pois'd<br/>
In this vile action; for the success,<br/>
Although particular, shall give a scantling<br/>
Of good or bad unto the general;<br/>
And in such indexes, although small pricks<br/>
To their subsequent volumes, there is seen<br/>
The baby figure of the giant mass<br/>
Of things to come at large. It is suppos'd<br/>
He that meets Hector issues from our choice;<br/>
And choice, being mutual act of all our souls,<br/>
Makes merit her election, and doth boil,<br/>
As 'twere from forth us all, a man distill'd<br/>
Out of our virtues; who miscarrying,<br/>
What heart receives from hence a conquering part,<br/>
To steel a strong opinion to themselves?<br/>
Which entertain'd, limbs are his instruments,<br/>
In no less working than are swords and bows<br/>
Directive by the limbs.
</p>
<p>ULYSSES.<br/>
Give pardon to my speech. Therefore 'tis meet<br/>
Achilles meet not Hector. Let us, like merchants,<br/>
First show foul wares, and think perchance they'll sell;<br/>
If not, the lustre of the better shall exceed<br/>
By showing the worse first. Do not consent<br/>
That ever Hector and Achilles meet;<br/>
For both our honour and our shame in this<br/>
Are dogg'd with two strange followers.
</p>
<p>NESTOR.<br/>
I see them not with my old eyes. What are they?
</p>
<p>ULYSSES.<br/>
What glory our Achilles shares from Hector,<br/>
Were he not proud, we all should share with him;<br/>
But he already is too insolent;<br/>
And it were better parch in Afric sun<br/>
Than in the pride and salt scorn of his eyes,<br/>
Should he scape Hector fair. If he were foil'd,<br/>
Why, then we do our main opinion crush<br/>
In taint of our best man. No, make a lott'ry;<br/>
And, by device, let blockish Ajax draw<br/>
The sort to fight with Hector. Among ourselves<br/>
Give him allowance for the better man;<br/>
For that will physic the great Myrmidon,<br/>
Who broils in loud applause, and make him fall<br/>
His crest, that prouder than blue Iris bends.<br/>
If the dull brainless Ajax come safe off,<br/>
We'll dress him up in voices; if he fail,<br/>
Yet go we under our opinion still<br/>
That we have better men. But, hit or miss,<br/>
Our project's life this shape of sense assumes—<br/>
Ajax employ'd plucks down Achilles' plumes.
</p>
<p>NESTOR.<br/>
Now, Ulysses, I begin to relish thy advice;<br/>
And I will give a taste thereof forthwith<br/>
To Agamemnon. Go we to him straight.<br/>
Two curs shall tame each other: pride alone<br/>
Must tarre the mastiffs on, as 'twere their bone.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h3 id="sceneII_351"> <b>ACT II</b></h3>
<h4><b>SCENE I. The Grecian camp.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Ajax</span> and <span
class="charname">Thersites</span>.</p>
<p>AJAX.<br/>
Thersites!
</p>
<p>THERSITES.<br/>
Agamemnon—how if he had boils, full, all over, generally?
</p>
<p>AJAX.<br/>
Thersites!
</p>
<p>THERSITES.<br/>
And those boils did run—say so. Did not the general run then? Were not that a botchy
core?</p>
<p>AJAX.<br/>
Dog!
</p>
<p>THERSITES.<br/>
Then there would come some matter from him;<br/>
I see none now.
</p>
<p>AJAX.<br/>
Thou bitch-wolf's son, canst thou not hear? Feel, then.
</p>
<p class="right"> [<i>Strikes him</i>.]</p>
<p>THERSITES.<br/>
The plague of Greece upon thee, thou mongrel beef-witted lord!</p>
<p>AJAX.<br/>
Speak, then, thou unsalted leaven, speak. I will beat thee into handsomeness.</p>
<p>THERSITES.<br/>
I shall sooner rail thee into wit and holiness; but I think thy horse will sooner con an
oration than thou learn a prayer without book. Thou canst strike, canst thou? A red
murrain o' thy jade's tricks!
</p>
<p>AJAX.<br/>
Toadstool, learn me the proclamation.
</p>
<p>THERSITES.<br/>
Dost thou think I have no sense, thou strikest me thus?
</p>
<p>AJAX.<br/>
The proclamation!
</p>
<p>THERSITES.<br/>
Thou art proclaim'd fool, I think.
</p>
<p>AJAX.<br/>
Do not, porpentine, do not; my fingers itch.
</p>
<p>THERSITES.<br/>
I would thou didst itch from head to foot and I had the scratching of thee; I would make
thee the loathsomest scab in Greece. When thou art forth in the incursions, thou strikest
as slow as another.
</p>
<p>AJAX.<br/>
I say, the proclamation.
</p>
<p>THERSITES.<br/>
Thou grumblest and railest every hour on Achilles; and thou art as full of envy at his
greatness as Cerberus is at Proserpina's beauty—ay, that thou bark'st at him.
</p>
<p>AJAX.<br/>
Mistress Thersites!
</p>
<p>THERSITES.<br/>
Thou shouldst strike him.
</p>
<p>AJAX.<br/>
Cobloaf!
</p>
<p>THERSITES.<br/>
He would pun thee into shivers with his fist, as a sailor breaks a biscuit.</p>
<p>AJAX.<br/>
You whoreson cur!
</p>
<p class="right"> [<i>Strikes him</i>.]</p>
<p>THERSITES.<br/>
Do, do.
</p>
<p>AJAX.<br/>
Thou stool for a witch!
</p>
<p>THERSITES.<br/>
Ay, do, do; thou sodden-witted lord! Thou hast no more brain than I have in mine elbows;
an asinico may tutor thee. You scurvy valiant ass! Thou art here but to thrash Trojans,
and thou art bought and sold among those of any wit like a barbarian slave. If thou use to
beat me, I will begin at thy heel and tell what thou art by inches, thou thing of no
bowels, thou!</p>
<p>AJAX.<br/>
You dog!
</p>
<p>THERSITES.<br/>
You scurvy lord!
</p>
<p>AJAX.<br/>
You cur!
</p>
<p class="right"> [<i>Strikes him</i>.]</p>
<p>THERSITES.<br/>
Mars his idiot! Do, rudeness; do, camel; do, do.
</p>
<p class="scenedesc"> Enter <span class="charname">Achilles</span> and <span
class="charname">Patroclus</span>.</p>
<p>ACHILLES.<br/>
Why, how now, Ajax! Wherefore do ye thus?<br/>
How now, Thersites! What's the matter, man?
</p>
<p>THERSITES.<br/>
You see him there, do you?
</p>
<p>ACHILLES.<br/>
Ay; what's the matter?
</p>
<p>THERSITES.<br/>
Nay, look upon him.
</p>
<p>ACHILLES.<br/>
So I do. What's the matter?
</p>
<p>THERSITES.<br/>
Nay, but regard him well.
</p>
<p>ACHILLES.<br/>
Well! why, so I do.
</p>
<p>THERSITES.<br/>
But yet you look not well upon him; for whosomever you take him to be, he is Ajax.</p>
<p>ACHILLES.<br/>
I know that, fool.
</p>
<p>THERSITES.<br/>
Ay, but that fool knows not himself.
</p>
<p>AJAX.<br/>
Therefore I beat thee.
</p>
<p>THERSITES.<br/>
Lo, lo, lo, lo, what modicums of wit he utters! His evasions have ears thus long. I have
bobb'd his brain more than he has beat my bones. I will buy nine sparrows for a
penny, and his pia mater is not worth the ninth part of a sparrow. This lord,
Achilles—Ajax, who wears his wit in his belly and his guts in his head—I'll tell you
what I say of him.</p>
<p>ACHILLES.<br/>
What?
</p>
<p>THERSITES.<br/>
I say this Ajax—
</p>
<p class="right"> [<i><span class="charname">Ajax</span> offers to strike him</i>.]</p>
<p>ACHILLES.<br/>
Nay, good Ajax.
</p>
<p>THERSITES.<br/>
Has not so much wit—
</p>
<p>ACHILLES.<br/>
Nay, I must hold you.
</p>
<p>THERSITES.<br/>
As will stop the eye of Helen's needle, for whom he comes to fight.</p>
<p>ACHILLES.<br/>
Peace, fool.
</p>
<p>THERSITES.<br/>
I would have peace and quietness, but the fool will not—
he there; that he; look you there.</p>
<p>AJAX.<br/>
O thou damned cur! I shall—
</p>
<p>ACHILLES.<br/>
Will you set your wit to a fool's?
</p>
<p>THERSITES.<br/>
No, I warrant you, the fool's will shame it.
</p>
<p>PATROCLUS.<br/>
Good words, Thersites.
</p>
<p>ACHILLES.<br/>
What's the quarrel?
</p>
<p>AJAX.<br/>
I bade the vile owl go learn me the tenour of the proclamation, and he rails upon me.</p>
<p>THERSITES.<br/>
I serve thee not.
</p>
<p>AJAX.<br/>
Well, go to, go to.
</p>
<p>THERSITES.<br/>
I serve here voluntary.
</p>
<p>ACHILLES.<br/>
Your last service was suff'rance; 'twas not voluntary. No man is beaten
voluntary. Ajax was here the voluntary, and you as under an impress.</p>
<p>THERSITES.<br/>
E'en so; a great deal of your wit too lies in your sinews, or else there be liars.
Hector shall have a great catch and knock out either of your brains: a' were as good
crack a fusty nut with no kernel.</p>
<p>ACHILLES.<br/>
What, with me too, Thersites?
</p>
<p>THERSITES.<br/>
There's Ulysses and old Nestor—whose wit was mouldy ere your grandsires had nails on
their toes—yoke you like draught oxen, and make you plough up the wars.</p>
<p>ACHILLES.<br/>
What, what?
</p>
<p>THERSITES.<br/>
Yes, good sooth. To Achilles, to Ajax, to—
</p>
<p>AJAX.<br/>
I shall cut out your tongue.
</p>
<p>THERSITES.<br/>
'Tis no matter; I shall speak as much as thou afterwards.</p>
<p>PATROCLUS.<br/>
No more words, Thersites; peace!
</p>
<p>THERSITES.<br/>
I will hold my peace when Achilles' brach bids me, shall I?
</p>
<p>ACHILLES.<br/>
There's for you, Patroclus.
</p>
<p>THERSITES.<br/>
I will see you hang'd like clotpoles ere I come any more to your tents. I will keep
where there is wit stirring, and leave the faction of fools.</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>PATROCLUS.<br/>
A good riddance.
</p>
<p>ACHILLES.<br/>
Marry, this, sir, is proclaim'd through all our host,<br/>
That Hector, by the fifth hour of the sun,<br/>
Will with a trumpet 'twixt our tents and Troy,<br/>
Tomorrow morning, call some knight to arms<br/>
That hath a stomach; and such a one that dare<br/>
Maintain I know not what; 'tis trash. Farewell.
</p>
<p>AJAX.<br/>
Farewell. Who shall answer him?
</p>
<p>ACHILLES.<br/>
I know not; 'tis put to lott'ry, otherwise,<br/>
He knew his man.
</p>
<p>AJAX.<br/>
O, meaning you? I will go learn more of it.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h4 id="sceneII_352"> <b>SCENE II. Troy. PRIAM'S palace.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Priam, Hector, Troilus, Paris</span>
and <span class="charname">Helenus</span>.</p>
<p>PRIAM.<br/>
After so many hours, lives, speeches spent,<br/>
Thus once again says Nestor from the Greeks:<br/>
'Deliver Helen, and all damage else—<br/>
As honour, loss of time, travail, expense,<br/>
Wounds, friends, and what else dear that is consum'd<br/>
In hot digestion of this cormorant war—<br/>
Shall be struck off.' Hector, what say you to't?
</p>
<p>HECTOR.<br/>
Though no man lesser fears the Greeks than I,<br/>
As far as toucheth my particular,<br/>
Yet, dread Priam,<br/>
There is no lady of more softer bowels,<br/>
More spongy to suck in the sense of fear,<br/>
More ready to cry out 'Who knows what follows?'<br/>
Than Hector is. The wound of peace is surety,<br/>
Surety secure; but modest doubt is call'd<br/>
The beacon of the wise, the tent that searches<br/>
To th' bottom of the worst. Let Helen go.<br/>
Since the first sword was drawn about this question,<br/>
Every tithe soul 'mongst many thousand dismes<br/>
Hath been as dear as Helen—I mean, of ours.<br/>
If we have lost so many tenths of ours<br/>
To guard a thing not ours, nor worth to us,<br/>
Had it our name, the value of one ten,<br/>
What merit's in that reason which denies<br/>
The yielding of her up?
</p>
<p>TROILUS.<br/>
Fie, fie, my brother!<br/>
Weigh you the worth and honour of a king,<br/>
So great as our dread father's, in a scale<br/>
Of common ounces? Will you with counters sum<br/>
The past-proportion of his infinite,<br/>
And buckle in a waist most fathomless<br/>
With spans and inches so diminutive<br/>
As fears and reasons? Fie, for godly shame!
</p>
<p>HELENUS.<br/>
No marvel though you bite so sharp of reasons,<br/>
You are so empty of them. Should not our father<br/>
Bear the great sway of his affairs with reason,<br/>
Because your speech hath none that tells him so?
</p>
<p>TROILUS.<br/>
You are for dreams and slumbers, brother priest;<br/>
You fur your gloves with reason. Here are your reasons:<br/>
You know an enemy intends you harm;<br/>
You know a sword employ'd is perilous,<br/>
And reason flies the object of all harm.<br/>
Who marvels, then, when Helenus beholds<br/>
A Grecian and his sword, if he do set<br/>
The very wings of reason to his heels<br/>
And fly like chidden Mercury from Jove,<br/>
Or like a star disorb'd? Nay, if we talk of reason,<br/>
Let's shut our gates and sleep. Manhood and honour<br/>
Should have hare hearts, would they but fat their thoughts<br/>
With this cramm'd reason. Reason and respect<br/>
Make livers pale and lustihood deject.
</p>
<p>HECTOR.<br/>
Brother, she is not worth what she doth cost the keeping.
</p>
<p>TROILUS.<br/>
What's aught but as 'tis valued?
</p>
<p>HECTOR.<br/>
But value dwells not in particular will:<br/>
It holds his estimate and dignity<br/>
As well wherein 'tis precious of itself<br/>
As in the prizer. 'Tis mad idolatry<br/>
To make the service greater than the god,<br/>
And the will dotes that is attributive<br/>
To what infectiously itself affects,<br/>
Without some image of th'affected merit.
</p>
<p>TROILUS.<br/>
I take today a wife, and my election<br/>
Is led on in the conduct of my will;<br/>
My will enkindled by mine eyes and ears,<br/>
Two traded pilots 'twixt the dangerous shores<br/>
Of will and judgement: how may I avoid,<br/>
Although my will distaste what it elected,<br/>
The wife I chose? There can be no evasion<br/>
To blench from this and to stand firm by honour.<br/>
We turn not back the silks upon the merchant<br/>
When we have soil'd them; nor the remainder viands<br/>
We do not throw in unrespective sieve,<br/>
Because we now are full. It was thought meet<br/>
Paris should do some vengeance on the Greeks;<br/>
Your breath with full consent bellied his sails;<br/>
The seas and winds, old wranglers, took a truce,<br/>
And did him service. He touch'd the ports desir'd;<br/>
And for an old aunt whom the Greeks held captive<br/>
He brought a Grecian queen, whose youth and freshness<br/>
Wrinkles Apollo's, and makes stale the morning.<br/>
Why keep we her? The Grecians keep our aunt.<br/>
Is she worth keeping? Why, she is a pearl<br/>
Whose price hath launch'd above a thousand ships,<br/>
And turn'd crown'd kings to merchants.<br/>
If you'll avouch 'twas wisdom Paris went—<br/>
As you must needs, for you all cried 'Go, go'—<br/>
If you'll confess he brought home worthy prize—<br/>
As you must needs, for you all clapp'd your hands,<br/>
And cried 'Inestimable!'—why do you now<br/>
The issue of your proper wisdoms rate,<br/>
And do a deed that never Fortune did—<br/>
Beggar the estimation which you priz'd<br/>
Richer than sea and land? O theft most base,<br/>
That we have stol'n what we do fear to keep!<br/>
But thieves unworthy of a thing so stol'n<br/>
That in their country did them that disgrace<br/>
We fear to warrant in our native place!
</p>
<p>CASSANDRA.<br/>
[<i>Within</i>.] Cry, Trojans, cry.
</p>
<p>PRIAM.<br/>
What noise, what shriek is this?
</p>
<p>TROILUS.<br/>
'Tis our mad sister; I do know her voice.
</p>
<p>CASSANDRA.<br/>
[<i>Within</i>.] Cry, Trojans.
</p>
<p>HECTOR.<br/>
It is Cassandra.
</p>
<p class="scenedesc"> Enter <span class="charname">Cassandra,</span> raving.</p>
<p>CASSANDRA.<br/>
Cry, Trojans, cry. Lend me ten thousand eyes,<br/>
And I will fill them with prophetic tears.
</p>
<p>HECTOR.<br/>
Peace, sister, peace.
</p>
<p>CASSANDRA.<br/>
Virgins and boys, mid-age and wrinkled eld,<br/>
Soft infancy, that nothing canst but cry,<br/>
Add to my clamours. Let us pay betimes<br/>
A moiety of that mass of moan to come.<br/>
Cry, Trojans, cry. Practise your eyes with tears.<br/>
Troy must not be, nor goodly Ilion stand;<br/>
Our firebrand brother, Paris, burns us all.<br/>
Cry, Trojans, cry, A Helen and a woe!<br/>
Cry, cry. Troy burns, or else let Helen go.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>HECTOR.<br/>
Now, youthful Troilus, do not these high strains<br/>
Of divination in our sister work<br/>
Some touches of remorse? Or is your blood<br/>
So madly hot, that no discourse of reason,<br/>
Nor fear of bad success in a bad cause,<br/>
Can qualify the same?
</p>
<p>TROILUS.<br/>
Why, brother Hector,<br/>
We may not think the justness of each act<br/>
Such and no other than event doth form it;<br/>
Nor once deject the courage of our minds<br/>
Because Cassandra's mad. Her brain-sick raptures<br/>
Cannot distaste the goodness of a quarrel<br/>
Which hath our several honours all engag'd<br/>
To make it gracious. For my private part,<br/>
I am no more touch'd than all Priam's sons;<br/>
And Jove forbid there should be done amongst us<br/>
Such things as might offend the weakest spleen<br/>
To fight for and maintain.
</p>
<p>PARIS.<br/>
Else might the world convince of levity<br/>
As well my undertakings as your counsels;<br/>
But I attest the gods, your full consent<br/>
Gave wings to my propension, and cut off<br/>
All fears attending on so dire a project.<br/>
For what, alas, can these my single arms?<br/>
What propugnation is in one man's valour<br/>
To stand the push and enmity of those<br/>
This quarrel would excite? Yet I protest,<br/>
Were I alone to pass the difficulties,<br/>
And had as ample power as I have will,<br/>
Paris should ne'er retract what he hath done,<br/>
Nor faint in the pursuit.
</p>
<p>PRIAM.<br/>
Paris, you speak<br/>
Like one besotted on your sweet delights.<br/>
You have the honey still, but these the gall;<br/>
So to be valiant is no praise at all.
</p>
<p>PARIS.<br/>
Sir, I propose not merely to myself<br/>
The pleasures such a beauty brings with it;<br/>
But I would have the soil of her fair rape<br/>
Wip'd off in honourable keeping her.<br/>
What treason were it to the ransack'd queen,<br/>
Disgrace to your great worths, and shame to me,<br/>
Now to deliver her possession up<br/>
On terms of base compulsion! Can it be,<br/>
That so degenerate a strain as this<br/>
Should once set footing in your generous bosoms?<br/>
There's not the meanest spirit on our party<br/>
Without a heart to dare or sword to draw<br/>
When Helen is defended; nor none so noble<br/>
Whose life were ill bestow'd or death unfam'd,<br/>
Where Helen is the subject. Then, I say,<br/>
Well may we fight for her whom we know well<br/>
The world's large spaces cannot parallel.
</p>
<p>HECTOR.<br/>
Paris and Troilus, you have both said well;<br/>
And on the cause and question now in hand<br/>
Have gloz'd, but superficially; not much<br/>
Unlike young men, whom Aristotle thought<br/>
Unfit to hear moral philosophy.<br/>
The reasons you allege do more conduce<br/>
To the hot passion of distemp'red blood<br/>
Than to make up a free determination<br/>
'Twixt right and wrong; for pleasure and revenge<br/>
Have ears more deaf than adders to the voice<br/>
Of any true decision. Nature craves<br/>
All dues be rend'red to their owners. Now,<br/>
What nearer debt in all humanity<br/>
Than wife is to the husband? If this law<br/>
Of nature be corrupted through affection;<br/>
And that great minds, of partial indulgence<br/>
To their benumbed wills, resist the same;<br/>
There is a law in each well-order'd nation<br/>
To curb those raging appetites that are<br/>
Most disobedient and refractory.<br/>
If Helen, then, be wife to Sparta's king—<br/>
As it is known she is—these moral laws<br/>
Of nature and of nations speak aloud<br/>
To have her back return'd. Thus to persist<br/>
In doing wrong extenuates not wrong,<br/>
But makes it much more heavy. Hector's opinion<br/>
Is this, in way of truth. Yet, ne'ertheless,<br/>
My spritely brethren, I propend to you<br/>
In resolution to keep Helen still;<br/>
For 'tis a cause that hath no mean dependence<br/>
Upon our joint and several dignities.
</p>
<p>TROILUS.<br/>
Why, there you touch'd the life of our design.<br/>
Were it not glory that we more affected<br/>
Than the performance of our heaving spleens,<br/>
I would not wish a drop of Trojan blood<br/>
Spent more in her defence. But, worthy Hector,<br/>
She is a theme of honour and renown,<br/>
A spur to valiant and magnanimous deeds,<br/>
Whose present courage may beat down our foes,<br/>
And fame in time to come canonize us;<br/>
For I presume brave Hector would not lose<br/>
So rich advantage of a promis'd glory<br/>
As smiles upon the forehead of this action<br/>
For the wide world's revenue.
</p>
<p>HECTOR.<br/>
I am yours,<br/>
You valiant offspring of great Priamus.<br/>
I have a roisting challenge sent amongst<br/>
The dull and factious nobles of the Greeks<br/>
Will strike amazement to their drowsy spirits.<br/>
I was advertis'd their great general slept,<br/>
Whilst emulation in the army crept.<br/>
This, I presume, will wake him.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h4 id="sceneII_353"> <b>SCENE III. The Grecian camp. Before the tent of ACHILLES.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Thersites,</span> solus.</p>
<p>THERSITES.<br/>
How now, Thersites! What, lost in the labyrinth of thy fury? Shall the elephant Ajax carry
it thus? He beats me, and I rail at him. O worthy satisfaction! Would it were otherwise:
that I could beat him, whilst he rail'd at me! 'Sfoot, I'll learn to
conjure and raise devils, but I'll see some issue of my spiteful execrations. Then
there's Achilles, a rare engineer! If Troy be not taken till these two undermine it,
the walls will stand till they fall of themselves. O thou great thunder-darter of Olympus,
forget that thou art Jove, the king of gods, and, Mercury, lose all the serpentine craft
of thy caduceus, if ye take not that little little less than little wit from them that
they have! which short-arm'd ignorance itself knows is so abundant scarce, it will
not in circumvention deliver a fly from a spider without drawing their massy irons and
cutting the web. After this, the vengeance on the whole camp! or, rather, the Neapolitan
bone-ache! for that, methinks, is the curse depending on those that war for a placket. I
have said my prayers; and devil Envy say 'Amen.' What ho! my Lord
Achilles!</p>
<p class="scenedesc"> Enter <span class="charname">Patroclus</span>.</p>
<p>PATROCLUS.<br/>
Who's there? Thersites! Good Thersites, come in and rail.
</p>
<p>THERSITES.<br/>
If I could a' rememb'red a gilt counterfeit, thou wouldst not have
slipp'd out of my contemplation; but it is no matter; thyself upon thyself! The
common curse of mankind, folly and ignorance, be thine in great revenue! Heaven bless thee
from a tutor, and discipline come not near thee! Let thy blood be thy direction till thy
death. Then if she that lays thee out says thou art a fair corse, I'll be sworn and
sworn upon't she never shrouded any but lazars. Amen. Where's Achilles?</p>
<p>PATROCLUS.<br/>
What, art thou devout? Wast thou in prayer?
</p>
<p>THERSITES.<br/>
Ay, the heavens hear me!
</p>
<p>PATROCLUS.<br/>
Amen.
</p>
<p class="scenedesc"> Enter <span class="charname">Achilles</span>.</p>
<p>ACHILLES.<br/>
Who's there?
</p>
<p>PATROCLUS.<br/>
Thersites, my lord.
</p>
<p>ACHILLES.<br/>
Where, where? O, where? Art thou come? Why, my cheese, my digestion, why hast thou not
served thyself in to my table so many meals? Come, what's Agamemnon?</p>
<p>THERSITES.<br/>
Thy commander, Achilles. Then tell me, Patroclus, what's Achilles?
</p>
<p>PATROCLUS.<br/>
Thy lord, Thersites. Then tell me, I pray thee, what's Thersites?
</p>
<p>THERSITES.<br/>
Thy knower, Patroclus. Then tell me, Patroclus, what art thou?</p>
<p>PATROCLUS.<br/>
Thou must tell that knowest.
</p>
<p>ACHILLES.<br/>
O, tell, tell,
</p>
<p>THERSITES.<br/>
I'll decline the whole question. Agamemnon commands Achilles; Achilles is my lord; I
am Patroclus' knower; and Patroclus is a fool.
</p>
<p>PATROCLUS.<br/>
You rascal!
</p>
<p>THERSITES.<br/>
Peace, fool! I have not done.
</p>
<p>ACHILLES.<br/>
He is a privileg'd man. Proceed, Thersites.
</p>
<p>THERSITES.<br/>
Agamemnon is a fool; Achilles is a fool; Thersites is a fool; and, as aforesaid, Patroclus
is a fool.</p>
<p>ACHILLES.<br/>
Derive this; come.
</p>
<p>THERSITES.<br/>
Agamemnon is a fool to offer to command Achilles; Achilles is a fool to be commanded of
Agamemnon; Thersites is a fool to serve such a fool; and this Patroclus is a fool
positive.</p>
<p>PATROCLUS.<br/>
Why am I a fool?
</p>
<p>THERSITES.<br/>
Make that demand of the Creator. It suffices me thou art. Look you, who comes here?</p>
<p class="scenedesc"> Enter <span class="charname">Agamemnon, Ulysses, Nestor, Diomedes,
Ajax</span> and <span class="charname">Calchas</span>.</p>
<p>ACHILLES.<br/>
Come, Patroclus, I'll speak with nobody. Come in with me, Thersites.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>THERSITES.<br/>
Here is such patchery, such juggling, and such knavery. All the argument is a whore and a
cuckold—a good quarrel to draw emulous factions and bleed to death upon. Now the dry
serpigo on the subject, and war and lechery confound all!</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>AGAMEMNON.<br/>
Where is Achilles?
</p>
<p>PATROCLUS.<br/>
Within his tent; but ill-dispos'd, my lord.
</p>
<p>AGAMEMNON.<br/>
Let it be known to him that we are here.<br/>
He sate our messengers; and we lay by<br/>
Our appertainings, visiting of him.<br/>
Let him be told so; lest, perchance, he think<br/>
We dare not move the question of our place<br/>
Or know not what we are.
</p>
<p>PATROCLUS.<br/>
I shall say so to him.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>ULYSSES.<br/>
We saw him at the opening of his tent.<br/>
He is not sick.
</p>
<p>AJAX.<br/>
Yes, lion-sick, sick of proud heart. You may call it melancholy, if you will favour the
man; but, by my head, 'tis pride. But why, why? Let him show us a cause. A word, my
lord.</p>
<p class="right"> [<i>Takes <span class="charname">Agamemnon</span> aside</i>.]</p>
<p>NESTOR.<br/>
What moves Ajax thus to bay at him?
</p>
<p>ULYSSES.<br/>
Achilles hath inveigled his fool from him.
</p>
<p>NESTOR.<br/>
Who, Thersites?
</p>
<p>ULYSSES.<br/>
He.
</p>
<p>NESTOR.<br/>
Then will Ajax lack matter, if he have lost his argument.
</p>
<p>ULYSSES.<br/>
No; you see he is his argument that has his argument, Achilles.
</p>
<p>NESTOR.<br/>
All the better; their fraction is more our wish than their faction. But it was a strong
composure a fool could disunite!</p>
<p>ULYSSES.<br/>
The amity that wisdom knits not, folly may easily untie.
</p>
<p class="scenedesc"> Re-enter <span class="charname">Patroclus</span>.</p>
<p>Here comes Patroclus.</p>
<p>NESTOR.<br/>
No Achilles with him.
</p>
<p>ULYSSES.<br/>
The elephant hath joints, but none for courtesy; his legs are legs for necessity, not for
flexure.</p>
<p>PATROCLUS.<br/>
Achilles bids me say he is much sorry<br/>
If any thing more than your sport and pleasure<br/>
Did move your greatness and this noble state<br/>
To call upon him; he hopes it is no other<br/>
But for your health and your digestion sake,<br/>
An after-dinner's breath.
</p>
<p>AGAMEMNON.<br/>
Hear you, Patroclus.<br/>
We are too well acquainted with these answers;<br/>
But his evasion, wing'd thus swift with scorn,<br/>
Cannot outfly our apprehensions.<br/>
Much attribute he hath, and much the reason<br/>
Why we ascribe it to him. Yet all his virtues,<br/>
Not virtuously on his own part beheld,<br/>
Do in our eyes begin to lose their gloss;<br/>
Yea, like fair fruit in an unwholesome dish,<br/>
Are like to rot untasted. Go and tell him<br/>
We come to speak with him; and you shall not sin<br/>
If you do say we think him over-proud<br/>
And under-honest, in self-assumption greater<br/>
Than in the note of judgement; and worthier than himself<br/>
Here tend the savage strangeness he puts on,<br/>
Disguise the holy strength of their command,<br/>
And underwrite in an observing kind<br/>
His humorous predominance; yea, watch<br/>
His course and time, his ebbs and flows, as if<br/>
The passage and whole stream of this commencement<br/>
Rode on his tide. Go tell him this, and add<br/>
That if he overhold his price so much<br/>
We'll none of him, but let him, like an engine<br/>
Not portable, lie under this report:<br/>
Bring action hither; this cannot go to war.<br/>
A stirring dwarf we do allowance give<br/>
Before a sleeping giant. Tell him so.
</p>
<p>PATROCLUS.<br/>
I shall, and bring his answer presently.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>AGAMEMNON.<br/>
In second voice we'll not be satisfied;<br/>
We come to speak with him. Ulysses, enter you.
</p>
<p class="right"> [<i>Exit</i> <span class="charname">Ulysses</span>.]</p>
<p>AJAX.<br/>
What is he more than another?
</p>
<p>AGAMEMNON.<br/>
No more than what he thinks he is.
</p>
<p>AJAX.<br/>
Is he so much? Do you not think he thinks himself a better man than I am?</p>
<p>AGAMEMNON.<br/>
No question.
</p>
<p>AJAX.<br/>
Will you subscribe his thought and say he is?
</p>
<p>AGAMEMNON.<br/>
No, noble Ajax; you are as strong, as valiant, as wise, no less noble, much more gentle,
and altogether more tractable.</p>
<p>AJAX.<br/>
Why should a man be proud? How doth pride grow? I know not what pride is.</p>
<p>AGAMEMNON.<br/>
Your mind is the clearer, Ajax, and your virtues the fairer. He that is proud eats up
himself. Pride is his own glass, his own trumpet, his own chronicle; and whatever praises
itself but in the deed devours the deed in the praise.</p>
<p class="scenedesc"> Re-enter <span class="charname">Ulysses</span>.</p>
<p>AJAX.<br/>
I do hate a proud man as I do hate the engend'ring of toads.
</p>
<p>NESTOR.<br/>
[<i>Aside.</i>] And yet he loves himself: is't not strange?</p>
<p>ULYSSES.<br/>
Achilles will not to the field tomorrow.
</p>
<p>AGAMEMNON.<br/>
What's his excuse?
</p>
<p>ULYSSES.<br/>
He doth rely on none;<br/>
But carries on the stream of his dispose,<br/>
Without observance or respect of any,<br/>
In will peculiar and in self-admission.
</p>
<p>AGAMEMNON.<br/>
Why will he not, upon our fair request,<br/>
Untent his person and share th'air with us?
</p>
<p>ULYSSES.<br/>
Things small as nothing, for request's sake only,<br/>
He makes important; possess'd he is with greatness,<br/>
And speaks not to himself but with a pride<br/>
That quarrels at self-breath. Imagin'd worth<br/>
Holds in his blood such swol'n and hot discourse<br/>
That 'twixt his mental and his active parts<br/>
Kingdom'd Achilles in commotion rages,<br/>
And batters down himself. What should I say?<br/>
He is so plaguy proud that the death tokens of it<br/>
Cry 'No recovery.'
</p>
<p>AGAMEMNON.<br/>
Let Ajax go to him.<br/>
Dear lord, go you and greet him in his tent.<br/>
'Tis said he holds you well; and will be led<br/>
At your request a little from himself.
</p>
<p>ULYSSES.<br/>
O Agamemnon, let it not be so!<br/>
We'll consecrate the steps that Ajax makes<br/>
When they go from Achilles. Shall the proud lord<br/>
That bastes his arrogance with his own seam<br/>
And never suffers matter of the world<br/>
Enter his thoughts, save such as doth revolve<br/>
And ruminate himself—shall he be worshipp'd<br/>
Of that we hold an idol more than he?<br/>
No, this thrice worthy and right valiant lord<br/>
Shall not so stale his palm, nobly acquir'd,<br/>
Nor, by my will, assubjugate his merit,<br/>
As amply titled as Achilles is,<br/>
By going to Achilles.<br/>
That were to enlard his fat-already pride,<br/>
And add more coals to Cancer when he burns<br/>
With entertaining great Hyperion.<br/>
This lord go to him! Jupiter forbid,<br/>
And say in thunder 'Achilles go to him.'
</p>
<p>NESTOR.<br/>
[<i>Aside</i>.] O, this is well! He rubs the vein of him.
</p>
<p>DIOMEDES.<br/>
[<i>Aside</i>.] And how his silence drinks up this applause!
</p>
<p>AJAX.<br/>
If I go to him, with my armed fist I'll pash him o'er the face.</p>
<p>AGAMEMNON.<br/>
O, no, you shall not go.
</p>
<p>AJAX.<br/>
An a' be proud with me I'll pheeze his pride.<br/>
Let me go to him.
</p>
<p>ULYSSES.<br/>
Not for the worth that hangs upon our quarrel.
</p>
<p>AJAX.<br/>
A paltry, insolent fellow!
</p>
<p>NESTOR.<br/>
[<i>Aside</i>.] How he describes himself!
</p>
<p>AJAX.<br/>
Can he not be sociable?
</p>
<p>ULYSSES.<br/>
[<i>Aside</i>.] The raven chides blackness.
</p>
<p>AJAX.<br/>
I'll let his humours blood.
</p>
<p>AGAMEMNON.<br/>
[<i>Aside</i>.] He will be the physician that should be the patient.
</p>
<p>AJAX.<br/>
And all men were o' my mind—
</p>
<p>ULYSSES.<br/>
[<i>Aside</i>.] Wit would be out of fashion.
</p>
<p>AJAX.<br/>
A' should not bear it so, a' should eat's words first.<br/>
Shall pride carry it?
</p>
<p>NESTOR.<br/>
[<i>Aside</i>.] And 'twould, you'd carry half.
</p>
<p>ULYSSES.<br/>
[<i>Aside</i>.] A' would have ten shares.
</p>
<p>AJAX.<br/>
I will knead him, I'll make him supple.
</p>
<p>NESTOR.<br/>
[<i>Aside</i>.] He's not yet through warm. Force him with praises; pour in, pour in;
his ambition is dry.</p>
<p>ULYSSES.<br/>
[<i>To Agamemnon</i>.] My lord, you feed too much on this dislike.
</p>
<p>NESTOR.<br/>
Our noble general, do not do so.
</p>
<p>DIOMEDES.<br/>
You must prepare to fight without Achilles.
</p>
<p>ULYSSES.<br/>
Why 'tis this naming of him does him harm.<br/>
Here is a man—but 'tis before his face;<br/>
I will be silent.
</p>
<p>NESTOR.<br/>
Wherefore should you so?<br/>
He is not emulous, as Achilles is.
</p>
<p>ULYSSES.<br/>
Know the whole world, he is as valiant.
</p>
<p>AJAX.<br/>
A whoreson dog, that shall palter with us thus!<br/>
Would he were a Trojan!
</p>
<p>NESTOR.<br/>
What a vice were it in Ajax now—
</p>
<p>ULYSSES.<br/>
If he were proud.
</p>
<p>DIOMEDES.<br/>
Or covetous of praise.
</p>
<p>ULYSSES.<br/>
Ay, or surly borne.
</p>
<p>DIOMEDES.<br/>
Or strange, or self-affected.
</p>
<p>ULYSSES.<br/>
Thank the heavens, lord, thou art of sweet composure<br/>
Praise him that gat thee, she that gave thee suck;<br/>
Fam'd be thy tutor, and thy parts of nature<br/>
Thrice fam'd beyond, beyond all erudition;<br/>
But he that disciplin'd thine arms to fight—<br/>
Let Mars divide eternity in twain<br/>
And give him half; and, for thy vigour,<br/>
Bull-bearing Milo his addition yield<br/>
To sinewy Ajax. I will not praise thy wisdom,<br/>
Which, like a bourn, a pale, a shore, confines<br/>
Thy spacious and dilated parts. Here's Nestor,<br/>
Instructed by the antiquary times—<br/>
He must, he is, he cannot but be wise;<br/>
But pardon, father Nestor, were your days<br/>
As green as Ajax' and your brain so temper'd,<br/>
You should not have the eminence of him,<br/>
But be as Ajax.
</p>
<p>AJAX.<br/>
Shall I call you father?
</p>
<p>NESTOR.<br/>
Ay, my good son.
</p>
<p>DIOMEDES.<br/>
Be rul'd by him, Lord Ajax.
</p>
<p>ULYSSES.<br/>
There is no tarrying here; the hart Achilles<br/>
Keeps thicket. Please it our great general<br/>
To call together all his state of war;<br/>
Fresh kings are come to Troy. Tomorrow<br/>
We must with all our main of power stand fast;<br/>
And here's a lord—come knights from east to west<br/>
And cull their flower, Ajax shall cope the best.
</p>
<p>AGAMEMNON.<br/>
Go we to council. Let Achilles sleep.<br/>
Light boats sail swift, though greater hulks draw deep.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h3 id="sceneIII_351"> <b>ACT III</b></h3>
<h4><b>SCENE I. Troy. PRIAM'S palace.</b></h4>
<p class="scenedesc"> Music sounds within. Enter <span class="charname">Pandarus</span>
and a <span class="charname">Servant</span>.</p>
<p>PANDARUS.<br/>
Friend, you—pray you, a word. Do you not follow the young Lord Paris?
</p>
<p>SERVANT.<br/>
Ay, sir, when he goes before me.
</p>
<p>PANDARUS.<br/>
You depend upon him, I mean?
</p>
<p>SERVANT.<br/>
Sir, I do depend upon the Lord.
</p>
<p>PANDARUS.<br/>
You depend upon a notable gentleman; I must needs praise him.</p>
<p>SERVANT.<br/>
The Lord be praised!
</p>
<p>PANDARUS.<br/>
You know me, do you not?
</p>
<p>SERVANT.<br/>
Faith, sir, superficially.
</p>
<p>PANDARUS.<br/>
Friend, know me better: I am the Lord Pandarus.
</p>
<p>SERVANT.<br/>
I hope I shall know your honour better.
</p>
<p>PANDARUS.<br/>
I do desire it.
</p>
<p>SERVANT.<br/>
You are in the state of grace?
</p>
<p>PANDARUS.<br/>
Grace? Not so, friend; honour and lordship are my titles. What music is this?
</p>
<p>SERVANT.<br/>
I do but partly know, sir; it is music in parts.
</p>
<p>PANDARUS.<br/>
Know you the musicians?
</p>
<p>SERVANT.<br/>
Wholly, sir.
</p>
<p>PANDARUS.<br/>
Who play they to?
</p>
<p>SERVANT.<br/>
To the hearers, sir.
</p>
<p>PANDARUS.<br/>
At whose pleasure, friend?
</p>
<p>SERVANT.<br/>
At mine, sir, and theirs that love music.
</p>
<p>PANDARUS.<br/>
Command, I mean, friend.
</p>
<p>SERVANT.<br/>
Who shall I command, sir?
</p>
<p>PANDARUS.<br/>
Friend, we understand not one another: I am too courtly, and thou art too cunning. At
whose request do these men play?</p>
<p>SERVANT.<br/>
That's to't, indeed, sir. Marry, sir, at the request of Paris my lord, who is
there in person; with him the mortal Venus, the heart-blood of beauty, love's
invisible soul—
</p>
<p>PANDARUS.<br/>
Who, my cousin, Cressida?
</p>
<p>SERVANT.<br/>
No, sir, Helen. Could not you find out that by her attributes?
</p>
<p>PANDARUS.<br/>
It should seem, fellow, that thou hast not seen the Lady Cressida. I come to speak with
Paris from the Prince Troilus; I will make a complimental assault upon him, for my
business seethes.</p>
<p>SERVANT.<br/>
Sodden business! There's a stew'd phrase indeed!
</p>
<p class="scenedesc"> Enter <span class="charname">Paris</span> and <span
class="charname">Helen,</span> attended.</p>
<p>PANDARUS.<br/>
Fair be to you, my lord, and to all this fair company! Fair desires, in all fair measure,
fairly guide them—especially to you, fair queen! Fair thoughts be your fair pillow.
</p>
<p>HELEN.<br/>
Dear lord, you are full of fair words.
</p>
<p>PANDARUS.<br/>
You speak your fair pleasure, sweet queen. Fair prince, here is good broken music.</p>
<p>PARIS.<br/>
You have broke it, cousin; and by my life, you shall make it whole again; you shall piece
it out with a piece of your performance.</p>
<p>HELEN.<br/>
He is full of harmony.
</p>
<p>PANDARUS.<br/>
Truly, lady, no.
</p>
<p>HELEN.<br/>
O, sir—
</p>
<p>PANDARUS.<br/>
Rude, in sooth; in good sooth, very rude.
</p>
<p>PARIS.<br/>
Well said, my lord. Well, you say so in fits.
</p>
<p>PANDARUS.<br/>
I have business to my lord, dear queen. My lord, will you vouchsafe me a word?</p>
<p>HELEN.<br/>
Nay, this shall not hedge us out. We'll hear you sing, certainly—</p>
<p>PANDARUS.<br/>
Well sweet queen, you are pleasant with me. But, marry, thus, my lord: my dear lord and
most esteemed friend, your brother Troilus—</p>
<p>HELEN.<br/>
My Lord Pandarus, honey-sweet lord—
</p>
<p>PANDARUS.<br/>
Go to, sweet queen, go to—commends himself most affectionately to you—</p>
<p>HELEN.<br/>
You shall not bob us out of our melody. If you do, our melancholy upon your head!</p>
<p>PANDARUS.<br/>
Sweet queen, sweet queen; that's a sweet queen, i' faith.
</p>
<p>HELEN.<br/>
And to make a sweet lady sad is a sour offence.
</p>
<p>PANDARUS.<br/>
Nay, that shall not serve your turn; that shall it not, in truth, la. Nay, I care not for
such words; no, no.—And, my lord, he desires you that, if the King call for him at supper,
you will make his excuse.</p>
<p>HELEN.<br/>
My Lord Pandarus!
</p>
<p>PANDARUS.<br/>
What says my sweet queen, my very very sweet queen?
</p>
<p>PARIS.<br/>
What exploit's in hand? Where sups he tonight?
</p>
<p>HELEN.<br/>
Nay, but, my lord—
</p>
<p>PANDARUS.<br/>
What says my sweet queen?—My cousin will fall out with you.</p>
<p>HELEN.<br/>
You must not know where he sups.
</p>
<p>PARIS.<br/>
I'll lay my life, with my disposer Cressida.
</p>
<p>PANDARUS.<br/>
No, no, no such matter; you are wide. Come, your disposer is sick.</p>
<p>PARIS.<br/>
Well, I'll make's excuse.
</p>
<p>PANDARUS.<br/>
Ay, good my lord. Why should you say Cressida?<br/>
No, your poor disposer's sick.
</p>
<p>PARIS.<br/>
I spy.
</p>
<p>PANDARUS.<br/>
You spy! What do you spy?—Come, give me an instrument. Now, sweet queen.
</p>
<p>HELEN.<br/>
Why, this is kindly done.
</p>
<p>PANDARUS.<br/>
My niece is horribly in love with a thing you have, sweet queen.</p>
<p>HELEN.<br/>
She shall have it, my lord, if it be not my Lord Paris.
</p>
<p>PANDARUS.<br/>
He? No, she'll none of him; they two are twain.
</p>
<p>HELEN.<br/>
Falling in, after falling out, may make them three.
</p>
<p>PANDARUS.<br/>
Come, come. I'll hear no more of this; I'll sing you a song now.</p>
<p>HELEN.<br/>
Ay, ay, prithee now. By my troth, sweet lord, thou hast a fine forehead.</p>
<p>PANDARUS.<br/>
Ay, you may, you may.
</p>
<p>HELEN.<br/>
Let thy song be love. This love will undo us all. O Cupid, Cupid, Cupid!
</p>
<p>PANDARUS.<br/>
Love! Ay, that it shall, i' faith.
</p>
<p>PARIS.<br/>
Ay, good now, love, love, nothing but love.
</p>
<p>PANDARUS.<br/>
In good troth, it begins so.
</p>
<p class="right"> [<i>Sings</i>.]</p>
    <p>
          <i>Love, love, nothing but love, still love, still more!<br/>
          For, oh, love's bow<br/>
            Shoots buck and doe;<br/>
            The shaft confounds<br/>
              Not that it wounds,<br/>
            But tickles still the sore.<br/>
        These lovers cry, O ho, they die!<br/>
              Yet that which seems the wound to kill<br/>
        Doth turn O ho! to ha! ha! he!<br/>
                So dying love lives still.<br/>
        O ho! a while, but ha! ha! ha!<br/>
        O ho! groans out for ha! ha! ha!—hey ho!</i>
    </p>
<p>HELEN.<br/>
In love, i' faith, to the very tip of the nose.
</p>
<p>PARIS.<br/>
He eats nothing but doves, love; and that breeds hot blood, and hot blood begets hot
thoughts, and hot thoughts beget hot deeds, and hot deeds is love.</p>
<p>PANDARUS.<br/>
Is this the generation of love: hot blood, hot thoughts, and hot deeds? Why, they are
vipers. Is love a generation of vipers? Sweet lord, who's a-field today?</p>
<p>PARIS.<br/>
Hector, Deiphobus, Helenus, Antenor, and all the gallantry of Troy. I would fain have
arm'd today, but my Nell would not have it so. How chance my brother Troilus went
not?</p>
<p>HELEN.<br/>
He hangs the lip at something. You know all, Lord Pandarus.
</p>
<p>PANDARUS.<br/>
Not I, honey-sweet queen. I long to hear how they spend today. You'll remember your
brother's excuse?</p>
<p>PARIS.<br/>
To a hair.
</p>
<p>PANDARUS.<br/>
Farewell, sweet queen.
</p>
<p>HELEN.<br/>
Commend me to your niece.
</p>
<p>PANDARUS.<br/>
I will, sweet queen.
</p>
<p class="right"> [<i>Exit. Sound a retreat</i>.]</p>
<p>PARIS.<br/>
They're come from the field. Let us to Priam's hall<br/>
To greet the warriors. Sweet Helen, I must woo you<br/>
To help unarm our Hector. His stubborn buckles,<br/>
With these your white enchanting fingers touch'd,<br/>
Shall more obey than to the edge of steel<br/>
Or force of Greekish sinews; you shall do more<br/>
Than all the island kings—disarm great Hector.
</p>
<p>HELEN.<br/>
'Twill make us proud to be his servant, Paris;<br/>
Yea, what he shall receive of us in duty<br/>
Gives us more palm in beauty than we have,<br/>
Yea, overshines ourself.
</p>
<p>PARIS.<br/>
Sweet, above thought I love thee.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h4 id="sceneIII_352"> <b>SCENE II. Troy. PANDARUS' orchard.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Pandarus</span> and <span
class="charname">Troilus' Boy,</span> meeting.</p>
<p>PANDARUS.<br/>
How now! Where's thy master? At my cousin Cressida's?
</p>
<p>BOY.<br/>
No, sir; he stays for you to conduct him thither.
</p>
<p class="scenedesc"> Enter <span class="charname">Troilus</span>.</p>
<p>PANDARUS.<br/>
O, here he comes. How now, how now?
</p>
<p>TROILUS.<br/>
Sirrah, walk off.
</p>
<p class="right"> [<i>Exit</i> <span class="charname">Boy</span>.]</p>
<p>PANDARUS.<br/>
Have you seen my cousin?
</p>
<p>TROILUS.<br/>
No, Pandarus. I stalk about her door<br/>
Like a strange soul upon the Stygian banks<br/>
Staying for waftage. O, be thou my Charon,<br/>
And give me swift transportance to these fields<br/>
Where I may wallow in the lily beds<br/>
Propos'd for the deserver! O gentle Pandar,<br/>
from Cupid's shoulder pluck his painted wings,<br/>
and fly with me to Cressid!
</p>
<p>PANDARUS.<br/>
Walk here i' th' orchard, I'll bring her straight.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>TROILUS.<br/>
I am giddy; expectation whirls me round.<br/>
Th'imaginary relish is so sweet<br/>
That it enchants my sense; what will it be<br/>
When that the wat'ry palate tastes indeed<br/>
Love's thrice-repured nectar? Death, I fear me;<br/>
Sounding destruction; or some joy too fine,<br/>
Too subtle-potent, tun'd too sharp in sweetness,<br/>
For the capacity of my ruder powers.<br/>
I fear it much; and I do fear besides<br/>
That I shall lose distinction in my joys;<br/>
As doth a battle, when they charge on heaps<br/>
The enemy flying.
</p>
<p class="scenedesc"> Re-enter <span class="charname">Pandarus</span>.</p>
<p>PANDARUS.<br/>
She's making her ready, she'll come straight; you must be witty now. She does
so blush, and fetches her wind so short, as if she were fray'd with a sprite.
I'll fetch her. It is the prettiest villain; she fetches her breath as short as a
new-ta'en sparrow.</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>TROILUS.<br/>
Even such a passion doth embrace my bosom.<br/>
My heart beats thicker than a feverous pulse,<br/>
And all my powers do their bestowing lose,<br/>
Like vassalage at unawares encount'ring<br/>
The eye of majesty.
</p>
<p class="scenedesc"> Re-enter <span class="charname">Pandarus</span> with <span
class="charname">Cressida</span>.</p>
<p>PANDARUS.<br/>
Come, come, what need you blush? Shame's a baby. Here she is now; swear the oaths
now to her that you have sworn to me.—What, are you gone again? You must be watch'd
ere you be made tame, must you? Come your ways, come your ways; and you draw backward,
we'll put you i' th' fills. Why do you not speak to her? Come, draw this
curtain and let's see your picture. Alas the day, how loath you are to offend
daylight! And 'twere dark, you'd close sooner. So, so; rub on, and kiss the
mistress. How now, a kiss in fee-farm! Build there, carpenter; the air is sweet. Nay, you
shall fight your hearts out ere I part you. The falcon as the tercel, for all the ducks
i' th' river. Go to, go to.</p>
<p>TROILUS.<br/>
You have bereft me of all words, lady.
</p>
<p>PANDARUS.<br/>
Words pay no debts, give her deeds; but she'll bereave you o' th' deeds
too, if she call your activity in question. What, billing again? Here's 'In
witness whereof the parties interchangeably.' Come in, come in; I'll go get a
fire.</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>CRESSIDA.<br/>
Will you walk in, my lord?
</p>
<p>TROILUS.<br/>
O Cressid, how often have I wish'd me thus!
</p>
<p>CRESSIDA.<br/>
Wish'd, my lord! The gods grant—O my lord!
</p>
<p>TROILUS.<br/>
What should they grant? What makes this pretty abruption? What too curious dreg espies my
sweet lady in the fountain of our love?
</p>
<p>CRESSIDA.<br/>
More dregs than water, if my fears have eyes.
</p>
<p>TROILUS.<br/>
Fears make devils of cherubins; they never see truly.
</p>
<p>CRESSIDA.<br/>
Blind fear, that seeing reason leads, finds safer footing than blind reason stumbling
without fear. To fear the worst oft cures the worse.</p>
<p>TROILUS.<br/>
O, let my lady apprehend no fear! In all Cupid's pageant there is presented no
monster.</p>
<p>CRESSIDA.<br/>
Nor nothing monstrous neither?
</p>
<p>TROILUS.<br/>
Nothing, but our undertakings when we vow to weep seas, live in fire, eat rocks, tame
tigers; thinking it harder for our mistress to devise imposition enough than for us to
undergo any difficulty imposed. This is the monstruosity in love, lady, that the will is
infinite, and the execution confin'd; that the desire is boundless, and the act a
slave to limit.</p>
<p>CRESSIDA.<br/>
They say all lovers swear more performance than they are able, and yet reserve an ability
that they never perform; vowing more than the perfection of ten, and discharging less than
the tenth part of one. They that have the voice of lions and the act of hares, are they
not monsters?</p>
<p>TROILUS.<br/>
Are there such? Such are not we. Praise us as we are tasted, allow us as we prove; our
head shall go bare till merit crown it. No perfection in reversion shall have a praise in
present. We will not name desert before his birth; and, being born, his addition shall be
humble. Few words to fair faith: Troilus shall be such to Cressid as what envy can say
worst shall be a mock for his truth; and what truth can speak truest not truer than
Troilus.</p>
<p>CRESSIDA.<br/>
Will you walk in, my lord?
</p>
<p class="scenedesc"> Re-enter <span class="charname">Pandarus</span>.</p>
<p>PANDARUS.<br/>
What, blushing still? Have you not done talking yet?
</p>
<p>CRESSIDA.<br/>
Well, uncle, what folly I commit, I dedicate to you.
</p>
<p>PANDARUS.<br/>
I thank you for that; if my lord get a boy of you, you'll give him me. Be true to my
lord; if he flinch, chide me for it.</p>
<p>TROILUS.<br/>
You know now your hostages: your uncle's word and my firm faith.</p>
<p>PANDARUS.<br/>
Nay, I'll give my word for her too: our kindred, though they be long ere they are
wooed, they are constant being won; they are burs, I can tell you; they'll stick
where they are thrown.</p>
<p>CRESSIDA.<br/>
Boldness comes to me now and brings me heart.<br/>
Prince Troilus, I have lov'd you night and day<br/>
For many weary months.
</p>
<p>TROILUS.<br/>
Why was my Cressid then so hard to win?
</p>
<p>CRESSIDA.<br/>
Hard to seem won; but I was won, my lord,<br/>
With the first glance that ever—pardon me.<br/>
If I confess much, you will play the tyrant.<br/>
I love you now; but till now not so much<br/>
But I might master it. In faith, I lie;<br/>
My thoughts were like unbridled children, grown<br/>
Too headstrong for their mother. See, we fools!<br/>
Why have I blabb'd? Who shall be true to us,<br/>
When we are so unsecret to ourselves?<br/>
But, though I lov'd you well, I woo'd you not;<br/>
And yet, good faith, I wish'd myself a man,<br/>
Or that we women had men's privilege<br/>
Of speaking first. Sweet, bid me hold my tongue,<br/>
For in this rapture I shall surely speak<br/>
The thing I shall repent. See, see, your silence,<br/>
Cunning in dumbness, from my weakness draws<br/>
My very soul of counsel. Stop my mouth.
</p>
<p>TROILUS.<br/>
And shall, albeit sweet music issues thence.
</p>
<p>PANDARUS.<br/>
Pretty, i' faith.
</p>
<p>CRESSIDA.<br/>
My lord, I do beseech you, pardon me;<br/>
'Twas not my purpose thus to beg a kiss.<br/>
I am asham'd. O heavens! what have I done?<br/>
For this time will I take my leave, my lord.
</p>
<p>TROILUS.<br/>
Your leave, sweet Cressid!
</p>
<p>PANDARUS.<br/>
Leave! And you take leave till tomorrow morning—
</p>
<p>CRESSIDA.<br/>
Pray you, content you.
</p>
<p>TROILUS.<br/>
What offends you, lady?
</p>
<p>CRESSIDA.<br/>
Sir, mine own company.
</p>
<p>TROILUS.<br/>
You cannot shun yourself.
</p>
<p>CRESSIDA.<br/>
Let me go and try.<br/>
I have a kind of self resides with you;<br/>
But an unkind self, that itself will leave<br/>
To be another's fool. I would be gone.<br/>
Where is my wit? I know not what I speak.
</p>
<p>TROILUS.<br/>
Well know they what they speak that speak so wisely.
</p>
<p>CRESSIDA.<br/>
Perchance, my lord, I show more craft than love;<br/>
And fell so roundly to a large confession<br/>
To angle for your thoughts; but you are wise—<br/>
Or else you love not; for to be wise and love<br/>
Exceeds man's might; that dwells with gods above.
</p>
<p>TROILUS.<br/>
O that I thought it could be in a woman—<br/>
As, if it can, I will presume in you—<br/>
To feed for aye her lamp and flames of love;<br/>
To keep her constancy in plight and youth,<br/>
Outliving beauty's outward, with a mind<br/>
That doth renew swifter than blood decays!<br/>
Or that persuasion could but thus convince me<br/>
That my integrity and truth to you<br/>
Might be affronted with the match and weight<br/>
Of such a winnowed purity in love.<br/>
How were I then uplifted! But, alas,<br/>
I am as true as truth's simplicity,<br/>
And simpler than the infancy of truth.
</p>
<p>CRESSIDA.<br/>
In that I'll war with you.
</p>
<p>TROILUS.<br/>
O virtuous fight,<br/>
When right with right wars who shall be most right!<br/>
True swains in love shall in the world to come<br/>
Approve their truth by Troilus, when their rhymes,<br/>
Full of protest, of oath, and big compare,<br/>
Want similes, truth tir'd with iteration—<br/>
As true as steel, as plantage to the moon,<br/>
As sun to day, as turtle to her mate,<br/>
As iron to adamant, as earth to th' centre—<br/>
Yet, after all comparisons of truth,<br/>
As truth's authentic author to be cited,<br/>
'As true as Troilus' shall crown up the verse<br/>
And sanctify the numbers.
</p>
<p>CRESSIDA.<br/>
Prophet may you be!<br/>
If I be false, or swerve a hair from truth,<br/>
When time is old and hath forgot itself,<br/>
When waterdrops have worn the stones of Troy,<br/>
And blind oblivion swallow'd cities up,<br/>
And mighty states characterless are grated<br/>
To dusty nothing—yet let memory<br/>
From false to false, among false maids in love,<br/>
Upbraid my falsehood when th' have said 'As false<br/>
As air, as water, wind, or sandy earth,<br/>
As fox to lamb, or wolf to heifer's calf,<br/>
Pard to the hind, or stepdame to her son'—<br/>
Yea, let them say, to stick the heart of falsehood,<br/>
'As false as Cressid.'
</p>
<p>PANDARUS.<br/>
Go to, a bargain made; seal it, seal it; I'll be the witness. Here I hold your hand;
here my cousin's. If ever you prove false one to another, since I have taken such
pains to bring you together, let all pitiful goers-between be call'd to the
world's end after my name—call them all Pandars; let all constant men be Troiluses,
all false women Cressids, and all brokers between Pandars. Say 'Amen.'</p>
<p>TROILUS.<br/>
Amen.
</p>
<p>CRESSIDA.<br/>
Amen.
</p>
<p>PANDARUS.<br/>
Amen. Whereupon I will show you a chamber and a bed; which bed, because it shall not speak
of your pretty encounters, press it to death. Away!
</p>
<p class="right"> [<i>Exeunt <span class="charname">Troilus</span> and <span
class="charname">Cressida</span></i>.]</p>
<p>And Cupid grant all tongue-tied maidens here,<br/>
Bed, chamber, pander, to provide this gear!
</p>
<p class="right"> [<i>Exit</i>.]</p>
<h4 id="sceneIII_353"> <b>SCENE III. The Greek camp.</b></h4>
<p class="scenedesc"> Flourish. Enter <span class="charname">Agamemnon, Ulysses, Diomedes,
Nestor, Ajax, Menelaus</span> and <span class="charname">Calchas</span>.</p>
<p>CALCHAS.<br/>
Now, Princes, for the service I have done,<br/>
Th'advantage of the time prompts me aloud<br/>
To call for recompense. Appear it to your mind<br/>
That, through the sight I bear in things to come,<br/>
I have abandon'd Troy, left my possession,<br/>
Incurr'd a traitor's name, expos'd myself<br/>
From certain and possess'd conveniences<br/>
To doubtful fortunes, sequest'ring from me all<br/>
That time, acquaintance, custom, and condition,<br/>
Made tame and most familiar to my nature;<br/>
And here, to do you service, am become<br/>
As new into the world, strange, unacquainted—<br/>
I do beseech you, as in way of taste,<br/>
To give me now a little benefit<br/>
Out of those many regist'red in promise,<br/>
Which you say live to come in my behalf.
</p>
<p>AGAMEMNON.<br/>
What wouldst thou of us, Trojan? Make demand.
</p>
<p>CALCHAS.<br/>
You have a Trojan prisoner call'd Antenor,<br/>
Yesterday took; Troy holds him very dear.<br/>
Oft have you—often have you thanks therefore—<br/>
Desir'd my Cressid in right great exchange,<br/>
Whom Troy hath still denied; but this Antenor,<br/>
I know, is such a wrest in their affairs<br/>
That their negotiations all must slack<br/>
Wanting his manage; and they will almost<br/>
Give us a prince of blood, a son of Priam,<br/>
In change of him. Let him be sent, great Princes,<br/>
And he shall buy my daughter; and her presence<br/>
Shall quite strike off all service I have done<br/>
In most accepted pain.
</p>
<p>AGAMEMNON.<br/>
Let Diomedes bear him,<br/>
And bring us Cressid hither. Calchas shall have<br/>
What he requests of us. Good Diomed,<br/>
Furnish you fairly for this interchange;<br/>
Withal, bring word if Hector will tomorrow<br/>
Be answer'd in his challenge. Ajax is ready.
</p>
<p>DIOMEDES.<br/>
This shall I undertake; and 'tis a burden<br/>
Which I am proud to bear.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Diomedes</span> and <span
class="charname">Calchas</span></i>.]</p>
<p class="right"> [<i><span class="charname">Achilles</span> and <span
class="charname">Patroclus</span> stand in their tent</i>.]</p>
<p>ULYSSES.<br/>
Achilles stands i' th'entrance of his tent.<br/>
Please it our general pass strangely by him,<br/>
As if he were forgot; and, Princes all,<br/>
Lay negligent and loose regard upon him.<br/>
I will come last. 'Tis like he'll question me<br/>
Why such unplausive eyes are bent, why turn'd on him.<br/>
If so, I have derision med'cinable<br/>
To use between your strangeness and his pride,<br/>
Which his own will shall have desire to drink.<br/>
It may do good. Pride hath no other glass<br/>
To show itself but pride; for supple knees<br/>
Feed arrogance and are the proud man's fees.
</p>
<p>AGAMEMNON.<br/>
We'll execute your purpose, and put on<br/>
A form of strangeness as we pass along.<br/>
So do each lord; and either greet him not,<br/>
Or else disdainfully, which shall shake him more<br/>
Than if not look'd on. I will lead the way.
</p>
<p>ACHILLES.<br/>
What comes the general to speak with me?<br/>
You know my mind. I'll fight no more 'gainst Troy.
</p>
<p>AGAMEMNON.<br/>
What says Achilles? Would he aught with us?
</p>
<p>NESTOR.<br/>
Would you, my lord, aught with the general?
</p>
<p>ACHILLES.<br/>
No.
</p>
<p>NESTOR.<br/>
Nothing, my lord.
</p>
<p>AGAMEMNON.<br/>
The better.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Agamemnon</span> and <span
class="charname">Nestor</span></i>.]</p>
<p>ACHILLES.<br/>
Good day, good day.
</p>
<p>MENELAUS.<br/>
How do you? How do you?
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>ACHILLES.<br/>
What, does the cuckold scorn me?
</p>
<p>AJAX.<br/>
How now, Patroclus?
</p>
<p>ACHILLES.<br/>
Good morrow, Ajax.
</p>
<p>AJAX.<br/>
Ha?
</p>
<p>ACHILLES.<br/>
Good morrow.
</p>
<p>AJAX.<br/>
Ay, and good next day too.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>ACHILLES.<br/>
What mean these fellows? Know they not Achilles?
</p>
<p>PATROCLUS.<br/>
They pass by strangely. They were us'd to bend,<br/>
To send their smiles before them to Achilles,<br/>
To come as humbly as they us'd to creep<br/>
To holy altars.
</p>
<p>ACHILLES.<br/>
What, am I poor of late?<br/>
'Tis certain, greatness, once fall'n out with fortune,<br/>
Must fall out with men too. What the declin'd is,<br/>
He shall as soon read in the eyes of others<br/>
As feel in his own fall; for men, like butterflies,<br/>
Show not their mealy wings but to the summer;<br/>
And not a man for being simply man<br/>
Hath any honour, but honour for those honours<br/>
That are without him, as place, riches, and favour,<br/>
Prizes of accident, as oft as merit;<br/>
Which when they fall, as being slippery standers,<br/>
The love that lean'd on them as slippery too,<br/>
Doth one pluck down another, and together<br/>
Die in the fall. But 'tis not so with me:<br/>
Fortune and I are friends; I do enjoy<br/>
At ample point all that I did possess<br/>
Save these men's looks; who do, methinks, find out<br/>
Something not worth in me such rich beholding<br/>
As they have often given. Here is Ulysses.<br/>
I'll interrupt his reading.<br/>
How now, Ulysses!
</p>
<p>ULYSSES.<br/>
Now, great Thetis' son!
</p>
<p>ACHILLES.<br/>
What are you reading?
</p>
<p>ULYSSES.<br/>
A strange fellow here<br/>
Writes me that man—how dearly ever parted,<br/>
How much in having, or without or in—<br/>
Cannot make boast to have that which he hath,<br/>
Nor feels not what he owes, but by reflection;<br/>
As when his virtues shining upon others<br/>
Heat them, and they retort that heat again<br/>
To the first giver.
</p>
<p>ACHILLES.<br/>
This is not strange, Ulysses.<br/>
The beauty that is borne here in the face<br/>
The bearer knows not, but commends itself<br/>
To others' eyes; nor doth the eye itself—<br/>
That most pure spirit of sense—behold itself,<br/>
Not going from itself; but eye to eye opposed<br/>
Salutes each other with each other's form;<br/>
For speculation turns not to itself<br/>
Till it hath travell'd, and is mirror'd there<br/>
Where it may see itself. This is not strange at all.
</p>
<p>ULYSSES.<br/>
I do not strain at the position—<br/>
It is familiar—but at the author's drift;<br/>
Who, in his circumstance, expressly proves<br/>
That no man is the lord of anything,<br/>
Though in and of him there be much consisting,<br/>
Till he communicate his parts to others;<br/>
Nor doth he of himself know them for aught<br/>
Till he behold them formed in the applause<br/>
Where th'are extended; who, like an arch, reverb'rate<br/>
The voice again; or, like a gate of steel<br/>
Fronting the sun, receives and renders back<br/>
His figure and his heat. I was much rapt in this;<br/>
And apprehended here immediately<br/>
Th'unknown Ajax. Heavens, what a man is there!<br/>
A very horse that has he knows not what!<br/>
Nature, what things there are<br/>
Most abject in regard and dear in use!<br/>
What things again most dear in the esteem<br/>
And poor in worth! Now shall we see tomorrow—<br/>
An act that very chance doth throw upon him—<br/>
Ajax renown'd. O heavens, what some men do,<br/>
While some men leave to do!<br/>
How some men creep in skittish Fortune's hall,<br/>
Whiles others play the idiots in her eyes!<br/>
How one man eats into another's pride,<br/>
While pride is fasting in his wantonness!<br/>
To see these Grecian lords!—why, even already<br/>
They clap the lubber Ajax on the shoulder,<br/>
As if his foot were on brave Hector's breast,<br/>
And great Troy shrieking.
</p>
<p>ACHILLES.<br/>
I do believe it; for they pass'd by me<br/>
As misers do by beggars, neither gave to me<br/>
Good word nor look. What, are my deeds forgot?
</p>
<p>ULYSSES.<br/>
Time hath, my lord, a wallet at his back,<br/>
Wherein he puts alms for oblivion,<br/>
A great-siz'd monster of ingratitudes.<br/>
Those scraps are good deeds past, which are devour'd<br/>
As fast as they are made, forgot as soon<br/>
As done. Perseverance, dear my lord,<br/>
Keeps honour bright. To have done is to hang<br/>
Quite out of fashion, like a rusty mail<br/>
In monumental mock'ry. Take the instant way;<br/>
For honour travels in a strait so narrow—<br/>
Where one but goes abreast. Keep then the path,<br/>
For emulation hath a thousand sons<br/>
That one by one pursue; if you give way,<br/>
Or hedge aside from the direct forthright,<br/>
Like to an ent'red tide they all rush by<br/>
And leave you hindmost;<br/>
Or, like a gallant horse fall'n in first rank,<br/>
Lie there for pavement to the abject rear,<br/>
O'er-run and trampled on. Then what they do in present,<br/>
Though less than yours in past, must o'ertop yours;<br/>
For Time is like a fashionable host,<br/>
That slightly shakes his parting guest by th'hand;<br/>
And with his arms out-stretch'd, as he would fly,<br/>
Grasps in the comer. The welcome ever smiles,<br/>
And farewell goes out sighing. O, let not virtue seek<br/>
Remuneration for the thing it was;<br/>
For beauty, wit,<br/>
High birth, vigour of bone, desert in service,<br/>
Love, friendship, charity, are subjects all<br/>
To envious and calumniating Time.<br/>
One touch of nature makes the whole world kin—<br/>
That all with one consent praise new-born gauds,<br/>
Though they are made and moulded of things past,<br/>
And give to dust that is a little gilt<br/>
More laud than gilt o'er-dusted.<br/>
The present eye praises the present object.<br/>
Then marvel not, thou great and complete man,<br/>
That all the Greeks begin to worship Ajax,<br/>
Since things in motion sooner catch the eye<br/>
Than what stirs not. The cry went once on thee,<br/>
And still it might, and yet it may again,<br/>
If thou wouldst not entomb thyself alive<br/>
And case thy reputation in thy tent,<br/>
Whose glorious deeds but in these fields of late<br/>
Made emulous missions 'mongst the gods themselves,<br/>
And drave great Mars to faction.
</p>
<p>ACHILLES.<br/>
Of this my privacy<br/>
I have strong reasons.
</p>
<p>ULYSSES.<br/>
But 'gainst your privacy<br/>
The reasons are more potent and heroical.<br/>
'Tis known, Achilles, that you are in love<br/>
With one of Priam's daughters.
</p>
<p>ACHILLES.<br/>
Ha! known!
</p>
<p>ULYSSES.<br/>
Is that a wonder?<br/>
The providence that's in a watchful state<br/>
Knows almost every grain of Plutus' gold;<br/>
Finds bottom in th'uncomprehensive deeps;<br/>
Keeps place with thought, and almost, like the gods,<br/>
Do thoughts unveil in their dumb cradles.<br/>
There is a mystery—with whom relation<br/>
Durst never meddle—in the soul of state,<br/>
Which hath an operation more divine<br/>
Than breath or pen can give expressure to.<br/>
All the commerce that you have had with Troy<br/>
As perfectly is ours as yours, my lord;<br/>
And better would it fit Achilles much<br/>
To throw down Hector than Polyxena.<br/>
But it must grieve young Pyrrhus now at home,<br/>
When fame shall in our island sound her trump,<br/>
And all the Greekish girls shall tripping sing<br/>
'Great Hector's sister did Achilles win;<br/>
But our great Ajax bravely beat down him.'<br/>
Farewell, my lord. I as your lover speak.<br/>
The fool slides o'er the ice that you should break.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>PATROCLUS.<br/>
To this effect, Achilles, have I mov'd you.<br/>
A woman impudent and mannish grown<br/>
Is not more loath'd than an effeminate man<br/>
In time of action. I stand condemn'd for this;<br/>
They think my little stomach to the war<br/>
And your great love to me restrains you thus.<br/>
Sweet, rouse yourself; and the weak wanton Cupid<br/>
Shall from your neck unloose his amorous fold,<br/>
And, like a dew-drop from the lion's mane,<br/>
Be shook to air.
</p>
<p>ACHILLES.<br/>
Shall Ajax fight with Hector?
</p>
<p>PATROCLUS.<br/>
Ay, and perhaps receive much honour by him.
</p>
<p>ACHILLES.<br/>
I see my reputation is at stake;<br/>
My fame is shrewdly gor'd.
</p>
<p>PATROCLUS.<br/>
O, then, beware:<br/>
Those wounds heal ill that men do give themselves;<br/>
Omission to do what is necessary<br/>
Seals a commission to a blank of danger;<br/>
And danger, like an ague, subtly taints<br/>
Even then when they sit idly in the sun.
</p>
<p>ACHILLES.<br/>
Go call Thersites hither, sweet Patroclus.<br/>
I'll send the fool to Ajax, and desire him<br/>
T'invite the Trojan lords, after the combat,<br/>
To see us here unarm'd. I have a woman's longing,<br/>
An appetite that I am sick withal,<br/>
To see great Hector in his weeds of peace;<br/>
To talk with him, and to behold his visage,<br/>
Even to my full of view.
</p>
<p class="scenedesc"> Enter <span class="charname">Thersites</span>.</p>
<p>A labour sav'd!</p>
<p>THERSITES.<br/>
A wonder!
</p>
<p>ACHILLES.<br/>
What?
</p>
<p>THERSITES.<br/>
Ajax goes up and down the field asking for himself.
</p>
<p>ACHILLES.<br/>
How so?
</p>
<p>THERSITES.<br/>
He must fight singly tomorrow with Hector, and is so prophetically proud of an heroical
cudgelling that he raves in saying nothing.</p>
<p>ACHILLES.<br/>
How can that be?
</p>
<p>THERSITES.<br/>
Why, a' stalks up and down like a peacock—a stride and a stand; ruminates like an
hostess that hath no arithmetic but her brain to set down her reckoning, bites his lip
with a politic regard, as who should say 'There were wit in this head, and
'twould out'; and so there is; but it lies as coldly in him as fire in a
flint, which will not show without knocking. The man's undone for ever; for if
Hector break not his neck i' th' combat, he'll break't himself in
vainglory. He knows not me. I said 'Good morrow, Ajax'; and he replies
'Thanks, Agamemnon.' What think you of this man that takes me for the general?
He's grown a very land fish, languageless, a monster. A plague of opinion! A man may
wear it on both sides, like leather jerkin.</p>
<p>ACHILLES.<br/>
Thou must be my ambassador to him, Thersites.
</p>
<p>THERSITES.<br/>
Who, I? Why, he'll answer nobody; he professes not answering. Speaking is for
beggars: he wears his tongue in's arms. I will put on his presence. Let Patroclus
make his demands to me, you shall see the pageant of Ajax.</p>
<p>ACHILLES.<br/>
To him, Patroclus. Tell him I humbly desire the valiant Ajax to invite the most valorous
Hector to come unarm'd to my tent; and to procure safe conduct for his person of the
magnanimous and most illustrious six-or-seven-times-honour'd Captain General of the
Grecian army, Agamemnon. Do this.</p>
<p>PATROCLUS.<br/>
Jove bless great Ajax!
</p>
<p>THERSITES.<br/>
Hum!
</p>
<p>PATROCLUS.<br/>
I come from the worthy Achilles—
</p>
<p>THERSITES.<br/>
Ha!
</p>
<p>PATROCLUS.<br/>
Who most humbly desires you to invite Hector to his tent—
</p>
<p>THERSITES.<br/>
Hum!
</p>
<p>PATROCLUS.<br/>
And to procure safe conduct from Agamemnon.
</p>
<p>THERSITES.<br/>
Agamemnon?
</p>
<p>PATROCLUS.<br/>
Ay, my lord.
</p>
<p>THERSITES.<br/>
Ha!
</p>
<p>PATROCLUS.<br/>
What you say to't?
</p>
<p>THERSITES.<br/>
God buy you, with all my heart.
</p>
<p>PATROCLUS.<br/>
Your answer, sir.
</p>
<p>THERSITES.<br/>
If tomorrow be a fair day, by eleven of the clock it will go one way or other. Howsoever,
he shall pay for me ere he has me.</p>
<p>PATROCLUS.<br/>
Your answer, sir.
</p>
<p>THERSITES.<br/>
Fare ye well, with all my heart.
</p>
<p>ACHILLES.<br/>
Why, but he is not in this tune, is he?
</p>
<p>THERSITES.<br/>
No, but out of tune thus. What music will be in him when Hector has knock'd out his
brains, I know not; but, I am sure, none; unless the fiddler Apollo get his sinews to make
catlings on.</p>
<p>ACHILLES.<br/>
Come, thou shalt bear a letter to him straight.
</p>
<p>THERSITES.<br/>
Let me bear another to his horse; for that's the more capable creature.</p>
<p>ACHILLES.<br/>
My mind is troubled, like a fountain stirr'd;<br/>
And I myself see not the bottom of it.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Achilles</span> and <span
class="charname">Patroclus</span></i>.]</p>
<p>THERSITES.<br/>
Would the fountain of your mind were clear again, that I might water an ass at it. I had
rather be a tick in a sheep than such a valiant ignorance.</p>
<p class="right"> [<i>Exit</i>.]</p>
<h3 id="sceneIV_351"> <b>ACT IV</b></h3>
<h4><b>SCENE I. Troy. A street.</b></h4>
<p class="scenedesc"> Enter, at one side, <span class="charname">Aeneas</span> and servant
with a torch; at another <span class="charname">Paris, Deiphobus, Antenor, Diomedes</span>
the Grecian, and others, with torches.</p>
<p>PARIS.<br/>
See, ho! Who is that there?
</p>
<p>DEIPHOBUS.<br/>
It is the Lord Aeneas.
</p>
<p>AENEAS.<br/>
Is the Prince there in person?<br/>
Had I so good occasion to lie long<br/>
As you, Prince Paris, nothing but heavenly business<br/>
Should rob my bed-mate of my company.
</p>
<p>DIOMEDES.<br/>
That's my mind too. Good morrow, Lord Aeneas.
</p>
<p>PARIS.<br/>
A valiant Greek, Aeneas—take his hand:<br/>
Witness the process of your speech, wherein<br/>
You told how Diomed, a whole week by days,<br/>
Did haunt you in the field.
</p>
<p>AENEAS.<br/>
Health to you, valiant sir,<br/>
During all question of the gentle truce;<br/>
But when I meet you arm'd, as black defiance<br/>
As heart can think or courage execute.
</p>
<p>DIOMEDES.<br/>
The one and other Diomed embraces.<br/>
Our bloods are now in calm; and so long health!<br/>
But when contention and occasion meet,<br/>
By Jove, I'll play the hunter for thy life<br/>
With all my force, pursuit, and policy.
</p>
<p>AENEAS.<br/>
And thou shalt hunt a lion that will fly<br/>
With his face backward. In humane gentleness,<br/>
Welcome to Troy! Now, by Anchises' life,<br/>
Welcome indeed! By Venus' hand I swear<br/>
No man alive can love in such a sort<br/>
The thing he means to kill, more excellently.
</p>
<p>DIOMEDES.<br/>
We sympathise. Jove let Aeneas live,<br/>
If to my sword his fate be not the glory,<br/>
A thousand complete courses of the sun!<br/>
But in mine emulous honour let him die<br/>
With every joint a wound, and that tomorrow!
</p>
<p>AENEAS.<br/>
We know each other well.
</p>
<p>DIOMEDES.<br/>
We do; and long to know each other worse.
</p>
<p>PARIS.<br/>
This is the most despiteful gentle greeting<br/>
The noblest hateful love, that e'er I heard of.<br/>
What business, lord, so early?
</p>
<p>AENEAS.<br/>
I was sent for to the King; but why, I know not.
</p>
<p>PARIS.<br/>
His purpose meets you: 'twas to bring this Greek<br/>
To Calchas' house, and there to render him,<br/>
For the enfreed Antenor, the fair Cressid.<br/>
Let's have your company; or, if you please,<br/>
Haste there before us. I constantly believe—<br/>
Or rather call my thought a certain knowledge—<br/>
My brother Troilus lodges there tonight.<br/>
Rouse him and give him note of our approach,<br/>
With the whole quality wherefore; I fear<br/>
We shall be much unwelcome.
</p>
<p>AENEAS.<br/>
That I assure you:<br/>
Troilus had rather Troy were borne to Greece<br/>
Than Cressid borne from Troy.
</p>
<p>PARIS.<br/>
There is no help;<br/>
The bitter disposition of the time<br/>
Will have it so. On, lord; we'll follow you.
</p>
<p>AENEAS.<br/>
Good morrow, all.
</p>
<p class="right"> [<i>Exit with servant</i>.]</p>
<p>PARIS.<br/>
And tell me, noble Diomed, faith, tell me true,<br/>
Even in the soul of sound good-fellowship,<br/>
Who in your thoughts deserves fair Helen best,<br/>
Myself, or Menelaus?
</p>
<p>DIOMEDES.<br/>
Both alike:<br/>
He merits well to have her that doth seek her,<br/>
Not making any scruple of her soilure,<br/>
With such a hell of pain and world of charge;<br/>
And you as well to keep her that defend her,<br/>
Not palating the taste of her dishonour,<br/>
With such a costly loss of wealth and friends.<br/>
He like a puling cuckold would drink up<br/>
The lees and dregs of a flat tamed piece;<br/>
You, like a lecher, out of whorish loins<br/>
Are pleas'd to breed out your inheritors.<br/>
Both merits pois'd, each weighs nor less nor more,<br/>
But he as he, the heavier for a whore.
</p>
<p>PARIS.<br/>
You are too bitter to your country-woman.
</p>
<p>DIOMEDES.<br/>
She's bitter to her country. Hear me, Paris:<br/>
For every false drop in her bawdy veins<br/>
A Grecian's life hath sunk; for every scruple<br/>
Of her contaminated carrion weight<br/>
A Trojan hath been slain. Since she could speak,<br/>
She hath not given so many good words breath<br/>
As for her Greeks and Trojans suff'red death.
</p>
<p>PARIS.<br/>
Fair Diomed, you do as chapmen do,<br/>
Dispraise the thing that you desire to buy;<br/>
But we in silence hold this virtue well,<br/>
We'll not commend what we intend to sell.<br/>
Here lies our way.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h4 id="sceneIV_352"> <b>SCENE II. Troy. The court of PANDARUS' house.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Troilus</span> and <span
class="charname">Cressida</span>.</p>
<p>TROILUS.<br/>
Dear, trouble not yourself; the morn is cold.
</p>
<p>CRESSIDA.<br/>
Then, sweet my lord, I'll call mine uncle down;<br/>
He shall unbolt the gates.
</p>
<p>TROILUS.<br/>
Trouble him not;<br/>
To bed, to bed! Sleep kill those pretty eyes,<br/>
And give as soft attachment to thy senses<br/>
As infants empty of all thought!
</p>
<p>CRESSIDA.<br/>
Good morrow, then.
</p>
<p>TROILUS.<br/>
I prithee now, to bed.
</p>
<p>CRESSIDA.<br/>
Are you aweary of me?
</p>
<p>TROILUS.<br/>
O Cressida! but that the busy day,<br/>
Wak'd by the lark, hath rous'd the ribald crows,<br/>
And dreaming night will hide our joys no longer,<br/>
I would not from thee.
</p>
<p>CRESSIDA.<br/>
Night hath been too brief.
</p>
<p>TROILUS.<br/>
Beshrew the witch! with venomous wights she stays<br/>
As tediously as hell, but flies the grasps of love<br/>
With wings more momentary-swift than thought.<br/>
You will catch cold, and curse me.
</p>
<p>CRESSIDA.<br/>
Prithee tarry.<br/>
You men will never tarry.<br/>
O foolish Cressid! I might have still held off,<br/>
And then you would have tarried. Hark! there's one up.
</p>
<p>PANDARUS.<br/>
[<i>Within.</i>] What's all the doors open here?</p>
<p>TROILUS.<br/>
It is your uncle.
</p>
<p class="scenedesc"> Enter <span class="charname">Pandarus</span>.</p>
<p>CRESSIDA.<br/>
A pestilence on him! Now will he be mocking.<br/>
I shall have such a life!
</p>
<p>PANDARUS.<br/>
How now, how now! How go maidenheads?<br/>
Here, you maid! Where's my cousin Cressid?
</p>
<p>CRESSIDA.<br/>
Go hang yourself, you naughty mocking uncle.<br/>
You bring me to do, and then you flout me too.
</p>
<p>PANDARUS.<br/>
To do what? to do what? Let her say what.<br/>
What have I brought you to do?
</p>
<p>CRESSIDA.<br/>
Come, come, beshrew your heart! You'll ne'er be good, nor suffer others.
</p>
<p>PANDARUS.<br/>
Ha, ha! Alas, poor wretch! Ah, poor capocchia! Hast not slept tonight? Would he not, a
naughty man, let it sleep? A bugbear take him!</p>
<p>CRESSIDA.<br/>
Did not I tell you? Would he were knock'd i' th' head!
</p>
<p class="right"> [<i>One knocks</i>.]</p>
<p>Who's that at door? Good uncle, go and see.<br/>
My lord, come you again into my chamber.<br/>
You smile and mock me, as if I meant naughtily.
</p>
<p>TROILUS.<br/>
Ha! ha!
</p>
<p>CRESSIDA.<br/>
Come, you are deceiv'd, I think of no such thing.
</p>
<p class="right"> [<i>Knock</i>.]</p>
<p>How earnestly they knock! Pray you come in:<br/>
I would not for half Troy have you seen here.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Troilus</span> and <span
class="charname">Cressida</span></i>.]</p>
<p>PANDARUS.<br/>
Who's there? What's the matter? Will you beat down the door? How now?
What's the matter?</p>
<p class="scenedesc"> Enter <span class="charname">Aeneas</span>.</p>
<p>AENEAS.<br/>
Good morrow, lord, good morrow.
</p>
<p>PANDARUS.<br/>
Who's there? My lord Aeneas? By my troth,<br/>
I knew you not. What news with you so early?
</p>
<p>AENEAS.<br/>
Is not Prince Troilus here?
</p>
<p>PANDARUS.<br/>
Here! What should he do here?
</p>
<p>AENEAS.<br/>
Come, he is here, my lord; do not deny him.<br/>
It doth import him much to speak with me.
</p>
<p>PANDARUS.<br/>
Is he here, say you? It's more than I know, I'll be sworn. For my own part, I
came in late. What should he do here?</p>
<p>AENEAS.<br/>
Who, nay then! Come, come, you'll do him wrong ere you are ware; you'll be so
true to him to be false to him. Do not you know of him, but yet go fetch him hither;
go.</p>
<p class="scenedesc"> Re-enter <span class="charname">Troilus</span>.</p>
<p>TROILUS.<br/>
How now! What's the matter?
</p>
<p>AENEAS.<br/>
My lord, I scarce have leisure to salute you,<br/>
My matter is so rash. There is at hand<br/>
Paris your brother, and Deiphobus,<br/>
The Grecian Diomed, and our Antenor<br/>
Deliver'd to us; and for him forthwith,<br/>
Ere the first sacrifice, within this hour,<br/>
We must give up to Diomedes' hand<br/>
The Lady Cressida.
</p>
<p>TROILUS.<br/>
Is it so concluded?
</p>
<p>AENEAS.<br/>
By Priam and the general state of Troy.<br/>
They are at hand, and ready to effect it.
</p>
<p>TROILUS.<br/>
How my achievements mock me!<br/>
I will go meet them; and, my Lord Aeneas,<br/>
We met by chance; you did not find me here.
</p>
<p>AENEAS.<br/>
Good, good, my lord, the secrets of neighbour Pandar<br/>
Have not more gift in taciturnity.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Troilus</span> and <span
class="charname">Aeneas</span></i>.]</p>
<p>PANDARUS.<br/>
Is't possible? No sooner got but lost? The devil take Antenor! The young prince will
go mad. A plague upon Antenor! I would they had broke's neck.
</p>
<p class="scenedesc"> Re-enter <span class="charname">Cressida</span>.</p>
<p>CRESSIDA.<br/>
How now! What's the matter? Who was here?
</p>
<p>PANDARUS.<br/>
Ah, ah!
</p>
<p>CRESSIDA.<br/>
Why sigh you so profoundly? Where's my lord? Gone? Tell me, sweet uncle,
what's the matter?</p>
<p>PANDARUS.<br/>
Would I were as deep under the earth as I am above!
</p>
<p>CRESSIDA.<br/>
O the gods! What's the matter?
</p>
<p>PANDARUS.<br/>
Pray thee get thee in. Would thou hadst ne'er been born! I knew thou wouldst be his
death! O, poor gentleman! A plague upon Antenor!
</p>
<p>CRESSIDA.<br/>
Good uncle, I beseech you, on my knees I beseech you, what's the matter?</p>
<p>PANDARUS.<br/>
Thou must be gone, wench, thou must be gone; thou art chang'd for Antenor; thou must
to thy father, and be gone from Troilus. 'Twill be his death; 'twill be his
bane; he cannot bear it.
</p>
<p>CRESSIDA.<br/>
O you immortal gods! I will not go.
</p>
<p>PANDARUS.<br/>
Thou must.
</p>
<p>CRESSIDA.<br/>
I will not, uncle. I have forgot my father;<br/>
I know no touch of consanguinity,<br/>
No kin, no love, no blood, no soul so near me<br/>
As the sweet Troilus. O you gods divine,<br/>
Make Cressid's name the very crown of falsehood,<br/>
If ever she leave Troilus! Time, force, and death,<br/>
Do to this body what extremes you can,<br/>
But the strong base and building of my love<br/>
Is as the very centre of the earth,<br/>
Drawing all things to it. I'll go in and weep—
</p>
<p>PANDARUS.<br/>
Do, do.
</p>
<p>CRESSIDA.<br/>
Tear my bright hair, and scratch my praised cheeks,<br/>
Crack my clear voice with sobs and break my heart,<br/>
With sounding 'Troilus.' I will not go from Troy.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h4 id="sceneIV_353"> <b>SCENE III. Troy. A street before PANDARUS' house.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Paris, Troilus, Aeneas, Deiphobus,
Antenor</span> and <span class="charname">Diomedes</span>.</p>
<p>PARIS.<br/>
It is great morning; and the hour prefix'd<br/>
For her delivery to this valiant Greek<br/>
Comes fast upon. Good my brother Troilus,<br/>
Tell you the lady what she is to do<br/>
And haste her to the purpose.
</p>
<p>TROILUS.<br/>
Walk into her house.<br/>
I'll bring her to the Grecian presently;<br/>
And to his hand when I deliver her,<br/>
Think it an altar, and thy brother Troilus<br/>
A priest, there off'ring to it his own heart.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>PARIS.<br/>
I know what 'tis to love,<br/>
And would, as I shall pity, I could help!<br/>
Please you walk in, my lords?
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h4 id="sceneIV_354"> <b>SCENE IV. Troy. PANDARUS' house.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Pandarus</span> and <span
class="charname">Cressida</span>.</p>
<p>PANDARUS.<br/>
Be moderate, be moderate.
</p>
<p>CRESSIDA.<br/>
Why tell you me of moderation?<br/>
The grief is fine, full, perfect, that I taste,<br/>
And violenteth in a sense as strong<br/>
As that which causeth it. How can I moderate it?<br/>
If I could temporize with my affections<br/>
Or brew it to a weak and colder palate,<br/>
The like allayment could I give my grief.<br/>
My love admits no qualifying dross;<br/>
No more my grief, in such a precious loss.
</p>
<p class="scenedesc"> Enter <span class="charname">Troilus</span>.</p>
<p>PANDARUS.<br/>
Here, here, here he comes. Ah, sweet ducks!
</p>
<p>CRESSIDA.<br/>
[<i>Embracing him</i>.] O Troilus! Troilus!
</p>
<p>PANDARUS.<br/>
What a pair of spectacles is here! Let me embrace too. 'O heart,' as the
goodly saying is,—</p>
<p>  O heart, heavy heart,<br/>
  Why sigh'st thou without breaking?
</p>
<p>where he answers again</p>
<p>  Because thou canst not ease thy smart<br/>
  By friendship nor by speaking.
</p>
<p>There was never a truer rhyme. Let us cast away nothing, for we may live to have need
of such a verse. We see it, we see it. How now, lambs!</p>
<p>TROILUS.<br/>
Cressid, I love thee in so strain'd a purity<br/>
That the bless'd gods, as angry with my fancy,<br/>
More bright in zeal than the devotion which<br/>
Cold lips blow to their deities, take thee from me.
</p>
<p>CRESSIDA.<br/>
Have the gods envy?
</p>
<p>PANDARUS.<br/>
Ay, ay, ay, ay; 'tis too plain a case.
</p>
<p>CRESSIDA.<br/>
And is it true that I must go from Troy?
</p>
<p>TROILUS.<br/>
A hateful truth.
</p>
<p>CRESSIDA.<br/>
What! and from Troilus too?
</p>
<p>TROILUS.<br/>
From Troy and Troilus.
</p>
<p>CRESSIDA.<br/>
Is't possible?
</p>
<p>TROILUS.<br/>
And suddenly; where injury of chance<br/>
Puts back leave-taking, justles roughly by<br/>
All time of pause, rudely beguiles our lips<br/>
Of all rejoindure, forcibly prevents<br/>
Our lock'd embrasures, strangles our dear vows<br/>
Even in the birth of our own labouring breath.<br/>
We two, that with so many thousand sighs<br/>
Did buy each other, must poorly sell ourselves<br/>
With the rude brevity and discharge of one.<br/>
Injurious time now with a robber's haste<br/>
Crams his rich thiev'ry up, he knows not how.<br/>
As many farewells as be stars in heaven,<br/>
With distinct breath and consign'd kisses to them,<br/>
He fumbles up into a loose adieu,<br/>
And scants us with a single famish'd kiss,<br/>
Distasted with the salt of broken tears.
</p>
<p>AENEAS.<br/>
[<i>Within</i>.] My lord, is the lady ready?
</p>
<p>TROILUS.<br/>
Hark! you are call'd. Some say the Genius<br/>
Cries so to him that instantly must die.<br/>
Bid them have patience; she shall come anon.
</p>
<p>PANDARUS.<br/>
Where are my tears? Rain, to lay this wind, or my heart will be blown up by my throat!</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>CRESSIDA.<br/>
I must then to the Grecians?
</p>
<p>TROILUS.<br/>
No remedy.
</p>
<p>CRESSIDA.<br/>
A woeful Cressid 'mongst the merry Greeks!<br/>
When shall we see again?
</p>
<p>TROILUS.<br/>
Hear me, my love. Be thou but true of heart.
</p>
<p>CRESSIDA.<br/>
I true? How now! What wicked deem is this?
</p>
<p>TROILUS.<br/>
Nay, we must use expostulation kindly,<br/>
For it is parting from us.<br/>
I speak not 'Be thou true' as fearing thee,<br/>
For I will throw my glove to Death himself<br/>
That there's no maculation in thy heart;<br/>
But 'Be thou true' say I to fashion in<br/>
My sequent protestation: be thou true,<br/>
And I will see thee.
</p>
<p>CRESSIDA.<br/>
O! you shall be expos'd, my lord, to dangers<br/>
As infinite as imminent! But I'll be true.
</p>
<p>TROILUS.<br/>
And I'll grow friend with danger. Wear this sleeve.
</p>
<p>CRESSIDA.<br/>
And you this glove. When shall I see you?
</p>
<p>TROILUS.<br/>
I will corrupt the Grecian sentinels<br/>
To give thee nightly visitation.<br/>
But yet be true.
</p>
<p>CRESSIDA.<br/>
O heavens! 'Be true' again!
</p>
<p>TROILUS.<br/>
Hear why I speak it, love.<br/>
The Grecian youths are full of quality;<br/>
They're loving, well compos'd, with gifts of nature,<br/>
Flowing and swelling o'er with arts and exercise.<br/>
How novelty may move, and parts with person,<br/>
Alas, a kind of godly jealousy,<br/>
Which, I beseech you, call a virtuous sin,<br/>
Makes me afear'd.
</p>
<p>CRESSIDA.<br/>
O heavens! you love me not!
</p>
<p>TROILUS.<br/>
Die I a villain then!<br/>
In this I do not call your faith in question<br/>
So mainly as my merit. I cannot sing,<br/>
Nor heel the high lavolt, nor sweeten talk,<br/>
Nor play at subtle games; fair virtues all,<br/>
To which the Grecians are most prompt and pregnant;<br/>
But I can tell that in each grace of these<br/>
There lurks a still and dumb-discoursive devil<br/>
That tempts most cunningly. But be not tempted.
</p>
<p>CRESSIDA.<br/>
Do you think I will?
</p>
<p>TROILUS.<br/>
No.<br/>
But something may be done that we will not;<br/>
And sometimes we are devils to ourselves,<br/>
When we will tempt the frailty of our powers,<br/>
Presuming on their changeful potency.
</p>
<p>AENEAS.<br/>
[<i>Within</i>.] Nay, good my lord!
</p>
<p>TROILUS.<br/>
Come, kiss; and let us part.
</p>
<p>PARIS.<br/>
[<i>Within</i>.] Brother Troilus!
</p>
<p>TROILUS.<br/>
Good brother, come you hither;<br/>
And bring Aeneas and the Grecian with you.
</p>
<p>CRESSIDA.<br/>
My lord, will you be true?
</p>
<p>TROILUS.<br/>
Who, I? Alas, it is my vice, my fault!<br/>
Whiles others fish with craft for great opinion,<br/>
I with great truth catch mere simplicity;<br/>
Whilst some with cunning gild their copper crowns,<br/>
With truth and plainness I do wear mine bare.<br/>
Fear not my truth: the moral of my wit<br/>
Is plain and true; there's all the reach of it.
</p>
<p class="scenedesc"> Enter <span class="charname">Aeneas, Paris, Antenor,
Deiphobus</span> and <span class="charname">Diomedes</span>.</p>
<p>Welcome, Sir Diomed! Here is the lady<br/>
Which for Antenor we deliver you;<br/>
At the port, lord, I'll give her to thy hand,<br/>
And by the way possess thee what she is.<br/>
Entreat her fair; and, by my soul, fair Greek,<br/>
If e'er thou stand at mercy of my sword,<br/>
Name Cressid, and thy life shall be as safe<br/>
As Priam is in Ilion.
</p>
<p>DIOMEDES.<br/>
Fair Lady Cressid,<br/>
So please you, save the thanks this prince expects.<br/>
The lustre in your eye, heaven in your cheek,<br/>
Pleads your fair usage; and to Diomed<br/>
You shall be mistress, and command him wholly.
</p>
<p>TROILUS.<br/>
Grecian, thou dost not use me courteously<br/>
To shame the zeal of my petition to thee<br/>
In praising her. I tell thee, lord of Greece,<br/>
She is as far high-soaring o'er thy praises<br/>
As thou unworthy to be call'd her servant.<br/>
I charge thee use her well, even for my charge;<br/>
For, by the dreadful Pluto, if thou dost not,<br/>
Though the great bulk Achilles be thy guard,<br/>
I'll cut thy throat.
</p>
<p>DIOMEDES.<br/>
O, be not mov'd, Prince Troilus.<br/>
Let me be privileg'd by my place and message<br/>
To be a speaker free: when I am hence<br/>
I'll answer to my lust. And know you, lord,<br/>
I'll nothing do on charge: to her own worth<br/>
She shall be priz'd. But that you say 'Be't so,'<br/>
I speak it in my spirit and honour, 'No.'
</p>
<p>TROILUS.<br/>
Come, to the port. I'll tell thee, Diomed,<br/>
This brave shall oft make thee to hide thy head.<br/>
Lady, give me your hand; and, as we walk,<br/>
To our own selves bend we our needful talk.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Troilus, Cressida</span> and <span
class="charname">Diomedes</span></i>.]</p>
<p class="right"> [<i>Sound trumpet</i>.]</p>
<p>PARIS.<br/>
Hark! Hector's trumpet.
</p>
<p>AENEAS.<br/>
How have we spent this morning!<br/>
The Prince must think me tardy and remiss,<br/>
That swore to ride before him to the field.
</p>
<p>PARIS.<br/>
'Tis Troilus' fault. Come, come to field with him.
</p>
<p>DEIPHOBUS.<br/>
Let us make ready straight.
</p>
<p>AENEAS.<br/>
Yea, with a bridegroom's fresh alacrity<br/>
Let us address to tend on Hector's heels.<br/>
The glory of our Troy doth this day lie<br/>
On his fair worth and single chivalry.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h4 id="sceneIV_355"> <b>SCENE V. The Grecian camp. Lists set out.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Ajax,</span> armed; <span
class="charname">Agamemnon, Achilles, Patroclus, Menelaus, Ulysses, Nestor</span> and
others.</p>
<p>AGAMEMNON.<br/>
Here art thou in appointment fresh and fair,<br/>
Anticipating time with starting courage.<br/>
Give with thy trumpet a loud note to Troy,<br/>
Thou dreadful Ajax, that the appalled air<br/>
May pierce the head of the great combatant,<br/>
And hale him hither.
</p>
<p>AJAX.<br/>
Thou, trumpet, there's my purse.<br/>
Now crack thy lungs and split thy brazen pipe;<br/>
Blow, villain, till thy sphered bias cheek<br/>
Out-swell the colic of puff'd Aquilon.<br/>
Come, stretch thy chest, and let thy eyes spout blood:<br/>
Thou blowest for Hector.
</p>
<p class="right"> [<i>Trumpet sounds</i>.]</p>
<p>ULYSSES.<br/>
No trumpet answers.
</p>
<p>ACHILLES.<br/>
'Tis but early days.
</p>
<p>AGAMEMNON.<br/>
Is not yond Diomed, with Calchas' daughter?
</p>
<p>ULYSSES.<br/>
'Tis he, I ken the manner of his gait:<br/>
He rises on the toe. That spirit of his<br/>
In aspiration lifts him from the earth.
</p>
<p class="scenedesc"> Enter <span class="charname">Diomedes</span> and <span
class="charname">Cressida</span>.</p>
<p>AGAMEMNON.<br/>
Is this the Lady Cressid?
</p>
<p>DIOMEDES.<br/>
Even she.
</p>
<p>AGAMEMNON.<br/>
Most dearly welcome to the Greeks, sweet lady.
</p>
<p>NESTOR.<br/>
Our general doth salute you with a kiss.
</p>
<p>ULYSSES.<br/>
Yet is the kindness but particular;<br/>
'Twere better she were kiss'd in general.
</p>
<p>NESTOR.<br/>
And very courtly counsel: I'll begin.<br/>
So much for Nestor.
</p>
<p>ACHILLES.<br/>
I'll take that winter from your lips, fair lady.<br/>
Achilles bids you welcome.
</p>
<p>MENELAUS.<br/>
I had good argument for kissing once.
</p>
<p>PATROCLUS.<br/>
But that's no argument for kissing now;<br/>
For thus popp'd Paris in his hardiment,<br/>
And parted thus you and your argument.
</p>
<p>ULYSSES.<br/>
O deadly gall, and theme of all our scorns!<br/>
For which we lose our heads to gild his horns.
</p>
<p>PATROCLUS.<br/>
The first was Menelaus' kiss; this, mine:<br/>
Patroclus kisses you.
</p>
<p>MENELAUS.<br/>
O, this is trim!
</p>
<p>PATROCLUS.<br/>
Paris and I kiss evermore for him.
</p>
<p>MENELAUS.<br/>
I'll have my kiss, sir. Lady, by your leave.
</p>
<p>CRESSIDA.<br/>
In kissing, do you render or receive?
</p>
<p>PATROCLUS.<br/>
Both take and give.
</p>
<p>CRESSIDA.<br/>
I'll make my match to live,<br/>
The kiss you take is better than you give;<br/>
Therefore no kiss.
</p>
<p>MENELAUS.<br/>
I'll give you boot; I'll give you three for one.
</p>
<p>CRESSIDA.<br/>
You are an odd man; give even or give none.
</p>
<p>MENELAUS.<br/>
An odd man, lady! Every man is odd.
</p>
<p>CRESSIDA.<br/>
No, Paris is not; for you know 'tis true<br/>
That you are odd, and he is even with you.
</p>
<p>MENELAUS.<br/>
You fillip me o' th'head.
</p>
<p>CRESSIDA.<br/>
No, I'll be sworn.
</p>
<p>ULYSSES.<br/>
It were no match, your nail against his horn.<br/>
May I, sweet lady, beg a kiss of you?
</p>
<p>CRESSIDA.<br/>
You may.
</p>
<p>ULYSSES.<br/>
I do desire it.
</p>
<p>CRESSIDA.<br/>
Why, beg then.
</p>
<p>ULYSSES.<br/>
Why then, for Venus' sake give me a kiss<br/>
When Helen is a maid again, and his.
</p>
<p>CRESSIDA.<br/>
I am your debtor; claim it when 'tis due.
</p>
<p>ULYSSES.<br/>
Never's my day, and then a kiss of you.
</p>
<p>DIOMEDES.<br/>
Lady, a word. I'll bring you to your father.
</p>
<p class="right"> [<i>Exit with</i> <span class="charname">Cressida</span>.]</p>
<p>NESTOR.<br/>
A woman of quick sense.
</p>
<p>ULYSSES.<br/>
Fie, fie upon her!<br/>
There's language in her eye, her cheek, her lip,<br/>
Nay, her foot speaks; her wanton spirits look out<br/>
At every joint and motive of her body.<br/>
O! these encounterers so glib of tongue<br/>
That give a coasting welcome ere it comes,<br/>
And wide unclasp the tables of their thoughts<br/>
To every tickling reader! Set them down<br/>
For sluttish spoils of opportunity,<br/>
And daughters of the game.
</p>
<p class="right"> [<i>Trumpet within</i>.]</p>
<p>ALL.<br/>
The Trojans' trumpet.
</p>
<p>AGAMEMNON.<br/>
Yonder comes the troop.
</p>
<p class="scenedesc"> Enter <span class="charname">Hector,</span> armed; <span
class="charname">Aeneas, Troilus, Paris, Deiphobus</span> and other<br/>
Trojans, with attendants.</p>
<p>AENEAS.<br/>
Hail, all you state of Greece! What shall be done<br/>
To him that victory commands? Or do you purpose<br/>
A victor shall be known? Will you the knights<br/>
Shall to the edge of all extremity<br/>
Pursue each other, or shall be divided<br/>
By any voice or order of the field?<br/>
Hector bade ask.
</p>
<p>AGAMEMNON.<br/>
Which way would Hector have it?
</p>
<p>AENEAS.<br/>
He cares not; he'll obey conditions.
</p>
<p>AGAMEMNON.<br/>
'Tis done like Hector.
</p>
<p>ACHILLES.<br/>
But securely done,<br/>
A little proudly, and great deal misprising<br/>
The knight oppos'd.
</p>
<p>AENEAS.<br/>
If not Achilles, sir,<br/>
What is your name?
</p>
<p>ACHILLES.<br/>
If not Achilles, nothing.
</p>
<p>AENEAS.<br/>
Therefore Achilles. But whate'er, know this:<br/>
In the extremity of great and little<br/>
Valour and pride excel themselves in Hector;<br/>
The one almost as infinite as all,<br/>
The other blank as nothing. Weigh him well,<br/>
And that which looks like pride is courtesy.<br/>
This Ajax is half made of Hector's blood;<br/>
In love whereof half Hector stays at home;<br/>
Half heart, half hand, half Hector comes to seek<br/>
This blended knight, half Trojan and half Greek.
</p>
<p>ACHILLES.<br/>
A maiden battle then? O! I perceive you.
</p>
<p class="scenedesc"> Re-enter <span class="charname">Diomedes</span>.</p>
<p>AGAMEMNON.<br/>
Here is Sir Diomed. Go, gentle knight,<br/>
Stand by our Ajax. As you and Lord Aeneas<br/>
Consent upon the order of their fight,<br/>
So be it; either to the uttermost,<br/>
Or else a breath. The combatants being kin<br/>
Half stints their strife before their strokes begin.
</p>
<p class="scenedesc"><span class="charname">Ajax</span> and <span
class="charname">Hector</span> enter the lists.</p>
<p>ULYSSES.<br/>
They are oppos'd already.
</p>
<p>AGAMEMNON.<br/>
What Trojan is that same that looks so heavy?
</p>
<p>ULYSSES.<br/>
The youngest son of Priam, a true knight;<br/>
Not yet mature, yet matchless; firm of word;<br/>
Speaking in deeds and deedless in his tongue;<br/>
Not soon provok'd, nor being provok'd soon calm'd;<br/>
His heart and hand both open and both free;<br/>
For what he has he gives, what thinks he shows,<br/>
Yet gives he not till judgement guide his bounty,<br/>
Nor dignifies an impure thought with breath;<br/>
Manly as Hector, but more dangerous;<br/>
For Hector in his blaze of wrath subscribes<br/>
To tender objects, but he in heat of action<br/>
Is more vindicative than jealous love.<br/>
They call him Troilus, and on him erect<br/>
A second hope as fairly built as Hector.<br/>
Thus says Aeneas, one that knows the youth<br/>
Even to his inches, and, with private soul,<br/>
Did in great Ilion thus translate him to me.
</p>
<p class="right"> [<i>Alarum. <span class="charname">Hector</span> and <span
class="charname">Ajax</span> fight.</i>]</p>
<p>AGAMEMNON.<br/>
They are in action.
</p>
<p>NESTOR.<br/>
Now, Ajax, hold thine own!
</p>
<p>TROILUS.<br/>
Hector, thou sleep'st; awake thee!
</p>
<p>AGAMEMNON.<br/>
His blows are well dispos'd. There, Ajax!
</p>
<p class="right"> [<i>Trumpets cease</i>.]</p>
<p>DIOMEDES.<br/>
You must no more.
</p>
<p>AENEAS.<br/>
Princes, enough, so please you.
</p>
<p>AJAX.<br/>
I am not warm yet; let us fight again.
</p>
<p>DIOMEDES.<br/>
As Hector pleases.
</p>
<p>HECTOR.<br/>
Why, then will I no more.<br/>
Thou art, great lord, my father's sister's son,<br/>
A cousin-german to great Priam's seed;<br/>
The obligation of our blood forbids<br/>
A gory emulation 'twixt us twain:<br/>
Were thy commixtion Greek and Trojan so<br/>
That thou could'st say 'This hand is Grecian all,<br/>
And this is Trojan; the sinews of this leg<br/>
All Greek, and this all Troy; my mother's blood<br/>
Runs on the dexter cheek, and this sinister<br/>
Bounds in my father's; by Jove multipotent,<br/>
Thou shouldst not bear from me a Greekish member<br/>
Wherein my sword had not impressure made<br/>
Of our rank feud; but the just gods gainsay<br/>
That any drop thou borrow'dst from thy mother,<br/>
My sacred aunt, should by my mortal sword<br/>
Be drained! Let me embrace thee, Ajax.<br/>
By him that thunders, thou hast lusty arms;<br/>
Hector would have them fall upon him thus.<br/>
Cousin, all honour to thee!
</p>
<p>AJAX.<br/>
I thank thee, Hector.<br/>
Thou art too gentle and too free a man.<br/>
I came to kill thee, cousin, and bear hence<br/>
A great addition earned in thy death.
</p>
<p>HECTOR.<br/>
Not Neoptolemus so mirable,<br/>
On whose bright crest Fame with her loud'st Oyes<br/>
Cries 'This is he!' could promise to himself<br/>
A thought of added honour torn from Hector.
</p>
<p>AENEAS.<br/>
There is expectance here from both the sides<br/>
What further you will do.
</p>
<p>HECTOR.<br/>
We'll answer it:<br/>
The issue is embracement. Ajax, farewell.
</p>
<p>AJAX.<br/>
If I might in entreaties find success,<br/>
As seld' I have the chance, I would desire<br/>
My famous cousin to our Grecian tents.
</p>
<p>DIOMEDES.<br/>
'Tis Agamemnon's wish; and great Achilles<br/>
Doth long to see unarm'd the valiant Hector.
</p>
<p>HECTOR.<br/>
Aeneas, call my brother Troilus to me,<br/>
And signify this loving interview<br/>
To the expecters of our Trojan part;<br/>
Desire them home. Give me thy hand, my cousin;<br/>
I will go eat with thee, and see your knights.
</p>
<p class="scenedesc"><span class="charname">Agamemnon</span> and the rest of the Greeks
come forward.</p>
<p>AJAX.<br/>
Great Agamemnon comes to meet us here.
</p>
<p>HECTOR.<br/>
The worthiest of them tell me name by name;<br/>
But for Achilles, my own searching eyes<br/>
Shall find him by his large and portly size.
</p>
<p>AGAMEMNON.<br/>
Worthy all arms! as welcome as to one<br/>
That would be rid of such an enemy.<br/>
But that's no welcome. Understand more clear,<br/>
What's past and what's to come is strew'd with husks<br/>
And formless ruin of oblivion;<br/>
But in this extant moment, faith and troth,<br/>
Strain'd purely from all hollow bias-drawing,<br/>
Bids thee with most divine integrity,<br/>
From heart of very heart, great Hector, welcome.
</p>
<p>HECTOR.<br/>
I thank thee, most imperious Agamemnon.
</p>
<p>AGAMEMNON.<br/>
[<i>To Troilus.</i>] My well-fam'd lord of Troy, no less to you.</p>
<p>MENELAUS.<br/>
Let me confirm my princely brother's greeting.<br/>
You brace of warlike brothers, welcome hither.
</p>
<p>HECTOR.<br/>
Who must we answer?
</p>
<p>AENEAS.<br/>
The noble Menelaus.
</p>
<p>HECTOR.<br/>
O you, my lord? By Mars his gauntlet, thanks!<br/>
Mock not that I affect the untraded oath;<br/>
Your quondam wife swears still by Venus' glove.<br/>
She's well, but bade me not commend her to you.
</p>
<p>MENELAUS.<br/>
Name her not now, sir; she's a deadly theme.
</p>
<p>HECTOR.<br/>
O, pardon; I offend.
</p>
<p>NESTOR.<br/>
I have, thou gallant Trojan, seen thee oft,<br/>
Labouring for destiny, make cruel way<br/>
Through ranks of Greekish youth; and I have seen thee,<br/>
As hot as Perseus, spur thy Phrygian steed,<br/>
Despising many forfeits and subduements,<br/>
When thou hast hung thy advanced sword i' th'air,<br/>
Not letting it decline on the declined;<br/>
That I have said to some my standers-by<br/>
'Lo, Jupiter is yonder, dealing life!'<br/>
And I have seen thee pause and take thy breath,<br/>
When that a ring of Greeks have shrap'd thee in,<br/>
Like an Olympian wrestling. This have I seen;<br/>
But this thy countenance, still lock'd in steel,<br/>
I never saw till now. I knew thy grandsire,<br/>
And once fought with him. He was a soldier good,<br/>
But, by great Mars, the captain of us all,<br/>
Never like thee. O, let an old man embrace thee;<br/>
And, worthy warrior, welcome to our tents.
</p>
<p>AENEAS.<br/>
'Tis the old Nestor.
</p>
<p>HECTOR.<br/>
Let me embrace thee, good old chronicle,<br/>
That hast so long walk'd hand in hand with time.<br/>
Most reverend Nestor, I am glad to clasp thee.
</p>
<p>NESTOR.<br/>
I would my arms could match thee in contention<br/>
As they contend with thee in courtesy.
</p>
<p>HECTOR.<br/>
I would they could.
</p>
<p>NESTOR.<br/>
Ha!<br/>
By this white beard, I'd fight with thee tomorrow.<br/>
Well, welcome, welcome! I have seen the time.
</p>
<p>ULYSSES.<br/>
I wonder now how yonder city stands,<br/>
When we have here her base and pillar by us.
</p>
<p>HECTOR.<br/>
I know your favour, Lord Ulysses, well.<br/>
Ah, sir, there's many a Greek and Trojan dead,<br/>
Since first I saw yourself and Diomed<br/>
In Ilion on your Greekish embassy.
</p>
<p>ULYSSES.<br/>
Sir, I foretold you then what would ensue.<br/>
My prophecy is but half his journey yet;<br/>
For yonder walls, that pertly front your town,<br/>
Yon towers, whose wanton tops do buss the clouds,<br/>
Must kiss their own feet.
</p>
<p>HECTOR.<br/>
I must not believe you.<br/>
There they stand yet; and modestly I think<br/>
The fall of every Phrygian stone will cost<br/>
A drop of Grecian blood. The end crowns all;<br/>
And that old common arbitrator, Time,<br/>
Will one day end it.
</p>
<p>ULYSSES.<br/>
So to him we leave it.<br/>
Most gentle and most valiant Hector, welcome.<br/>
After the General, I beseech you next<br/>
To feast with me and see me at my tent.
</p>
<p>ACHILLES.<br/>
I shall forestall thee, Lord Ulysses, thou!<br/>
Now, Hector, I have fed mine eyes on thee;<br/>
I have with exact view perus'd thee, Hector,<br/>
And quoted joint by joint.
</p>
<p>HECTOR.<br/>
Is this Achilles?
</p>
<p>ACHILLES.<br/>
I am Achilles.
</p>
<p>HECTOR.<br/>
Stand fair, I pray thee; let me look on thee.
</p>
<p>ACHILLES.<br/>
Behold thy fill.
</p>
<p>HECTOR.<br/>
Nay, I have done already.
</p>
<p>ACHILLES.<br/>
Thou art too brief. I will the second time,<br/>
As I would buy thee, view thee limb by limb.
</p>
<p>HECTOR.<br/>
O, like a book of sport thou'lt read me o'er;<br/>
But there's more in me than thou understand'st.<br/>
Why dost thou so oppress me with thine eye?
</p>
<p>ACHILLES.<br/>
Tell me, you heavens, in which part of his body<br/>
Shall I destroy him? Whether there, or there, or there?<br/>
That I may give the local wound a name,<br/>
And make distinct the very breach whereout<br/>
Hector's great spirit flew. Answer me, heavens.
</p>
<p>HECTOR.<br/>
It would discredit the blest gods, proud man,<br/>
To answer such a question. Stand again.<br/>
Think'st thou to catch my life so pleasantly<br/>
As to prenominate in nice conjecture<br/>
Where thou wilt hit me dead?
</p>
<p>ACHILLES.<br/>
I tell thee yea.
</p>
<p>HECTOR.<br/>
Wert thou an oracle to tell me so,<br/>
I'd not believe thee. Henceforth guard thee well;<br/>
For I'll not kill thee there, nor there, nor there;<br/>
But, by the forge that stithied Mars his helm,<br/>
I'll kill thee everywhere, yea, o'er and o'er.<br/>
You wisest Grecians, pardon me this brag.<br/>
His insolence draws folly from my lips;<br/>
But I'll endeavour deeds to match these words,<br/>
Or may I never—
</p>
<p>AJAX.<br/>
Do not chafe thee, cousin;<br/>
And you, Achilles, let these threats alone<br/>
Till accident or purpose bring you to't.<br/>
You may have every day enough of Hector,<br/>
If you have stomach. The general state, I fear,<br/>
Can scarce entreat you to be odd with him.
</p>
<p>HECTOR.<br/>
I pray you let us see you in the field;<br/>
We have had pelting wars since you refus'd<br/>
The Grecians' cause.
</p>
<p>ACHILLES.<br/>
Dost thou entreat me, Hector?<br/>
Tomorrow do I meet thee, fell as death;<br/>
Tonight all friends.
</p>
<p>HECTOR.<br/>
Thy hand upon that match.
</p>
<p>AGAMEMNON.<br/>
First, all you peers of Greece, go to my tent;<br/>
There in the full convive we; afterwards,<br/>
As Hector's leisure and your bounties shall<br/>
Concur together, severally entreat him.<br/>
Beat loud the tambourines, let the trumpets blow,<br/>
That this great soldier may his welcome know.
</p>
<p class="right"> [<i>Exeunt all but <span class="charname">Troilus</span> and <span
class="charname">Ulysses</span></i>.]</p>
<p>TROILUS.<br/>
My Lord Ulysses, tell me, I beseech you,<br/>
In what place of the field doth Calchas keep?
</p>
<p>ULYSSES.<br/>
At Menelaus' tent, most princely Troilus.<br/>
There Diomed doth feast with him tonight,<br/>
Who neither looks upon the heaven nor earth,<br/>
But gives all gaze and bent of amorous view<br/>
On the fair Cressid.
</p>
<p>TROILUS.<br/>
Shall I, sweet lord, be bound to you so much,<br/>
After we part from Agamemnon's tent,<br/>
To bring me thither?
</p>
<p>ULYSSES.<br/>
You shall command me, sir.<br/>
As gentle tell me of what honour was<br/>
This Cressida in Troy? Had she no lover there<br/>
That wails her absence?
</p>
<p>TROILUS.<br/>
O, sir, to such as boasting show their scars<br/>
A mock is due. Will you walk on, my lord?<br/>
She was belov'd, she lov'd; she is, and doth;<br/>
But still sweet love is food for fortune's tooth.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h3 id="sceneV_351"> <b>ACT V</b></h3>
<h4><b>SCENE I. The Grecian camp. Before the tent of ACHILLES.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Achilles</span> and <span
class="charname">Patroclus</span>.</p>
<p>ACHILLES.<br/>
I'll heat his blood with Greekish wine tonight,<br/>
Which with my scimitar I'll cool tomorrow.<br/>
Patroclus, let us feast him to the height.
</p>
<p>PATROCLUS.<br/>
Here comes Thersites.
</p>
<p class="scenedesc"> Enter <span class="charname">Thersites</span>.</p>
<p>ACHILLES.<br/>
How now, thou core of envy!<br/>
Thou crusty batch of nature, what's the news?
</p>
<p>THERSITES.<br/>
Why, thou picture of what thou seemest, and idol of idiot worshippers, here's a
letter for thee.</p>
<p>ACHILLES.<br/>
From whence, fragment?
</p>
<p>THERSITES.<br/>
Why, thou full dish of fool, from Troy.
</p>
<p>PATROCLUS.<br/>
Who keeps the tent now?
</p>
<p>THERSITES.<br/>
The surgeon's box or the patient's wound.
</p>
<p>PATROCLUS.<br/>
Well said, adversity! And what needs these tricks?
</p>
<p>THERSITES.<br/>
Prithee, be silent, boy; I profit not by thy talk; thou art said to be Achilles'
male varlet.</p>
<p>PATROCLUS.<br/>
Male varlet, you rogue! What's that?
</p>
<p>THERSITES.<br/>
Why, his masculine whore. Now, the rotten diseases of the south, the guts-griping
ruptures, catarrhs, loads o' gravel in the back, lethargies, cold palsies, raw eyes,
dirt-rotten livers, wheezing lungs, bladders full of imposthume, sciaticas, lime-kilns
i' th' palm, incurable bone-ache, and the rivelled fee-simple of the tetter,
take and take again such preposterous discoveries!</p>
<p>PATROCLUS.<br/>
Why, thou damnable box of envy, thou, what meanest thou to curse thus?</p>
<p>THERSITES.<br/>
Do I curse thee?
</p>
<p>PATROCLUS.<br/>
Why, no, you ruinous butt; you whoreson indistinguishable cur,
no.</p>
<p>THERSITES.<br/>
No! Why art thou, then, exasperate, thou idle immaterial
skein of sleave silk, thou green sarcenet flap for a sore eye,
thou tassel of a prodigal's purse, thou? Ah, how the poor world
is  pestered with such water-flies, diminutives of nature!</p>
<p>PATROCLUS.<br/>
Out, gall!
</p>
<p>THERSITES.<br/>
Finch egg!
</p>
<p>ACHILLES.<br/>
My sweet Patroclus, I am thwarted quite<br/>
From my great purpose in tomorrow's battle.<br/>
Here is a letter from Queen Hecuba,<br/>
A token from her daughter, my fair love,<br/>
Both taxing me and gaging me to keep<br/>
An oath that I have sworn. I will not break it.<br/>
Fall Greeks; fail fame; honour or go or stay;<br/>
My major vow lies here, this I'll obey.<br/>
Come, come, Thersites, help to trim my tent;<br/>
This night in banqueting must all be spent.<br/>
Away, Patroclus!
</p>
<p class="right"> [<i>Exit with</i> <span class="charname">Patroclus</span>.]</p>
<p>THERSITES.<br/>
With too much blood and too little brain these two may
run mad; but, if with too much brain and too little blood they do,
I'll be a curer of madmen. Here's Agamemnon, an honest fellow
enough, and one that loves quails, but he has not so much brain
as ear-wax; and the goodly transformation of Jupiter there, his
brother, the bull, the primitive statue and oblique memorial of
cuckolds, a thrifty shoeing-horn in a chain at his
brother's leg, to what form but that he is, should wit larded
with malice, and malice forced with wit, turn him to? To an ass,
were nothing: he is both ass and ox. To an ox, were nothing: he
is both ox and ass. To be a dog, a mule, a cat, a fitchook, a
toad, a lizard, an owl, a puttock, or a herring without a roe, I
would not care; but to be Menelaus, I would conspire against
destiny. Ask me not what I would be, if I were not Thersites; for
I care not to be the louse of a lazar, so I were not Menelaus.
Hey-day! sprites and fires!</p>
<p class="scenedesc"> Enter <span class="charname">Hector, Troilus, Ajax, Agamemnon,
Ulysses, Nestor, Menelaus</span> and <span class="charname">Diomedes</span> with
lights.</p>
<p>AGAMEMNON.<br/>
We go wrong, we go wrong.
</p>
<p>AJAX.<br/>
No, yonder 'tis;<br/>
There, where we see the lights.
</p>
<p>HECTOR.<br/>
I trouble you.
</p>
<p>AJAX.<br/>
No, not a whit.
</p>
<p>ULYSSES.<br/>
Here comes himself to guide you.
</p>
<p class="scenedesc"> Re-enter <span class="charname">Achilles</span>.</p>
<p>ACHILLES.<br/>
Welcome, brave Hector; welcome, Princes all.
</p>
<p>AGAMEMNON.<br/>
So now, fair Prince of Troy, I bid good night;<br/>
Ajax commands the guard to tend on you.
</p>
<p>HECTOR.<br/>
Thanks, and good night to the Greeks' general.
</p>
<p>MENELAUS.<br/>
Good night, my lord.
</p>
<p>HECTOR.<br/>
Good night, sweet Lord Menelaus.
</p>
<p>THERSITES.<br/>
Sweet draught! 'Sweet' quoth a'!<br/>
Sweet sink, sweet sewer!
</p>
<p>ACHILLES.<br/>
Good night and welcome, both at once, to those<br/>
That go or tarry.
</p>
<p>AGAMEMNON.<br/>
Good night.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Agamemnon</span> and <span
class="charname">Menelaus</span></i>.]</p>
<p>ACHILLES.<br/>
Old Nestor tarries; and you too, Diomed,<br/>
Keep Hector company an hour or two.
</p>
<p>DIOMEDES.<br/>
I cannot, lord; I have important business,<br/>
The tide whereof is now. Good night, great Hector.
</p>
<p>HECTOR.<br/>
Give me your hand.
</p>
<p>ULYSSES.<br/>
[<i>Aside to Troilus.</i>] Follow his torch; he goes to<br/>
Calchas' tent; I'll keep you company.
</p>
<p>TROILUS.<br/>
Sweet sir, you honour me.
</p>
<p>HECTOR.<br/>
And so, good night.
</p>
<p class="right"> [<i>Exit <span class="charname">Diomedes, Ulysses</span> and <span
class="charname">Troilus</span> following.</i>]</p>
<p>ACHILLES.<br/>
Come, come, enter my tent.
</p>
<p class="right"> [<i>Exeunt all but</i> <span class="charname">Thersites</span>.]</p>
<p>THERSITES.<br/>
That same Diomed's a false-hearted rogue, a most unjust
knave; I will no more trust him when he leers than I will a
serpent when he hisses. He will spend his mouth and promise, like
Brabbler the hound; but when he performs, astronomers foretell
it: it is prodigious, there will come some change; the sun
borrows of the moon when Diomed keeps his word. I will rather
leave to see Hector than not to dog him. They say he keeps a
Trojan drab, and uses the traitor Calchas' tent. I'll after.
Nothing but lechery! All incontinent varlets!</p>
<p class="right"> [<i>Exit</i>.]</p>
<h4 id="sceneV_352"> <b>SCENE II. The Grecian camp. Before CALCHAS' tent.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Diomedes</span>.</p>
<p>DIOMEDES.<br/>
What, are you up here, ho! Speak.
</p>
<p>CALCHAS.<br/>
[<i>Within</i>.] Who calls?
</p>
<p>DIOMEDES.<br/>
Diomed. Calchas, I think. Where's your daughter?
</p>
<p>CALCHAS.<br/>
[<i>Within</i>.] She comes to you.
</p>
<p class="scenedesc"> Enter <span class="charname">Troilus</span> and <span
class="charname">Ulysses,</span> at a distance; after them <span
class="charname">Thersites</span>.</p>
<p>ULYSSES.<br/>
Stand where the torch may not discover us.
</p>
<p class="scenedesc"> Enter <span class="charname">Cressida</span>.</p>
<p>TROILUS.<br/>
Cressid comes forth to him.
</p>
<p>DIOMEDES.<br/>
How now, my charge!
</p>
<p>CRESSIDA.<br/>
Now, my sweet guardian! Hark, a word with you.
</p>
<p class="right"> [<i>Whispers</i>.]</p>
<p>TROILUS.<br/>
Yea, so familiar?
</p>
<p>ULYSSES.<br/>
She will sing any man at first sight.
</p>
<p>THERSITES.<br/>
And any man may sing her, if he can take her cliff; she's noted.
</p>
<p>DIOMEDES.<br/>
Will you remember?
</p>
<p>CRESSIDA.<br/>
Remember! Yes.
</p>
<p>DIOMEDES.<br/>
Nay, but do, then;<br/>
And let your mind be coupled with your words.
</p>
<p>TROILUS.<br/>
What should she remember?
</p>
<p>ULYSSES.<br/>
List!
</p>
<p>CRESSIDA.<br/>
Sweet honey Greek, tempt me no more to folly.
</p>
<p>THERSITES.<br/>
Roguery!
</p>
<p>DIOMEDES.<br/>
Nay, then—
</p>
<p>CRESSIDA.<br/>
I'll tell you what—
</p>
<p>DIOMEDES.<br/>
Fo, fo! come, tell a pin; you are a forsworn.
</p>
<p>CRESSIDA.<br/>
In faith, I cannot. What would you have me do?
</p>
<p>THERSITES.<br/>
A juggling trick, to be secretly open.
</p>
<p>DIOMEDES.<br/>
What did you swear you would bestow on me?
</p>
<p>CRESSIDA.<br/>
I prithee, do not hold me to mine oath;<br/>
Bid me do anything but that, sweet Greek.
</p>
<p>DIOMEDES.<br/>
Good night.
</p>
<p>TROILUS.<br/>
Hold, patience!
</p>
<p>ULYSSES.<br/>
How now, Trojan!
</p>
<p>CRESSIDA.<br/>
Diomed!
</p>
<p>DIOMEDES.<br/>
No, no, good night; I'll be your fool no more.
</p>
<p>TROILUS.<br/>
Thy better must.
</p>
<p>CRESSIDA.<br/>
Hark! a word in your ear.
</p>
<p>TROILUS.<br/>
O plague and madness!
</p>
<p>ULYSSES.<br/>
You are moved, Prince; let us depart, I pray,<br/>
Lest your displeasure should enlarge itself<br/>
To wrathful terms. This place is dangerous;<br/>
The time right deadly; I beseech you, go.
</p>
<p>TROILUS.<br/>
Behold, I pray you.
</p>
<p>ULYSSES.<br/>
Nay, good my lord, go off;<br/>
You flow to great distraction; come, my lord.
</p>
<p>TROILUS.<br/>
I pray thee stay.
</p>
<p>ULYSSES.<br/>
You have not patience; come.
</p>
<p>TROILUS.<br/>
I pray you, stay; by hell and all hell's torments,<br/>
I will not speak a word.
</p>
<p>DIOMEDES.<br/>
And so, good night.
</p>
<p>CRESSIDA.<br/>
Nay, but you part in anger.
</p>
<p>TROILUS.<br/>
Doth that grieve thee? O withered truth!
</p>
<p>ULYSSES.<br/>
How now, my lord?
</p>
<p>TROILUS.<br/>
By Jove, I will be patient.
</p>
<p>CRESSIDA.<br/>
Guardian! Why, Greek!
</p>
<p>DIOMEDES.<br/>
Fo, fo! adieu! you palter.
</p>
<p>CRESSIDA.<br/>
In faith, I do not. Come hither once again.
</p>
<p>ULYSSES.<br/>
You shake, my lord, at something; will you go?<br/>
You will break out.
</p>
<p>TROILUS.<br/>
She strokes his cheek.
</p>
<p>ULYSSES.<br/>
Come, come.
</p>
<p>TROILUS.<br/>
Nay, stay; by Jove, I will not speak a word:<br/>
There is between my will and all offences<br/>
A guard of patience. Stay a little while.
</p>
<p>THERSITES.<br/>
How the devil Luxury, with his fat rump and potato finger, tickles these together! Fry,
lechery, fry!</p>
<p>DIOMEDES.<br/>
But will you, then?
</p>
<p>CRESSIDA.<br/>
In faith, I will, la; never trust me else.
</p>
<p>DIOMEDES.<br/>
Give me some token for the surety of it.
</p>
<p>CRESSIDA.<br/>
I'll fetch you one.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>ULYSSES.<br/>
You have sworn patience.
</p>
<p>TROILUS.<br/>
Fear me not, my lord;<br/>
I will not be myself, nor have cognition<br/>
Of what I feel. I am all patience.
</p>
<p class="scenedesc"> Re-enter <span class="charname">Cressida</span>.</p>
<p>THERSITES.<br/>
Now the pledge; now, now, now!
</p>
<p>CRESSIDA.<br/>
Here, Diomed, keep this sleeve.
</p>
<p>TROILUS.<br/>
O beauty! where is thy faith?
</p>
<p>ULYSSES.<br/>
My lord!
</p>
<p>TROILUS.<br/>
I will be patient; outwardly I will.
</p>
<p>CRESSIDA.<br/>
You look upon that sleeve; behold it well.<br/>
He lov'd me—O false wench!—Give't me again.
</p>
<p>DIOMEDES.<br/>
Whose was't?
</p>
<p>CRESSIDA.<br/>
It is no matter, now I have't again.<br/>
I will not meet with you tomorrow night.<br/>
I prithee, Diomed, visit me no more.
</p>
<p>THERSITES.<br/>
Now she sharpens. Well said, whetstone.
</p>
<p>DIOMEDES.<br/>
I shall have it.
</p>
<p>CRESSIDA.<br/>
What, this?
</p>
<p>DIOMEDES.<br/>
Ay, that.
</p>
<p>CRESSIDA.<br/>
O all you gods! O pretty, pretty pledge!<br/>
Thy master now lies thinking on his bed<br/>
Of thee and me, and sighs, and takes my glove,<br/>
And gives memorial dainty kisses to it,<br/>
As I kiss thee. Nay, do not snatch it from me;<br/>
He that takes that doth take my heart withal.
</p>
<p>DIOMEDES.<br/>
I had your heart before; this follows it.
</p>
<p>TROILUS.<br/>
I did swear patience.
</p>
<p>CRESSIDA.<br/>
You shall not have it, Diomed; faith, you shall not;<br/>
I'll give you something else.
</p>
<p>DIOMEDES.<br/>
I will have this. Whose was it?
</p>
<p>CRESSIDA.<br/>
It is no matter.
</p>
<p>DIOMEDES.<br/>
Come, tell me whose it was.
</p>
<p>CRESSIDA.<br/>
'Twas one's that lov'd me better than you will.<br/>
But, now you have it, take it.
</p>
<p>DIOMEDES.<br/>
Whose was it?
</p>
<p>CRESSIDA.<br/>
By all Diana's waiting women yond,<br/>
And by herself, I will not tell you whose.
</p>
<p>DIOMEDES.<br/>
Tomorrow will I wear it on my helm,<br/>
And grieve his spirit that dares not challenge it.
</p>
<p>TROILUS.<br/>
Wert thou the devil and wor'st it on thy horn,<br/>
It should be challeng'd.
</p>
<p>CRESSIDA.<br/>
Well, well, 'tis done, 'tis past; and yet it is not;<br/>
I will not keep my word.
</p>
<p>DIOMEDES.<br/>
Why, then farewell;<br/>
Thou never shalt mock Diomed again.
</p>
<p>CRESSIDA.<br/>
You shall not go. One cannot speak a word<br/>
But it straight starts you.
</p>
<p>DIOMEDES.<br/>
I do not like this fooling.
</p>
<p>THERSITES.<br/>
Nor I, by Pluto; but that that likes not you<br/>
Pleases me best.
</p>
<p>DIOMEDES.<br/>
What, shall I come? The hour?
</p>
<p>CRESSIDA.<br/>
Ay, come; O Jove! Do come. I shall be plagu'd.
</p>
<p>DIOMEDES.<br/>
Farewell till then.
</p>
<p>CRESSIDA.<br/>
Good night. I prithee come.
</p>
<p class="right"> [<i>Exit</i> <span class="charname">Diomedes</span>.]</p>
<p>Troilus, farewell! One eye yet looks on thee;<br/>
But with my heart the other eye doth see.<br/>
Ah, poor our sex! this fault in us I find,<br/>
The error of our eye directs our mind.<br/>
What error leads must err; O, then conclude,<br/>
Minds sway'd by eyes are full of turpitude.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>THERSITES.<br/>
A proof of strength she could not publish more,<br/>
Unless she said 'My mind is now turn'd whore.'
</p>
<p>ULYSSES.<br/>
All's done, my lord.
</p>
<p>TROILUS.<br/>
It is.
</p>
<p>ULYSSES.<br/>
Why stay we, then?
</p>
<p>TROILUS.<br/>
To make a recordation to my soul<br/>
Of every syllable that here was spoke.<br/>
But if I tell how these two did co-act,<br/>
Shall I not lie in publishing a truth?<br/>
Sith yet there is a credence in my heart,<br/>
An esperance so obstinately strong,<br/>
That doth invert th'attest of eyes and ears;<br/>
As if those organs had deceptious functions<br/>
Created only to calumniate.<br/>
Was Cressid here?
</p>
<p>ULYSSES.<br/>
I cannot conjure, Trojan.
</p>
<p>TROILUS.<br/>
She was not, sure.
</p>
<p>ULYSSES.<br/>
Most sure she was.
</p>
<p>TROILUS.<br/>
Why, my negation hath no taste of madness.
</p>
<p>ULYSSES.<br/>
Nor mine, my lord. Cressid was here but now.
</p>
<p>TROILUS.<br/>
Let it not be believ'd for womanhood.<br/>
Think, we had mothers; do not give advantage<br/>
To stubborn critics, apt, without a theme,<br/>
For depravation, to square the general sex<br/>
By Cressid's rule. Rather think this not Cressid.
</p>
<p>ULYSSES.<br/>
What hath she done, Prince, that can soil our mothers?
</p>
<p>TROILUS.<br/>
Nothing at all, unless that this were she.
</p>
<p>THERSITES.<br/>
Will he swagger himself out on's own eyes?
</p>
<p>TROILUS.<br/>
This she? No; this is Diomed's Cressida.<br/>
If beauty have a soul, this is not she;<br/>
If souls guide vows, if vows be sanctimonies,<br/>
If sanctimony be the god's delight,<br/>
If there be rule in unity itself,<br/>
This was not she. O madness of discourse,<br/>
That cause sets up with and against itself!<br/>
Bi-fold authority! where reason can revolt<br/>
Without perdition, and loss assume all reason<br/>
Without revolt: this is, and is not, Cressid.<br/>
Within my soul there doth conduce a fight<br/>
Of this strange nature, that a thing inseparate<br/>
Divides more wider than the sky and earth;<br/>
And yet the spacious breadth of this division<br/>
Admits no orifice for a point as subtle<br/>
As Ariachne's broken woof to enter.<br/>
Instance, O instance! strong as Pluto's gates:<br/>
Cressid is mine, tied with the bonds of heaven.<br/>
Instance, O instance! strong as heaven itself:<br/>
The bonds of heaven are slipp'd, dissolv'd, and loos'd;<br/>
And with another knot, five-finger-tied,<br/>
The fractions of her faith, orts of her love,<br/>
The fragments, scraps, the bits, and greasy relics<br/>
Of her o'er-eaten faith, are given to Diomed.
</p>
<p>ULYSSES.<br/>
May worthy Troilus be half attach'd<br/>
With that which here his passion doth express?
</p>
<p>TROILUS.<br/>
Ay, Greek; and that shall be divulged well<br/>
In characters as red as Mars his heart<br/>
Inflam'd with Venus. Never did young man fancy<br/>
With so eternal and so fix'd a soul.<br/>
Hark, Greek: as much as I do Cressid love,<br/>
So much by weight hate I her Diomed.<br/>
That sleeve is mine that he'll bear on his helm;<br/>
Were it a casque compos'd by Vulcan's skill<br/>
My sword should bite it. Not the dreadful spout<br/>
Which shipmen do the hurricano call,<br/>
Constring'd in mass by the almighty sun,<br/>
Shall dizzy with more clamour Neptune's ear<br/>
In his descent than shall my prompted sword<br/>
Falling on Diomed.
</p>
<p>THERSITES.<br/>
He'll tickle it for his concupy.
</p>
<p>TROILUS.<br/>
O Cressid! O false Cressid! false, false, false!<br/>
Let all untruths stand by thy stained name,<br/>
And they'll seem glorious.
</p>
<p>ULYSSES.<br/>
O, contain yourself;<br/>
Your passion draws ears hither.
</p>
<p class="scenedesc"> Enter <span class="charname">Aeneas</span>.</p>
<p>AENEAS.<br/>
I have been seeking you this hour, my lord.<br/>
Hector, by this, is arming him in Troy;<br/>
Ajax, your guard, stays to conduct you home.
</p>
<p>TROILUS.<br/>
Have with you, Prince. My courteous lord, adieu.<br/>
Fairwell, revolted fair! and, Diomed,<br/>
Stand fast, and wear a castle on thy head.
</p>
<p>ULYSSES.<br/>
I'll bring you to the gates.
</p>
<p>TROILUS.<br/>
Accept distracted thanks.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Troilus, Aeneas</span> and <span
class="charname">Ulysses</span></i>.]</p>
<p>THERSITES.
Would I could meet that rogue Diomed! I would croak like
a raven; I would bode, I would bode. Patroclus will give me
anything for the intelligence of this whore; the parrot will not
do more for an almond than he for a commodious drab. Lechery,
lechery! Still wars and lechery! Nothing else holds fashion. A
burning devil take them!</p>
<p class="right"> [<i>Exit</i>.]</p>
<h4 id="sceneV_353"> <b>SCENE III. Troy. Before PRIAM'S palace.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Hector</span> and <span
class="charname">Andromache</span>.</p>
<p>ANDROMACHE.<br/>
When was my lord so much ungently temper'd<br/>
To stop his ears against admonishment?<br/>
Unarm, unarm, and do not fight today.
</p>
<p>HECTOR.<br/>
You train me to offend you; get you in.<br/>
By all the everlasting gods, I'll go.
</p>
<p>ANDROMACHE.<br/>
My dreams will, sure, prove ominous to the day.
</p>
<p>HECTOR.<br/>
No more, I say.
</p>
<p class="scenedesc"> Enter <span class="charname">Cassandra</span>.</p>
<p>CASSANDRA.<br/>
Where is my brother Hector?
</p>
<p>ANDROMACHE.<br/>
Here, sister, arm'd, and bloody in intent.<br/>
Consort with me in loud and dear petition,<br/>
Pursue we him on knees; for I have dreamt<br/>
Of bloody turbulence, and this whole night<br/>
Hath nothing been but shapes and forms of slaughter.
</p>
<p>CASSANDRA.<br/>
O, 'tis true!
</p>
<p>HECTOR.<br/>
Ho! bid my trumpet sound.
</p>
<p>CASSANDRA.<br/>
No notes of sally, for the heavens, sweet brother!
</p>
<p>HECTOR.<br/>
Be gone, I say. The gods have heard me swear.
</p>
<p>CASSANDRA.<br/>
The gods are deaf to hot and peevish vows;<br/>
They are polluted off'rings, more abhorr'd<br/>
Than spotted livers in the sacrifice.
</p>
<p>ANDROMACHE.<br/>
O, be persuaded! Do not count it holy<br/>
To hurt by being just. It is as lawful,<br/>
For we would give much, to use violent thefts<br/>
And rob in the behalf of charity.
</p>
<p>CASSANDRA.<br/>
It is the purpose that makes strong the vow;<br/>
But vows to every purpose must not hold.<br/>
Unarm, sweet Hector.
</p>
<p>HECTOR.<br/>
Hold you still, I say.<br/>
Mine honour keeps the weather of my fate.<br/>
Life every man holds dear; but the dear man<br/>
Holds honour far more precious dear than life.
</p>
<p class="scenedesc"> Enter <span class="charname">Troilus</span>.</p>
<p>How now, young man! Mean'st thou to fight today?</p>
<p>ANDROMACHE.<br/>
Cassandra, call my father to persuade.
</p>
<p class="right"> [<i>Exit</i> <span class="charname">Cassandra</span>.]</p>
<p>HECTOR.<br/>
No, faith, young Troilus; doff thy harness, youth;<br/>
I am today i' th'vein of chivalry.<br/>
Let grow thy sinews till their knots be strong,<br/>
And tempt not yet the brushes of the war.<br/>
Unarm thee, go; and doubt thou not, brave boy,<br/>
I'll stand today for thee and me and Troy.
</p>
<p>TROILUS.<br/>
Brother, you have a vice of mercy in you,<br/>
Which better fits a lion than a man.
</p>
<p>HECTOR.<br/>
What vice is that? Good Troilus, chide me for it.
</p>
<p>TROILUS.<br/>
When many times the captive Grecian falls,<br/>
Even in the fan and wind of your fair sword,<br/>
You bid them rise and live.
</p>
<p>HECTOR.<br/>
O, 'tis fair play!
</p>
<p>TROILUS.<br/>
Fool's play, by heaven, Hector.
</p>
<p>HECTOR.<br/>
How now? how now?
</p>
<p>TROILUS.<br/>
For th' love of all the gods,<br/>
Let's leave the hermit Pity with our mother;<br/>
And when we have our armours buckled on,<br/>
The venom'd vengeance ride upon our swords,<br/>
Spur them to ruthful work, rein them from ruth!
</p>
<p>HECTOR.<br/>
Fie, savage, fie!
</p>
<p>TROILUS.<br/>
Hector, then 'tis wars.
</p>
<p>HECTOR.<br/>
Troilus, I would not have you fight today.
</p>
<p>TROILUS.<br/>
Who should withhold me?<br/>
Not fate, obedience, nor the hand of Mars<br/>
Beckoning with fiery truncheon my retire;<br/>
Not Priamus and Hecuba on knees,<br/>
Their eyes o'er-galled with recourse of tears;<br/>
Nor you, my brother, with your true sword drawn,<br/>
Oppos'd to hinder me, should stop my way,<br/>
But by my ruin.
</p>
<p class="scenedesc"> Re-enter <span class="charname">Cassandra</span> with <span
class="charname">Priam</span>.</p>
<p>CASSANDRA.<br/>
Lay hold upon him, Priam, hold him fast;<br/>
He is thy crutch; now if thou lose thy stay,<br/>
Thou on him leaning, and all Troy on thee,<br/>
Fall all together.
</p>
<p>PRIAM.<br/>
Come, Hector, come, go back.<br/>
Thy wife hath dreamt; thy mother hath had visions;<br/>
Cassandra doth foresee; and I myself<br/>
Am like a prophet suddenly enrapt<br/>
To tell thee that this day is ominous.<br/>
Therefore, come back.
</p>
<p>HECTOR.<br/>
Aeneas is a-field;<br/>
And I do stand engag'd to many Greeks,<br/>
Even in the faith of valour, to appear<br/>
This morning to them.
</p>
<p>PRIAM.<br/>
Ay, but thou shalt not go.
</p>
<p>HECTOR.<br/>
I must not break my faith.<br/>
You know me dutiful; therefore, dear sir,<br/>
Let me not shame respect; but give me leave<br/>
To take that course by your consent and voice<br/>
Which you do here forbid me, royal Priam.
</p>
<p>CASSANDRA.<br/>
O Priam, yield not to him!
</p>
<p>ANDROMACHE.<br/>
Do not, dear father.
</p>
<p>HECTOR.<br/>
Andromache, I am offended with you.<br/>
Upon the love you bear me, get you in.
</p>
<p class="right"> [<i>Exit</i> <span class="charname">Andromache</span>.]</p>
<p>TROILUS.<br/>
This foolish, dreaming, superstitious girl<br/>
Makes all these bodements.
</p>
<p>CASSANDRA.<br/>
O, farewell, dear Hector!<br/>
Look how thou diest. Look how thy eye turns pale.<br/>
Look how thy wounds do bleed at many vents.<br/>
Hark how Troy roars; how Hecuba cries out;<br/>
How poor Andromache shrills her dolours forth;<br/>
Behold distraction, frenzy, and amazement,<br/>
Like witless antics, one another meet,<br/>
And all cry, 'Hector! Hector's dead! O Hector!'
</p>
<p>TROILUS.<br/>
Away, away!
</p>
<p>CASSANDRA.<br/>
Farewell! yet, soft! Hector, I take my leave.<br/>
Thou dost thyself and all our Troy deceive.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>HECTOR.<br/>
You are amaz'd, my liege, at her exclaim.<br/>
Go in, and cheer the town; we'll forth, and fight,<br/>
Do deeds worth praise and tell you them at night.
</p>
<p>PRIAM.<br/>
Farewell. The gods with safety stand about thee!
</p>
<p class="right"> [<i>Exeunt severally <span class="charname">Priam</span> and <span
class="charname">Hector.</span> Alarums.</i>]</p>
<p>TROILUS.<br/>
They are at it, hark! Proud Diomed, believe,<br/>
I come to lose my arm or win my sleeve.
</p>
<p class="scenedesc"> Enter <span class="charname">Pandarus</span>.</p>
<p>PANDARUS.<br/>
Do you hear, my lord? Do you hear?
</p>
<p>TROILUS.<br/>
What now?
</p>
<p>PANDARUS.<br/>
Here's a letter come from yond poor girl.
</p>
<p>TROILUS.<br/>
Let me read.
</p>
<p>PANDARUS.<br/>
A whoreson tisick, a whoreson rascally tisick, so troubles
me, and the foolish fortune of this girl, and what one thing,
what another, that I shall leave you one o' these days; and I
have a rheum in mine eyes too, and such an ache in my bones that
unless a man were curs'd I cannot tell what to think on't. What
says she there?</p>
<p>TROILUS.<br/>
Words, words, mere words, no matter from the heart;<br/>
Th'effect doth operate another way.
</p>
<p class="right"> [<i>Tearing the letter</i>.]</p>
<p>Go, wind, to wind, there turn and change together.<br/>
My love with words and errors still she feeds,<br/>
But edifies another with her deeds.
</p>
<p class="right"> [<i>Exeunt severally</i>.]</p>
<h4 id="sceneV_354"> <b>SCENE IV. The plain between Troy and the Grecian camp.</b></h4>
<p class="scenedesc"> Alarums. Excursions. Enter <span
class="charname">Thersites</span>.</p>
<p>THERSITES.<br/>
Now they are clapper-clawing one another; I'll go look
on. That dissembling abominable varlet, Diomed, has got that same
scurvy doting foolish young knave's sleeve of Troy there in his
helm. I would fain see them meet, that that same young Trojan ass
that loves the whore there might send that Greekish whoremasterly
villain with the sleeve back to the dissembling luxurious drab of
a sleeve-less errand. O' the other side, the policy of those
crafty swearing rascals that stale old mouse-eaten dry cheese,
Nestor, and that same dog-fox, Ulysses, is not prov'd worth a
blackberry. They set me up, in policy, that mongrel cur, Ajax,
against that dog of as bad a kind, Achilles; and now is the cur,
Ajax prouder than the cur Achilles, and will not arm today;
whereupon the Grecians begin to proclaim barbarism, and policy
grows into an ill opinion.</p>
<p class="scenedesc"> Enter <span class="charname">Diomedes, Troilus</span> following.</p>
<p>Soft! here comes sleeve, and t'other.</p>
<p>TROILUS.<br/>
Fly not; for shouldst thou take the river Styx,
I would swim after.
</p>
<p>DIOMEDES.<br/>
Thou dost miscall retire.<br/>
I do not fly; but advantageous care<br/>
Withdrew me from the odds of multitude.<br/>
Have at thee!
</p>
<p>THERSITES.<br/>
Hold thy whore, Grecian; now for thy whore,<br/>
Trojan! now the sleeve, now the sleeve!
</p>
<p class="right"> [<i>Exeunt <span class="charname">Troilus</span> and <span
class="charname">Diomedes</span> fighting</i>.]</p>
<p class="scenedesc"> Enter <span class="charname">Hector</span>.</p>
<p>HECTOR.<br/>
What art thou, Greek? Art thou for Hector's match?<br/>
Art thou of blood and honour?
</p>
<p>THERSITES.<br/>
No, no I am a rascal; a scurvy railing knave; a very filthy rogue.</p>
<p>HECTOR.<br/>
I do believe thee. Live.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>THERSITES.<br/>
God-a-mercy, that thou wilt believe me; but a plague
break thy neck for frighting me! What's become of the wenching
rogues? I think they have swallowed one another. I would laugh at
that miracle. Yet, in a sort, lechery eats itself. I'll seek
them.</p>
<p class="right"> [<i>Exit</i>.]</p>
<h4 id="sceneV_355"> <b>SCENE V. Another part of the plain.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Diomedes</span> and a <span
class="charname">Servant</span>.</p>
<p>DIOMEDES.<br/>
Go, go, my servant, take thou Troilus' horse;<br/>
Present the fair steed to my lady Cressid.<br/>
Fellow, commend my service to her beauty;<br/>
Tell her I have chastis'd the amorous Trojan,<br/>
And am her knight by proof.
</p>
<p>SERVANT.<br/>
I go, my lord.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p class="scenedesc"> Enter <span class="charname">Agamemnon</span>.</p>
<p>AGAMEMNON.<br/>
Renew, renew! The fierce Polydamas<br/>
Hath beat down Menon; bastard Margarelon<br/>
Hath Doreus prisoner,<br/>
And stands colossus-wise, waving his beam,<br/>
Upon the pashed corses of the kings<br/>
Epistrophus and Cedius. Polixenes is slain;<br/>
Amphimacus and Thoas deadly hurt;<br/>
Patroclus ta'en, or slain; and Palamedes<br/>
Sore hurt and bruis'd. The dreadful Sagittary<br/>
Appals our numbers. Haste we, Diomed,<br/>
To reinforcement, or we perish all.
</p>
<p class="scenedesc"> Enter <span class="charname">Nestor</span>.</p>
<p>NESTOR.<br/>
Go, bear Patroclus' body to Achilles,<br/>
And bid the snail-pac'd Ajax arm for shame.<br/>
There is a thousand Hectors in the field;<br/>
Now here he fights on Galathe his horse,<br/>
And there lacks work; anon he's there afoot,<br/>
And there they fly or die, like scaled sculls<br/>
Before the belching whale; then is he yonder,<br/>
And there the strawy Greeks, ripe for his edge,<br/>
Fall down before him like the mower's swath.<br/>
Here, there, and everywhere, he leaves and takes;<br/>
Dexterity so obeying appetite<br/>
That what he will he does, and does so much<br/>
That proof is call'd impossibility.
</p>
<p class="scenedesc"> Enter <span class="charname">Ulysses</span>.</p>
<p>ULYSSES.<br/>
O, courage, courage, courage, Princes! Great Achilles<br/>
Is arming, weeping, cursing, vowing vengeance.<br/>
Patroclus' wounds have rous'd his drowsy blood,<br/>
Together with his mangled Myrmidons,<br/>
That noseless, handless, hack'd and chipp'd, come to him,<br/>
Crying on Hector. Ajax hath lost a friend<br/>
And foams at mouth, and he is arm'd and at it,<br/>
Roaring for Troilus; who hath done today<br/>
Mad and fantastic execution,<br/>
Engaging and redeeming of himself<br/>
With such a careless force and forceless care<br/>
As if that lust, in very spite of cunning,<br/>
Bade him win all.
</p>
<p class="scenedesc"> Enter <span class="charname">Ajax</span>.</p>
<p>AJAX.<br/>
Troilus! thou coward Troilus!
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>DIOMEDES.<br/>
Ay, there, there.
</p>
<p>NESTOR.<br/>
So, so, we draw together.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p class="scenedesc"> Enter <span class="charname">Achilles</span>.</p>
<p>ACHILLES.<br/>
Where is this Hector?<br/>
Come, come, thou boy-queller, show thy face;<br/>
Know what it is to meet Achilles angry.<br/>
Hector! where's Hector? I will none but Hector.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h4 id="sceneV_356"> <b>SCENE VI. Another part of the plain.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Ajax</span>.</p>
<p>AJAX.<br/>
Troilus, thou coward Troilus, show thy head.
</p>
<p class="scenedesc"> Enter <span class="charname">Diomedes</span>.</p>
<p>DIOMEDES.<br/>
Troilus, I say! Where's Troilus?
</p>
<p>AJAX.<br/>
What wouldst thou?
</p>
<p>DIOMEDES.<br/>
I would correct him.
</p>
<p>AJAX.<br/>
Were I the general, thou shouldst have my office<br/>
Ere that correction. Troilus, I say! What, Troilus!
</p>
<p class="scenedesc"> Enter <span class="charname">Troilus</span>.</p>
<p>TROILUS.<br/>
O traitor Diomed! Turn thy false face, thou traitor,<br/>
And pay thy life thou owest me for my horse.
</p>
<p>DIOMEDES.<br/>
Ha! art thou there?
</p>
<p>AJAX.<br/>
I'll fight with him alone. Stand, Diomed.
</p>
<p>DIOMEDES.<br/>
He is my prize. I will not look upon.
</p>
<p>TROILUS.<br/>
Come, both, you cogging Greeks; have at you both!
</p>
<p class="right"> [<i>Exeunt fighting</i>.]</p>
<p class="scenedesc"> Enter <span class="charname">Hector</span>.</p>
<p>HECTOR.<br/>
Yea, Troilus? O, well fought, my youngest brother!
</p>
<p class="scenedesc"> Enter <span class="charname">Achilles</span>.</p>
<p>ACHILLES.<br/>
Now do I see thee. Ha! have at thee, Hector!
</p>
<p>HECTOR.<br/>
Pause, if thou wilt.
</p>
<p>ACHILLES.<br/>
I do disdain thy courtesy, proud Trojan.<br/>
Be happy that my arms are out of use;<br/>
My rest and negligence befriend thee now,<br/>
But thou anon shalt hear of me again;<br/>
Till when, go seek thy fortune.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>HECTOR.<br/>
Fare thee well.<br/>
I would have been much more a fresher man,<br/>
Had I expected thee.
</p>
<p class="scenedesc"> Re-enter <span class="charname">Troilus</span>.</p>
<p>How now, my brother!</p>
<p>TROILUS.<br/>
Ajax hath ta'en Aeneas. Shall it be?<br/>
No, by the flame of yonder glorious heaven,<br/>
He shall not carry him; I'll be ta'en too,<br/>
Or bring him off. Fate, hear me what I say:<br/>
I reck not though thou end my life today.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<p class="scenedesc"> Enter one in armour.</p>
<p>HECTOR.<br/>
Stand, stand, thou Greek; thou art a goodly mark.<br/>
No? wilt thou not? I like thy armour well;<br/>
I'll frush it and unlock the rivets all<br/>
But I'll be master of it. Wilt thou not, beast, abide?<br/>
Why then, fly on; I'll hunt thee for thy hide.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h4 id="sceneV_357"> <b>SCENE VII. Another part of the plain.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Achilles</span> with Myrmidons.</p>
<p>ACHILLES.<br/>
Come here about me, you my Myrmidons;<br/>
Mark what I say. Attend me where I wheel;<br/>
Strike not a stroke, but keep yourselves in breath;<br/>
And when I have the bloody Hector found,<br/>
Empale him with your weapons round about;<br/>
In fellest manner execute your arms.<br/>
Follow me, sirs, and my proceedings eye.<br/>
It is decreed Hector the great must die.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<p class="scenedesc"> Enter <span class="charname">Menelaus</span> and <span
class="charname">Paris</span>, fighting; then <span class="charname">Thersites</span>.</p>
<p>THERSITES.<br/>
The cuckold and the cuckold-maker are at it. Now, bull! Now, dog! 'Loo, Paris,
'loo! now my double-hen'd Spartan! 'loo, Paris, 'loo! The bull has
the game. 'Ware horns, ho!
</p>
<p class="right"> [<i>Exeunt <span class="charname">Paris</span> and <span
class="charname">Menelaus</span></i>.]</p>
<p class="scenedesc"> Enter <span class="charname">Margarelon</span>.</p>
<p>MARGARELON.<br/>
Turn, slave, and fight.
</p>
<p>THERSITES.<br/>
What art thou?
</p>
<p>MARGARELON.<br/>
A bastard son of Priam's.
</p>
<p>THERSITES.<br/>
I am a bastard too; I love bastards. I am a bastard
begot, bastard instructed, bastard in mind, bastard in valour, in
everything illegitimate. One bear will not bite another, and
wherefore should one bastard? Take heed, the quarrel's most
ominous to us: if the son of a whore fight for a whore, he tempts
judgement. Farewell, bastard.</p>
<p class="right"> [<i>Exit</i>.]</p>
<p>MARGARELON.<br/>
The devil take thee, coward!
</p>
<p class="right"> [<i>Exit</i>.]</p>
<h4 id="sceneV_358"> <b>SCENE VIII. Another part of the plain.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Hector</span>.</p>
<p>HECTOR.<br/>
Most putrified core so fair without,<br/>
Thy goodly armour thus hath cost thy life.<br/>
Now is my day's work done; I'll take my breath:<br/>
Rest, sword; thou hast thy fill of blood and death!
</p>
<p class="right"> [<i>Disarms</i>.]</p>
<p class="scenedesc"> Enter <span class="charname">Achilles</span> and Myrmidons.</p>
<p>ACHILLES.<br/>
Look, Hector, how the sun begins to set,<br/>
How ugly night comes breathing at his heels;<br/>
Even with the vail and dark'ning of the sun,<br/>
To close the day up, Hector's life is done.
</p>
<p>HECTOR.<br/>
I am unarm'd; forego this vantage, Greek.
</p>
<p>ACHILLES.<br/>
Strike, fellows, strike; this is the man I seek.
</p>
<p class="right"> [<i><span class="charname">Hector</span> falls</i>.]</p>
<p>So, Ilion, fall thou next! Now, Troy, sink down;<br/>
Here lies thy heart, thy sinews, and thy bone.<br/>
On, Myrmidons, and cry you all amain<br/>
'Achilles hath the mighty Hector slain.'
</p>
<p class="right"> [<i>A retreat sounded</i>.]</p>
<p>Hark! a retire upon our Grecian part.</p>
<p>MYRMIDON.<br/>
The Trojan trumpets sound the like, my lord.
</p>
<p>ACHILLES.<br/>
The dragon wing of night o'erspreads the earth<br/>
And, stickler-like, the armies separates.<br/>
My half-supp'd sword, that frankly would have fed,<br/>
Pleas'd with this dainty bait, thus goes to bed.
</p>
<p class="right"> [<i>Sheathes his sword</i>.]</p>
<p>Come, tie his body to my horse's tail;<br/>
Along the field I will the Trojan trail.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h4 id="sceneV_359"> <b>SCENE IX. Another part of the plain.</b></h4>
<p class="scenedesc"> Sound retreat. Shout. Enter <span class="charname">Agamemnon, Ajax,
Menelaus, Nestor, Diomedes</span> and the rest, marching.</p>
<p>AGAMEMNON.<br/>
Hark! hark! what shout is this?
</p>
<p>NESTOR.<br/>
Peace, drums!
</p>
<p>SOLDIERS.<br/>
[<i>Within</i>.] Achilles! Achilles! Hector's slain. Achilles!
</p>
<p>DIOMEDES.<br/>
The bruit is, Hector's slain, and by Achilles.
</p>
<p>AJAX.<br/>
If it be so, yet bragless let it be;<br/>
Great Hector was as good a man as he.
</p>
<p>AGAMEMNON.<br/>
March patiently along. Let one be sent<br/>
To pray Achilles see us at our tent.<br/>
If in his death the gods have us befriended;<br/>
Great Troy is ours, and our sharp wars are ended.
</p>
<p class="right"> [<i>Exeunt</i>.]</p>
<h4 id="sceneV_3510"> <b>SCENE X. Another part of the plain.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Aeneas, Paris, Antenor</span> and <span
class="charname">Deiphobus</span>.</p>
<p>AENEAS.<br/>
Stand, ho! yet are we masters of the field.<br/>
Never go home; here starve we out the night.
</p>
<p class="scenedesc"> Enter <span class="charname">Troilus</span>.</p>
<p>TROILUS.<br/>
Hector is slain.
</p>
<p>ALL.<br/>
Hector! The gods forbid!
</p>
<p>TROILUS.<br/>
He's dead, and at the murderer's horse's tail,<br/>
In beastly sort, dragg'd through the shameful field.<br/>
Frown on, you heavens, effect your rage with speed.<br/>
Sit, gods, upon your thrones, and smile at Troy.<br/>
I say at once let your brief plagues be mercy,<br/>
And linger not our sure destructions on.
</p>
<p>AENEAS.<br/>
My lord, you do discomfort all the host.
</p>
<p>TROILUS.<br/>
You understand me not that tell me so.<br/>
I do not speak of flight, of fear of death,<br/>
But dare all imminence that gods and men<br/>
Address their dangers in. Hector is gone.<br/>
Who shall tell Priam so, or Hecuba?<br/>
Let him that will a screech-owl aye be call'd<br/>
Go in to Troy, and say there 'Hector's dead.'<br/>
There is a word will Priam turn to stone;<br/>
Make wells and Niobes of the maids and wives,<br/>
Cold statues of the youth; and, in a word,<br/>
Scare Troy out of itself. But, march away;<br/>
Hector is dead; there is no more to say.<br/>
Stay yet. You vile abominable tents,<br/>
Thus proudly pight upon our Phrygian plains,<br/>
Let Titan rise as early as he dare,<br/>
I'll through and through you. And, thou great-siz'd coward,<br/>
No space of earth shall sunder our two hates;<br/>
I'll haunt thee like a wicked conscience still,<br/>
That mouldeth goblins swift as frenzy's thoughts.<br/>
Strike a free march to Troy. With comfort go;<br/>
Hope of revenge shall hide our inward woe.
</p>
<p class="scenedesc"> Enter <span class="charname">Pandarus</span>.</p>
<p>PANDARUS.<br/>
But hear you, hear you!
</p>
<p>TROILUS.<br/>
Hence, broker-lackey. Ignominy and shame<br/>
Pursue thy life, and live aye with thy name!
</p>
<p class="right"> [<i>Exeunt all but</i> <span class="charname">Pandarus</span>.]</p>
<p>PANDARUS.<br/>
A goodly medicine for my aching bones! O world! world! Thus
is the poor agent despis'd! O traitors and bawds, how earnestly are
you set a-work, and how ill requited! Why should our endeavour be
so lov'd, and the performance so loathed? What verse for it? What
instance for it? Let me see—</p>
<p>  Full merrily the humble-bee doth sing<br/>
  Till he hath lost his honey and his sting;<br/>
  And being once subdu'd in armed trail,<br/>
  Sweet honey and sweet notes together fail.
</p>
<p>Good traders in the flesh, set this in your painted cloths.<br/>
As many as be here of Pandar's hall,<br/>
Your eyes, half out, weep out at Pandar's fall;<br/>
Or, if you cannot weep, yet give some groans,<br/>
Though not for me, yet for your aching bones.<br/>
Brethren and sisters of the hold-door trade,<br/>
Some two months hence my will shall here be made.<br/>
It should be now, but that my fear is this,<br/>
Some galled goose of Winchester would hiss.<br/>
Till then I'll sweat and seek about for eases,<br/>
And at that time bequeath you my diseases.
</p>
<p class="right"> [<i>Exit</i>.]</p>
<h2>TWELFTH NIGHT: OR, WHAT YOU WILL</h2>
<hr />
<h4>Contents</h4>
<p>
ACT&nbsp;I<br/>
[[#sceneI_361|Scene I.
An Apartment in the Duke's Palace.<br/>
[[#sceneI_362|Scene II.
The sea-coast.<br/>
[[#sceneI_363|Scene III.
A Room in Olivia's House.<br/>
[[#sceneI_364|Scene IV.
A Room in the Duke's Palace.<br/>
[[#sceneI_365|Scene V.
A Room in Olivia's House.<br/>
<br/>
ACT&nbsp;II<br/>
[[#sceneII_361|Scene I.
The sea-coast.<br/>
[[#sceneII_362|Scene II.
A street.<br/>
[[#sceneII_363|Scene III.
A Room in Olivia's House.<br/>
[[#sceneII_364|Scene IV.
A Room in the Duke's Palace.<br/>
[[#sceneII_365|Scene V.
Olivia's garden.<br/>
<br/>
ACT&nbsp;III<br/>
[[#sceneIII_361|Scene I.
Olivia's garden.<br/>
[[#sceneIII_362|Scene II.
A Room in Olivia's House.<br/>
[[#sceneIII_363|Scene III.
A street.<br/>
[[#sceneIII_364|Scene IV.
Olivia's garden.<br/>
<br/>
ACT&nbsp;IV<br/>
[[#sceneIV_361|Scene I.
The Street before Olivia's House.<br/>
[[#sceneIV_362|Scene II.
A Room in Olivia's House.<br/>
[[#sceneIV_363|Scene III.
Olivia's Garden.<br/>
<br/>
ACT&nbsp;V<br/>
[[#sceneV_361|Scene I.
The Street before Olivia's House.<br/>
<br/>
<br/>
</p>
<h4> Dramatis Personæ </h4>
<p>ORSINO, Duke of Illyria.<br/>
VALENTINE, Gentleman attending on the Duke<br/>
CURIO, Gentleman attending on the Duke<br/>
VIOLA, in love with the Duke.<br/>
SEBASTIAN, a young Gentleman, twin brother to Viola.<br/>
A SEA CAPTAIN, friend to Viola<br/>
ANTONIO, a Sea Captain, friend to Sebastian.<br/>
OLIVIA, a rich Countess.<br/>
MARIA, Olivia's Woman.<br/>
SIR TOBY BELCH, Uncle of Olivia.<br/>
SIR ANDREW AGUECHEEK.<br/>
MALVOLIO, Steward to Olivia.<br/>
FABIAN, Servant to Olivia.<br/>
CLOWN, Servant to Olivia.<br/>
PRIEST<br/>
Lords, Sailors, Officers, Musicians, and other Attendants.
</p>
<h4><b>SCENE: A City in Illyria; and the Sea-coast near it.</b></h4>
<h3 id="sceneI_361"> <b>ACT I.</b></h3>
<h4><b>SCENE I. An Apartment in the Duke's Palace.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Orsino,</span> Duke of
Illyria,<span class="charname"> Curio,</span> and other Lords; Musicians attending.</p>
<p>DUKE.<br/>
If music be the food of love, play on,<br/>
Give me excess of it; that, surfeiting,<br/>
The appetite may sicken and so die.<br/>
That strain again, it had a dying fall;<br/>
O, it came o'er my ear like the sweet sound<br/>
That breathes upon a bank of violets,<br/>
Stealing and giving odour. Enough; no more;<br/>
'Tis not so sweet now as it was before.<br/>
O spirit of love, how quick and fresh art thou,<br/>
That notwithstanding thy capacity<br/>
Receiveth as the sea, nought enters there,<br/>
Of what validity and pitch soever,<br/>
But falls into abatement and low price<br/>
Even in a minute! So full of shapes is fancy,<br/>
That it alone is high fantastical.
</p>
<p>CURIO.<br/>
Will you go hunt, my lord?
</p>
<p>DUKE.<br/>
What, Curio?
</p>
<p>CURIO.<br/>
The hart.
</p>
<p>DUKE.<br/>
Why so I do, the noblest that I have.<br/>
O, when mine eyes did see Olivia first,<br/>
Methought she purg'd the air of pestilence;<br/>
That instant was I turn'd into a hart,<br/>
And my desires, like fell and cruel hounds,<br/>
E'er since pursue me. How now? what news from her?
</p>
<p class="scenedesc"> Enter <span class="charname">Valentine</span>.</p>
<p>VALENTINE.<br/>
So please my lord, I might not be admitted,<br/>
But from her handmaid do return this answer:<br/>
The element itself, till seven years' heat,<br/>
Shall not behold her face at ample view;<br/>
But like a cloistress she will veiled walk,<br/>
And water once a day her chamber round<br/>
With eye-offending brine: all this to season<br/>
A brother's dead love, which she would keep fresh<br/>
And lasting in her sad remembrance.
</p>
<p>DUKE.<br/>
O, she that hath a heart of that fine frame<br/>
To pay this debt of love but to a brother,<br/>
How will she love, when the rich golden shaft<br/>
Hath kill'd the flock of all affections else<br/>
That live in her; when liver, brain, and heart,<br/>
These sovereign thrones, are all supplied and fill'd<br/>
Her sweet perfections with one self king!<br/>
Away before me to sweet beds of flowers,<br/>
Love-thoughts lie rich when canopied with bowers.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneI_362"> <b>SCENE II. The sea-coast.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Viola,</span> a
<span class="charname">Captain</span> and Sailors.</p>
<p>VIOLA.<br/>
What country, friends, is this?
</p>
<p>CAPTAIN.<br/>
This is Illyria, lady.
</p>
<p>VIOLA.<br/>
And what should I do in Illyria?<br/>
My brother he is in Elysium.<br/>
Perchance he is not drown'd. What think you, sailors?
</p>
<p>CAPTAIN.<br/>
It is perchance that you yourself were sav'd.
</p>
<p>VIOLA.<br/>
O my poor brother! and so perchance may he be.
</p>
<p>CAPTAIN.<br/>
True, madam; and to comfort you with chance,<br/>
Assure yourself, after our ship did split,<br/>
When you, and those poor number sav'd with you,<br/>
Hung on our driving boat, I saw your brother,<br/>
Most provident in peril, bind himself,<br/>
(Courage and hope both teaching him the practice)<br/>
To a strong mast that liv'd upon the sea;<br/>
Where, like Arion on the dolphin's back,<br/>
I saw him hold acquaintance with the waves<br/>
So long as I could see.
</p>
<p>VIOLA.<br/>
For saying so, there's gold!<br/>
Mine own escape unfoldeth to my hope,<br/>
Whereto thy speech serves for authority,<br/>
The like of him. Know'st thou this country?
</p>
<p>CAPTAIN.<br/>
Ay, madam, well, for I was bred and born<br/>
Not three hours' travel from this very place.
</p>
<p>VIOLA.<br/>
Who governs here?
</p>
<p>CAPTAIN.<br/>
A noble duke, in nature as in name.
</p>
<p>VIOLA.<br/>
What is his name?
</p>
<p>CAPTAIN.<br/>
Orsino.
</p>
<p>VIOLA.<br/>
Orsino! I have heard my father name him.<br/>
He was a bachelor then.
</p>
<p>CAPTAIN.<br/>
And so is now, or was so very late;<br/>
For but a month ago I went from hence,<br/>
And then 'twas fresh in murmur, (as, you know,<br/>
What great ones do, the less will prattle of)<br/>
That he did seek the love of fair Olivia.
</p>
<p>VIOLA.<br/>
What's she?
</p>
<p>CAPTAIN.<br/>
A virtuous maid, the daughter of a count<br/>
That died some twelvemonth since; then leaving her<br/>
In the protection of his son, her brother,<br/>
Who shortly also died; for whose dear love<br/>
They say, she hath abjur'd the company<br/>
And sight of men.
</p>
<p>VIOLA.<br/>
O that I served that lady,<br/>
And might not be delivered to the world,<br/>
Till I had made mine own occasion mellow,<br/>
What my estate is.
</p>
<p>CAPTAIN.<br/>
That were hard to compass,<br/>
Because she will admit no kind of suit,<br/>
No, not the Duke's.
</p>
<p>VIOLA.<br/>
There is a fair behaviour in thee, Captain;<br/>
And though that nature with a beauteous wall<br/>
Doth oft close in pollution, yet of thee<br/>
I will believe thou hast a mind that suits<br/>
With this thy fair and outward character.<br/>
I pray thee, and I'll pay thee bounteously,<br/>
Conceal me what I am, and be my aid<br/>
For such disguise as haply shall become<br/>
The form of my intent. I'll serve this duke;<br/>
Thou shalt present me as an eunuch to him.<br/>
It may be worth thy pains; for I can sing,<br/>
And speak to him in many sorts of music,<br/>
That will allow me very worth his service.<br/>
What else may hap, to time I will commit;<br/>
Only shape thou thy silence to my wit.
</p>
<p>CAPTAIN.<br/>
Be you his eunuch and your mute I'll be;<br/>
When my tongue blabs, then let mine eyes not see.
</p>
<p>VIOLA.<br/>
I thank thee. Lead me on.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneI_363"> <b>SCENE III. A Room in Olivia's House.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Sir Toby</span> and
<span class="charname">Maria</span>.</p>
<p>SIR TOBY.<br/>
What a plague means my niece to take the death of her brother thus? I am sure
care's an enemy to life.
</p>
<p>MARIA.<br/>
By my troth, Sir Toby, you must come in earlier o' nights; your cousin,
my lady, takes great exceptions to your ill hours.
</p>
<p>SIR TOBY.<br/>
Why, let her except, before excepted.
</p>
<p>MARIA.<br/>
Ay, but you must confine yourself within the modest limits of order.
</p>
<p>SIR TOBY.<br/>
Confine? I'll confine myself no finer than I am. These clothes are good
enough to drink in, and so be these boots too; and they be not, let them hang
themselves in their own straps.
</p>
<p>MARIA.<br/>
That quaffing and drinking will undo you: I heard my lady talk of it yesterday;
and of a foolish knight that you brought in one night here to be her wooer.
</p>
<p>SIR TOBY.<br/>
Who? Sir Andrew Aguecheek?
</p>
<p>MARIA.<br/>
Ay, he.
</p>
<p>SIR TOBY.<br/>
He's as tall a man as any's in Illyria.
</p>
<p>MARIA.<br/>
What's that to th' purpose?
</p>
<p>SIR TOBY.<br/>
Why, he has three thousand ducats a year.
</p>
<p>MARIA.<br/>
Ay, but he'll have but a year in all these ducats. He's a very
fool, and a prodigal.
</p>
<p>SIR TOBY.<br/>
Fie, that you'll say so! he plays o' the viol-de-gamboys, and
speaks three or four languages word for word without book, and hath all the
good gifts of nature.
</p>
<p>MARIA.<br/>
He hath indeed, almost natural: for, besides that he's a fool, he's
a great quarreller; and, but that he hath the gift of a coward to allay the
gust he hath in quarrelling, 'tis thought among the prudent he would
quickly have the gift of a grave.
</p>
<p>SIR TOBY.<br/>
By this hand, they are scoundrels and substractors that say so of him. Who are
they?
</p>
<p>MARIA.<br/>
They that add, moreover, he's drunk nightly in your company.
</p>
<p>SIR TOBY.<br/>
With drinking healths to my niece; I'll drink to her as long as there is
a passage in my throat, and drink in Illyria. He's a coward and a coystril
that will not drink to my niece till his brains turn o' the toe like a
parish top. What, wench! <i>Castiliano vulgo:</i> for here comes Sir Andrew
Agueface.
</p>
<p class="scenedesc"> Enter <span class="charname">Sir Andrew</span>.</p>
<p>AGUECHEEK.<br/>
Sir Toby Belch! How now, Sir Toby Belch?
</p>
<p>SIR TOBY.<br/>
Sweet Sir Andrew!
</p>
<p>SIR ANDREW.<br/>
Bless you, fair shrew.
</p>
<p>MARIA.<br/>
And you too, sir.
</p>
<p>SIR TOBY.<br/>
Accost, Sir Andrew, accost.
</p>
<p>SIR ANDREW.<br/>
What's that?
</p>
<p>SIR TOBY.<br/>
My niece's chamber-maid.
</p>
<p>SIR ANDREW.<br/>
Good Mistress Accost, I desire better acquaintance.
</p>
<p>MARIA.<br/>
My name is Mary, sir.
</p>
<p>SIR ANDREW.<br/>
Good Mistress Mary Accost,&mdash;
</p>
<p>SIR TOBY.<br/>
You mistake, knight: accost is front her, board her, woo her, assail her.
</p>
<p>SIR ANDREW.<br/>
By my troth, I would not undertake her in this company. Is that the meaning of
accost?
</p>
<p>MARIA.<br/>
Fare you well, gentlemen.
</p>
<p>SIR TOBY.<br/>
And thou let part so, Sir Andrew, would thou mightst never draw sword again.
</p>
<p>SIR ANDREW.<br/>
And you part so, mistress, I would I might never draw sword again. Fair lady,
do you think you have fools in hand?
</p>
<p>MARIA.<br/>
Sir, I have not you by the hand.
</p>
<p>SIR ANDREW.<br/>
Marry, but you shall have, and here's my hand.
</p>
<p>MARIA.<br/>
Now, sir, thought is free. I pray you, bring your hand to th' buttery bar
and let it drink.
</p>
<p>SIR ANDREW.<br/>
Wherefore, sweetheart? What's your metaphor?
</p>
<p>MARIA.<br/>
It's dry, sir.
</p>
<p>SIR ANDREW.<br/>
Why, I think so; I am not such an ass but I can keep my hand dry. But
what's your jest?
</p>
<p>MARIA.<br/>
A dry jest, sir.
</p>
<p>SIR ANDREW.<br/>
Are you full of them?
</p>
<p>MARIA.<br/>
Ay, sir, I have them at my fingers' ends: marry, now I let go your hand,
I am barren.
</p>
<p class="right"> [<i>Exit <span class="charname">Maria</span>.</i>]</p>
<p>SIR TOBY.<br/>
O knight, thou lack'st a cup of canary: When did I see thee so put down?
</p>
<p>SIR ANDREW.<br/>
Never in your life, I think, unless you see canary put me down. Methinks
sometimes I have no more wit than a Christian or an ordinary man has; but I am
a great eater of beef, and I believe that does harm to my wit.
</p>
<p>SIR TOBY.<br/>
No question.
</p>
<p>SIR ANDREW.<br/>
And I thought that, I'd forswear it. I'll ride home tomorrow, Sir
Toby.
</p>
<p>SIR TOBY.<br/>
<i>Pourquoy</i>, my dear knight?
</p>
<p>SIR ANDREW.<br/>
What is <i>pourquoy?</i> Do, or not do? I would I had bestowed that time in the
tongues that I have in fencing, dancing, and bear-baiting. O, had I but
followed the arts!
</p>
<p>SIR TOBY.<br/>
Then hadst thou had an excellent head of hair.
</p>
<p>SIR ANDREW.<br/>
Why, would that have mended my hair?
</p>
<p>SIR TOBY.<br/>
Past question; for thou seest it will not curl by nature.
</p>
<p>SIR ANDREW.<br/>
But it becomes me well enough, does't not?
</p>
<p>SIR TOBY.<br/>
Excellent, it hangs like flax on a distaff; and I hope to see a houswife take
thee between her legs, and spin it off.
</p>
<p>SIR ANDREW.<br/>
Faith, I'll home tomorrow, Sir Toby; your niece will not be seen, or if
she be, it's four to one she'll none of me; the Count himself here
hard by woos her.
</p>
<p>SIR TOBY.<br/>
She'll none o' the Count; she'll not match above her degree,
neither in estate, years, nor wit; I have heard her swear't. Tut,
there's life in't, man.
</p>
<p>SIR ANDREW.<br/>
I'll stay a month longer. I am a fellow o' the strangest mind
i' the world; I delight in masques and revels sometimes altogether.
</p>
<p>SIR TOBY.<br/>
Art thou good at these kick-shawses, knight?
</p>
<p>SIR ANDREW.<br/>
As any man in Illyria, whatsoever he be, under the degree of my betters; and
yet I will not compare with an old man.
</p>
<p>SIR TOBY.<br/>
What is thy excellence in a galliard, knight?
</p>
<p>SIR ANDREW.<br/>
Faith, I can cut a caper.
</p>
<p>SIR TOBY.<br/>
And I can cut the mutton to't.
</p>
<p>SIR ANDREW.<br/>
And I think I have the back-trick simply as strong as any man in Illyria.
</p>
<p>SIR TOBY.<br/>
Wherefore are these things hid? Wherefore have these gifts a curtain before
'em? Are they like to take dust, like Mistress Mall's picture? Why
dost thou not go to church in a galliard, and come home in a coranto? My very
walk should be a jig; I would not so much as make water but in a sink-a-pace.
What dost thou mean? Is it a world to hide virtues in? I did think, by the
excellent constitution of thy leg, it was formed under the star of a galliard.
</p>
<p>SIR ANDREW.<br/>
Ay, 'tis strong, and it does indifferent well in a
dam'd-colour'd stock. Shall we set about some revels?
</p>
<p>SIR TOBY.<br/>
What shall we do else? Were we not born under Taurus?
</p>
<p>SIR ANDREW.<br/>
Taurus? That's sides and heart.
</p>
<p>SIR TOBY.<br/>
No, sir, it is legs and thighs. Let me see thee caper. Ha, higher: ha, ha,
excellent!
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneI_364"> <b>SCENE IV. A Room in the Duke's Palace.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Valentine</span> and
<span class="charname">Viola</span> in man's attire.</p>
<p>VALENTINE.<br/>
If the duke continue these favours towards you, Cesario, you are like to be
much advanced; he hath known you but three days, and already you are no
stranger.
</p>
<p>VIOLA.<br/>
You either fear his humour or my negligence, that you call in question the
continuance of his love. Is he inconstant, sir, in his favours?
</p>
<p>VALENTINE.<br/>
No, believe me.
</p>
<p class="scenedesc"> Enter <span class="charname">Duke, Curio</span> and Attendants.</p>
<p>VIOLA.<br/>
I thank you. Here comes the Count.
</p>
<p>DUKE.<br/>
Who saw Cesario, ho?
</p>
<p>VIOLA.<br/>
On your attendance, my lord, here.
</p>
<p>DUKE.<br/>
Stand you awhile aloof.&mdash;Cesario,<br/>
Thou know'st no less but all; I have unclasp'd<br/>
To thee the book even of my secret soul.<br/>
Therefore, good youth, address thy gait unto her,<br/>
Be not denied access, stand at her doors,<br/>
And tell them, there thy fixed foot shall grow<br/>
Till thou have audience.
</p>
<p>VIOLA.<br/>
Sure, my noble lord,<br/>
If she be so abandon'd to her sorrow<br/>
As it is spoke, she never will admit me.
</p>
<p>DUKE.<br/>
Be clamorous and leap all civil bounds,<br/>
Rather than make unprofited return.
</p>
<p>VIOLA.<br/>
Say I do speak with her, my lord, what then?
</p>
<p>DUKE.<br/>
O then unfold the passion of my love,<br/>
Surprise her with discourse of my dear faith;<br/>
It shall become thee well to act my woes;<br/>
She will attend it better in thy youth,<br/>
Than in a nuncio's of more grave aspect.
</p>
<p>VIOLA.<br/>
I think not so, my lord.
</p>
<p>DUKE.<br/>
Dear lad, believe it;<br/>
For they shall yet belie thy happy years,<br/>
That say thou art a man: Diana's lip<br/>
Is not more smooth and rubious; thy small pipe<br/>
Is as the maiden's organ, shrill and sound,<br/>
And all is semblative a woman's part.<br/>
I know thy constellation is right apt<br/>
For this affair. Some four or five attend him:<br/>
All, if you will; for I myself am best<br/>
When least in company. Prosper well in this,<br/>
And thou shalt live as freely as thy lord,<br/>
To call his fortunes thine.
</p>
<p>VIOLA.<br/>
I'll do my best<br/>
To woo your lady. [<i>Aside.</i>] Yet, a barful strife!<br/>
Whoe'er I woo, myself would be his wife.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneI_365"> <b>SCENE V. A Room in Olivia's House.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Maria</span> and
<span class="charname">Clown</span>.</p>
<p>MARIA.<br/>
Nay; either tell me where thou hast been, or I will not open my lips so wide as
a bristle may enter, in way of thy excuse: my lady will hang thee for thy
absence.
</p>
<p>CLOWN.<br/>
Let her hang me: he that is well hanged in this world needs to fear no colours.
</p>
<p>MARIA.<br/>
Make that good.
</p>
<p>CLOWN.<br/>
He shall see none to fear.
</p>
<p>MARIA.<br/>
A good lenten answer. I can tell thee where that saying was born, of I fear no
colours.
</p>
<p>CLOWN.<br/>
Where, good Mistress Mary?
</p>
<p>MARIA.<br/>
In the wars, and that may you be bold to say in your foolery.
</p>
<p>CLOWN.<br/>
Well, God give them wisdom that have it; and those that are fools, let them use
their talents.
</p>
<p>MARIA.<br/>
Yet you will be hanged for being so long absent; or to be turned away; is not
that as good as a hanging to you?
</p>
<p>CLOWN.<br/>
Many a good hanging prevents a bad marriage; and for turning away, let summer
bear it out.
</p>
<p>MARIA.<br/>
You are resolute then?
</p>
<p>CLOWN.<br/>
Not so, neither, but I am resolved on two points.
</p>
<p>MARIA.<br/>
That if one break, the other will hold; or if both break, your gaskins fall.
</p>
<p>CLOWN.<br/>
Apt, in good faith, very apt! Well, go thy way; if Sir Toby would leave
drinking, thou wert as witty a piece of Eve's flesh as any in Illyria.
</p>
<p>MARIA.<br/>
Peace, you rogue, no more o' that. Here comes my lady: make your excuse
wisely, you were best.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p class="scenedesc"> Enter <span class="charname">Olivia</span> with
<span class="charname">Malvolio</span>.</p>
<p>CLOWN.<br/>
Wit, and't be thy will, put me into good fooling! Those wits that think
they have thee, do very oft prove fools; and I that am sure I lack thee, may
pass for a wise man. For what says Quinapalus? Better a witty fool than a
foolish wit. God bless thee, lady!
</p>
<p>OLIVIA.<br/>
Take the fool away.
</p>
<p>CLOWN.<br/>
Do you not hear, fellows? Take away the lady.
</p>
<p>OLIVIA.<br/>
Go to, y'are a dry fool; I'll no more of you. Besides, you grow
dishonest.
</p>
<p>CLOWN.<br/>
Two faults, madonna, that drink and good counsel will amend: for give the dry
fool drink, then is the fool not dry; bid the dishonest man mend himself, if he
mend, he is no longer dishonest; if he cannot, let the botcher mend him.
Anything that's mended is but patched; virtue that transgresses is but
patched with sin, and sin that amends is but patched with virtue. If that this
simple syllogism will serve, so; if it will not, what remedy? As there is no
true cuckold but calamity, so beauty's a flower. The lady bade take away
the fool, therefore, I say again, take her away.
</p>
<p>OLIVIA.<br/>
Sir, I bade them take away you.
</p>
<p>CLOWN.<br/>
Misprision in the highest degree! Lady, <i>cucullus non facit
monachum:</i> that's as much to say, I wear not motley in my brain. Good
madonna, give me leave to prove you a fool.
</p>
<p>OLIVIA.<br/>
Can you do it?
</p>
<p>CLOWN.<br/>
Dexteriously, good madonna.
</p>
<p>OLIVIA.<br/>
Make your proof.
</p>
<p>CLOWN.<br/>
I must catechize you for it, madonna. Good my mouse of virtue, answer me.
</p>
<p>OLIVIA.<br/>
Well sir, for want of other idleness, I'll 'bide your proof.
</p>
<p>CLOWN.<br/>
Good madonna, why mourn'st thou?
</p>
<p>OLIVIA.<br/>
Good fool, for my brother's death.
</p>
<p>CLOWN.<br/>
I think his soul is in hell, madonna.
</p>
<p>OLIVIA.<br/>
I know his soul is in heaven, fool.
</p>
<p>CLOWN.<br/>
The more fool you, madonna, to mourn for your brother's soul being in
heaven. Take away the fool, gentlemen.
</p>
<p>OLIVIA.<br/>
What think you of this fool, Malvolio? doth he not mend?
</p>
<p>MALVOLIO.<br/>
Yes; and shall do, till the pangs of death shake him. Infirmity, that decays
the wise, doth ever make the better fool.
</p>
<p>CLOWN.<br/>
God send you, sir, a speedy infirmity, for the better increasing your folly!
Sir Toby will be sworn that I am no fox; but he will not pass his word for
twopence that you are no fool.
</p>
<p>OLIVIA.<br/>
How say you to that, Malvolio?
</p>
<p>MALVOLIO.<br/>
I marvel your ladyship takes delight in such a barren rascal; I saw him put
down the other day with an ordinary fool, that has no more brain than a stone.
Look you now, he's out of his guard already; unless you laugh and
minister occasion to him, he is gagged. I protest I take these wise men, that
crow so at these set kind of fools, no better than the fools' zanies.
</p>
<p>OLIVIA.<br/>
O, you are sick of self-love, Malvolio, and taste with a distempered appetite.
To be generous, guiltless, and of free disposition, is to take those things for
bird-bolts that you deem cannon bullets. There is no slander in an allowed
fool, though he do nothing but rail; nor no railing in a known discreet man,
though he do nothing but reprove.
</p>
<p>CLOWN.<br/>
Now Mercury endue thee with leasing, for thou speak'st well of fools!
</p>
<p class="scenedesc"> Enter <span class="charname">Maria</span>.</p>
<p>MARIA.<br/>
Madam, there is at the gate a young gentleman much desires to speak with you.
</p>
<p>OLIVIA.<br/>
From the Count Orsino, is it?
</p>
<p>MARIA.<br/>
I know not, madam; 'tis a fair young man, and well attended.
</p>
<p>OLIVIA.<br/>
Who of my people hold him in delay?
</p>
<p>MARIA.<br/>
Sir Toby, madam, your kinsman.
</p>
<p>OLIVIA.<br/>
Fetch him off, I pray you; he speaks nothing but madman. Fie on him!
</p>
<p class="right"> [<i>Exit <span class="charname">Maria</span>.</i>]</p>
<p>Go you, Malvolio. If it be a suit from the Count, I am sick, or not at home.
What you will, to dismiss it.
</p>
<p class="right"> [<i>Exit <span class="charname">Malvolio</span>.</i>]</p>
<p>Now you see, sir, how your fooling grows old, and people dislike it.
</p>
<p>CLOWN.<br/>
Thou hast spoke for us, madonna, as if thy eldest son should be a fool: whose
skull Jove cram with brains, for here he comes, one of thy kin has a most weak
<i>pia mater</i>.
</p>
<p class="scenedesc"> Enter <span class="charname">Sir Toby</span>.</p>
<p>OLIVIA.<br/>
By mine honour, half drunk. What is he at the gate, cousin?
</p>
<p>SIR TOBY.<br/>
A gentleman.
</p>
<p>OLIVIA.<br/>
A gentleman? What gentleman?
</p>
<p>SIR TOBY.<br/>
'Tis a gentleman here. A plague o' these pickle-herrings! How now,
sot?
</p>
<p>CLOWN.<br/>
Good Sir Toby.
</p>
<p>OLIVIA.<br/>
Cousin, cousin, how have you come so early by this lethargy?
</p>
<p>SIR TOBY.<br/>
Lechery! I defy lechery. There's one at the gate.
</p>
<p>OLIVIA.<br/>
Ay, marry, what is he?
</p>
<p>SIR TOBY.<br/>
Let him be the devil an he will, I care not: give me faith, say I. Well,
it's all one.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>OLIVIA.<br/>
What's a drunken man like, fool?
</p>
<p>CLOWN.<br/>
Like a drowned man, a fool, and a madman: one draught above heat makes him a
fool, the second mads him, and a third drowns him.
</p>
<p>OLIVIA.<br/>
Go thou and seek the coroner, and let him sit o' my coz; for he's
in the third degree of drink; he's drowned. Go, look after him.
</p>
<p>CLOWN.<br/>
He is but mad yet, madonna; and the fool shall look to the madman.
</p>
<p class="right"> [<i>Exit <span class="charname">Clown</span>.</i>]</p>
<p class="scenedesc"> Enter <span class="charname">Malvolio</span>.</p>
<p>MALVOLIO.<br/>
Madam, yond young fellow swears he will speak with you. I told him you were
sick; he takes on him to understand so much, and therefore comes to speak with
you. I told him you were asleep; he seems to have a foreknowledge of that too,
and therefore comes to speak with you. What is to be said to him, lady?
He's fortified against any denial.
</p>
<p>OLIVIA.<br/>
Tell him, he shall not speak with me.
</p>
<p>MALVOLIO.<br/>
Has been told so; and he says he'll stand at your door like a
sheriff's post, and be the supporter of a bench, but he'll speak
with you.
</p>
<p>OLIVIA.<br/>
What kind o' man is he?
</p>
<p>MALVOLIO.<br/>
Why, of mankind.
</p>
<p>OLIVIA.<br/>
What manner of man?
</p>
<p>MALVOLIO.<br/>
Of very ill manner; he'll speak with you, will you or no.
</p>
<p>OLIVIA.<br/>
Of what personage and years is he?
</p>
<p>MALVOLIO.<br/>
Not yet old enough for a man, nor young enough for a boy; as a squash is before
'tis a peascod, or a codling, when 'tis almost an apple. 'Tis
with him in standing water, between boy and man. He is very well-favoured, and
he speaks very shrewishly. One would think his mother's milk were scarce
out of him.
</p>
<p>OLIVIA.<br/>
Let him approach. Call in my gentlewoman.
</p>
<p>MALVOLIO.<br/>
Gentlewoman, my lady calls.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p class="scenedesc"> Enter <span class="charname">Maria</span>.</p>
<p>OLIVIA.<br/>
Give me my veil; come, throw it o'er my face.<br/>
We'll once more hear Orsino's embassy.
</p>
<p class="scenedesc"> Enter <span class="charname">Viola</span>.</p>
<p>VIOLA.<br/>
The honourable lady of the house, which is she?
</p>
<p>OLIVIA.<br/>
Speak to me; I shall answer for her. Your will?
</p>
<p>VIOLA.<br/>
Most radiant, exquisite, and unmatchable beauty,&mdash;I pray you, tell me if
this be the lady of the house, for I never saw her. I would be loath to cast
away my speech; for besides that it is excellently well penned, I have taken
great pains to con it. Good beauties, let me sustain no scorn; I am very
comptible, even to the least sinister usage.
</p>
<p>OLIVIA.<br/>
Whence came you, sir?
</p>
<p>VIOLA.<br/>
I can say little more than I have studied, and that question's out of my
part. Good gentle one, give me modest assurance, if you be the lady of the
house, that I may proceed in my speech.
</p>
<p>OLIVIA.<br/>
Are you a comedian?
</p>
<p>VIOLA.<br/>
No, my profound heart: and yet, by the very fangs of malice I swear, I am not
that I play. Are you the lady of the house?
</p>
<p>OLIVIA.<br/>
If I do not usurp myself, I am.
</p>
<p>VIOLA.<br/>
Most certain, if you are she, you do usurp yourself; for what is yours to
bestow is not yours to reserve. But this is from my commission. I will on with
my speech in your praise, and then show you the heart of my message.
</p>
<p>OLIVIA.<br/>
Come to what is important in't: I forgive you the praise.
</p>
<p>VIOLA.<br/>
Alas, I took great pains to study it, and 'tis poetical.
</p>
<p>OLIVIA.<br/>
It is the more like to be feigned; I pray you keep it in. I heard you were
saucy at my gates; and allowed your approach, rather to wonder at you than to
hear you. If you be mad, be gone; if you have reason, be brief: 'tis not
that time of moon with me to make one in so skipping a dialogue.
</p>
<p>MARIA.<br/>
Will you hoist sail, sir? Here lies your way.
</p>
<p>VIOLA.<br/>
No, good swabber, I am to hull here a little longer. Some mollification for
your giant, sweet lady. Tell me your mind. I am a messenger.
</p>
<p>OLIVIA.<br/>
Sure, you have some hideous matter to deliver, when the courtesy of it is so
fearful. Speak your office.
</p>
<p>VIOLA.<br/>
It alone concerns your ear. I bring no overture of war, no taxation of homage;
I hold the olive in my hand: my words are as full of peace as matter.
</p>
<p>OLIVIA.<br/>
Yet you began rudely. What are you? What would you?
</p>
<p>VIOLA.<br/>
The rudeness that hath appeared in me have I learned from my entertainment.
What I am and what I would are as secret as maidenhead: to your ears, divinity;
to any other's, profanation.
</p>
<p>OLIVIA.<br/>
Give us the place alone: we will hear this divinity.
</p>
<p class="right"> [<i>Exit <span class="charname">Maria</span>.</i>]</p>
<p>Now, sir, what is your text?
</p>
<p>VIOLA.<br/>
Most sweet lady&mdash;
</p>
<p>OLIVIA.<br/>
A comfortable doctrine, and much may be said of it. Where lies your text?
</p>
<p>VIOLA.<br/>
In Orsino's bosom.
</p>
<p>OLIVIA.<br/>
In his bosom? In what chapter of his bosom?
</p>
<p>VIOLA.<br/>
To answer by the method, in the first of his heart.
</p>
<p>OLIVIA.<br/>
O, I have read it; it is heresy. Have you no more to say?
</p>
<p>VIOLA.<br/>
Good madam, let me see your face.
</p>
<p>OLIVIA.<br/>
Have you any commission from your lord to negotiate with my face? You are now
out of your text: but we will draw the curtain and show you the picture.
[<i>Unveiling.</i>] Look you, sir, such a one I was this present. Is't
not well done?
</p>
<p>VIOLA.<br/>
Excellently done, if God did all.
</p>
<p>OLIVIA.<br/>
'Tis in grain, sir; 'twill endure wind and weather.
</p>
<p>VIOLA.<br/>
'Tis beauty truly blent, whose red and white<br/>
Nature's own sweet and cunning hand laid on.<br/>
Lady, you are the cruel'st she alive<br/>
If you will lead these graces to the grave,<br/>
And leave the world no copy.
</p>
<p>OLIVIA.<br/>
O, sir, I will not be so hard-hearted; I will give out divers schedules of my
beauty. It shall be inventoried and every particle and utensil labelled to my
will: as, item, two lips indifferent red; item, two grey eyes with lids to
them; item, one neck, one chin, and so forth. Were you sent hither to praise
me?
</p>
<p>VIOLA.<br/>
I see you what you are, you are too proud;<br/>
But, if you were the devil, you are fair.<br/>
My lord and master loves you. O, such love<br/>
Could be but recompens'd though you were crown'd<br/>
The nonpareil of beauty!
</p>
<p>OLIVIA.<br/>
How does he love me?
</p>
<p>VIOLA.<br/>
With adorations, fertile tears,<br/>
With groans that thunder love, with sighs of fire.
</p>
<p>OLIVIA.<br/>
Your lord does know my mind, I cannot love him:<br/>
Yet I suppose him virtuous, know him noble,<br/>
Of great estate, of fresh and stainless youth;<br/>
In voices well divulg'd, free, learn'd, and valiant,<br/>
And in dimension and the shape of nature,<br/>
A gracious person. But yet I cannot love him.<br/>
He might have took his answer long ago.
</p>
<p>VIOLA.<br/>
If I did love you in my master's flame,<br/>
With such a suff'ring, such a deadly life,<br/>
In your denial I would find no sense,<br/>
I would not understand it.
</p>
<p>OLIVIA.<br/>
Why, what would you?
</p>
<p>VIOLA.<br/>
Make me a willow cabin at your gate,<br/>
And call upon my soul within the house;<br/>
Write loyal cantons of contemned love,<br/>
And sing them loud even in the dead of night;<br/>
Hallow your name to the reverberate hills,<br/>
And make the babbling gossip of the air<br/>
Cry out Olivia! O, you should not rest<br/>
Between the elements of air and earth,<br/>
But you should pity me.
</p>
<p>OLIVIA.<br/>
You might do much.<br/>
What is your parentage?
</p>
<p>VIOLA.<br/>
Above my fortunes, yet my state is well:<br/>
I am a gentleman.
</p>
<p>OLIVIA.<br/>
Get you to your lord;<br/>
I cannot love him: let him send no more,<br/>
Unless, perchance, you come to me again,<br/>
To tell me how he takes it. Fare you well:<br/>
I thank you for your pains: spend this for me.
</p>
<p>VIOLA.<br/>
I am no fee'd post, lady; keep your purse;<br/>
My master, not myself, lacks recompense.<br/>
Love make his heart of flint that you shall love,<br/>
And let your fervour like my master's be<br/>
Plac'd in contempt. Farewell, fair cruelty.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>OLIVIA.<br/>
What is your parentage?<br/>
'Above my fortunes, yet my state is well:<br/>
I am a gentleman.' I'll be sworn thou art;<br/>
Thy tongue, thy face, thy limbs, actions, and spirit,<br/>
Do give thee five-fold blazon. Not too fast: soft, soft!<br/>
Unless the master were the man. How now?<br/>
Even so quickly may one catch the plague?<br/>
Methinks I feel this youth's perfections<br/>
With an invisible and subtle stealth<br/>
To creep in at mine eyes. Well, let it be.<br/>
What ho, Malvolio!
</p>
<p class="scenedesc"> Enter <span class="charname">Malvolio</span>.</p>
<p>MALVOLIO.<br/>
Here, madam, at your service.
</p>
<p>OLIVIA.<br/>
Run after that same peevish messenger<br/>
The County's man: he left this ring behind him,<br/>
Would I or not; tell him, I'll none of it.<br/>
Desire him not to flatter with his lord,<br/>
Nor hold him up with hopes; I am not for him.<br/>
If that the youth will come this way tomorrow,<br/>
I'll give him reasons for't. Hie thee, Malvolio.
</p>
<p>MALVOLIO.<br/>
Madam, I will.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>OLIVIA.<br/>
I do I know not what, and fear to find<br/>
Mine eye too great a flatterer for my mind.<br/>
Fate, show thy force, ourselves we do not owe.<br/>
What is decreed must be; and be this so!
</p>
<p class="right"> [<i>Exit.</i>]</p>
<h3 id="sceneII_361"> <b>ACT II.</b></h3>
<h4><b>SCENE I. The sea-coast.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Antonio</span> and
<span class="charname">Sebastian</span>.</p>
<p>ANTONIO.<br/>
Will you stay no longer? Nor will you not that I go with you?
</p>
<p>SEBASTIAN.<br/>
By your patience, no; my stars shine darkly over me; the malignancy of my fate
might perhaps distemper yours; therefore I shall crave of you your leave that
I may bear my evils alone. It were a bad recompense for your love, to lay any
of them on you.
</p>
<p>ANTONIO.<br/>
Let me know of you whither you are bound.
</p>
<p>SEBASTIAN.<br/>
No, sooth, sir; my determinate voyage is mere extravagancy. But I perceive in
you so excellent a touch of modesty, that you will not extort from me what I am
willing to keep in. Therefore it charges me in manners the rather to express
myself. You must know of me then, Antonio, my name is Sebastian, which I called
Roderigo; my father was that Sebastian of Messaline whom I know you have heard
of. He left behind him myself and a sister, both born in an hour. If the
heavens had been pleased, would we had so ended! But you, sir, altered that,
for some hour before you took me from the breach of the sea was my sister
drowned.
</p>
<p>ANTONIO.<br/>
Alas the day!
</p>
<p>SEBASTIAN.<br/>
A lady, sir, though it was said she much resembled me, was yet of many
accounted beautiful. But though I could not with such estimable wonder overfar
believe that, yet thus far I will boldly publish her, she bore a mind that envy
could not but call fair. She is drowned already, sir, with salt water, though I
seem to drown her remembrance again with more.
</p>
<p>ANTONIO.<br/>
Pardon me, sir, your bad entertainment.
</p>
<p>SEBASTIAN.<br/>
O good Antonio, forgive me your trouble.
</p>
<p>ANTONIO.<br/>
If you will not murder me for my love, let me be your servant.
</p>
<p>SEBASTIAN.<br/>
If you will not undo what you have done, that is, kill him whom you have
recovered, desire it not. Fare ye well at once; my bosom is full of kindness,
and I am yet so near the manners of my mother, that upon the least occasion
more, mine eyes will tell tales of me. I am bound to the Count Orsino's
court: farewell.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>ANTONIO.<br/>
The gentleness of all the gods go with thee!<br/>
I have many enemies in Orsino's court,<br/>
Else would I very shortly see thee there:<br/>
But come what may, I do adore thee so,<br/>
That danger shall seem sport, and I will go.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<h4 id="sceneII_362"> <b>SCENE II. A street.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Viola; Malvolio</span> at
several doors.</p>
<p>MALVOLIO.<br/>
Were you not even now with the Countess Olivia?
</p>
<p>VIOLA.<br/>
Even now, sir; on a moderate pace I have since arrived but hither.
</p>
<p>MALVOLIO.<br/>
She returns this ring to you, sir; you might have saved me my pains, to have
taken it away yourself. She adds, moreover, that you should put your lord into a
desperate assurance she will none of him. And one thing more, that you be never
so hardy to come again in his affairs, unless it be to report your lord's
taking of this. Receive it so.
</p>
<p>VIOLA.<br/>
She took the ring of me: I'll none of it.
</p>
<p>MALVOLIO.<br/>
Come sir, you peevishly threw it to her; and her will is it should be so
returned. If it be worth stooping for, there it lies in your eye; if not, be it
his that finds it.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>VIOLA.<br/>
I left no ring with her; what means this lady?<br/>
Fortune forbid my outside have not charm'd her!<br/>
She made good view of me, indeed, so much,<br/>
That methought her eyes had lost her tongue,<br/>
For she did speak in starts distractedly.<br/>
She loves me, sure, the cunning of her passion<br/>
Invites me in this churlish messenger.<br/>
None of my lord's ring? Why, he sent her none.<br/>
I am the man; if it be so, as 'tis,<br/>
Poor lady, she were better love a dream.<br/>
Disguise, I see thou art a wickedness<br/>
Wherein the pregnant enemy does much.<br/>
How easy is it for the proper false<br/>
In women's waxen hearts to set their forms!<br/>
Alas, our frailty is the cause, not we,<br/>
For such as we are made of, such we be.<br/>
How will this fadge? My master loves her dearly,<br/>
And I, poor monster, fond as much on him,<br/>
And she, mistaken, seems to dote on me.<br/>
What will become of this? As I am man,<br/>
My state is desperate for my master's love;<br/>
As I am woman (now alas the day!)<br/>
What thriftless sighs shall poor Olivia breathe!<br/>
O time, thou must untangle this, not I,<br/>
It is too hard a knot for me t'untie!
</p>
<p class="right"> [<i>Exit.</i>]</p>
<h4 id="sceneII_363"> <b>SCENE III. A Room in Olivia's House.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Sir Toby</span> and
<span class="charname">Sir Andrew</span>.</p>
<p>SIR TOBY.<br/>
Approach, Sir Andrew; not to be abed after midnight, is to be up betimes; and
<i>diluculo surgere</i>, thou know'st.
</p>
<p>SIR ANDREW.<br/>
Nay, by my troth, I know not; but I know to be up late is to be up late.
</p>
<p>SIR TOBY.<br/>
A false conclusion; I hate it as an unfilled can. To be up after midnight, and
to go to bed then is early: so that to go to bed after midnight is to go to bed
betimes. Does not our lives consist of the four elements?
</p>
<p>SIR ANDREW.<br/>
Faith, so they say, but I think it rather consists of eating and drinking.
</p>
<p>SIR TOBY.<br/>
Th'art a scholar; let us therefore eat and drink.<br/>
Marian, I say! a stoup of wine.
</p>
<p class="scenedesc"> Enter <span class="charname">Clown</span>.</p>
<p>SIR ANDREW.<br/>
Here comes the fool, i' faith.
</p>
<p>CLOWN.<br/>
How now, my hearts? Did you never see the picture of &ldquo;we three&rdquo;?
</p>
<p>SIR TOBY.<br/>
Welcome, ass. Now let's have a catch.
</p>
<p>SIR ANDREW.<br/>
By my troth, the fool has an excellent breast. I had rather than forty
shillings I had such a leg, and so sweet a breath to sing, as the fool has. In
sooth, thou wast in very gracious fooling last night when thou spok'st of
Pigrogromitus, of the Vapians passing the equinoctial of Queubus; 'twas
very good, i' faith. I sent thee sixpence for thy leman. Hadst it?
</p>
<p>CLOWN.<br/>
I did impeticos thy gratillity; for Malvolio's nose is no whipstock. My
lady has a white hand, and the Myrmidons are no bottle-ale houses.
</p>
<p>SIR ANDREW.<br/>
Excellent! Why, this is the best fooling, when all is done. Now, a song.
</p>
<p>SIR TOBY.<br/>
Come on, there is sixpence for you. Let's have a song.
</p>
<p>SIR ANDREW.<br/>
There's a testril of me too: if one knight give a&mdash;
</p>
<p>CLOWN.<br/>
Would you have a love-song, or a song of good life?
</p>
<p>SIR TOBY.<br/>
A love-song, a love-song.
</p>
<p>SIR ANDREW.<br/>
Ay, ay. I care not for good life.
</p>
<p>CLOWN. [<i>sings.</i>]<br/>
  <i>O mistress mine, where are you roaming?<br/>
  O stay and hear, your true love's coming,<br/>
    That can sing both high and low.<br/>
  Trip no further, pretty sweeting.<br/>
  Journeys end in lovers meeting,<br/>
    Every wise man's son doth know.</i>
</p>
<p>SIR ANDREW.<br/>
Excellent good, i' faith.
</p>
<p>SIR TOBY.<br/>
Good, good.
</p>
<p>CLOWN.<br/>
  <i>What is love? 'Tis not hereafter,<br/>
  Present mirth hath present laughter.<br/>
    What's to come is still unsure.<br/>
  In delay there lies no plenty,<br/>
  Then come kiss me, sweet and twenty.<br/>
    Youth's a stuff will not endure.</i>
</p>
<p>SIR ANDREW.<br/>
A mellifluous voice, as I am true knight.
</p>
<p>SIR TOBY.<br/>
A contagious breath.
</p>
<p>SIR ANDREW.<br/>
Very sweet and contagious, i' faith.
</p>
<p>SIR TOBY.<br/>
To hear by the nose, it is dulcet in contagion. But shall we make the welkin
dance indeed? Shall we rouse the night-owl in a catch that will draw three
souls out of one weaver? Shall we do that?
</p>
<p>SIR ANDREW.<br/>
And you love me, let's do't: I am dog at a catch.
</p>
<p>CLOWN.<br/>
By'r lady, sir, and some dogs will catch well.
</p>
<p>SIR ANDREW.<br/>
Most certain. Let our catch be, &ldquo;Thou knave.&rdquo;
</p>
<p>CLOWN.<br/>
&ldquo;Hold thy peace, thou knave&rdquo; knight? I shall be constrain'd
in't to call thee knave, knight.
</p>
<p>SIR ANDREW.<br/>
'Tis not the first time I have constrained one to call me knave. Begin,
fool; it begins &ldquo;Hold thy peace.&rdquo;
</p>
<p>CLOWN.<br/>
I shall never begin if I hold my peace.
</p>
<p>SIR ANDREW.<br/>
Good, i' faith! Come, begin.
</p>
<p class="right"> [<i>Catch sung.</i>]</p>
<p class="scenedesc"> Enter <span class="charname">Maria</span>.</p>
<p>MARIA.<br/>
What a caterwauling do you keep here! If my lady have not called up her steward
Malvolio, and bid him turn you out of doors, never trust me.
</p>
<p>SIR TOBY.<br/>
My lady's a Cataian, we are politicians, Malvolio's a Peg-a-Ramsey,
and [<i>Sings.</i>] <i>Three merry men be we.</i> Am not I consanguineous? Am I
not of her blood? Tilly-vally! &ldquo;Lady&rdquo;! <i>There dwelt a man in
Babylon, Lady, Lady.</i>
</p>
<p>CLOWN.<br/>
Beshrew me, the knight's in admirable fooling.
</p>
<p>SIR ANDREW.<br/>
Ay, he does well enough if he be disposed, and so do I too; he does it with a
better grace, but I do it more natural.
</p>
<p>SIR TOBY.<br/>
[<i>Sings.</i>] <i>O' the twelfth day of December&mdash;</i>
</p>
<p>MARIA.<br/>
For the love o' God, peace!
</p>
<p class="scenedesc"> Enter <span class="charname">Malvolio</span>.</p>
<p>MALVOLIO.<br/>
My masters, are you mad? Or what are you? Have you no wit, manners, nor
honesty, but to gabble like tinkers at this time of night? Do ye make an
ale-house of my lady's house, that ye squeak out your coziers'
catches without any mitigation or remorse of voice? Is there no respect of
place, persons, nor time, in you?
</p>
<p>SIR TOBY.<br/>
We did keep time, sir, in our catches. Sneck up!
</p>
<p>MALVOLIO.<br/>
Sir Toby, I must be round with you. My lady bade me tell you that, though she
harbours you as her kinsman she's nothing allied to your disorders. If
you can separate yourself and your misdemeanours, you are welcome to the house;
if not, and it would please you to take leave of her, she is very willing to
bid you farewell.
</p>
<p>SIR TOBY.<br/>
[<i>Sings.</i>] <i>Farewell, dear heart, since I must needs be gone.</i>
</p>
<p>MARIA.<br/>
Nay, good Sir Toby.
</p>
<p>CLOWN.<br/>
[<i>Sings.</i>] <i>His eyes do show his days are almost done.</i>
</p>
<p>MALVOLIO.<br/>
Is't even so?
</p>
<p>SIR TOBY.<br/>
[<i>Sings.</i>] <i>But I will never die.</i>
</p>
<p>CLOWN.<br/>
[<i>Sings.</i>] <i>Sir Toby, there you lie.</i>
</p>
<p>MALVOLIO.<br/>
This is much credit to you.
</p>
<p>SIR TOBY.<br/>
[<i>Sings.</i>] <i>Shall I bid him go?</i>
</p>
<p>CLOWN.<br/>
[<i>Sings.</i>] <i>What and if you do?</i>
</p>
<p>SIR TOBY.<br/>
[<i>Sings.</i>] <i>Shall I bid him go, and spare not?</i>
</p>
<p>CLOWN.<br/>
[<i>Sings.</i>] <i>O, no, no, no, no, you dare not.</i>
</p>
<p>SIR TOBY.<br/>
Out o' tune? sir, ye lie. Art any more than a steward? Dost thou think,
because thou art virtuous, there shall be no more cakes and ale?
</p>
<p>CLOWN.<br/>
Yes, by Saint Anne, and ginger shall be hot i' the mouth too.
</p>
<p>SIR TOBY.<br/>
Th'art i' the right. Go, sir, rub your chain with crumbs. A stoup
of wine, Maria!
</p>
<p>MALVOLIO.<br/>
Mistress Mary, if you prized my lady's favour at anything more than
contempt, you would not give means for this uncivil rule; she shall know of it,
by this hand.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>MARIA.<br/>
Go shake your ears.
</p>
<p>SIR ANDREW.<br/>
'Twere as good a deed as to drink when a man's a-hungry, to
challenge him the field, and then to break promise with him and make a fool of
him.
</p>
<p>SIR TOBY.<br/>
Do't, knight. I'll write thee a challenge; or I'll deliver
thy indignation to him by word of mouth.
</p>
<p>MARIA.<br/>
Sweet Sir Toby, be patient for tonight. Since the youth of the Count's
was today with my lady, she is much out of quiet. For Monsieur Malvolio, let
me alone with him. If I do not gull him into a nayword, and make him a common
recreation, do not think I have wit enough to lie straight in my bed. I know I
can do it.
</p>
<p>SIR TOBY.<br/>
Possess us, possess us, tell us something of him.
</p>
<p>MARIA.<br/>
Marry, sir, sometimes he is a kind of Puritan.
</p>
<p>SIR ANDREW.<br/>
O, if I thought that, I'd beat him like a dog.
</p>
<p>SIR TOBY.<br/>
What, for being a Puritan? Thy exquisite reason, dear knight?
</p>
<p>SIR ANDREW.<br/>
I have no exquisite reason for't, but I have reason good enough.
</p>
<p>MARIA.<br/>
The devil a Puritan that he is, or anything constantly but a time-pleaser, an
affectioned ass that cons state without book and utters it by great swarths;
the best persuaded of himself, so crammed (as he thinks) with excellencies,
that it is his grounds of faith that all that look on him love him. And on that
vice in him will my revenge find notable cause to work.
</p>
<p>SIR TOBY.<br/>
What wilt thou do?
</p>
<p>MARIA.<br/>
I will drop in his way some obscure epistles of love, wherein by the colour of
his beard, the shape of his leg, the manner of his gait, the expressure of his
eye, forehead, and complexion, he shall find himself most feelingly personated.
I can write very like my lady your niece; on a forgotten matter we can hardly
make distinction of our hands.
</p>
<p>SIR TOBY.<br/>
Excellent! I smell a device.
</p>
<p>SIR ANDREW.<br/>
I have't in my nose too.
</p>
<p>SIR TOBY.<br/>
He shall think, by the letters that thou wilt drop, that they come from my
niece, and that she is in love with him.
</p>
<p>MARIA.<br/>
My purpose is indeed a horse of that colour.
</p>
<p>SIR ANDREW.<br/>
And your horse now would make him an ass.
</p>
<p>MARIA.<br/>
Ass, I doubt not.
</p>
<p>SIR ANDREW.<br/>
O 'twill be admirable!
</p>
<p>MARIA.<br/>
Sport royal, I warrant you. I know my physic will work with him. I will plant
you two, and let the fool make a third, where he shall find the letter. Observe
his construction of it. For this night, to bed, and dream on the event.
Farewell.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>SIR TOBY.<br/>
Good night, Penthesilea.
</p>
<p>SIR ANDREW.<br/>
Before me, she's a good wench.
</p>
<p>SIR TOBY.<br/>
She's a beagle true bred, and one that adores me. What o' that?
</p>
<p>SIR ANDREW.<br/>
I was adored once too.
</p>
<p>SIR TOBY.<br/>
Let's to bed, knight. Thou hadst need send for more money.
</p>
<p>SIR ANDREW.<br/>
If I cannot recover your niece, I am a foul way out.
</p>
<p>SIR TOBY.<br/>
Send for money, knight; if thou hast her not i' th' end, call me
cut.
</p>
<p>SIR ANDREW.<br/>
If I do not, never trust me, take it how you will.
</p>
<p>SIR TOBY.<br/>
Come, come, I'll go burn some sack, 'tis too late to go to bed now.
Come, knight, come, knight.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneII_364"> <b>SCENE IV. A Room in the Duke's Palace.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Duke, Viola, Curio</span>
and others.</p>
<p>DUKE.<br/>
Give me some music. Now, good morrow, friends.<br/>
Now, good Cesario, but that piece of song,<br/>
That old and antique song we heard last night;<br/>
Methought it did relieve my passion much,<br/>
More than light airs and recollected terms<br/>
Of these most brisk and giddy-paced times.<br/>
Come, but one verse.
</p>
<p>CURIO.<br/>
He is not here, so please your lordship, that should sing it.
</p>
<p>DUKE.<br/>
Who was it?
</p>
<p>CURIO.<br/>
Feste, the jester, my lord, a fool that the Lady Olivia's father took
much delight in. He is about the house.
</p>
<p>DUKE.<br/>
Seek him out, and play the tune the while.
</p>
<p class="right"> [<i>Exit <span class="charname">Curio.</span> Music plays.</i>]</p>
<p>Come hither, boy. If ever thou shalt love,<br/>
In the sweet pangs of it remember me:<br/>
For such as I am, all true lovers are,<br/>
Unstaid and skittish in all motions else,<br/>
Save in the constant image of the creature<br/>
That is belov'd. How dost thou like this tune?
</p>
<p>VIOLA.<br/>
It gives a very echo to the seat<br/>
Where love is throned.
</p>
<p>DUKE.<br/>
Thou dost speak masterly.<br/>
My life upon't, young though thou art, thine eye<br/>
Hath stayed upon some favour that it loves.<br/>
Hath it not, boy?
</p>
<p>VIOLA.<br/>
A little, by your favour.
</p>
<p>DUKE.<br/>
What kind of woman is't?
</p>
<p>VIOLA.<br/>
Of your complexion.
</p>
<p>DUKE.<br/>
She is not worth thee, then. What years, i' faith?
</p>
<p>VIOLA.<br/>
About your years, my lord.
</p>
<p>DUKE.<br/>
Too old, by heaven! Let still the woman take<br/>
An elder than herself; so wears she to him,<br/>
So sways she level in her husband's heart.<br/>
For, boy, however we do praise ourselves,<br/>
Our fancies are more giddy and unfirm,<br/>
More longing, wavering, sooner lost and worn,<br/>
Than women's are.
</p>
<p>VIOLA.<br/>
I think it well, my lord.
</p>
<p>DUKE.<br/>
Then let thy love be younger than thyself,<br/>
Or thy affection cannot hold the bent:<br/>
For women are as roses, whose fair flower<br/>
Being once display'd, doth fall that very hour.
</p>
<p>VIOLA.<br/>
And so they are: alas, that they are so;<br/>
To die, even when they to perfection grow!
</p>
<p class="scenedesc"> Enter <span class="charname">Curio</span> and
<span class="charname">Clown</span>.</p>
<p>DUKE.<br/>
O, fellow, come, the song we had last night.<br/>
Mark it, Cesario, it is old and plain;<br/>
The spinsters and the knitters in the sun,<br/>
And the free maids, that weave their thread with bones<br/>
Do use to chant it: it is silly sooth,<br/>
And dallies with the innocence of love<br/>
Like the old age.
</p>
<p>CLOWN.<br/>
Are you ready, sir?
</p>
<p>DUKE.<br/>
Ay; prithee, sing.
</p>
<p class="right"> [<i>Music.</i>]</p>
<p class="scenedesc"> The <span class="charname">Clown's</span> song.</p>
<p>
<i>    Come away, come away, death.<br/>
    And in sad cypress let me be laid.<br/>
    Fly away, fly away, breath;<br/>
    I am slain by a fair cruel maid.<br/>
      My shroud of white, stuck all with yew,<br/>
        O, prepare it!<br/>
      My part of death no one so true<br/>
        Did share it.</i>
</p>
<p>
<i>    Not a flower, not a flower sweet,<br/>
    On my black coffin let there be strown:<br/>
    Not a friend, not a friend greet<br/>
    My poor corpse where my bones shall be thrown:<br/>
      A thousand thousand sighs to save,<br/>
        Lay me, O, where<br/>
      Sad true lover never find my grave,<br/>
        To weep there.</i>
</p>
<p>DUKE.<br/>
There's for thy pains.
</p>
<p>CLOWN.<br/>
No pains, sir; I take pleasure in singing, sir.
</p>
<p>DUKE.<br/>
I'll pay thy pleasure, then.
</p>
<p>CLOWN.<br/>
Truly sir, and pleasure will be paid one time or another.
</p>
<p>DUKE.<br/>
Give me now leave to leave thee.
</p>
<p>CLOWN.<br/>
Now the melancholy god protect thee, and the tailor make thy doublet of
changeable taffeta, for thy mind is a very opal. I would have men of such
constancy put to sea, that their business might be everything, and their intent
everywhere, for that's it that always makes a good voyage of
nothing. Farewell.
</p>
<p class="right"> [<i>Exit <span class="charname">Clown</span>.</i>]</p>
<p>DUKE.<br/>
Let all the rest give place.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Curio</span> and
Attendants.</i>]</p>
<p>Once more, Cesario,<br/>
Get thee to yond same sovereign cruelty.<br/>
Tell her my love, more noble than the world,<br/>
Prizes not quantity of dirty lands;<br/>
The parts that fortune hath bestow'd upon her,<br/>
Tell her I hold as giddily as fortune;<br/>
But 'tis that miracle and queen of gems<br/>
That nature pranks her in attracts my soul.
</p>
<p>VIOLA.<br/>
But if she cannot love you, sir?
</p>
<p>DUKE.<br/>
I cannot be so answer'd.
</p>
<p>VIOLA.<br/>
Sooth, but you must.<br/>
Say that some lady, as perhaps there is,<br/>
Hath for your love as great a pang of heart<br/>
As you have for Olivia: you cannot love her;<br/>
You tell her so. Must she not then be answer'd?
</p>
<p>DUKE.<br/>
There is no woman's sides<br/>
Can bide the beating of so strong a passion<br/>
As love doth give my heart: no woman's heart<br/>
So big, to hold so much; they lack retention.<br/>
Alas, their love may be called appetite,<br/>
No motion of the liver, but the palate,<br/>
That suffer surfeit, cloyment, and revolt;<br/>
But mine is all as hungry as the sea,<br/>
And can digest as much. Make no compare<br/>
Between that love a woman can bear me<br/>
And that I owe Olivia.
</p>
<p>VIOLA.<br/>
Ay, but I know&mdash;
</p>
<p>DUKE.<br/>
What dost thou know?
</p>
<p>VIOLA.<br/>
Too well what love women to men may owe.<br/>
In faith, they are as true of heart as we.<br/>
My father had a daughter loved a man,<br/>
As it might be perhaps, were I a woman,<br/>
I should your lordship.
</p>
<p>DUKE.<br/>
And what's her history?
</p>
<p>VIOLA.<br/>
A blank, my lord. She never told her love,<br/>
But let concealment, like a worm i' th' bud,<br/>
Feed on her damask cheek: she pined in thought,<br/>
And with a green and yellow melancholy<br/>
She sat like patience on a monument,<br/>
Smiling at grief. Was not this love, indeed?<br/>
We men may say more, swear more, but indeed,<br/>
Our shows are more than will; for still we prove<br/>
Much in our vows, but little in our love.
</p>
<p>DUKE.<br/>
But died thy sister of her love, my boy?
</p>
<p>VIOLA.<br/>
I am all the daughters of my father's house,<br/>
And all the brothers too: and yet I know not.<br/>
Sir, shall I to this lady?
</p>
<p>DUKE.<br/>
Ay, that's the theme.<br/>
To her in haste. Give her this jewel; say<br/>
My love can give no place, bide no denay.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneII_365"> <b>SCENE V. Olivia's garden.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Sir Toby, Sir Andrew</span>
and <span class="charname">Fabian</span>.</p>
<p>SIR TOBY.<br/>
Come thy ways, Signior Fabian.
</p>
<p>FABIAN.<br/>
Nay, I'll come. If I lose a scruple of this sport, let me be boiled to
death with melancholy.
</p>
<p>SIR TOBY.<br/>
Wouldst thou not be glad to have the niggardly rascally sheep-biter come by
some notable shame?
</p>
<p>FABIAN.<br/>
I would exult, man. You know he brought me out o' favour with my lady
about a bear-baiting here.
</p>
<p>SIR TOBY.<br/>
To anger him we'll have the bear again, and we will fool him black and
blue, shall we not, Sir Andrew?
</p>
<p>SIR ANDREW.<br/>
And we do not, it is pity of our lives.
</p>
<p class="scenedesc"> Enter <span class="charname">Maria</span>.</p>
<p>SIR TOBY.<br/>
Here comes the little villain. How now, my metal of India?
</p>
<p>MARIA.<br/>
Get ye all three into the box-tree. Malvolio's coming down this walk; he
has been yonder i' the sun practising behaviour to his own shadow this
half hour: observe him, for the love of mockery; for I know this letter will
make a contemplative idiot of him. Close, in the name of jesting! [<i>The men
hide themselves.</i>] Lie thou there; [<i>Throws down a letter</i>] for here
comes the trout that must be caught with tickling.
</p>
<p class="right"> [<i>Exit <span class="charname">Maria</span>.</i>]</p>
<p class="scenedesc"> Enter <span class="charname">Malvolio</span>.</p>
<p>MALVOLIO.<br/>
'Tis but fortune, all is fortune. Maria once told me she did affect me,
and I have heard herself come thus near, that should she fancy, it should be
one of my complexion. Besides, she uses me with a more exalted respect than
anyone else that follows her. What should I think on't?
</p>
<p>SIR TOBY.<br/>
Here's an overweening rogue!
</p>
<p>FABIAN.<br/>
O, peace! Contemplation makes a rare turkey-cock of him; how he jets under his
advanced plumes!
</p>
<p>SIR ANDREW.<br/>
'Slight, I could so beat the rogue!
</p>
<p>SIR TOBY.<br/>
Peace, I say.
</p>
<p>MALVOLIO.<br/>
To be Count Malvolio.
</p>
<p>SIR TOBY.<br/>
Ah, rogue!
</p>
<p>SIR ANDREW.<br/>
Pistol him, pistol him.
</p>
<p>SIR TOBY.<br/>
Peace, peace.
</p>
<p>MALVOLIO.<br/>
There is example for't. The lady of the Strachy married the yeoman of the
wardrobe.
</p>
<p>SIR ANDREW.<br/>
Fie on him, Jezebel!
</p>
<p>FABIAN.<br/>
O, peace! now he's deeply in; look how imagination blows him.
</p>
<p>MALVOLIO.<br/>
Having been three months married to her, sitting in my state&mdash;
</p>
<p>SIR TOBY.<br/>
O for a stone-bow to hit him in the eye!
</p>
<p>MALVOLIO.<br/>
Calling my officers about me, in my branched velvet gown; having come from a
day-bed, where I have left Olivia sleeping.
</p>
<p>SIR TOBY.<br/>
Fire and brimstone!
</p>
<p>FABIAN.<br/>
O, peace, peace.
</p>
<p>MALVOLIO.<br/>
And then to have the humour of state; and after a demure travel of regard,
telling them I know my place as I would they should do theirs, to ask for my
kinsman Toby.
</p>
<p>SIR TOBY.<br/>
Bolts and shackles!
</p>
<p>FABIAN.<br/>
O, peace, peace, peace! Now, now.
</p>
<p>MALVOLIO.<br/>
Seven of my people, with an obedient start, make out for him. I frown the
while, and perchance wind up my watch, or play with some rich jewel. Toby
approaches; curtsies there to me&mdash;
</p>
<p>SIR TOBY.<br/>
Shall this fellow live?
</p>
<p>FABIAN.<br/>
Though our silence be drawn from us with cars, yet peace!
</p>
<p>MALVOLIO.<br/>
I extend my hand to him thus, quenching my familiar smile with an austere
regard of control&mdash;
</p>
<p>SIR TOBY.<br/>
And does not Toby take you a blow o' the lips then?
</p>
<p>MALVOLIO.<br/>
Saying 'Cousin Toby, my fortunes having cast me on your niece, give me
this prerogative of speech&mdash;'
</p>
<p>SIR TOBY.<br/>
What, what?
</p>
<p>MALVOLIO.<br/>
'You must amend your drunkenness.'
</p>
<p>SIR TOBY.<br/>
Out, scab!
</p>
<p>FABIAN.<br/>
Nay, patience, or we break the sinews of our plot.
</p>
<p>MALVOLIO.<br/>
'Besides, you waste the treasure of your time with a foolish
knight&mdash;'
</p>
<p>SIR ANDREW.<br/>
That's me, I warrant you.
</p>
<p>MALVOLIO.<br/>
'One Sir Andrew.'
</p>
<p>SIR ANDREW.<br/>
I knew 'twas I, for many do call me fool.
</p>
<p>MALVOLIO.<br/>
[<i>Taking up the letter.</i>] What employment have we here?
</p>
<p>FABIAN.<br/>
Now is the woodcock near the gin.
</p>
<p>SIR TOBY.<br/>
O, peace! And the spirit of humours intimate reading aloud to him!
</p>
<p>MALVOLIO.<br/>
By my life, this is my lady's hand: these be her very C's, her
U's, and her T's, and thus makes she her great P's. It is in
contempt of question, her hand.
</p>
<p>SIR ANDREW.<br/>
Her C's, her U's, and her T's. Why that?
</p>
<p>MALVOLIO.<br/>
[<i>Reads.</i>] <i>To the unknown beloved, this, and my good wishes.</i> Her
very phrases! By your leave, wax. Soft! and the impressure her Lucrece, with
which she uses to seal: 'tis my lady. To whom should this be?
</p>
<p>FABIAN.<br/>
This wins him, liver and all.
</p>
<p>MALVOLIO.<br/>
[<i>Reads.</i>]<br/>
<i>    Jove knows I love,<br/>
    But who?<br/>
    Lips, do not move,<br/>
    No man must know.</i>
</p>
<p>
'No man must know.' What follows? The numbers alter'd!
'No man must know.'&mdash;If this should be thee, Malvolio?
</p>
<p>SIR TOBY.<br/>
Marry, hang thee, brock!
</p>
<p>MALVOLIO.<br/>
<i>    I may command where I adore,<br/>
    But silence, like a Lucrece knife,<br/>
    With bloodless stroke my heart doth gore;<br/>
    M.O.A.I. doth sway my life.</i>
</p>
<p>FABIAN.<br/>
A fustian riddle!
</p>
<p>SIR TOBY.<br/>
Excellent wench, say I.
</p>
<p>MALVOLIO.<br/>
'M.O.A.I. doth sway my life.'&mdash;Nay, but first let me see, let
me see, let me see.
</p>
<p>FABIAN.<br/>
What dish o' poison has she dressed him!
</p>
<p>SIR TOBY.<br/>
And with what wing the staniel checks at it!
</p>
<p>MALVOLIO.<br/>
'I may command where I adore.' Why, she may command me: I serve
her, she is my lady. Why, this is evident to any formal capacity. There is no
obstruction in this. And the end&mdash;what should that alphabetical position
portend? If I could make that resemble something in me! Softly!
'M.O.A.I.'&mdash;
</p>
<p>SIR TOBY.<br/>
O, ay, make up that:&mdash;he is now at a cold scent.
</p>
<p>FABIAN.<br/>
Sowter will cry upon't for all this, though it be as rank as a fox.
</p>
<p>MALVOLIO.<br/>
'M'&mdash;Malvolio; 'M!' Why, that begins my name!
</p>
<p>FABIAN.<br/>
Did not I say he would work it out? The cur is excellent at faults.
</p>
<p>MALVOLIO.<br/>
'M'&mdash;But then there is no consonancy in the sequel; that
suffers under probation: 'A' should follow, but 'O'
does.
</p>
<p>FABIAN.<br/>
And 'O' shall end, I hope.
</p>
<p>SIR TOBY.<br/>
Ay, or I'll cudgel him, and make him cry 'O!'
</p>
<p>MALVOLIO.<br/>
And then 'I' comes behind.
</p>
<p>FABIAN.<br/>
Ay, and you had any eye behind you, you might see more detraction at your heels
than fortunes before you.
</p>
<p>MALVOLIO.<br/>
'M.O.A.I.' This simulation is not as the former: and yet, to crush
this a little, it would bow to me, for every one of these letters are in my
name. Soft, here follows prose.<br/>
[<i>Reads.</i>] <i>If this fall into thy hand, revolve. In my stars I am above
thee, but be not afraid of greatness. Some are born great, some achieve
greatness, and some have greatness thrust upon 'em. Thy fates open their
hands, let thy blood and spirit embrace them. And, to inure thyself to what
thou art like to be, cast thy humble slough and appear fresh. Be opposite with
a kinsman, surly with servants. Let thy tongue tang arguments of state; put
thyself into the trick of singularity. She thus advises thee that sighs for
thee. Remember who commended thy yellow stockings, and wished to see thee ever
cross-gartered. I say, remember. Go to, thou art made, if thou desir'st
to be so. If not, let me see thee a steward still, the fellow of servants, and
not worthy to touch Fortune's fingers. Farewell. She that would alter
services with thee,<br/>
                    The Fortunate Unhappy.</i>
</p>
<p>
Daylight and champian discovers not more! This is open. I will be proud, I will
read politic authors, I will baffle Sir Toby, I will wash off gross
acquaintance, I will be point-device, the very man. I do not now fool myself,
to let imagination jade me; for every reason excites to this, that my lady
loves me. She did commend my yellow stockings of late, she did praise my leg
being cross-gartered, and in this she manifests herself to my love, and with a
kind of injunction, drives me to these habits of her liking. I thank my stars,
I am happy. I will be strange, stout, in yellow stockings, and cross-gartered,
even with the swiftness of putting on. Jove and my stars be praised!&mdash;Here
is yet a postscript. [<i>Reads.</i>] <i>Thou canst not choose but know who I
am. If thou entertain'st my love, let it appear in thy smiling; thy
smiles become thee well. Therefore in my presence still smile, dear my sweet, I
prithee.</i> Jove, I thank thee. I will smile, I will do everything that thou
wilt have me.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>FABIAN.<br/>
I will not give my part of this sport for a pension of thousands to be paid
from the Sophy.
</p>
<p>SIR TOBY.<br/>
I could marry this wench for this device.
</p>
<p>SIR ANDREW.<br/>
So could I too.
</p>
<p>SIR TOBY.<br/>
And ask no other dowry with her but such another jest.
</p>
<p class="scenedesc"> Enter <span class="charname">Maria</span>.</p>
<p>SIR ANDREW.<br/>
Nor I neither.
</p>
<p>FABIAN.<br/>
Here comes my noble gull-catcher.
</p>
<p>SIR TOBY.<br/>
Wilt thou set thy foot o' my neck?
</p>
<p>SIR ANDREW.<br/>
Or o' mine either?
</p>
<p>SIR TOBY.<br/>
Shall I play my freedom at tray-trip, and become thy bond-slave?
</p>
<p>SIR ANDREW.<br/>
I' faith, or I either?
</p>
<p>SIR TOBY.<br/>
Why, thou hast put him in such a dream, that when the image of it leaves him
he must run mad.
</p>
<p>MARIA.<br/>
Nay, but say true, does it work upon him?
</p>
<p>SIR TOBY.<br/>
Like aqua-vitae with a midwife.
</p>
<p>MARIA.<br/>
If you will then see the fruits of the sport, mark his first approach before my
lady: he will come to her in yellow stockings, and 'tis a colour she
abhors, and cross-gartered, a fashion she detests; and he will smile upon her,
which will now be so unsuitable to her disposition, being addicted to a
melancholy as she is, that it cannot but turn him into a notable contempt. If
you will see it, follow me.
</p>
<p>SIR TOBY.<br/>
To the gates of Tartar, thou most excellent devil of wit!
</p>
<p>SIR ANDREW.<br/>
I'll make one too.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h3 id="sceneIII_361"> <b>ACT III.</b></h3>
<h4><b>SCENE I. Olivia's garden.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Viola</span> and
<span class="charname">Clown</span> with a tabor.</p>
<p>VIOLA.<br/>
Save thee, friend, and thy music. Dost thou live by thy tabor?
</p>
<p>CLOWN.<br/>
No, sir, I live by the church.
</p>
<p>VIOLA.<br/>
Art thou a churchman?
</p>
<p>CLOWN.<br/>
No such matter, sir. I do live by the church, for I do live at my house, and my
house doth stand by the church.
</p>
<p>VIOLA.<br/>
So thou mayst say the king lies by a beggar, if a beggar dwell near him; or the
church stands by thy tabor, if thy tabor stand by the church.
</p>
<p>CLOWN.<br/>
You have said, sir. To see this age! A sentence is but a chev'ril glove
to a good wit. How quickly the wrong side may be turned outward!
</p>
<p>VIOLA.<br/>
Nay, that's certain; they that dally nicely with words may quickly make
them wanton.
</p>
<p>CLOWN.<br/>
I would, therefore, my sister had had no name, sir.
</p>
<p>VIOLA.<br/>
Why, man?
</p>
<p>CLOWN.<br/>
Why, sir, her name's a word; and to dally with that word might make my
sister wanton. But indeed, words are very rascals, since bonds disgraced them.
</p>
<p>VIOLA.<br/>
Thy reason, man?
</p>
<p>CLOWN.<br/>
Troth, sir, I can yield you none without words, and words are grown so false, I
am loath to prove reason with them.
</p>
<p>VIOLA.<br/>
I warrant thou art a merry fellow, and car'st for nothing.
</p>
<p>CLOWN.<br/>
Not so, sir, I do care for something. But in my conscience, sir, I do not care
for you. If that be to care for nothing, sir, I would it would make you
invisible.
</p>
<p>VIOLA.<br/>
Art not thou the Lady Olivia's fool?
</p>
<p>CLOWN.<br/>
No, indeed, sir; the Lady Olivia has no folly. She will keep no fool, sir, till
she be married, and fools are as like husbands as pilchards are to herrings,
the husband's the bigger. I am indeed not her fool, but her corrupter
of words.
</p>
<p>VIOLA.<br/>
I saw thee late at the Count Orsino's.
</p>
<p>CLOWN.<br/>
Foolery, sir, does walk about the orb like the sun; it shines everywhere. I
would be sorry, sir, but the fool should be as oft with your master as with my
mistress. I think I saw your wisdom there.
</p>
<p>VIOLA.<br/>
Nay, and thou pass upon me, I'll no more with thee. Hold, there's
expenses for thee.
</p>
<p>CLOWN.<br/>
Now Jove, in his next commodity of hair, send thee a beard!
</p>
<p>VIOLA.<br/>
By my troth, I'll tell thee, I am almost sick for one, though I would not
have it grow on my chin. Is thy lady within?
</p>
<p>CLOWN.<br/>
Would not a pair of these have bred, sir?
</p>
<p>VIOLA.<br/>
Yes, being kept together, and put to use.
</p>
<p>CLOWN.<br/>
I would play Lord Pandarus of Phrygia, sir, to bring a Cressida to this
Troilus.
</p>
<p>VIOLA.<br/>
I understand you, sir; 'tis well begged.
</p>
<p>CLOWN.<br/>
The matter, I hope, is not great, sir, begging but a beggar: Cressida was a
beggar. My lady is within, sir. I will conster to them whence you come; who
you are and what you would are out of my welkin. I might say
&ldquo;element&rdquo;, but the word is overworn.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>VIOLA.<br/>
This fellow is wise enough to play the fool,<br/>
And to do that well, craves a kind of wit:<br/>
He must observe their mood on whom he jests,<br/>
The quality of persons, and the time,<br/>
And like the haggard, check at every feather<br/>
That comes before his eye. This is a practice<br/>
As full of labour as a wise man's art:<br/>
For folly, that he wisely shows, is fit;<br/>
But wise men, folly-fall'n, quite taint their wit.
</p>
<p class="scenedesc"> Enter <span class="charname">Sir Toby</span> and
<span class="charname">Sir Andrew</span>.</p>
<p>SIR TOBY.<br/>
Save you, gentleman.
</p>
<p>VIOLA.<br/>
And you, sir.
</p>
<p>SIR ANDREW.<br/>
<i>Dieu vous garde, monsieur.</i>
</p>
<p>VIOLA.<br/>
<i>Et vous aussi; votre serviteur.</i>
</p>
<p>SIR ANDREW.<br/>
I hope, sir, you are, and I am yours.
</p>
<p>SIR TOBY.<br/>
Will you encounter the house? My niece is desirous you should enter, if your
trade be to her.
</p>
<p>VIOLA.<br/>
I am bound to your niece, sir, I mean, she is the list of my voyage.
</p>
<p>SIR TOBY.<br/>
Taste your legs, sir, put them to motion.
</p>
<p>VIOLA.<br/>
My legs do better understand me, sir, than I understand what you mean by
bidding me taste my legs.
</p>
<p>SIR TOBY.<br/>
I mean, to go, sir, to enter.
</p>
<p>VIOLA.<br/>
I will answer you with gait and entrance: but we are prevented.
</p>
<p class="scenedesc"> Enter <span class="charname">Olivia</span> and
<span class="charname">Maria</span>.</p>
<p>Most excellent accomplished lady, the heavens rain odours on you!
</p>
<p>SIR ANDREW.<br/>
That youth's a rare courtier. 'Rain odours,' well.
</p>
<p>VIOLA.<br/>
My matter hath no voice, lady, but to your own most pregnant and vouchsafed
car.
</p>
<p>SIR ANDREW.<br/>
'Odours,' 'pregnant,' and
'vouchsafed.'&mdash;I'll get 'em all three ready.
</p>
<p>OLIVIA.<br/>
Let the garden door be shut, and leave me to my hearing.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Sir Toby, Sir Andrew</span> and
<span class="charname">Maria</span>.</i>]</p>
<p>Give me your hand, sir.
</p>
<p>VIOLA.<br/>
My duty, madam, and most humble service.
</p>
<p>OLIVIA.<br/>
What is your name?
</p>
<p>VIOLA.<br/>
Cesario is your servant's name, fair princess.
</p>
<p>OLIVIA.<br/>
My servant, sir! 'Twas never merry world,<br/>
Since lowly feigning was call'd compliment:<br/>
Y'are servant to the Count Orsino, youth.
</p>
<p>VIOLA.<br/>
And he is yours, and his must needs be yours.<br/>
Your servant's servant is your servant, madam.
</p>
<p>OLIVIA.<br/>
For him, I think not on him: for his thoughts,<br/>
Would they were blanks rather than fill'd with me!
</p>
<p>VIOLA.<br/>
Madam, I come to whet your gentle thoughts<br/>
On his behalf.
</p>
<p>OLIVIA.<br/>
O, by your leave, I pray you.<br/>
I bade you never speak again of him.<br/>
But would you undertake another suit,<br/>
I had rather hear you to solicit that<br/>
Than music from the spheres.
</p>
<p>VIOLA.<br/>
Dear lady&mdash;
</p>
<p>OLIVIA.<br/>
Give me leave, beseech you. I did send,<br/>
After the last enchantment you did here,<br/>
A ring in chase of you. So did I abuse<br/>
Myself, my servant, and, I fear me, you.<br/>
Under your hard construction must I sit;<br/>
To force that on you in a shameful cunning,<br/>
Which you knew none of yours. What might you think?<br/>
Have you not set mine honour at the stake,<br/>
And baited it with all th' unmuzzled thoughts<br/>
That tyrannous heart can think? To one of your receiving<br/>
Enough is shown. A cypress, not a bosom,<br/>
Hides my heart: so let me hear you speak.
</p>
<p>VIOLA.<br/>
I pity you.
</p>
<p>OLIVIA.<br/>
That's a degree to love.
</p>
<p>VIOLA.<br/>
No, not a grize; for 'tis a vulgar proof<br/>
That very oft we pity enemies.
</p>
<p>OLIVIA.<br/>
Why then methinks 'tis time to smile again.<br/>
O world, how apt the poor are to be proud!<br/>
If one should be a prey, how much the better<br/>
To fall before the lion than the wolf! [<i>Clock strikes.</i>]<br/>
The clock upbraids me with the waste of time.<br/>
Be not afraid, good youth, I will not have you.<br/>
And yet, when wit and youth is come to harvest,<br/>
Your wife is like to reap a proper man.<br/>
There lies your way, due west.
</p>
<p>VIOLA.<br/>
Then westward ho!<br/>
Grace and good disposition attend your ladyship!<br/>
You'll nothing, madam, to my lord by me?
</p>
<p>OLIVIA.<br/>
Stay:<br/>
I prithee tell me what thou think'st of me.
</p>
<p>VIOLA.<br/>
That you do think you are not what you are.
</p>
<p>OLIVIA.<br/>
If I think so, I think the same of you.
</p>
<p>VIOLA.<br/>
Then think you right; I am not what I am.
</p>
<p>OLIVIA.<br/>
I would you were as I would have you be.
</p>
<p>VIOLA.<br/>
Would it be better, madam, than I am?<br/>
I wish it might, for now I am your fool.
</p>
<p>OLIVIA.<br/>
O what a deal of scorn looks beautiful<br/>
In the contempt and anger of his lip!<br/>
A murd'rous guilt shows not itself more soon<br/>
Than love that would seem hid. Love's night is noon.<br/>
Cesario, by the roses of the spring,<br/>
By maidhood, honour, truth, and everything,<br/>
I love thee so, that maugre all thy pride,<br/>
Nor wit nor reason can my passion hide.<br/>
Do not extort thy reasons from this clause,<br/>
For that I woo, thou therefore hast no cause;<br/>
But rather reason thus with reason fetter:<br/>
Love sought is good, but given unsought is better.
</p>
<p>VIOLA.<br/>
By innocence I swear, and by my youth,<br/>
I have one heart, one bosom, and one truth,<br/>
And that no woman has; nor never none<br/>
Shall mistress be of it, save I alone.<br/>
And so adieu, good madam; never more<br/>
Will I my master's tears to you deplore.
</p>
<p>OLIVIA.<br/>
Yet come again: for thou perhaps mayst move<br/>
That heart, which now abhors, to like his love.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneIII_362"> <b>SCENE II. A Room in Olivia's House.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Sir Toby, Sir Andrew</span>
and <span class="charname">Fabian</span>.</p>
<p>SIR ANDREW.<br/>
No, faith, I'll not stay a jot longer.
</p>
<p>SIR TOBY.<br/>
Thy reason, dear venom, give thy reason.
</p>
<p>FABIAN.<br/>
You must needs yield your reason, Sir Andrew.
</p>
<p>SIR ANDREW.<br/>
Marry, I saw your niece do more favours to the Count's servingman than
ever she bestowed upon me; I saw't i' th' orchard.
</p>
<p>SIR TOBY.<br/>
Did she see thee the while, old boy? Tell me that.
</p>
<p>SIR ANDREW.<br/>
As plain as I see you now.
</p>
<p>FABIAN.<br/>
This was a great argument of love in her toward you.
</p>
<p>SIR ANDREW.<br/>
'Slight! will you make an ass o' me?
</p>
<p>FABIAN.<br/>
I will prove it legitimate, sir, upon the oaths of judgment and reason.
</p>
<p>SIR TOBY.<br/>
And they have been grand-jurymen since before Noah was a sailor.
</p>
<p>FABIAN.<br/>
She did show favour to the youth in your sight only to exasperate you, to awake
your dormouse valour, to put fire in your heart and brimstone in your liver.
You should then have accosted her, and with some excellent jests, fire-new from
the mint, you should have banged the youth into dumbness. This was looked for
at your hand, and this was balked: the double gilt of this opportunity you let
time wash off, and you are now sailed into the north of my lady's
opinion; where you will hang like an icicle on Dutchman's beard, unless
you do redeem it by some laudable attempt, either of valour or policy.
</p>
<p>SIR ANDREW.<br/>
And't be any way, it must be with valour, for policy I hate; I had as
lief be a Brownist as a politician.
</p>
<p>SIR TOBY.<br/>
Why, then, build me thy fortunes upon the basis of valour. Challenge me the
Count's youth to fight with him. Hurt him in eleven places; my niece
shall take note of it, and assure thyself there is no love-broker in the world
can more prevail in man's commendation with woman than report of valour.
</p>
<p>FABIAN.<br/>
There is no way but this, Sir Andrew.
</p>
<p>SIR ANDREW.<br/>
Will either of you bear me a challenge to him?
</p>
<p>SIR TOBY.<br/>
Go, write it in a martial hand, be curst and brief; it is no matter how witty,
so it be eloquent and full of invention. Taunt him with the licence of ink. If
thou 'thou'st' him some thrice, it shall not be amiss, and as
many lies as will lie in thy sheet of paper, although the sheet were big enough
for the bed of Ware in England, set 'em down. Go about it. Let there be
gall enough in thy ink, though thou write with a goose-pen, no matter. About
it.
</p>
<p>SIR ANDREW.<br/>
Where shall I find you?
</p>
<p>SIR TOBY.<br/>
We'll call thee at the cubiculo. Go.
</p>
<p class="right"> [<i>Exit <span class="charname">Sir Andrew</span>.</i>]</p>
<p>FABIAN.<br/>
This is a dear manikin to you, Sir Toby.
</p>
<p>SIR TOBY.<br/>
I have been dear to him, lad, some two thousand strong, or so.
</p>
<p>FABIAN.<br/>
We shall have a rare letter from him; but you'll not deliver it.
</p>
<p>SIR TOBY.<br/>
Never trust me then. And by all means stir on the youth to an answer. I think
oxen and wainropes cannot hale them together. For Andrew, if he were opened and
you find so much blood in his liver as will clog the foot of a flea, I'll
eat the rest of th' anatomy.
</p>
<p>FABIAN.<br/>
And his opposite, the youth, bears in his visage no great presage of cruelty.
</p>
<p class="scenedesc"> Enter <span class="charname">Maria</span>.</p>
<p>SIR TOBY.<br/>
Look where the youngest wren of nine comes.
</p>
<p>MARIA.<br/>
If you desire the spleen, and will laugh yourselves into stitches, follow me.
Yond gull Malvolio is turned heathen, a very renegado; for there is no
Christian that means to be saved by believing rightly can ever believe such
impossible passages of grossness. He's in yellow stockings.
</p>
<p>SIR TOBY.<br/>
And cross-gartered?
</p>
<p>MARIA.<br/>
Most villainously; like a pedant that keeps a school i' th' church.
I have dogged him like his murderer. He does obey every point of the letter
that I dropped to betray him. He does smile his face into more lines than is in
the new map with the augmentation of the Indies. You have not seen such a
thing as 'tis. I  can hardly forbear hurling things at him. I know my
lady will strike him. If she do, he'll smile and take't for a great
favour.
</p>
<p>SIR TOBY.<br/>
Come, bring us, bring us where he is.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneIII_363"> <b>SCENE III. A street.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Sebastian</span> and
<span class="charname">Antonio</span>.</p>
<p>SEBASTIAN.<br/>
I would not by my will have troubled you,<br/>
But since you make your pleasure of your pains,<br/>
I will no further chide you.
</p>
<p>ANTONIO.<br/>
I could not stay behind you: my desire,<br/>
More sharp than filed steel, did spur me forth;<br/>
And not all love to see you, though so much,<br/>
As might have drawn one to a longer voyage,<br/>
But jealousy what might befall your travel,<br/>
Being skilless in these parts; which to a stranger,<br/>
Unguided and unfriended, often prove<br/>
Rough and unhospitable. My willing love,<br/>
The rather by these arguments of fear,<br/>
Set forth in your pursuit.
</p>
<p>SEBASTIAN.<br/>
My kind Antonio,<br/>
I can no other answer make but thanks,<br/>
And thanks, and ever thanks; and oft good turns<br/>
Are shuffled off with such uncurrent pay.<br/>
But were my worth, as is my conscience, firm,<br/>
You should find better dealing. What's to do?<br/>
Shall we go see the relics of this town?
</p>
<p>ANTONIO.<br/>
Tomorrow, sir; best first go see your lodging.
</p>
<p>SEBASTIAN.<br/>
I am not weary, and 'tis long to night;<br/>
I pray you, let us satisfy our eyes<br/>
With the memorials and the things of fame<br/>
That do renown this city.
</p>
<p>ANTONIO.<br/>
Would you'd pardon me.<br/>
I do not without danger walk these streets.<br/>
Once in a sea-fight, 'gainst the Count his galleys,<br/>
I did some service, of such note indeed,<br/>
That were I ta'en here, it would scarce be answer'd.
</p>
<p>SEBASTIAN.<br/>
Belike you slew great number of his people.
</p>
<p>ANTONIO.<br/>
Th' offence is not of such a bloody nature,<br/>
Albeit the quality of the time and quarrel<br/>
Might well have given us bloody argument.<br/>
It might have since been answered in repaying<br/>
What we took from them, which for traffic's sake,<br/>
Most of our city did. Only myself stood out,<br/>
For which, if I be lapsed in this place,<br/>
I shall pay dear.
</p>
<p>SEBASTIAN.<br/>
Do not then walk too open.
</p>
<p>ANTONIO.<br/>
It doth not fit me. Hold, sir, here's my purse.<br/>
In the south suburbs, at the Elephant,<br/>
Is best to lodge. I will bespeak our diet<br/>
Whiles you beguile the time and feed your knowledge<br/>
With viewing of the town. There shall you have me.
</p>
<p>SEBASTIAN.<br/>
Why I your purse?
</p>
<p>ANTONIO.<br/>
Haply your eye shall light upon some toy<br/>
You have desire to purchase; and your store,<br/>
I think, is not for idle markets, sir.
</p>
<p>SEBASTIAN.<br/>
I'll be your purse-bearer, and leave you for an hour.
</p>
<p>ANTONIO.<br/>
To th' Elephant.
</p>
<p>SEBASTIAN.<br/>
I do remember.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneIII_364"> <b>SCENE IV. Olivia's garden.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Olivia</span> and
<span class="charname">Maria</span>.</p>
<p>OLIVIA.<br/>
I have sent after him. He says he'll come;<br/>
How shall I feast him? What bestow of him?<br/>
For youth is bought more oft than begg'd or borrow'd.<br/>
I speak too loud.&mdash;<br/>
Where's Malvolio?&mdash;He is sad and civil,<br/>
And suits well for a servant with my fortunes;<br/>
Where is Malvolio?
</p>
<p>MARIA.<br/>
He's coming, madam:<br/>
But in very strange manner. He is sure possessed, madam.
</p>
<p>OLIVIA.<br/>
Why, what's the matter? Does he rave?
</p>
<p>MARIA.<br/>
No, madam, he does nothing but smile: your ladyship were best to have some
guard about you if he come, for sure the man is tainted in 's wits.
</p>
<p>OLIVIA.<br/>
Go call him hither. I'm as mad as he,<br/>
If sad and merry madness equal be.
</p>
<p class="scenedesc"> Enter <span class="charname">Malvolio</span>.</p>
<p>How now, Malvolio?
</p>
<p>MALVOLIO.<br/>
Sweet lady, ho, ho!
</p>
<p>OLIVIA.<br/>
Smil'st thou? I sent for thee upon a sad occasion.
</p>
<p>MALVOLIO.<br/>
Sad, lady? I could be sad: this does make some obstruction in the blood, this
cross-gartering. But what of that? If it please the eye of one, it is with me
as the very true sonnet is: 'Please one and please all.'
</p>
<p>OLIVIA.<br/>
Why, how dost thou, man? What is the matter with thee?
</p>
<p>MALVOLIO.<br/>
Not black in my mind, though yellow in my legs. It did come to his hands, and
commands shall be executed. I think we do know the sweet Roman hand.
</p>
<p>OLIVIA.<br/>
Wilt thou go to bed, Malvolio?
</p>
<p>MALVOLIO.<br/>
To bed? Ay, sweetheart, and I'll come to thee.
</p>
<p>OLIVIA.<br/>
God comfort thee! Why dost thou smile so, and kiss thy hand so oft?
</p>
<p>MARIA.<br/>
How do you, Malvolio?
</p>
<p>MALVOLIO.<br/>
At your request? Yes, nightingales answer daws!
</p>
<p>MARIA.<br/>
Why appear you with this ridiculous boldness before my lady?
</p>
<p>MALVOLIO.<br/>
'Be not afraid of greatness.' 'Twas well writ.
</p>
<p>OLIVIA.<br/>
What mean'st thou by that, Malvolio?
</p>
<p>MALVOLIO.<br/>
'Some are born great'&mdash;
</p>
<p>OLIVIA.<br/>
Ha?
</p>
<p>MALVOLIO.<br/>
'Some achieve greatness'&mdash;
</p>
<p>OLIVIA.<br/>
What say'st thou?
</p>
<p>MALVOLIO.<br/>
'And some have greatness thrust upon them.'
</p>
<p>OLIVIA.<br/>
Heaven restore thee!
</p>
<p>MALVOLIO.<br/>
'Remember who commended thy yellow stockings'&mdash;
</p>
<p>OLIVIA.<br/>
Thy yellow stockings?
</p>
<p>MALVOLIO.<br/>
'And wished to see thee cross-gartered.'
</p>
<p>OLIVIA.<br/>
Cross-gartered?
</p>
<p>MALVOLIO.<br/>
'Go to: thou art made, if thou desir'st to be so:'&mdash;
</p>
<p>OLIVIA.<br/>
Am I made?
</p>
<p>MALVOLIO.<br/>
'If not, let me see thee a servant still.'
</p>
<p>OLIVIA.<br/>
Why, this is very midsummer madness.
</p>
<p class="scenedesc"> Enter <span class="charname">Servant</span>.</p>
<p>SERVANT.<br/>
Madam, the young gentleman of the Count Orsino's is returned; I could
hardly entreat him back. He attends your ladyship's pleasure.
</p>
<p>OLIVIA.<br/>
I'll come to him.
</p>
<p class="right"> [<i>Exit <span class="charname">Servant</span>.</i>]</p>
<p>Good Maria, let this fellow be looked to. Where's my cousin Toby? Let
some of my people have a special care of him; I would not have him miscarry for
the half of my dowry.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Olivia</span> and
<span class="charname">Maria</span>.</i>]</p>
<p>MALVOLIO.<br/>
O ho, do you come near me now? No worse man than Sir Toby to look to me. This
concurs directly with the letter: she sends him on purpose, that I may appear
stubborn to him; for she incites me to that in the letter. 'Cast thy
humble slough,' says she; 'be opposite with a kinsman, surly with
servants, let thy tongue tang with arguments of state, put thyself into the
trick of singularity,' and consequently, sets down the manner how: as, a
sad face, a reverend carriage, a slow tongue, in the habit of some sir of note,
and so forth. I have limed her, but it is Jove's doing, and Jove make me
thankful! And when she went away now, 'Let this fellow be looked
to;' 'Fellow!' not 'Malvolio', nor after my
degree, but 'fellow'. Why, everything adheres together, that no
dram of a scruple, no scruple of a scruple, no obstacle, no incredulous or
unsafe circumstance. What can be said? Nothing that can be can come between me
and the full prospect of my hopes. Well, Jove, not I, is the doer of this, and
he is to be thanked.
</p>
<p class="scenedesc"> Enter <span class="charname">Sir Toby, Fabian</span> and
<span class="charname">Maria</span>.</p>
<p>SIR TOBY.<br/>
Which way is he, in the name of sanctity? If all the devils of hell be drawn in
little, and Legion himself possessed him, yet I'll speak to him.
</p>
<p>FABIAN.<br/>
Here he is, here he is. How is't with you, sir? How is't with you,
man?
</p>
<p>MALVOLIO.<br/>
Go off, I discard you. Let me enjoy my private. Go off.
</p>
<p>MARIA.<br/>
Lo, how hollow the fiend speaks within him! Did not I tell you? Sir Toby, my
lady prays you to have a care of him.
</p>
<p>MALVOLIO.<br/>
Ah, ha! does she so?
</p>
<p>SIR TOBY.<br/>
Go to, go to; peace, peace, we must deal gently with him. Let me alone. How do
you, Malvolio? How is't with you? What, man! defy the devil! Consider,
he's an enemy to mankind.
</p>
<p>MALVOLIO.<br/>
Do you know what you say?
</p>
<p>MARIA.<br/>
La you, an you speak ill of the devil, how he takes it at heart! Pray God he be
not bewitched.
</p>
<p>FABIAN.<br/>
Carry his water to th' wise woman.
</p>
<p>MARIA.<br/>
Marry, and it shall be done tomorrow morning, if I live. My lady would not
lose him for more than I'll say.
</p>
<p>MALVOLIO.<br/>
How now, mistress!
</p>
<p>MARIA.<br/>
O Lord!
</p>
<p>SIR TOBY.<br/>
Prithee hold thy peace, this is not the way. Do you not see you move him? Let
me alone with him.
</p>
<p>FABIAN.<br/>
No way but gentleness, gently, gently. The fiend is rough, and will not be
roughly used.
</p>
<p>SIR TOBY.<br/>
Why, how now, my bawcock? How dost thou, chuck?
</p>
<p>MALVOLIO.<br/>
Sir!
</p>
<p>SIR TOBY.<br/>
Ay, biddy, come with me. What, man, 'tis not for gravity to play at
cherry-pit with Satan. Hang him, foul collier!
</p>
<p>MARIA.<br/>
Get him to say his prayers, good Sir Toby, get him to pray.
</p>
<p>MALVOLIO.<br/>
My prayers, minx?
</p>
<p>MARIA.<br/>
No, I warrant you, he will not hear of godliness.
</p>
<p>MALVOLIO.<br/>
Go, hang yourselves all! You are idle, shallow things. I am not of your element.
You shall know more hereafter.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>SIR TOBY.<br/>
Is't possible?
</p>
<p>FABIAN.<br/>
If this were played upon a stage now, I could condemn it as an improbable
fiction.
</p>
<p>SIR TOBY.<br/>
His very genius hath taken the infection of the device, man.
</p>
<p>MARIA.<br/>
Nay, pursue him now, lest the device take air and taint.
</p>
<p>FABIAN.<br/>
Why, we shall make him mad indeed.
</p>
<p>MARIA.<br/>
The house will be the quieter.
</p>
<p>SIR TOBY.<br/>
Come, we'll have him in a dark room and bound. My niece is already in the
belief that he's mad. We may carry it thus for our pleasure, and his
penance, till our very pastime, tired out of breath, prompt us to have mercy on
him, at which time we will bring the device to the bar, and crown thee for a
finder of madmen. But see, but see!
</p>
<p class="scenedesc"> Enter <span class="charname">Sir Andrew</span>.</p>
<p>FABIAN.<br/>
More matter for a May morning.
</p>
<p>SIR ANDREW.<br/>
Here's the challenge, read it. I warrant there's vinegar and pepper
in't.
</p>
<p>FABIAN.<br/>
Is't so saucy?
</p>
<p>SIR ANDREW.<br/>
Ay, is't, I warrant him. Do but read.
</p>
<p>SIR TOBY.<br/>
Give me. [<i>Reads.</i>] <i>Youth, whatsoever thou art, thou art but a scurvy
fellow.</i>
</p>
<p>FABIAN.<br/>
Good, and valiant.
</p>
<p>SIR TOBY.<br/>
<i>Wonder not, nor admire not in thy mind, why I do call thee so, for I will
show thee no reason for't.</i>
</p>
<p>FABIAN.<br/>
A good note, that keeps you from the blow of the law.
</p>
<p>SIR TOBY.<br/>
<i>Thou comest to the Lady Olivia, and in my sight she uses thee kindly: but
thou liest in thy throat; that is not the matter I challenge thee for.</i>
</p>
<p>FABIAN.<br/>
Very brief, and to exceeding good sense&mdash;less.
</p>
<p>SIR TOBY.<br/>
<i>I will waylay thee going home; where if it be thy chance to kill
me&mdash;</i>
</p>
<p>FABIAN.<br/>
Good.
</p>
<p>SIR TOBY.<br/>
<i>Thou kill'st me like a rogue and a villain.</i>
</p>
<p>FABIAN.<br/>
Still you keep o' th' windy side of the law. Good.
</p>
<p>SIR TOBY.<br/>
<i>Fare thee well, and God have mercy upon one of our souls! He may have mercy
upon mine, but my hope is better, and so look to thyself. Thy friend, as thou
usest him, and thy sworn enemy,<br/>
                        Andrew Aguecheek.</i><br/>
If this letter move him not, his legs cannot. I'll give't him.
</p>
<p>MARIA.<br/>
You may have very fit occasion for't. He is now in some commerce with my
lady, and will by and by depart.
</p>
<p>SIR TOBY.<br/>
Go, Sir Andrew. Scout me for him at the corner of the orchard, like a
bum-baily. So soon as ever thou seest him, draw, and as thou draw'st,
swear horrible, for it comes to pass oft that a terrible oath, with a
swaggering accent sharply twanged off, gives manhood more approbation than ever
proof itself would have earned him. Away.
</p>
<p>SIR ANDREW.<br/>
Nay, let me alone for swearing.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>SIR TOBY.<br/>
Now will not I deliver his letter, for the behaviour of the young gentleman
gives him out to be of good capacity and breeding; his employment between his
lord and my niece confirms no less. Therefore this letter, being so excellently
ignorant, will breed no terror in the youth. He will find it comes from a
clodpole. But, sir, I will deliver his challenge by word of mouth, set upon
Aguecheek notable report of valour, and drive the gentleman (as I know his
youth will aptly receive it) into a most hideous opinion of his rage, skill,
fury, and impetuosity. This will so fright them both that they will kill one
another by the look, like cockatrices.
</p>
<p class="scenedesc"> Enter <span class="charname">Olivia</span> and
<span class="charname">Viola</span>.</p>
<p>FABIAN.<br/>
Here he comes with your niece; give them way till he take leave, and presently
after him.
</p>
<p>SIR TOBY.<br/>
I will meditate the while upon some horrid message for a challenge.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Sir Toby, Fabian</span> and
<span class="charname">Maria</span>.</i>]</p>
<p>OLIVIA.<br/>
I have said too much unto a heart of stone,<br/>
And laid mine honour too unchary on't:<br/>
There's something in me that reproves my fault:<br/>
But such a headstrong potent fault it is,<br/>
That it but mocks reproof.
</p>
<p>VIOLA.<br/>
With the same 'haviour that your passion bears<br/>
Goes on my master's griefs.
</p>
<p>OLIVIA.<br/>
Here, wear this jewel for me, 'tis my picture.<br/>
Refuse it not, it hath no tongue to vex you.<br/>
And I beseech you come again tomorrow.<br/>
What shall you ask of me that I'll deny,<br/>
That honour sav'd, may upon asking give?
</p>
<p>VIOLA.<br/>
Nothing but this, your true love for my master.
</p>
<p>OLIVIA.<br/>
How with mine honour may I give him that<br/>
Which I have given to you?
</p>
<p>VIOLA.<br/>
I will acquit you.
</p>
<p>OLIVIA.<br/>
Well, come again tomorrow. Fare thee well;<br/>
A fiend like thee might bear my soul to hell.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p class="scenedesc"> Enter <span class="charname">Sir Toby</span> and
<span class="charname">Fabian</span>.</p>
<p>SIR TOBY.<br/>
Gentleman, God save thee.
</p>
<p>VIOLA.<br/>
And you, sir.
</p>
<p>SIR TOBY.<br/>
That defence thou hast, betake thee to't. Of what nature the wrongs are
thou hast done him, I know not, but thy intercepter, full of despite, bloody as
the hunter, attends thee at the orchard end. Dismount thy tuck, be yare in thy
preparation, for thy assailant is quick, skilful, and deadly.
</p>
<p>VIOLA.<br/>
You mistake, sir; I am sure no man hath any quarrel to me. My remembrance is
very free and clear from any image of offence done to any man.
</p>
<p>SIR TOBY.<br/>
You'll find it otherwise, I assure you. Therefore, if you hold your life
at any price, betake you to your guard, for your opposite hath in him what
youth, strength, skill, and wrath, can furnish man withal.
</p>
<p>VIOLA.<br/>
I pray you, sir, what is he?
</p>
<p>SIR TOBY.<br/>
He is knight, dubbed with unhatched rapier, and on carpet consideration, but he
is a devil in private brawl. Souls and bodies hath he divorced three, and his
incensement at this moment is so implacable that satisfaction can be none but
by pangs of death and sepulchre. Hob, nob is his word; give't or
take't.
</p>
<p>VIOLA.<br/>
I will return again into the house and desire some conduct of the lady. I am no
fighter. I have heard of some kind of men that put quarrels purposely on others
to taste their valour: belike this is a man of that quirk.
</p>
<p>SIR TOBY.<br/>
Sir, no. His indignation derives itself out of a very competent injury;
therefore, get you on and give him his desire. Back you shall not to the house,
unless you undertake that with me which with as much safety you might answer
him. Therefore on, or strip your sword stark naked, for meddle you must,
that's certain, or forswear to wear iron about you.
</p>
<p>VIOLA.<br/>
This is as uncivil as strange. I beseech you, do me this courteous office, as
to know of the knight what my offence to him is. It is something of my
negligence, nothing of my purpose.
</p>
<p>SIR TOBY.<br/>
I will do so. Signior Fabian, stay you by this gentleman till my return.
</p>
<p class="right"> [<i>Exit <span class="charname">Sir Toby</span>.</i>]</p>
<p>VIOLA.<br/>
Pray you, sir, do you know of this matter?
</p>
<p>FABIAN.<br/>
I know the knight is incensed against you, even to a mortal arbitrement, but
nothing of the circumstance more.
</p>
<p>VIOLA.<br/>
I beseech you, what manner of man is he?
</p>
<p>FABIAN.<br/>
Nothing of that wonderful promise, to read him by his form, as you are like to
find him in the proof of his valour. He is indeed, sir, the most skilful,
bloody, and fatal opposite that you could possibly have found in any part of
Illyria. Will you walk towards him? I will make your peace with him if I can.
</p>
<p>VIOLA.<br/>
I shall be much bound to you for't. I am one that had rather go with sir
priest than sir knight: I care not who knows so much of my mettle.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<p class="scenedesc"> Enter <span class="charname">Sir Toby</span> and
<span class="charname">Sir Andrew</span>.</p>
<p>SIR TOBY.<br/>
Why, man, he's a very devil. I have not seen such a firago. I had a pass
with him, rapier, scabbard, and all, and he gives me the stuck-in with such a
mortal motion that it is inevitable; and on the answer, he pays you as surely
as your feet hits the ground they step on. They say he has been fencer to the
Sophy.
</p>
<p>SIR ANDREW.<br/>
Pox on't, I'll not meddle with him.
</p>
<p>SIR TOBY.<br/>
Ay, but he will not now be pacified: Fabian can scarce hold him yonder.
</p>
<p>SIR ANDREW.<br/>
Plague on't, an I thought he had been valiant, and so cunning in fence,
I'd have seen him damned ere I'd have challenged him. Let him let
the matter slip, and I'll give him my horse, grey Capilet.
</p>
<p>SIR TOBY.<br/>
I'll make the motion. Stand here, make a good show on't. This shall
end without the perdition of souls. [<i>Aside.</i>] Marry, I'll ride your
horse as well as I ride you.
</p>
<p class="scenedesc"> Enter <span class="charname">Fabian</span> and
<span class="charname">Viola</span>.</p>
<p>
[<i>To Fabian.</i>] I have his horse to take up the quarrel. I have persuaded
him the youth's a devil.
</p>
<p>FABIAN.<br/>
He is as horribly conceited of him, and pants and looks pale, as if a bear were
at his heels.
</p>
<p>SIR TOBY.<br/>
There's no remedy, sir, he will fight with you for's oath sake.
Marry, he hath better bethought him of his quarrel, and he finds that now
scarce to be worth talking of. Therefore, draw for the supportance of his vow;
he protests he will not hurt you.
</p>
<p>VIOLA.<br/>
[<i>Aside.</i>] Pray God defend me! A little thing would make me tell them how
much I lack of a man.
</p>
<p>FABIAN.<br/>
Give ground if you see him furious.
</p>
<p>SIR TOBY.<br/>
Come, Sir Andrew, there's no remedy, the gentleman will for his
honour's sake have one bout with you. He cannot by the duello avoid it;
but he has promised me, as he is a gentleman and a soldier, he will not hurt
you. Come on: to't.
</p>
<p>SIR ANDREW.<br/>
[<i>Draws.</i>] Pray God he keep his oath!
</p>
<p class="scenedesc"> Enter <span class="charname">Antonio</span>.</p>
<p>VIOLA.<br/>
[<i>Draws.</i>] I do assure you 'tis against my will.
</p>
<p>ANTONIO.<br/>
Put up your sword. If this young gentleman<br/>
Have done offence, I take the fault on me.<br/>
If you offend him, I for him defy you.
</p>
<p>SIR TOBY.<br/>
You, sir? Why, what are you?
</p>
<p>ANTONIO.<br/>
[<i>Draws.</i>] One, sir, that for his love dares yet do more<br/>
Than you have heard him brag to you he will.
</p>
<p>SIR TOBY.<br/>
[<i>Draws.</i>] Nay, if you be an undertaker, I am for you.
</p>
<p class="scenedesc"> Enter <span class="charname">Officers</span>.</p>
<p>FABIAN.<br/>
O good Sir Toby, hold! Here come the officers.
</p>
<p>SIR TOBY.<br/>
[<i>To Antonio.</i>] I'll be with you anon.
</p>
<p>VIOLA.<br/>
[<i>To Sir Andrew.</i>] Pray, sir, put your sword up, if you please.
</p>
<p>SIR ANDREW.<br/>
Marry, will I, sir; and for that I promised you, I'll be as good as my
word. He will bear you easily, and reins well.
</p>
<p>FIRST OFFICER.<br/>
This is the man; do thy office.
</p>
<p>SECOND OFFICER.<br/>
Antonio, I arrest thee at the suit<br/>
Of Count Orsino.
</p>
<p>ANTONIO.<br/>
You do mistake me, sir.
</p>
<p>FIRST OFFICER.<br/>
No, sir, no jot. I know your favour well,<br/>
Though now you have no sea-cap on your head.&mdash;<br/>
Take him away, he knows I know him well.
</p>
<p>ANTONIO.<br/>
I must obey. This comes with seeking you;<br/>
But there's no remedy, I shall answer it.<br/>
What will you do? Now my necessity<br/>
Makes me to ask you for my purse. It grieves me<br/>
Much more for what I cannot do for you,<br/>
Than what befalls myself. You stand amaz'd,<br/>
But be of comfort.
</p>
<p>SECOND OFFICER.<br/>
Come, sir, away.
</p>
<p>ANTONIO.<br/>
I must entreat of you some of that money.
</p>
<p>VIOLA.<br/>
What money, sir?<br/>
For the fair kindness you have show'd me here,<br/>
And part being prompted by your present trouble,<br/>
Out of my lean and low ability<br/>
I'll lend you something. My having is not much;<br/>
I'll make division of my present with you.<br/>
Hold, there's half my coffer.
</p>
<p>ANTONIO.<br/>
Will you deny me now?<br/>
Is't possible that my deserts to you<br/>
Can lack persuasion? Do not tempt my misery,<br/>
Lest that it make me so unsound a man<br/>
As to upbraid you with those kindnesses<br/>
That I have done for you.
</p>
<p>VIOLA.<br/>
I know of none,<br/>
Nor know I you by voice or any feature.<br/>
I hate ingratitude more in a man<br/>
Than lying, vainness, babbling, drunkenness,<br/>
Or any taint of vice whose strong corruption<br/>
Inhabits our frail blood.
</p>
<p>ANTONIO.<br/>
O heavens themselves!
</p>
<p>SECOND OFFICER.<br/>
Come, sir, I pray you go.
</p>
<p>ANTONIO.<br/>
Let me speak a little. This youth that you see here<br/>
I snatch'd one half out of the jaws of death,<br/>
Reliev'd him with such sanctity of love;<br/>
And to his image, which methought did promise<br/>
Most venerable worth, did I devotion.
</p>
<p>FIRST OFFICER.<br/>
What's that to us? The time goes by. Away!
</p>
<p>ANTONIO.<br/>
But O how vile an idol proves this god!<br/>
Thou hast, Sebastian, done good feature shame.<br/>
In nature there's no blemish but the mind;<br/>
None can be call'd deform'd but the unkind.<br/>
Virtue is beauty, but the beauteous evil<br/>
Are empty trunks, o'erflourished by the devil.
</p>
<p>FIRST OFFICER.<br/>
The man grows mad, away with him. Come, come, sir.
</p>
<p>ANTONIO.<br/>
Lead me on.
</p>
<p class="right"> [<i>Exeunt Officers with <span class="charname">Antonio</span>.</i>]</p>
<p>VIOLA.<br/>
Methinks his words do from such passion fly<br/>
That he believes himself; so do not I.<br/>
Prove true, imagination, O prove true,<br/>
That I, dear brother, be now ta'en for you!
</p>
<p>SIR TOBY.<br/>
Come hither, knight; come hither, Fabian. We'll whisper o'er a
couplet or two of most sage saws.
</p>
<p>VIOLA.<br/>
He nam'd Sebastian. I my brother know<br/>
Yet living in my glass; even such and so<br/>
In favour was my brother, and he went<br/>
Still in this fashion, colour, ornament,<br/>
For him I imitate. O if it prove,<br/>
Tempests are kind, and salt waves fresh in love!
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>SIR TOBY.<br/>
A very dishonest paltry boy, and more a coward than a hare. His dishonesty
appears in leaving his friend here in necessity, and denying him; and for his
cowardship, ask Fabian.
</p>
<p>FABIAN.<br/>
A coward, a most devout coward, religious in it.
</p>
<p>SIR ANDREW.<br/>
'Slid, I'll after him again and beat him.
</p>
<p>SIR TOBY.<br/>
Do, cuff him soundly, but never draw thy sword.
</p>
<p>SIR ANDREW.<br/>
And I do not&mdash;
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>FABIAN.<br/>
Come, let's see the event.
</p>
<p>SIR TOBY.<br/>
I dare lay any money 'twill be nothing yet.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h3 id="sceneIV_361"> <b>ACT IV.</b></h3>
<h4><b>SCENE I. The Street before Olivia's House.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Sebastian</span> and
<span class="charname">Clown</span>.</p>
<p>CLOWN.<br/>
Will you make me believe that I am not sent for you?
</p>
<p>SEBASTIAN.<br/>
Go to, go to, thou art a foolish fellow.<br/>
Let me be clear of thee.
</p>
<p>CLOWN.<br/>
Well held out, i' faith! No, I do not know you, nor I am not sent to you
by my lady, to bid you come speak with her; nor your name is not Master
Cesario; nor this is not my nose neither. Nothing that is so, is so.
</p>
<p>SEBASTIAN.<br/>
I prithee vent thy folly somewhere else,<br/>
Thou know'st not me.
</p>
<p>CLOWN.<br/>
Vent my folly! He has heard that word of some great man, and now applies it to
a fool. Vent my folly! I am afraid this great lubber, the world, will prove a
cockney. I prithee now, ungird thy strangeness, and tell me what I shall vent
to my lady. Shall I vent to her that thou art coming?
</p>
<p>SEBASTIAN.<br/>
I prithee, foolish Greek, depart from me.<br/>
There's money for thee; if you tarry longer<br/>
I shall give worse payment.
</p>
<p>CLOWN.<br/>
By my troth, thou hast an open hand. These wise men that give fools money get
themselves a good report&mdash;after fourteen years' purchase.
</p>
<p class="scenedesc"> Enter <span class="charname">Sir Andrew, Sir Toby</span>
and <span class="charname">Fabian</span>.</p>
<p>SIR ANDREW.<br/>
Now sir, have I met you again? There's for you.
</p>
<p class="right"> [<i>Striking Sebastian.</i>]</p>
<p>SEBASTIAN.<br/>
Why, there's for thee, and there, and there.<br/>
Are all the people mad?
</p>
<p class="right"> [<i>Beating Sir Andrew.</i>]</p>
<p>SIR TOBY.<br/>
Hold, sir, or I'll throw your dagger o'er the house.
</p>
<p>CLOWN.<br/>
This will I tell my lady straight. I would not be in some of your coats for
twopence.
</p>
<p class="right"> [<i>Exit <span class="charname">Clown</span>.</i>]</p>
<p>SIR TOBY.<br/>
Come on, sir, hold!
</p>
<p>SIR ANDREW.<br/>
Nay, let him alone, I'll go another way to work with him. I'll have
an action of battery against him, if there be any law in Illyria. Though I
struck him first, yet it's no matter for that.
</p>
<p>SEBASTIAN.<br/>
Let go thy hand!
</p>
<p>SIR TOBY.<br/>
Come, sir, I will not let you go. Come, my young soldier, put up your iron: you
are well fleshed. Come on.
</p>
<p>SEBASTIAN.<br/>
I will be free from thee. What wouldst thou now?<br/>
If thou dar'st tempt me further, draw thy sword.
</p>
<p class="right"> [<i>Draws.</i>]</p>
<p>SIR TOBY.<br/>
What, what? Nay, then, I must have an ounce or two of this malapert blood from
you.
</p>
<p class="right"> [<i>Draws.</i>]</p>
<p class="scenedesc"> Enter <span class="charname">Olivia</span>.</p>
<p>OLIVIA.<br/>
Hold, Toby! On thy life I charge thee hold!
</p>
<p>SIR TOBY.<br/>
Madam.
</p>
<p>OLIVIA.<br/>
Will it be ever thus? Ungracious wretch,<br/>
Fit for the mountains and the barbarous caves,<br/>
Where manners ne'er were preach'd! Out of my sight!<br/>
Be not offended, dear Cesario.<br/>
Rudesby, be gone!
</p>
<p class="right"> [<i>Exeunt <span class="charname">Sir Toby, Sir Andrew</span> and
<span class="charname">Fabian</span>.</i>]</p>
<p>
I prithee, gentle friend,<br/>
Let thy fair wisdom, not thy passion, sway<br/>
In this uncivil and unjust extent<br/>
Against thy peace. Go with me to my house,<br/>
And hear thou there how many fruitless pranks<br/>
This ruffian hath botch'd up, that thou thereby<br/>
Mayst smile at this. Thou shalt not choose but go.<br/>
Do not deny. Beshrew his soul for me,<br/>
He started one poor heart of mine, in thee.
</p>
<p>SEBASTIAN.<br/>
What relish is in this? How runs the stream?<br/>
Or I am mad, or else this is a dream.<br/>
Let fancy still my sense in Lethe steep;<br/>
If it be thus to dream, still let me sleep!
</p>
<p>OLIVIA.<br/>
Nay, come, I prithee. Would thou'dst be ruled by me!
</p>
<p>SEBASTIAN.<br/>
Madam, I will.
</p>
<p>OLIVIA.<br/>
O, say so, and so be!
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneIV_362"> <b>SCENE II. A Room in Olivia's House.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Maria</span> and
<span class="charname">Clown</span>.</p>
<p>MARIA.<br/>
Nay, I prithee, put on this gown and this beard; make him believe thou art Sir
Topas the curate. Do it quickly. I'll call Sir Toby the whilst.
</p>
<p class="right"> [<i>Exit <span class="charname">Maria</span>.</i>]</p>
<p>CLOWN.<br/>
Well, I'll put it on, and I will dissemble myself in't, and I would
I were the first that ever dissembled in such a gown. I am not tall enough to
become the function well, nor lean enough to be thought a good student, but to
be said, an honest man and a good housekeeper goes as fairly as to say, a
careful man and a great scholar. The competitors enter.
</p>
<p class="scenedesc"> Enter <span class="charname">Sir Toby</span> and
<span class="charname">Maria</span>.</p>
<p>SIR TOBY.<br/>
Jove bless thee, Master Parson.
</p>
<p>CLOWN.<br/>
<i>Bonos dies</i>, Sir Toby: for as the old hermit of Prague, that never saw
pen and ink, very wittily said to a niece of King Gorboduc, 'That that
is, is': so I, being Master Parson, am Master Parson; for what is
'that' but 'that'? and 'is' but
'is'?
</p>
<p>SIR TOBY.<br/>
To him, Sir Topas.
</p>
<p>CLOWN.<br/>
What ho, I say! Peace in this prison!
</p>
<p>SIR TOBY.<br/>
The knave counterfeits well. A good knave.
</p>
<p class="scenedesc"><span class="charname">Malvolio</span> within.</p>
<p>MALVOLIO.<br/>
Who calls there?
</p>
<p>CLOWN.<br/>
Sir Topas the curate, who comes to visit Malvolio the lunatic.
</p>
<p>MALVOLIO.<br/>
Sir Topas, Sir Topas, good Sir Topas, go to my lady.
</p>
<p>CLOWN.<br/>
Out, hyperbolical fiend! how vexest thou this man? Talkest thou nothing but of
ladies?
</p>
<p>SIR TOBY.<br/>
Well said, Master Parson.
</p>
<p>MALVOLIO.<br/>
Sir Topas, never was man thus wronged. Good Sir Topas, do not think I am mad.
They have laid me here in hideous darkness.
</p>
<p>CLOWN.<br/>
Fie, thou dishonest Satan! I call thee by the most modest terms, for I am one
of those gentle ones that will use the devil himself with courtesy.
Say'st thou that house is dark?
</p>
<p>MALVOLIO.<br/>
As hell, Sir Topas.
</p>
<p>CLOWN.<br/>
Why, it hath bay windows transparent as barricadoes, and the clerestories
toward the south-north are as lustrous as ebony; and yet complainest thou of
obstruction?
</p>
<p>MALVOLIO.<br/>
I am not mad, Sir Topas. I say to you this house is dark.
</p>
<p>CLOWN.<br/>
Madman, thou errest. I say there is no darkness but ignorance, in which thou
art more puzzled than the Egyptians in their fog.
</p>
<p>MALVOLIO.<br/>
I say this house is as dark as ignorance, though ignorance were as dark as
hell; and I say there was never man thus abused. I am no more mad than you are.
Make the trial of it in any constant question.
</p>
<p>CLOWN.<br/>
What is the opinion of Pythagoras concerning wildfowl?
</p>
<p>MALVOLIO.<br/>
That the soul of our grandam might haply inhabit a bird.
</p>
<p>CLOWN.<br/>
What think'st thou of his opinion?
</p>
<p>MALVOLIO.<br/>
I think nobly of the soul, and no way approve his opinion.
</p>
<p>CLOWN.<br/>
Fare thee well. Remain thou still in darkness. Thou shalt hold the opinion of
Pythagoras ere I will allow of thy wits, and fear to kill a woodcock, lest thou
dispossess the soul of thy grandam. Fare thee well.
</p>
<p>MALVOLIO.<br/>
Sir Topas, Sir Topas!
</p>
<p>SIR TOBY.<br/>
My most exquisite Sir Topas!
</p>
<p>CLOWN.<br/>
Nay, I am for all waters.
</p>
<p>MARIA.<br/>
Thou mightst have done this without thy beard and gown. He sees thee not.
</p>
<p>SIR TOBY.<br/>
To him in thine own voice, and bring me word how thou find'st him. I
would we were well rid of this knavery. If he may be conveniently delivered, I
would he were, for I am now so far in offence with my niece that I cannot
pursue with any safety this sport to the upshot. Come by and by to my chamber.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Sir Toby</span> and
<span class="charname">Maria</span>.</i>]</p>
<p>CLOWN.<br/>
[<i>Singing.</i>]<br/>
    <i>Hey, Robin, jolly Robin,<br/>
    Tell me how thy lady does.</i>
</p>
<p>MALVOLIO.<br/>
Fool!
</p>
<p>CLOWN.<br/>
    <i>My lady is unkind, perdy.</i>
</p>
<p>MALVOLIO.<br/>
Fool!
</p>
<p>CLOWN.<br/>
    <i>Alas, why is she so?</i>
</p>
<p>MALVOLIO.<br/>
Fool, I say!
</p>
<p>CLOWN.<br/>
    <i>She loves another</i>&mdash;<br/>
Who calls, ha?
</p>
<p>MALVOLIO.<br/>
Good fool, as ever thou wilt deserve well at my hand, help me to a candle, and
pen, ink, and paper. As I am a gentleman, I will live to be thankful to thee
for't.
</p>
<p>CLOWN.<br/>
Master Malvolio?
</p>
<p>MALVOLIO.<br/>
Ay, good fool.
</p>
<p>CLOWN.<br/>
Alas, sir, how fell you besides your five wits?
</p>
<p>MALVOLIO.<br/>
Fool, there was never man so notoriously abused. I am as well in my wits, fool,
as thou art.
</p>
<p>CLOWN.<br/>
But as well? Then you are mad indeed, if you be no better in your wits than a
fool.
</p>
<p>MALVOLIO.<br/>
They have here propertied me; keep me in darkness, send ministers to me, asses,
and do all they can to face me out of my wits.
</p>
<p>CLOWN.<br/>
Advise you what you say: the minister is here. [<i>As Sir Topas</i>] Malvolio,
Malvolio, thy wits the heavens restore. Endeavour thyself to sleep, and leave
thy vain bibble-babble.
</p>
<p>MALVOLIO.<br/>
Sir Topas!
</p>
<p>CLOWN.<br/>
[<i>As Sir Topas</i>] Maintain no words with him, good fellow. [<i>As
himself</i>] Who, I, sir? not I, sir. God buy you, good Sir Topas. [<i>As Sir
Topas</i>] Marry, amen. [<i>As himself</i>] I will sir, I will.
</p>
<p>MALVOLIO.<br/>
Fool, fool, fool, I say!
</p>
<p>CLOWN.<br/>
Alas, sir, be patient. What say you, sir? I am shent for speaking to you.
</p>
<p>MALVOLIO.<br/>
Good fool, help me to some light and some paper. I tell thee I am as well in my
wits as any man in Illyria.
</p>
<p>CLOWN.<br/>
Well-a-day that you were, sir!
</p>
<p>MALVOLIO.<br/>
By this hand, I am. Good fool, some ink, paper, and light, and convey what I
will set down to my lady. It shall advantage thee more than ever the bearing of
letter did.
</p>
<p>CLOWN.<br/>
I will help you to't. But tell me true, are you not mad indeed? or do you
but counterfeit?
</p>
<p>MALVOLIO.<br/>
Believe me, I am not. I tell thee true.
</p>
<p>CLOWN.<br/>
Nay, I'll ne'er believe a madman till I see his brains. I will
fetch you light, and paper, and ink.
</p>
<p>MALVOLIO.<br/>
Fool, I'll requite it in the highest degree: I prithee be gone.
</p>
<p>CLOWN.<br/>
[<i>Singing.</i>]<br/>
  <i>I am gone, sir, and anon, sir,<br/>
    I'll be with you again,<br/>
  In a trice, like to the old Vice,<br/>
    Your need to sustain;<br/>
  Who with dagger of lath, in his rage and his wrath,<br/>
    Cries 'ah, ha!' to the devil:<br/>
  Like a mad lad, 'Pare thy nails, dad.<br/>
    Adieu, goodman devil.'</i>
</p>
<p class="right"> [<i>Exit.</i>]</p>
<h4 id="sceneIV_363"> <b>SCENE III. Olivia's Garden.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Sebastian</span>.</p>
<p>SEBASTIAN.<br/>
This is the air; that is the glorious sun,<br/>
This pearl she gave me, I do feel't and see't,<br/>
And though 'tis wonder that enwraps me thus,<br/>
Yet 'tis not madness. Where's Antonio, then?<br/>
I could not find him at the Elephant,<br/>
Yet there he was, and there I found this credit,<br/>
That he did range the town to seek me out.<br/>
His counsel now might do me golden service.<br/>
For though my soul disputes well with my sense<br/>
That this may be some error, but no madness,<br/>
Yet doth this accident and flood of fortune<br/>
So far exceed all instance, all discourse,<br/>
That I am ready to distrust mine eyes<br/>
And wrangle with my reason that persuades me<br/>
To any other trust but that I am mad,<br/>
Or else the lady's mad; yet if 'twere so,<br/>
She could not sway her house, command her followers,<br/>
Take and give back affairs and their dispatch,<br/>
With such a smooth, discreet, and stable bearing<br/>
As I perceive she does. There's something in't<br/>
That is deceivable. But here the lady comes.
</p>
<p class="scenedesc"> Enter <span class="charname">Olivia</span> and a
<span class="charname">Priest</span>.</p>
<p>OLIVIA.<br/>
Blame not this haste of mine. If you mean well,<br/>
Now go with me and with this holy man<br/>
Into the chantry by: there, before him<br/>
And underneath that consecrated roof,<br/>
Plight me the full assurance of your faith,<br/>
That my most jealous and too doubtful soul<br/>
May live at peace. He shall conceal it<br/>
Whiles you are willing it shall come to note,<br/>
What time we will our celebration keep<br/>
According to my birth. What do you say?
</p>
<p>SEBASTIAN.<br/>
I'll follow this good man, and go with you,<br/>
And having sworn truth, ever will be true.
</p>
<p>OLIVIA.<br/>
Then lead the way, good father, and heavens so shine,<br/>
That they may fairly note this act of mine!
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h3 id="sceneV_361"> <b>ACT V.</b></h3>
<h4><b>SCENE I. The Street before Olivia's House.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Clown</span> and
<span class="charname">Fabian</span>.</p>
<p>FABIAN.<br/>
Now, as thou lov'st me, let me see his letter.
</p>
<p>CLOWN.<br/>
Good Master Fabian, grant me another request.
</p>
<p>FABIAN.<br/>
Anything.
</p>
<p>CLOWN.<br/>
Do not desire to see this letter.
</p>
<p>FABIAN.<br/>
This is to give a dog, and in recompense desire my dog again.
</p>
<p class="scenedesc"> Enter <span class="charname">Duke, Viola, Curio</span>
and Lords.</p>
<p>DUKE.<br/>
Belong you to the Lady Olivia, friends?
</p>
<p>CLOWN.<br/>
Ay, sir, we are some of her trappings.
</p>
<p>DUKE.<br/>
I know thee well. How dost thou, my good fellow?
</p>
<p>CLOWN.<br/>
Truly, sir, the better for my foes, and the worse for my friends.
</p>
<p>DUKE.<br/>
Just the contrary; the better for thy friends.
</p>
<p>CLOWN.<br/>
No, sir, the worse.
</p>
<p>DUKE.<br/>
How can that be?
</p>
<p>CLOWN.<br/>
Marry, sir, they praise me, and make an ass of me. Now my foes tell me plainly
I am an ass: so that by my foes, sir, I profit in the knowledge of myself, and
by my friends I am abused. So that, conclusions to be as kisses, if your four
negatives make your two affirmatives, why then, the worse for my friends, and
the better for my foes.
</p>
<p>DUKE.<br/>
Why, this is excellent.
</p>
<p>CLOWN.<br/>
By my troth, sir, no; though it please you to be one of my friends.
</p>
<p>DUKE.<br/>
Thou shalt not be the worse for me; there's gold.
</p>
<p>CLOWN.<br/>
But that it would be double-dealing, sir, I would you could make it another.
</p>
<p>DUKE.<br/>
O, you give me ill counsel.
</p>
<p>CLOWN.<br/>
Put your grace in your pocket, sir, for this once, and let your flesh and blood
obey it.
</p>
<p>DUKE.<br/>
Well, I will be so much a sinner to be a double-dealer: there's another.
</p>
<p>CLOWN.<br/>
<i>Primo, secundo, tertio</i>, is a good play, and the old saying is, the third
pays for all; the triplex, sir, is a good tripping measure; or the bells of
Saint Bennet, sir, may put you in mind&mdash;one, two, three.
</p>
<p>DUKE.<br/>
You can fool no more money out of me at this throw. If you will let your lady
know I am here to speak with her, and bring her along with you, it may awake my
bounty further.
</p>
<p>CLOWN.<br/>
Marry, sir, lullaby to your bounty till I come again. I go, sir, but I would
not have you to think that my desire of having is the sin of covetousness: but
as you say, sir, let your bounty take a nap, I will awake it anon.
</p>
<p class="right"> [<i>Exit <span class="charname">Clown</span>.</i>]</p>
<p class="scenedesc"> Enter <span class="charname">Antonio</span> and
Officers.</p>
<p>VIOLA.<br/>
Here comes the man, sir, that did rescue me.
</p>
<p>DUKE.<br/>
That face of his I do remember well.<br/>
Yet when I saw it last it was besmear'd<br/>
As black as Vulcan, in the smoke of war.<br/>
A baubling vessel was he captain of,<br/>
For shallow draught and bulk unprizable,<br/>
With which such scathful grapple did he make<br/>
With the most noble bottom of our fleet,<br/>
That very envy and the tongue of loss<br/>
Cried fame and honour on him. What's the matter?
</p>
<p>FIRST OFFICER.<br/>
Orsino, this is that Antonio<br/>
That took the <i>Phoenix</i> and her fraught from Candy,<br/>
And this is he that did the <i>Tiger</i> board<br/>
When your young nephew Titus lost his leg.<br/>
Here in the streets, desperate of shame and state,<br/>
In private brabble did we apprehend him.
</p>
<p>VIOLA.<br/>
He did me kindness, sir; drew on my side,<br/>
But in conclusion, put strange speech upon me.<br/>
I know not what 'twas, but distraction.
</p>
<p>DUKE.<br/>
Notable pirate, thou salt-water thief,<br/>
What foolish boldness brought thee to their mercies,<br/>
Whom thou, in terms so bloody and so dear,<br/>
Hast made thine enemies?
</p>
<p>ANTONIO.<br/>
Orsino, noble sir,<br/>
Be pleased that I shake off these names you give me:<br/>
Antonio never yet was thief or pirate,<br/>
Though, I confess, on base and ground enough,<br/>
Orsino's enemy. A witchcraft drew me hither:<br/>
That most ingrateful boy there by your side<br/>
From the rude sea's enraged and foamy mouth<br/>
Did I redeem; a wreck past hope he was.<br/>
His life I gave him, and did thereto add<br/>
My love, without retention or restraint,<br/>
All his in dedication. For his sake<br/>
Did I expose myself, pure for his love,<br/>
Into the danger of this adverse town;<br/>
Drew to defend him when he was beset;<br/>
Where being apprehended, his false cunning<br/>
(Not meaning to partake with me in danger)<br/>
Taught him to face me out of his acquaintance,<br/>
And grew a twenty years' removed thing<br/>
While one would wink; denied me mine own purse,<br/>
Which I had recommended to his use<br/>
Not half an hour before.
</p>
<p>VIOLA.<br/>
How can this be?
</p>
<p>DUKE.<br/>
When came he to this town?
</p>
<p>ANTONIO.<br/>
Today, my lord; and for three months before,<br/>
No int'rim, not a minute's vacancy,<br/>
Both day and night did we keep company.
</p>
<p class="scenedesc"> Enter <span class="charname">Olivia</span> and
Attendants.</p>
<p>DUKE.<br/>
Here comes the Countess, now heaven walks on earth.<br/>
But for thee, fellow, fellow, thy words are madness.<br/>
Three months this youth hath tended upon me;<br/>
But more of that anon. Take him aside.
</p>
<p>OLIVIA.<br/>
What would my lord, but that he may not have,<br/>
Wherein Olivia may seem serviceable?<br/>
Cesario, you do not keep promise with me.
</p>
<p>VIOLA.<br/>
Madam?
</p>
<p>DUKE.<br/>
Gracious Olivia&mdash;
</p>
<p>OLIVIA.<br/>
What do you say, Cesario? Good my lord&mdash;
</p>
<p>VIOLA.<br/>
My lord would speak, my duty hushes me.
</p>
<p>OLIVIA.<br/>
If it be aught to the old tune, my lord,<br/>
It is as fat and fulsome to mine ear<br/>
As howling after music.
</p>
<p>DUKE.<br/>
Still so cruel?
</p>
<p>OLIVIA.<br/>
Still so constant, lord.
</p>
<p>DUKE.<br/>
What, to perverseness? You uncivil lady,<br/>
To whose ingrate and unauspicious altars<br/>
My soul the faithfull'st off'rings hath breathed out<br/>
That e'er devotion tender'd! What shall I do?
</p>
<p>OLIVIA.<br/>
Even what it please my lord that shall become him.
</p>
<p>DUKE.<br/>
Why should I not, had I the heart to do it,<br/>
Like to the Egyptian thief at point of death,<br/>
Kill what I love?&mdash;a savage jealousy<br/>
That sometime savours nobly. But hear me this:<br/>
Since you to non-regardance cast my faith,<br/>
And that I partly know the instrument<br/>
That screws me from my true place in your favour,<br/>
Live you the marble-breasted tyrant still.<br/>
But this your minion, whom I know you love,<br/>
And whom, by heaven I swear, I tender dearly,<br/>
Him will I tear out of that cruel eye<br/>
Where he sits crowned in his master's spite.&mdash;<br/>
Come, boy, with me; my thoughts are ripe in mischief:<br/>
I'll sacrifice the lamb that I do love,<br/>
To spite a raven's heart within a dove.
</p>
<p>VIOLA.<br/>
And I, most jocund, apt, and willingly,<br/>
To do you rest, a thousand deaths would die.
</p>
<p>OLIVIA.<br/>
Where goes Cesario?
</p>
<p>VIOLA.<br/>
After him I love<br/>
More than I love these eyes, more than my life,<br/>
More, by all mores, than e'er I shall love wife.<br/>
If I do feign, you witnesses above<br/>
Punish my life for tainting of my love.
</p>
<p>OLIVIA.<br/>
Ah me, detested! how am I beguil'd!
</p>
<p>VIOLA.<br/>
Who does beguile you? Who does do you wrong?
</p>
<p>OLIVIA.<br/>
Hast thou forgot thyself? Is it so long?<br/>
Call forth the holy father.
</p>
<p class="right"> [<i>Exit an Attendant.</i>]</p>
<p>DUKE.<br/>
[<i>To Viola.</i>] Come, away!
</p>
<p>OLIVIA.<br/>
Whither, my lord? Cesario, husband, stay.
</p>
<p>DUKE.<br/>
Husband?
</p>
<p>OLIVIA.<br/>
Ay, husband. Can he that deny?
</p>
<p>DUKE.<br/>
Her husband, sirrah?
</p>
<p>VIOLA.<br/>
No, my lord, not I.
</p>
<p>OLIVIA.<br/>
Alas, it is the baseness of thy fear<br/>
That makes thee strangle thy propriety.<br/>
Fear not, Cesario, take thy fortunes up.<br/>
Be that thou know'st thou art, and then thou art<br/>
As great as that thou fear'st.
</p>
<p class="scenedesc"> Enter <span class="charname">Priest</span>.</p>
<p>
O, welcome, father!<br/>
Father, I charge thee, by thy reverence<br/>
Here to unfold&mdash;though lately we intended<br/>
To keep in darkness what occasion now<br/>
Reveals before 'tis ripe&mdash;what thou dost know<br/>
Hath newly passed between this youth and me.
</p>
<p>PRIEST.<br/>
A contract of eternal bond of love,<br/>
Confirmed by mutual joinder of your hands,<br/>
Attested by the holy close of lips,<br/>
Strengthen'd by interchangement of your rings,<br/>
And all the ceremony of this compact<br/>
Sealed in my function, by my testimony;<br/>
Since when, my watch hath told me, toward my grave,<br/>
I have travelled but two hours.
</p>
<p>DUKE.<br/>
O thou dissembling cub! What wilt thou be<br/>
When time hath sowed a grizzle on thy case?<br/>
Or will not else thy craft so quickly grow<br/>
That thine own trip shall be thine overthrow?<br/>
Farewell, and take her; but direct thy feet<br/>
Where thou and I henceforth may never meet.
</p>
<p>VIOLA.<br/>
My lord, I do protest&mdash;
</p>
<p>OLIVIA.<br/>
O, do not swear.<br/>
Hold little faith, though thou has too much fear.
</p>
<p class="scenedesc"> Enter <span class="charname">Sir Andrew</span>.</p>
<p>SIR ANDREW.<br/>
For the love of God, a surgeon! Send one presently to Sir Toby.
</p>
<p>OLIVIA.<br/>
What's the matter?
</p>
<p>SIR ANDREW.<br/>
'Has broke my head across, and has given Sir Toby a bloody coxcomb too.
For the love of God, your help! I had rather than forty pound I were at home.
</p>
<p>OLIVIA.<br/>
Who has done this, Sir Andrew?
</p>
<p>SIR ANDREW.<br/>
The Count's gentleman, one Cesario. We took him for a coward, but
he's the very devil incardinate.
</p>
<p>DUKE.<br/>
My gentleman, Cesario?
</p>
<p>SIR ANDREW.<br/>
'Od's lifelings, here he is!&mdash;You broke my head for nothing;
and that that I did, I was set on to do't by Sir Toby.
</p>
<p>VIOLA.<br/>
Why do you speak to me? I never hurt you:<br/>
You drew your sword upon me without cause,<br/>
But I bespake you fair and hurt you not.
</p>
<p class="scenedesc"> Enter <span class="charname">Sir Toby</span>,
drunk, led by the <span class="charname">Clown</span>.</p>
<p>SIR ANDREW.<br/>
If a bloody coxcomb be a hurt, you have hurt me. I think you set nothing by a
bloody coxcomb. Here comes Sir Toby halting, you shall hear more: but if he had
not been in drink, he would have tickled you othergates than he did.
</p>
<p>DUKE.<br/>
How now, gentleman? How is't with you?
</p>
<p>SIR TOBY.<br/>
That's all one; 'has hurt me, and there's th' end
on't. Sot, didst see Dick Surgeon, sot?
</p>
<p>CLOWN.<br/>
O, he's drunk, Sir Toby, an hour agone; his eyes were set at eight
i' th' morning.
</p>
<p>SIR TOBY.<br/>
Then he's a rogue, and a passy measures pavin. I hate a drunken
rogue.
</p>
<p>OLIVIA.<br/>
Away with him. Who hath made this havoc with them?
</p>
<p>SIR ANDREW.<br/>
I'll help you, Sir Toby, because we'll be dressed together.
</p>
<p>SIR TOBY.<br/>
Will you help? An ass-head, and a coxcomb, and a knave, a thin-faced knave, a
gull?
</p>
<p>OLIVIA.<br/>
Get him to bed, and let his hurt be looked to.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Clown, Fabian, Sir
Toby</span> and <span class="charname">Sir Andrew</span>.</i>]</p>
<p class="scenedesc"> Enter <span class="charname">Sebastian</span>.</p>
<p>SEBASTIAN.<br/>
I am sorry, madam, I have hurt your kinsman;<br/>
But had it been the brother of my blood,<br/>
I must have done no less with wit and safety.<br/>
You throw a strange regard upon me, and by that<br/>
I do perceive it hath offended you.<br/>
Pardon me, sweet one, even for the vows<br/>
We made each other but so late ago.
</p>
<p>DUKE.<br/>
One face, one voice, one habit, and two persons!<br/>
A natural perspective, that is, and is not!
</p>
<p>SEBASTIAN.<br/>
Antonio, O my dear Antonio!<br/>
How have the hours rack'd and tortur'd me<br/>
Since I have lost thee.
</p>
<p>ANTONIO.<br/>
Sebastian are you?
</p>
<p>SEBASTIAN.<br/>
Fear'st thou that, Antonio?
</p>
<p>ANTONIO.<br/>
How have you made division of yourself?<br/>
An apple cleft in two is not more twin<br/>
Than these two creatures. Which is Sebastian?
</p>
<p>OLIVIA.<br/>
Most wonderful!
</p>
<p>SEBASTIAN.<br/>
Do I stand there? I never had a brother:<br/>
Nor can there be that deity in my nature<br/>
Of here and everywhere. I had a sister,<br/>
Whom the blind waves and surges have devoured.<br/>
Of charity, what kin are you to me?<br/>
What countryman? What name? What parentage?
</p>
<p>VIOLA.<br/>
Of Messaline: Sebastian was my father;<br/>
Such a Sebastian was my brother too:<br/>
So went he suited to his watery tomb.<br/>
If spirits can assume both form and suit,<br/>
You come to fright us.
</p>
<p>SEBASTIAN.<br/>
A spirit I am indeed,<br/>
But am in that dimension grossly clad,<br/>
Which from the womb I did participate.<br/>
Were you a woman, as the rest goes even,<br/>
I should my tears let fall upon your cheek,<br/>
And say, 'Thrice welcome, drowned Viola.'
</p>
<p>VIOLA.<br/>
My father had a mole upon his brow.
</p>
<p>SEBASTIAN.<br/>
And so had mine.
</p>
<p>VIOLA.<br/>
And died that day when Viola from her birth<br/>
Had numbered thirteen years.
</p>
<p>SEBASTIAN.<br/>
O, that record is lively in my soul!<br/>
He finished indeed his mortal act<br/>
That day that made my sister thirteen years.
</p>
<p>VIOLA.<br/>
If nothing lets to make us happy both<br/>
But this my masculine usurp'd attire,<br/>
Do not embrace me till each circumstance<br/>
Of place, time, fortune, do cohere and jump<br/>
That I am Viola; which to confirm,<br/>
I'll bring you to a captain in this town,<br/>
Where lie my maiden weeds; by whose gentle help<br/>
I was preserv'd to serve this noble count.<br/>
All the occurrence of my fortune since<br/>
Hath been between this lady and this lord.
</p>
<p>SEBASTIAN.<br/>
[<i>To Olivia.</i>] So comes it, lady, you have been mistook.<br/>
But nature to her bias drew in that.<br/>
You would have been contracted to a maid;<br/>
Nor are you therein, by my life, deceived:<br/>
You are betroth'd both to a maid and man.
</p>
<p>DUKE.<br/>
Be not amazed; right noble is his blood.<br/>
If this be so, as yet the glass seems true,<br/>
I shall have share in this most happy wreck.<br/>
[<i>To Viola.</i>] Boy, thou hast said to me a thousand times<br/>
Thou never shouldst love woman like to me.
</p>
<p>VIOLA.<br/>
And all those sayings will I over-swear,<br/>
And all those swearings keep as true in soul<br/>
As doth that orbed continent the fire<br/>
That severs day from night.
</p>
<p>DUKE.<br/>
Give me thy hand,<br/>
And let me see thee in thy woman's weeds.
</p>
<p>VIOLA.<br/>
The captain that did bring me first on shore<br/>
Hath my maid's garments. He, upon some action,<br/>
Is now in durance, at Malvolio's suit,<br/>
A gentleman and follower of my lady's.
</p>
<p>OLIVIA.<br/>
He shall enlarge him. Fetch Malvolio hither.<br/>
And yet, alas, now I remember me,<br/>
They say, poor gentleman, he's much distract.
</p>
<p class="scenedesc"> Enter <span class="charname">Clown</span>, with a
letter and <span class="charname">Fabian</span>.</p>
<p>A most extracting frenzy of mine own<br/>
From my remembrance clearly banished his.<br/>
How does he, sirrah?
</p>
<p>CLOWN.<br/>
Truly, madam, he holds Belzebub at the stave's end as well as a man in
his case may do. Has here writ a letter to you. I should have given it you
today morning, but as a madman's epistles are no gospels, so it skills
not much when they are delivered.
</p>
<p>OLIVIA.<br/>
Open 't, and read it.
</p>
<p>CLOWN.<br/>
Look then to be well edified, when the fool delivers the madman. <i>By
the Lord, madam,&mdash;</i>
</p>
<p>OLIVIA.<br/>
How now, art thou mad?
</p>
<p>CLOWN.<br/>
No, madam, I do but read madness: an your ladyship will have it as it ought to
be, you must allow <i>vox</i>.
</p>
<p>OLIVIA.<br/>
Prithee, read i' thy right wits.
</p>
<p>CLOWN.<br/>
So I do, madonna. But to read his right wits is to read thus; therefore
perpend, my princess, and give ear.
</p>
<p>OLIVIA.<br/>
[<i>To Fabian.</i>] Read it you, sirrah.
</p>
<p>FABIAN.<br/>
[<i>Reads.</i>] <i>By the Lord, madam, you wrong me, and the world shall know it.
Though you have put me into darkness and given your drunken cousin rule over
me, yet have I the benefit of my senses as well as your ladyship. I have your
own letter that induced me to the semblance I put on; with the which I doubt
not but to do myself much right or you much shame. Think of me as you please. I
leave my duty a little unthought of, and speak out of my injury.<br/>
                        The madly-used Malvolio.</i>
</p>
<p>OLIVIA.<br/>
Did he write this?
</p>
<p>CLOWN.<br/>
Ay, madam.
</p>
<p>DUKE.<br/>
This savours not much of distraction.
</p>
<p>OLIVIA.<br/>
See him delivered, Fabian, bring him hither.
</p>
<p class="right"> [<i>Exit <span class="charname">Fabian</span>.</i>]</p>
<p>My lord, so please you, these things further thought on,<br/>
To think me as well a sister, as a wife,<br/>
One day shall crown th' alliance on't, so please you,<br/>
Here at my house, and at my proper cost.
</p>
<p>DUKE.<br/>
Madam, I am most apt t' embrace your offer.<br/>
[<i>To Viola.</i>] Your master quits you; and for your service done him,<br/>
So much against the mettle of your sex,<br/>
So far beneath your soft and tender breeding,<br/>
And since you call'd me master for so long,<br/>
Here is my hand; you shall from this time be<br/>
You master's mistress.
</p>
<p>OLIVIA.<br/>
A sister? You are she.
</p>
<p class="scenedesc"> Enter <span class="charname">Fabian</span> and
<span class="charname">Malvolio</span>.</p>
<p>DUKE.<br/>
Is this the madman?
</p>
<p>OLIVIA.<br/>
Ay, my lord, this same.<br/>
How now, Malvolio?
</p>
<p>MALVOLIO.<br/>
Madam, you have done me wrong,<br/>
Notorious wrong.
</p>
<p>OLIVIA.<br/>
Have I, Malvolio? No.
</p>
<p>MALVOLIO.<br/>
Lady, you have. Pray you peruse that letter.<br/>
You must not now deny it is your hand,<br/>
Write from it, if you can, in hand, or phrase,<br/>
Or say 'tis not your seal, not your invention:<br/>
You can say none of this. Well, grant it then,<br/>
And tell me, in the modesty of honour,<br/>
Why you have given me such clear lights of favour,<br/>
Bade me come smiling and cross-garter'd to you,<br/>
To put on yellow stockings, and to frown<br/>
Upon Sir Toby, and the lighter people;<br/>
And acting this in an obedient hope,<br/>
Why have you suffer'd me to be imprison'd,<br/>
Kept in a dark house, visited by the priest,<br/>
And made the most notorious geck and gull<br/>
That e'er invention played on? Tell me why?
</p>
<p>OLIVIA.<br/>
Alas, Malvolio, this is not my writing,<br/>
Though I confess, much like the character:<br/>
But out of question, 'tis Maria's hand.<br/>
And now I do bethink me, it was she<br/>
First told me thou wast mad; then cam'st in smiling,<br/>
And in such forms which here were presuppos'd<br/>
Upon thee in the letter. Prithee, be content.<br/>
This practice hath most shrewdly pass'd upon thee.<br/>
But when we know the grounds and authors of it,<br/>
Thou shalt be both the plaintiff and the judge<br/>
Of thine own cause.
</p>
<p>FABIAN.<br/>
Good madam, hear me speak,<br/>
And let no quarrel, nor no brawl to come,<br/>
Taint the condition of this present hour,<br/>
Which I have wonder'd at. In hope it shall not,<br/>
Most freely I confess, myself and Toby<br/>
Set this device against Malvolio here,<br/>
Upon some stubborn and uncourteous parts<br/>
We had conceiv'd against him. Maria writ<br/>
The letter, at Sir Toby's great importance,<br/>
In recompense whereof he hath married her.<br/>
How with a sportful malice it was follow'd<br/>
May rather pluck on laughter than revenge,<br/>
If that the injuries be justly weigh'd<br/>
That have on both sides passed.
</p>
<p>OLIVIA.<br/>
Alas, poor fool, how have they baffled thee!
</p>
<p>CLOWN.<br/>
Why, 'some are born great, some achieve greatness, and some have
greatness thrown upon them.' I was one, sir, in this interlude, one Sir
Topas, sir, but that's all one. 'By the Lord, fool, I am not
mad.' But do you remember? 'Madam, why laugh you at such a barren
rascal? And you smile not, he's gagged'? And thus the whirligig of
time brings in his revenges.
</p>
<p>MALVOLIO.<br/>
I'll be revenged on the whole pack of you.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>OLIVIA.<br/>
He hath been most notoriously abus'd.
</p>
<p>DUKE.<br/>
Pursue him, and entreat him to a peace:<br/>
He hath not told us of the captain yet.<br/>
When that is known, and golden time convents,<br/>
A solemn combination shall be made<br/>
Of our dear souls.&mdash;Meantime, sweet sister,<br/>
We will not part from hence.&mdash;Cesario, come:<br/>
For so you shall be while you are a man;<br/>
But when in other habits you are seen,<br/>
Orsino's mistress, and his fancy's queen.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<p class="scenedesc"> <span class="charname">Clown</span> sings.</p>
<p>
<i>  When that I was and a little tiny boy,<br/>
    With hey, ho, the wind and the rain,<br/>
  A foolish thing was but a toy,<br/>
    For the rain it raineth every day.</i>
</p>
<p>
<i>  But when I came to man's estate,<br/>
    With hey, ho, the wind and the rain,<br/>
  'Gainst knaves and thieves men shut their gate,<br/>
    For the rain it raineth every day.</i>
</p>
<p>
<i>  But when I came, alas, to wive,<br/>
    With hey, ho, the wind and the rain,<br/>
  By swaggering could I never thrive,<br/>
    For the rain it raineth every day.</i>
</p>
<p>
<i>  But when I came unto my beds,<br/>
    With hey, ho, the wind and the rain,<br/>
  With toss-pots still had drunken heads,<br/>
    For the rain it raineth every day.</i>
</p>
<p>
<i>  A great while ago the world begun,<br/>
    With hey, ho, the wind and the rain,<br/>
  But that's all one, our play is done,<br/>
    And we'll strive to please you every day.</i>
</p>
<p class="right"> [<i>Exit.</i>]</p>
<h2>THE TWO GENTLEMEN OF VERONA</h2>
<h4>DRAMATIS PERSONAE</h4>
<p>  DUKE OF MILAN, father to Silvia<br/>
  VALENTINE, one of the two gentlemen<br/>
  PROTEUS,    "  "  "  "    "<br/>
  ANTONIO, father to Proteus<br/>
  THURIO, a foolish rival to Valentine<br/>
  EGLAMOUR, agent for Silvia in her escape<br/>
  SPEED, a clownish servant to Valentine<br/>
  LAUNCE, the like to Proteus<br/>
  PANTHINO, servant to Antonio<br/>
  HOST, where Julia lodges in Milan<br/>
  OUTLAWS, with Valentine<br/>
</p>
<p>  JULIA, a lady of Verona, beloved of Proteus<br/>
  SILVIA, the Duke's daughter, beloved of Valentine<br/>
  LUCETTA, waiting-woman to Julia<br/>
</p>
<p>  SERVANTS
  MUSICIANS</p>
<h4>SCENE:
Verona; Milan; the frontiers of Mantua</h4>
<h4>ACT I. SCENE I.
Verona. An open place</h4>
<p>Enter VALENTINE and PROTEUS</p>
<p>  VALENTINE. Cease to persuade, my loving Proteus:<br/>
    Home-keeping youth have ever homely wits.<br/>
    Were't not affection chains thy tender days<br/>
    To the sweet glances of thy honour'd love,<br/>
    I rather would entreat thy company<br/>
    To see the wonders of the world abroad,<br/>
    Than, living dully sluggardiz'd at home,<br/>
    Wear out thy youth with shapeless idleness.<br/>
    But since thou lov'st, love still, and thrive therein,<br/>
    Even as I would, when I to love begin.<br/>
  PROTEUS. Wilt thou be gone? Sweet Valentine, adieu!<br/>
    Think on thy Proteus, when thou haply seest<br/>
    Some rare noteworthy object in thy travel.<br/>
    Wish me partaker in thy happiness<br/>
    When thou dost meet good hap; and in thy danger,<br/>
    If ever danger do environ thee,<br/>
    Commend thy grievance to my holy prayers,<br/>
    For I will be thy headsman, Valentine.<br/>
  VALENTINE. And on a love-book pray for my success?<br/>
  PROTEUS. Upon some book I love I'll pray for thee.<br/>
  VALENTINE. That's on some shallow story of deep love:<br/>
    How young Leander cross'd the Hellespont.<br/>
  PROTEUS. That's a deep story of a deeper love;<br/>
    For he was more than over shoes in love.<br/>
  VALENTINE. 'Tis true; for you are over boots in love,<br/>
    And yet you never swum the Hellespont.<br/>
  PROTEUS. Over the boots! Nay, give me not the boots.<br/>
  VALENTINE. No, I will not, for it boots thee not.<br/>
  PROTEUS. What?<br/>
  VALENTINE. To be in love- where scorn is bought with groans,<br/>
    Coy looks with heart-sore sighs, one fading moment's mirth<br/>
    With twenty watchful, weary, tedious nights;<br/>
    If haply won, perhaps a hapless gain;<br/>
    If lost, why then a grievous labour won;<br/>
    However, but a folly bought with wit,<br/>
    Or else a wit by folly vanquished.<br/>
  PROTEUS. So, by your circumstance, you call me fool.<br/>
  VALENTINE. So, by your circumstance, I fear you'll prove.<br/>
  PROTEUS. 'Tis love you cavil at; I am not Love.<br/>
  VALENTINE. Love is your master, for he masters you;<br/>
    And he that is so yoked by a fool,<br/>
    Methinks, should not be chronicled for wise.<br/>
  PROTEUS. Yet writers say, as in the sweetest bud<br/>
    The eating canker dwells, so eating love<br/>
    Inhabits in the finest wits of all.<br/>
  VALENTINE. And writers say, as the most forward bud<br/>
    Is eaten by the canker ere it blow,<br/>
    Even so by love the young and tender wit<br/>
    Is turn'd to folly, blasting in the bud,<br/>
    Losing his verdure even in the prime,<br/>
    And all the fair effects of future hopes.<br/>
    But wherefore waste I time to counsel the<br/>
    That art a votary to fond desire?<br/>
    Once more adieu. My father at the road<br/>
    Expects my coming, there to see me shipp'd.<br/>
  PROTEUS. And thither will I bring thee, Valentine.<br/>
  VALENTINE. Sweet Proteus, no; now let us take our leave.<br/>
    To Milan let me hear from thee by letters<br/>
    Of thy success in love, and what news else<br/>
    Betideth here in absence of thy friend;<br/>
    And I likewise will visit thee with mine.<br/>
  PROTEUS. All happiness bechance to thee in Milan!<br/>
  VALENTINE. As much to you at home; and so farewell!<br/>
                                                  Exit VALENTINE<br/>
  PROTEUS. He after honour hunts, I after love;<br/>
    He leaves his friends to dignify them more:<br/>
    I leave myself, my friends, and all for love.<br/>
    Thou, Julia, thou hast metamorphis'd me,<br/>
    Made me neglect my studies, lose my time,<br/>
    War with good counsel, set the world at nought;<br/>
    Made wit with musing weak, heart sick with thought.<br/>
</p>
<p>                        Enter SPEED</p>
<p>  SPEED. Sir Proteus, save you! Saw you my master?<br/>
  PROTEUS. But now he parted hence to embark for Milan.<br/>
  SPEED. Twenty to one then he is shipp'd already,<br/>
    And I have play'd the sheep in losing him.<br/>
  PROTEUS. Indeed a sheep doth very often stray,<br/>
    An if the shepherd be awhile away.<br/>
  SPEED. You conclude that my master is a shepherd then, and<br/>
    I a sheep?<br/>
  PROTEUS. I do.<br/>
  SPEED. Why then, my horns are his horns, whether I wake or sleep.<br/>
  PROTEUS. A silly answer, and fitting well a sheep.<br/>
  SPEED. This proves me still a sheep.<br/>
  PROTEUS. True; and thy master a shepherd.<br/>
  SPEED. Nay, that I can deny by a circumstance.<br/>
  PROTEUS. It shall go hard but I'll prove it by another.<br/>
  SPEED. The shepherd seeks the sheep, and not the sheep the<br/>
    shepherd; but I seek my master, and my master seeks not me;<br/>
    therefore, I am no sheep.<br/>
  PROTEUS. The sheep for fodder follow the shepherd; the shepherd for<br/>
    food follows not the sheep: thou for wages followest thy master;<br/>
    thy master for wages follows not thee. Therefore, thou art a<br/>
    sheep.<br/>
  SPEED. Such another proof will make me cry 'baa.'<br/>
  PROTEUS. But dost thou hear? Gav'st thou my letter to Julia?<br/>
  SPEED. Ay, sir; I, a lost mutton, gave your letter to her, a lac'd<br/>
    mutton; and she, a lac'd mutton, gave me, a lost mutton, nothing<br/>
    for my labour.<br/>
  PROTEUS. Here's too small a pasture for such store of muttons.<br/>
  SPEED. If the ground be overcharg'd, you were best stick her.<br/>
  PROTEUS. Nay, in that you are astray: 'twere best pound you.<br/>
  SPEED. Nay, sir, less than a pound shall serve me for carrying your<br/>
    letter.<br/>
  PROTEUS. You mistake; I mean the pound- a pinfold.<br/>
  SPEED. From a pound to a pin? Fold it over and over,<br/>
    'Tis threefold too little for carrying a letter to your lover.<br/>
  PROTEUS. But what said she?<br/>
  SPEED.  [Nodding]  Ay.<br/>
  PROTEUS. Nod- ay. Why, that's 'noddy.'<br/>
  SPEED. You mistook, sir; I say she did nod; and you ask me if she<br/>
    did nod; and I say 'Ay.'<br/>
  PROTEUS. And that set together is 'noddy.'<br/>
  SPEED. Now you have taken the pains to set it together, take it for<br/>
    your pains.<br/>
  PROTEUS. No, no; you shall have it for bearing the letter.<br/>
  SPEED. Well, I perceive I must be fain to bear with you.<br/>
  PROTEUS. Why, sir, how do you bear with me?<br/>
  SPEED. Marry, sir, the letter, very orderly; having nothing but the<br/>
    word 'noddy' for my pains.<br/>
  PROTEUS. Beshrew me, but you have a quick wit.<br/>
  SPEED. And yet it cannot overtake your slow purse.<br/>
  PROTEUS. Come, come, open the matter; in brief, what said she?<br/>
  SPEED. Open your purse, that the money and the matter may be both<br/>
    at once delivered.<br/>
  PROTEUS. Well, sir, here is for your pains. What said she?<br/>
  SPEED. Truly, sir, I think you'll hardly win her.<br/>
  PROTEUS. Why, couldst thou perceive so much from her?<br/>
  SPEED. Sir, I could perceive nothing at all from her; no, not so<br/>
    much as a ducat for delivering your letter; and being so hard to<br/>
    me that brought your mind, I fear she'll prove as hard to you in<br/>
    telling your mind. Give her no token but stones, for she's as<br/>
    hard as steel.<br/>
  PROTEUS. What said she? Nothing?<br/>
  SPEED. No, not so much as 'Take this for thy pains.' To testify<br/>
    your bounty, I thank you, you have testern'd me; in requital<br/>
    whereof, henceforth carry your letters yourself; and so, sir,<br/>
    I'll commend you to my master.<br/>
  PROTEUS. Go, go, be gone, to save your ship from wreck,<br/>
    Which cannot perish, having thee aboard,<br/>
    Being destin'd to a drier death on shore.        Exit SPEED<br/>
    I must go send some better messenger.<br/>
    I fear my Julia would not deign my lines,<br/>
    Receiving them from such a worthless post.              Exit<br/>
</p>
<h4>SCENE II.
Verona. The garden Of JULIA'S house</h4>
<p>Enter JULIA and LUCETTA</p>
<p>  JULIA. But say, Lucetta, now we are alone,<br/>
    Wouldst thou then counsel me to fall in love?<br/>
  LUCETTA. Ay, madam; so you stumble not unheedfully.<br/>
  JULIA. Of all the fair resort of gentlemen<br/>
    That every day with parle encounter me,<br/>
    In thy opinion which is worthiest love?<br/>
  LUCETTA. Please you, repeat their names; I'll show my mind<br/>
    According to my shallow simple skill.<br/>
  JULIA. What think'st thou of the fair Sir Eglamour?<br/>
  LUCETTA. As of a knight well-spoken, neat, and fine;<br/>
    But, were I you, he never should be mine.<br/>
  JULIA. What think'st thou of the rich Mercatio?<br/>
  LUCETTA. Well of his wealth; but of himself, so so.<br/>
  JULIA. What think'st thou of the gentle Proteus?<br/>
  LUCETTA. Lord, Lord! to see what folly reigns in us!<br/>
  JULIA. How now! what means this passion at his name?<br/>
  LUCETTA. Pardon, dear madam; 'tis a passing shame<br/>
    That I, unworthy body as I am,<br/>
    Should censure thus on lovely gentlemen.<br/>
  JULIA. Why not on Proteus, as of all the rest?<br/>
  LUCETTA. Then thus: of many good I think him best.<br/>
  JULIA. Your reason?<br/>
  LUCETTA. I have no other but a woman's reason:<br/>
    I think him so, because I think him so.<br/>
  JULIA. And wouldst thou have me cast my love on him?<br/>
  LUCETTA. Ay, if you thought your love not cast away.<br/>
  JULIA. Why, he, of all the rest, hath never mov'd me.<br/>
  LUCETTA. Yet he, of all the rest, I think, best loves ye.<br/>
  JULIA. His little speaking shows his love but small.<br/>
  LUCETTA. Fire that's closest kept burns most of all.<br/>
  JULIA. They do not love that do not show their love.<br/>
  LUCETTA. O, they love least that let men know their love.<br/>
  JULIA. I would I knew his mind.<br/>
  LUCETTA. Peruse this paper, madam.<br/>
  JULIA. 'To Julia'- Say, from whom?<br/>
  LUCETTA. That the contents will show.<br/>
  JULIA. Say, say, who gave it thee?<br/>
  LUCETTA. Sir Valentine's page; and sent, I think, from Proteus.<br/>
    He would have given it you; but I, being in the way,<br/>
    Did in your name receive it; pardon the fault, I pray.<br/>
  JULIA. Now, by my modesty, a goodly broker!<br/>
    Dare you presume to harbour wanton lines?<br/>
    To whisper and conspire against my youth?<br/>
    Now, trust me, 'tis an office of great worth,<br/>
    And you an officer fit for the place.<br/>
    There, take the paper; see it be return'd;<br/>
    Or else return no more into my sight.<br/>
  LUCETTA. To plead for love deserves more fee than hate.<br/>
  JULIA. Will ye be gone?<br/>
  LUCETTA. That you may ruminate.                          Exit<br/>
  JULIA. And yet, I would I had o'erlook'd the letter.<br/>
    It were a shame to call her back again,<br/>
    And pray her to a fault for which I chid her.<br/>
    What fool is she, that knows I am a maid<br/>
    And would not force the letter to my view!<br/>
    Since maids, in modesty, say 'No' to that<br/>
    Which they would have the profferer construe 'Ay.'<br/>
    Fie, fie, how wayward is this foolish love,<br/>
    That like a testy babe will scratch the nurse,<br/>
    And presently, all humbled, kiss the rod!<br/>
    How churlishly I chid Lucetta hence,<br/>
    When willingly I would have had her here!<br/>
    How angerly I taught my brow to frown,<br/>
    When inward joy enforc'd my heart to smile!<br/>
    My penance is to call Lucetta back<br/>
    And ask remission for my folly past.<br/>
    What ho! Lucetta!<br/>
</p>
<p>                    Re-enter LUCETTA</p>
<p>  LUCETTA. What would your ladyship?<br/>
  JULIA. Is't near dinner time?<br/>
  LUCETTA. I would it were,<br/>
    That you might kill your stomach on your meat<br/>
    And not upon your maid.<br/>
  JULIA. What is't that you took up so gingerly?<br/>
  LUCETTA. Nothing.<br/>
  JULIA. Why didst thou stoop then?<br/>
  LUCETTA. To take a paper up that I let fall.<br/>
  JULIA. And is that paper nothing?<br/>
  LUCETTA. Nothing concerning me.<br/>
  JULIA. Then let it lie for those that it concerns.<br/>
  LUCETTA. Madam, it will not lie where it concerns,<br/>
    Unless it have a false interpreter.<br/>
  JULIA. Some love of yours hath writ to you in rhyme.<br/>
  LUCETTA. That I might sing it, madam, to a tune.<br/>
    Give me a note; your ladyship can set.<br/>
  JULIA. As little by such toys as may be possible.<br/>
    Best sing it to the tune of 'Light o' Love.'<br/>
  LUCETTA. It is too heavy for so light a tune.<br/>
  JULIA. Heavy! belike it hath some burden then.<br/>
  LUCETTA. Ay; and melodious were it, would you sing it.<br/>
  JULIA. And why not you?<br/>
  LUCETTA. I cannot reach so high.<br/>
  JULIA. Let's see your song.    [LUCETTA withholds the letter]<br/>
    How now, minion!<br/>
  LUCETTA. Keep tune there still, so you will sing it out.<br/>
    And yet methinks I do not like this tune.<br/>
  JULIA. You do not!<br/>
  LUCETTA. No, madam; 'tis too sharp.<br/>
  JULIA. You, minion, are too saucy.<br/>
  LUCETTA. Nay, now you are too flat<br/>
    And mar the concord with too harsh a descant;<br/>
    There wanteth but a mean to fill your song.<br/>
  JULIA. The mean is drown'd with your unruly bass.<br/>
  LUCETTA. Indeed, I bid the base for Proteus.<br/>
  JULIA. This babble shall not henceforth trouble me.<br/>
    Here is a coil with protestation!        [Tears the letter]<br/>
    Go, get you gone; and let the papers lie.<br/>
    You would be fing'ring them, to anger me.<br/>
  LUCETTA. She makes it strange; but she would be best pleas'd<br/>
    To be so ang'red with another letter.                  Exit<br/>
  JULIA. Nay, would I were so ang'red with the same!<br/>
    O hateful hands, to tear such loving words!<br/>
    Injurious wasps, to feed on such sweet honey<br/>
    And kill the bees that yield it with your stings!<br/>
    I'll kiss each several paper for amends.<br/>
    Look, here is writ 'kind Julia.' Unkind Julia,<br/>
    As in revenge of thy ingratitude,<br/>
    I throw thy name against the bruising stones,<br/>
    Trampling contemptuously on thy disdain.<br/>
    And here is writ 'love-wounded Proteus.'<br/>
    Poor wounded name! my bosom,,as a bed,<br/>
    Shall lodge thee till thy wound be throughly heal'd;<br/>
    And thus I search it with a sovereign kiss.<br/>
    But twice or thrice was 'Proteus' written down.<br/>
    Be calm, good wind, blow not a word away<br/>
    Till I have found each letter in the letter-<br/>
    Except mine own name; that some whirlwind bear<br/>
    Unto a ragged, fearful, hanging rock,<br/>
    And throw it thence into the raging sea.<br/>
    Lo, here in one line is his name twice writ:<br/>
    'Poor forlorn Proteus, passionate Proteus,<br/>
    To the sweet Julia.' That I'll tear away;<br/>
    And yet I will not, sith so prettily<br/>
    He couples it to his complaining names.<br/>
    Thus will I fold them one upon another;<br/>
    Now kiss, embrace, contend, do what you will.<br/>
</p>
<p>                        Re-enter LUCETTA</p>
<p>  LUCETTA. Madam,<br/>
    Dinner is ready, and your father stays.<br/>
  JULIA. Well, let us go.<br/>
  LUCETTA. What, shall these papers lie like tell-tales here?<br/>
  JULIA. If you respect them, best to take them up.<br/>
  LUCETTA. Nay, I was taken up for laying them down;<br/>
    Yet here they shall not lie for catching cold.<br/>
  JULIA. I see you have a month's mind to them.<br/>
  LUCETTA. Ay, madam, you may say what sights you see;<br/>
    I see things too, although you judge I wink.<br/>
  JULIA. Come, come; will't please you go?                Exeunt<br/>
</p>
<h4>SCENE III.
Verona. ANTONIO'S house</h4>
<p>Enter ANTONIO and PANTHINO</p>
<p>  ANTONIO. Tell me, Panthino, what sad talk was that<br/>
    Wherewith my brother held you in the cloister?<br/>
  PANTHINO. 'Twas of his nephew Proteus, your son.<br/>
  ANTONIO. Why, what of him?<br/>
  PANTHINO. He wond'red that your lordship<br/>
    Would suffer him to spend his youth at home,<br/>
    While other men, of slender reputation,<br/>
    Put forth their sons to seek preferment out:<br/>
    Some to the wars, to try their fortune there;<br/>
    Some to discover islands far away;<br/>
    Some to the studious universities.<br/>
    For any, or for all these exercises,<br/>
    He said that Proteus, your son, was meet;<br/>
    And did request me to importune you<br/>
    To let him spend his time no more at home,<br/>
    Which would be great impeachment to his age,<br/>
    In having known no travel in his youth.<br/>
  ANTONIO. Nor need'st thou much importune me to that<br/>
    Whereon this month I have been hammering.<br/>
    I have consider'd well his loss of time,<br/>
    And how he cannot be a perfect man,<br/>
    Not being tried and tutor'd in the world:<br/>
    Experience is by industry achiev'd,<br/>
    And perfected by the swift course of time.<br/>
    Then tell me whither were I best to send him.<br/>
  PANTHINO. I think your lordship is not ignorant<br/>
    How his companion, youthful Valentine,<br/>
    Attends the Emperor in his royal court.<br/>
  ANTONIO. I know it well.<br/>
  PANTHINO. 'Twere good, I think, your lordship sent him thither:<br/>
    There shall he practise tilts and tournaments,<br/>
    Hear sweet discourse, converse with noblemen,<br/>
    And be in eye of every exercise<br/>
    Worthy his youth and nobleness of birth.<br/>
  ANTONIO. I like thy counsel; well hast thou advis'd;<br/>
    And that thou mayst perceive how well I like it,<br/>
    The execution of it shall make known:<br/>
    Even with the speediest expedition<br/>
    I will dispatch him to the Emperor's court.<br/>
  PANTHINO. To-morrow, may it please you, Don Alphonso<br/>
    With other gentlemen of good esteem<br/>
    Are journeying to salute the Emperor,<br/>
    And to commend their service to his will.<br/>
  ANTONIO. Good company; with them shall Proteus go.<br/>
</p>
<p>                        Enter PROTEUS</p>
<p>    And- in good time!- now will we break with him.<br/>
  PROTEUS. Sweet love! sweet lines! sweet life!<br/>
    Here is her hand, the agent of her heart;<br/>
    Here is her oath for love, her honour's pawn.<br/>
    O that our fathers would applaud our loves,<br/>
    To seal our happiness with their consents!<br/>
    O heavenly Julia!<br/>
  ANTONIO. How now! What letter are you reading there?<br/>
  PROTEUS. May't please your lordship, 'tis a word or two<br/>
    Of commendations sent from Valentine,<br/>
    Deliver'd by a friend that came from him.<br/>
  ANTONIO. Lend me the letter; let me see what news.<br/>
  PROTEUS. There is no news, my lord; but that he writes<br/>
    How happily he lives, how well-belov'd<br/>
    And daily graced by the Emperor;<br/>
    Wishing me with him, partner of his fortune.<br/>
  ANTONIO. And how stand you affected to his wish?<br/>
  PROTEUS. As one relying on your lordship's will,<br/>
    And not depending on his friendly wish.<br/>
  ANTONIO. My will is something sorted with his wish.<br/>
    Muse not that I thus suddenly proceed;<br/>
    For what I will, I will, and there an end.<br/>
    I am resolv'd that thou shalt spend some time<br/>
    With Valentinus in the Emperor's court;<br/>
    What maintenance he from his friends receives,<br/>
    Like exhibition thou shalt have from me.<br/>
    To-morrow be in readiness to go-<br/>
    Excuse it not, for I am peremptory.<br/>
  PROTEUS. My lord, I cannot be so soon provided;<br/>
    Please you, deliberate a day or two.<br/>
  ANTONIO. Look what thou want'st shall be sent after thee.<br/>
    No more of stay; to-morrow thou must go.<br/>
    Come on, Panthino; you shall be employ'd<br/>
    To hasten on his expedition.<br/>
                                    Exeunt ANTONIO and PANTHINO<br/>
  PROTEUS. Thus have I shunn'd the fire for fear of burning,<br/>
    And drench'd me in the sea, where I am drown'd.<br/>
    I fear'd to show my father Julia's letter,<br/>
    Lest he should take exceptions to my love;<br/>
    And with the vantage of mine own excuse<br/>
    Hath he excepted most against my love.<br/>
    O, how this spring of love resembleth<br/>
    The uncertain glory of an April day,<br/>
    Which now shows all the beauty of the sun,<br/>
    And by an by a cloud takes all away!<br/>
</p>
<p>                      Re-enter PANTHINO</p>
<p>  PANTHINO. Sir Proteus, your father calls for you;<br/>
    He is in haste; therefore, I pray you, go.<br/>
  PROTEUS. Why, this it is: my heart accords thereto;<br/>
    And yet a thousand times it answers 'No.'            Exeunt<br/>
</p>
<h4>ACT II. SCENE I.
Milan. The DUKE'S palace</h4>
<p>Enter VALENTINE and SPEED</p>
<p>  SPEED. Sir, your glove.<br/>
  VALENTINE. Not mine: my gloves are on.<br/>
  SPEED. Why, then, this may be yours; for this is but one.<br/>
  VALENTINE. Ha! let me see; ay, give it me, it's mine;<br/>
    Sweet ornament that decks a thing divine!<br/>
    Ah, Silvia! Silvia!<br/>
  SPEED.  [Calling]  Madam Silvia! Madam Silvia!<br/>
  VALENTINE. How now, sirrah?<br/>
  SPEED. She is not within hearing, sir.<br/>
  VALENTINE. Why, sir, who bade you call her?<br/>
  SPEED. Your worship, sir; or else I mistook.<br/>
  VALENTINE. Well, you'll still be too forward.<br/>
  SPEED. And yet I was last chidden for being too slow.<br/>
  VALENTINE. Go to, sir; tell me, do you know Madam Silvia?<br/>
  SPEED. She that your worship loves?<br/>
  VALENTINE. Why, how know you that I am in love?<br/>
  SPEED. Marry, by these special marks: first, you have learn'd, like<br/>
    Sir Proteus, to wreath your arms like a malcontent; to relish a<br/>
    love-song, like a robin redbreast; to walk alone, like one that<br/>
    had the pestilence; to sigh, like a school-boy that had lost his<br/>
    A B C; to weep, like a young wench that had buried her grandam;<br/>
    to fast, like one that takes diet; to watch, like one that fears<br/>
    robbing; to speak puling, like a beggar at Hallowmas. You were<br/>
    wont, when you laughed, to crow like a cock; when you walk'd, to<br/>
    walk like one of the lions; when you fasted, it was presently<br/>
    after dinner; when you look'd sadly, it was for want of money.<br/>
    And now you are metamorphis'd with a mistress, that, when I look<br/>
    on you, I can hardly think you my master.<br/>
  VALENTINE. Are all these things perceiv'd in me?<br/>
  SPEED. They are all perceiv'd without ye.<br/>
  VALENTINE. Without me? They cannot.<br/>
  SPEED. Without you! Nay, that's certain; for, without you were so<br/>
    simple, none else would; but you are so without these follies<br/>
    that these follies are within you, and shine through you like the<br/>
    water in an urinal, that not an eye that sees you but is a<br/>
    physician to comment on your malady.<br/>
  VALENTINE. But tell me, dost thou know my lady Silvia?<br/>
  SPEED. She that you gaze on so, as she sits at supper?<br/>
  VALENTINE. Hast thou observ'd that? Even she, I mean.<br/>
  SPEED. Why, sir, I know her not.<br/>
  VALENTINE. Dost thou know her by my gazing on her, and yet know'st<br/>
    her not?<br/>
  SPEED. Is she not hard-favour'd, sir?<br/>
  VALENTINE. Not so fair, boy, as well-favour'd.<br/>
  SPEED. Sir, I know that well enough.<br/>
  VALENTINE. What dost thou know?<br/>
  SPEED. That she is not so fair as, of you, well-favour'd.<br/>
  VALENTINE. I mean that her beauty is exquisite, but her favour<br/>
    infinite.<br/>
  SPEED. That's because the one is painted, and the other out of all<br/>
    count.<br/>
  VALENTINE. How painted? and how out of count?<br/>
  SPEED. Marry, sir, so painted, to make her fair, that no man counts<br/>
    of her beauty.<br/>
  VALENTINE. How esteem'st thou me? I account of her beauty.<br/>
  SPEED. You never saw her since she was deform'd.<br/>
  VALENTINE. How long hath she been deform'd?<br/>
  SPEED. Ever since you lov'd her.<br/>
  VALENTINE. I have lov'd her ever since I saw her, and still<br/>
    I see her beautiful.<br/>
  SPEED. If you love her, you cannot see her.<br/>
  VALENTINE. Why?<br/>
  SPEED. Because Love is blind. O that you had mine eyes; or your own<br/>
    eyes had the lights they were wont to have when you chid at Sir<br/>
    Proteus for going ungarter'd!<br/>
  VALENTINE. What should I see then?<br/>
  SPEED. Your own present folly and her passing deformity; for he,<br/>
    being in love, could not see to garter his hose; and you, being<br/>
    in love, cannot see to put on your hose.<br/>
  VALENTINE. Belike, boy, then you are in love; for last morning you<br/>
    could not see to wipe my shoes.<br/>
  SPEED. True, sir; I was in love with my bed. I thank you, you<br/>
    swing'd me for my love, which makes me the bolder to chide you<br/>
    for yours.<br/>
  VALENTINE. In conclusion, I stand affected to her.<br/>
  SPEED. I would you were set, so your affection would cease.<br/>
  VALENTINE. Last night she enjoin'd me to write some lines to one<br/>
    she loves.<br/>
  SPEED. And have you?<br/>
  VALENTINE. I have.<br/>
  SPEED. Are they not lamely writ?<br/>
  VALENTINE. No, boy, but as well as I can do them.<br/>
</p>
<p>                          Enter SILVIA</p>
<p>    Peace! here she comes.<br/>
  SPEED.  [Aside]  O excellent motion! O exceeding puppet!<br/>
    Now will he interpret to her.<br/>
  VALENTINE. Madam and mistress, a thousand good morrows.<br/>
  SPEED.  [Aside]  O, give ye good ev'n!<br/>
    Here's a million of manners.<br/>
  SILVIA. Sir Valentine and servant, to you two thousand.<br/>
  SPEED.  [Aside]  He should give her interest, and she gives it him.<br/>
  VALENTINE. As you enjoin'd me, I have writ your letter<br/>
    Unto the secret nameless friend of yours;<br/>
    Which I was much unwilling to proceed in,<br/>
    But for my duty to your ladyship.<br/>
  SILVIA. I thank you, gentle servant. 'Tis very clerkly done.<br/>
  VALENTINE. Now trust me, madam, it came hardly off;<br/>
    For, being ignorant to whom it goes,<br/>
    I writ at random, very doubtfully.<br/>
  SILVIA. Perchance you think too much of so much pains?<br/>
  VALENTINE. No, madam; so it stead you, I will write,<br/>
    Please you command, a thousand times as much;<br/>
    And yet-<br/>
  SILVIA. A pretty period! Well, I guess the sequel;<br/>
    And yet I will not name it- and yet I care not.<br/>
    And yet take this again- and yet I thank you-<br/>
    Meaning henceforth to trouble you no more.<br/>
  SPEED.  [Aside]  And yet you will; and yet another' yet.'<br/>
  VALENTINE. What means your ladyship? Do you not like it?<br/>
  SILVIA. Yes, yes; the lines are very quaintly writ;<br/>
    But, since unwillingly, take them again.<br/>
    Nay, take them.                      [Gives hack the letter]<br/>
  VALENTINE. Madam, they are for you.<br/>
  SILVIA. Ay, ay, you writ them, sir, at my request;<br/>
    But I will none of them; they are for you:<br/>
    I would have had them writ more movingly.<br/>
  VALENTINE. Please you, I'll write your ladyship another.<br/>
  SILVIA. And when it's writ, for my sake read it over;<br/>
    And if it please you, so; if not, why, so.<br/>
  VALENTINE. If it please me, madam, what then?<br/>
  SILVIA. Why, if it please you, take it for your labour.<br/>
    And so good morrow, servant.                    Exit SILVIA<br/>
  SPEED. O jest unseen, inscrutable, invisible,<br/>
    As a nose on a man's face, or a weathercock on a steeple!<br/>
    My master sues to her; and she hath taught her suitor,<br/>
    He being her pupil, to become her tutor.<br/>
    O excellent device! Was there ever heard a better,<br/>
    That my master, being scribe, to himself should write the letter?<br/>
  VALENTINE. How now, sir! What are you reasoning with yourself?<br/>
  SPEED. Nay, I was rhyming: 'tis you that have the reason.<br/>
  VALENTINE. To do what?<br/>
  SPEED. To be a spokesman from Madam Silvia?<br/>
  VALENTINE. To whom?<br/>
  SPEED. To yourself; why, she woos you by a figure.<br/>
  VALENTINE. What figure?<br/>
  SPEED. By a letter, I should say.<br/>
  VALENTINE. Why, she hath not writ to me.<br/>
  SPEED. What need she, when she hath made you write to yourself?<br/>
    Why, do you not perceive the jest?<br/>
  VALENTINE. No, believe me.<br/>
  SPEED. No believing you indeed, sir. But did you perceive her<br/>
    earnest?<br/>
  VALENTINE. She gave me none except an angry word.<br/>
  SPEED. Why, she hath given you a letter.<br/>
  VALENTINE. That's the letter I writ to her friend.<br/>
  SPEED. And that letter hath she deliver'd, and there an end.<br/>
  VALENTINE. I would it were no worse.<br/>
  SPEED. I'll warrant you 'tis as well.<br/>
    'For often have you writ to her; and she, in modesty,<br/>
    Or else for want of idle time, could not again reply;<br/>
    Or fearing else some messenger that might her mind discover,<br/>
    Herself hath taught her love himself to write unto her lover.'<br/>
    All this I speak in print, for in print I found it. Why muse you,<br/>
    sir? 'Tis dinner time.<br/>
  VALENTINE. I have din'd.<br/>
  SPEED. Ay, but hearken, sir; though the chameleon Love can feed on<br/>
    the air, I am one that am nourish'd by my victuals, and would<br/>
    fain have meat. O, be not like your mistress! Be moved, be moved.<br/>
                                                          Exeunt<br/>
</p>
<h4>SCENE II.
Verona. JULIA'S house</h4>
<p>Enter PROTEUS and JULIA</p>
<p>  PROTEUS. Have patience, gentle Julia.<br/>
  JULIA. I must, where is no remedy.<br/>
  PROTEUS. When possibly I can, I will return.<br/>
  JULIA. If you turn not, you will return the sooner.<br/>
    Keep this remembrance for thy Julia's sake.<br/>
                                                [Giving a ring]<br/>
  PROTEUS. Why, then, we'll make exchange. Here, take you this.<br/>
  JULIA. And seal the bargain with a holy kiss.<br/>
  PROTEUS. Here is my hand for my true constancy;<br/>
    And when that hour o'erslips me in the day<br/>
    Wherein I sigh not, Julia, for thy sake,<br/>
    The next ensuing hour some foul mischance<br/>
    Torment me for my love's forgetfulness!<br/>
    My father stays my coming; answer not;<br/>
    The tide is now- nay, not thy tide of tears:<br/>
    That tide will stay me longer than I should.<br/>
    Julia, farewell!                                  Exit JULIA<br/>
    What, gone without a word?<br/>
    Ay, so true love should do: it cannot speak;<br/>
    For truth hath better deeds than words to grace it.<br/>
</p>
<p>                          Enter PANTHINO</p>
<p>  PANTHINO. Sir Proteus, you are stay'd for.<br/>
  PROTEUS. Go; I come, I come.<br/>
    Alas! this parting strikes poor lovers dumb.          Exeunt<br/>
</p>
<h4>SCENE III.
Verona. A street</h4>
<p>Enter LAUNCE, leading a dog</p>
<p>  LAUNCE. Nay, 'twill be this hour ere I have
done weeping; all the
    kind of the Launces have this very fault. I have receiv'd my
    proportion, like the Prodigious Son, and am going with Sir
    Proteus to the Imperial's court. I think Crab my dog be the
    sourest-natured dog that lives: my mother weeping, my father
    wailing, my sister crying, our maid howling, our cat wringing her
    hands, and all our house in a great perplexity; yet did not this
    cruel-hearted cur shed one tear. He is a stone, a very pebble
    stone, and has no more pity in him than a dog. A Jew would have
    wept to have seen our parting; why, my grandam having no eyes,
    look you, wept herself blind at my parting. Nay, I'll show you
    the manner of it. This shoe is my father; no, this left shoe is
    my father; no, no, left shoe is my mother; nay, that cannot be so
    neither; yes, it is so, it is so, it hath the worser sole. This
    shoe with the hole in it is my mother, and this my father. A
    vengeance on 't! There 'tis. Now, sir, this staff is my sister,
    for, look you, she is as white as a lily and as small as a wand;
    this hat is Nan our maid; I am the dog; no, the dog is himself,
    and I am the dog- O, the dog is me, and I am myself; ay, so, so.
    Now come I to my father: 'Father, your blessing.' Now should not
    the shoe speak a word for weeping; now should I kiss my father;
    well, he weeps on. Now come I to my mother. O that she could
    speak now like a wood woman! Well, I kiss her- why there 'tis;
    here's my mother's breath up and down. Now come I to my sister;
    mark the moan she makes. Now the dog all this while sheds not a
    tear, nor speaks a word; but see how I lay the dust with my
    tears.</p>
<p>                            Enter PANTHINO</p>
<p>  PANTHINO. Launce, away, away, aboard! Thy master is shipp'd, and<br/>
    thou art to post after with oars. What's the matter? Why weep'st<br/>
    thou, man? Away, ass! You'll lose the tide if you tarry any<br/>
    longer.<br/>
  LAUNCE. It is no matter if the tied were lost; for it is the<br/>
    unkindest tied that ever any man tied.<br/>
  PANTHINO. What's the unkindest tide?<br/>
  LAUNCE. Why, he that's tied here, Crab, my dog.<br/>
  PANTHINO. Tut, man, I mean thou'lt lose the flood, and, in losing<br/>
    the flood, lose thy voyage, and, in losing thy voyage, lose thy<br/>
    master, and, in losing thy master, lose thy service, and, in<br/>
    losing thy service- Why dost thou stop my mouth?<br/>
  LAUNCE. For fear thou shouldst lose thy tongue.<br/>
  PANTHINO. Where should I lose my tongue?<br/>
  LAUNCE. In thy tale.<br/>
  PANTHINO. In thy tail!<br/>
  LAUNCE. Lose the tide, and the voyage, and the master, and the<br/>
    service, and the tied! Why, man, if the river were dry, I am able<br/>
    to fill it with my tears; if the wind were down, I could drive<br/>
    the boat with my sighs.<br/>
  PANTHINO. Come, come away, man; I was sent to call thee.<br/>
  LAUNCE. Sir, call me what thou dar'st.<br/>
  PANTHINO. Will thou go?<br/>
  LAUNCE. Well, I will go.                                Exeunt<br/>
</p>
<h4>SCENE IV.
Milan. The DUKE'S palace</h4>
<p>Enter SILVIA, VALENTINE, THURIO, and SPEED</p>
<p>  SILVIA. Servant!<br/>
  VALENTINE. Mistress?<br/>
  SPEED. Master, Sir Thurio frowns on you.<br/>
  VALENTINE. Ay, boy, it's for love.<br/>
  SPEED. Not of you.<br/>
  VALENTINE. Of my mistress, then.<br/>
  SPEED. 'Twere good you knock'd him.                      Exit<br/>
  SILVIA. Servant, you are sad.<br/>
  VALENTINE. Indeed, madam, I seem so.<br/>
  THURIO. Seem you that you are not?<br/>
  VALENTINE. Haply I do.<br/>
  THURIO. So do counterfeits.<br/>
  VALENTINE. So do you.<br/>
  THURIO. What seem I that I am not?<br/>
  VALENTINE. Wise.<br/>
  THURIO. What instance of the contrary?<br/>
  VALENTINE. Your folly.<br/>
  THURIO. And how quote you my folly?<br/>
  VALENTINE. I quote it in your jerkin.<br/>
  THURIO. My jerkin is a doublet.<br/>
  VALENTINE. Well, then, I'll double your folly.<br/>
  THURIO. How?<br/>
  SILVIA. What, angry, Sir Thurio! Do you change colour?<br/>
  VALENTINE. Give him leave, madam; he is a kind of chameleon.<br/>
  THURIO. That hath more mind to feed on your blood than live in your<br/>
    air.<br/>
  VALENTINE. You have said, sir.<br/>
  THURIO. Ay, sir, and done too, for this time.<br/>
  VALENTINE. I know it well, sir; you always end ere you begin.<br/>
  SILVIA. A fine volley of words, gentlemen, and quickly shot off.<br/>
  VALENTINE. 'Tis indeed, madam; we thank the giver.<br/>
  SILVIA. Who is that, servant?<br/>
  VALENTINE. Yourself, sweet lady; for you gave the fire. Sir Thurio<br/>
    borrows his wit from your ladyship's looks, and spends what he<br/>
    borrows kindly in your company.<br/>
  THURIO. Sir, if you spend word for word with me, I shall make your<br/>
    wit bankrupt.<br/>
  VALENTINE. I know it well, sir; you have an exchequer of words,<br/>
    and, I think, no other treasure to give your followers; for it<br/>
    appears by their bare liveries that they live by your bare words.<br/>
</p>
<p>                            Enter DUKE</p>
<p>  SILVIA. No more, gentlemen, no more. Here comes my father.<br/>
  DUKE. Now, daughter Silvia, you are hard beset.<br/>
    Sir Valentine, your father is in good health.<br/>
    What say you to a letter from your friends<br/>
    Of much good news?<br/>
  VALENTINE. My lord, I will be thankful<br/>
    To any happy messenger from thence.<br/>
  DUKE. Know ye Don Antonio, your countryman?<br/>
  VALENTINE. Ay, my good lord, I know the gentleman<br/>
    To be of worth and worthy estimation,<br/>
    And not without desert so well reputed.<br/>
  DUKE. Hath he not a son?<br/>
  VALENTINE. Ay, my good lord; a son that well deserves<br/>
    The honour and regard of such a father.<br/>
  DUKE. You know him well?<br/>
  VALENTINE. I knew him as myself; for from our infancy<br/>
    We have convers'd and spent our hours together;<br/>
    And though myself have been an idle truant,<br/>
    Omitting the sweet benefit of time<br/>
    To clothe mine age with angel-like perfection,<br/>
    Yet hath Sir Proteus, for that's his name,<br/>
    Made use and fair advantage of his days:<br/>
    His years but young, but his experience old;<br/>
    His head unmellowed, but his judgment ripe;<br/>
    And, in a word, for far behind his worth<br/>
    Comes all the praises that I now bestow,<br/>
    He is complete in feature and in mind,<br/>
    With all good grace to grace a gentleman.<br/>
  DUKE. Beshrew me, sir, but if he make this good,<br/>
    He is as worthy for an empress' love<br/>
    As meet to be an emperor's counsellor.<br/>
    Well, sir, this gentleman is come to me<br/>
    With commendation from great potentates,<br/>
    And here he means to spend his time awhile.<br/>
    I think 'tis no unwelcome news to you.<br/>
  VALENTINE. Should I have wish'd a thing, it had been he.<br/>
  DUKE. Welcome him, then, according to his worth-<br/>
    Silvia, I speak to you, and you, Sir Thurio;<br/>
    For Valentine, I need not cite him to it.<br/>
    I will send him hither to you presently.          Exit DUKE<br/>
  VALENTINE. This is the gentleman I told your ladyship<br/>
    Had come along with me but that his mistresss<br/>
    Did hold his eyes lock'd in her crystal looks.<br/>
  SILVIA. Belike that now she hath enfranchis'd them<br/>
    Upon some other pawn for fealty.<br/>
  VALENTINE. Nay, sure, I think she holds them prisoners still.<br/>
  SILVIA. Nay, then, he should be blind; and, being blind,<br/>
    How could he see his way to seek out you?<br/>
  VALENTINE. Why, lady, Love hath twenty pair of eyes.<br/>
  THURIO. They say that Love hath not an eye at all.<br/>
  VALENTINE. To see such lovers, Thurio, as yourself;<br/>
    Upon a homely object Love can wink.              Exit THURIO<br/>
</p>
<p>                        Enter PROTEUS</p>
<p>  SILVIA. Have done, have done; here comes the gentleman.<br/>
  VALENTINE. Welcome, dear Proteus! Mistress, I beseech you<br/>
    Confirm his welcome with some special favour.<br/>
  SILVIA. His worth is warrant for his welcome hither,<br/>
    If this be he you oft have wish'd to hear from.<br/>
  VALENTINE. Mistress, it is; sweet lady, entertain him<br/>
    To be my fellow-servant to your ladyship.<br/>
  SILVIA. Too low a mistress for so high a servant.<br/>
  PROTEUS. Not so, sweet lady; but too mean a servant<br/>
    To have a look of such a worthy mistress.<br/>
  VALENTINE. Leave off discourse of disability;<br/>
    Sweet lady, entertain him for your servant.<br/>
  PROTEUS. My duty will I boast of, nothing else.<br/>
  SILVIA. And duty never yet did want his meed.<br/>
    Servant, you are welcome to a worthless mistress.<br/>
  PROTEUS. I'll die on him that says so but yourself.<br/>
  SILVIA. That you are welcome?<br/>
  PROTEUS. That you are worthless.<br/>
</p>
<p>                          Re-enter THURIO</p>
<p>  THURIO. Madam, my lord your father would speak with you.<br/>
  SILVIA. I wait upon his pleasure. Come, Sir Thurio,<br/>
    Go with me. Once more, new servant, welcome.<br/>
    I'll leave you to confer of home affairs;<br/>
    When you have done we look to hear from you.<br/>
  PROTEUS. We'll both attend upon your ladyship.<br/>
                                        Exeunt SILVIA and THURIO<br/>
  VALENTINE. Now, tell me, how do all from whence you came?<br/>
  PROTEUS. Your friends are well, and have them much commended.<br/>
  VALENTINE. And how do yours?<br/>
  PROTEUS. I left them all in health.<br/>
  VALENTINE. How does your lady, and how thrives your love?<br/>
  PROTEUS. My tales of love were wont to weary you;<br/>
    I know you joy not in a love-discourse.<br/>
  VALENTINE. Ay, Proteus, but that life is alter'd now;<br/>
    I have done penance for contemning Love,<br/>
    Whose high imperious thoughts have punish'd me<br/>
    With bitter fasts, with penitential groans,<br/>
    With nightly tears, and daily heart-sore sighs;<br/>
    For, in revenge of my contempt of love,<br/>
    Love hath chas'd sleep from my enthralled eyes<br/>
    And made them watchers of mine own heart's sorrow.<br/>
    O gentle Proteus, Love's a mighty lord,<br/>
    And hath so humbled me as I confess<br/>
    There is no woe to his correction,<br/>
    Nor to his service no such joy on earth.<br/>
    Now no discourse, except it be of love;<br/>
    Now can I break my fast, dine, sup, and sleep,<br/>
    Upon the very naked name of love.<br/>
  PROTEUS. Enough; I read your fortune in your eye.<br/>
    Was this the idol that you worship so?<br/>
  VALENTINE. Even she; and is she not a heavenly saint?<br/>
  PROTEUS. No; but she is an earthly paragon.<br/>
  VALENTINE. Call her divine.<br/>
  PROTEUS. I will not flatter her.<br/>
  VALENTINE. O, flatter me; for love delights in praises!<br/>
  PROTEUS. When I was sick you gave me bitter pills,<br/>
    And I must minister the like to you.<br/>
  VALENTINE. Then speak the truth by her; if not divine,<br/>
    Yet let her be a principality,<br/>
    Sovereign to all the creatures on the earth.<br/>
  PROTEUS. Except my mistress.<br/>
  VALENTINE. Sweet, except not any;<br/>
    Except thou wilt except against my love.<br/>
  PROTEUS. Have I not reason to prefer mine own?<br/>
  VALENTINE. And I will help thee to prefer her too:<br/>
    She shall be dignified with this high honour-<br/>
    To bear my lady's train, lest the base earth<br/>
    Should from her vesture chance to steal a kiss<br/>
    And, of so great a favour growing proud,<br/>
    Disdain to root the summer-swelling flow'r<br/>
    And make rough winter everlastingly.<br/>
  PROTEUS. Why, Valentine, what braggardism is this?<br/>
  VALENTINE. Pardon me, Proteus; all I can is nothing<br/>
    To her, whose worth makes other worthies nothing;<br/>
    She is alone.<br/>
  PROTEUS. Then let her alone.<br/>
  VALENTINE. Not for the world! Why, man, she is mine own;<br/>
    And I as rich in having such a jewel<br/>
    As twenty seas, if all their sand were pearl,<br/>
    The water nectar, and the rocks pure gold.<br/>
    Forgive me that I do not dream on thee,<br/>
    Because thou seest me dote upon my love.<br/>
    My foolish rival, that her father likes<br/>
    Only for his possessions are so huge,<br/>
    Is gone with her along; and I must after,<br/>
    For love, thou know'st, is full of jealousy.<br/>
  PROTEUS. But she loves you?<br/>
  VALENTINE. Ay, and we are betroth'd; nay more, our marriage-hour,<br/>
    With all the cunning manner of our flight,<br/>
    Determin'd of- how I must climb her window,<br/>
    The ladder made of cords, and all the means<br/>
    Plotted and 'greed on for my happiness.<br/>
    Good Proteus, go with me to my chamber,<br/>
    In these affairs to aid me with thy counsel.<br/>
  PROTEUS. Go on before; I shall enquire you forth;<br/>
    I must unto the road to disembark<br/>
    Some necessaries that I needs must use;<br/>
    And then I'll presently attend you.<br/>
  VALENTINE. Will you make haste?<br/>
  PROTEUS. I will.                                Exit VALENTINE<br/>
    Even as one heat another heat expels<br/>
    Or as one nail by strength drives out another,<br/>
    So the remembrance of my former love<br/>
    Is by a newer object quite forgotten.<br/>
    Is it my mind, or Valentinus' praise,<br/>
    Her true perfection, or my false transgression,<br/>
    That makes me reasonless to reason thus?<br/>
    She is fair; and so is Julia that I love-<br/>
    That I did love, for now my love is thaw'd;<br/>
    Which like a waxen image 'gainst a fire<br/>
    Bears no impression of the thing it was.<br/>
    Methinks my zeal to Valentine is cold,<br/>
    And that I love him not as I was wont.<br/>
    O! but I love his lady too too much,<br/>
    And that's the reason I love him so little.<br/>
    How shall I dote on her with more advice<br/>
    That thus without advice begin to love her!<br/>
    'Tis but her picture I have yet beheld,<br/>
    And that hath dazzled my reason's light;<br/>
    But when I look on her perfections,<br/>
    There is no reason but I shall be blind.<br/>
    If I can check my erring love, I will;<br/>
    If not, to compass her I'll use my skill.              Exit<br/>
</p>
<h4>SCENE V.
Milan. A street</h4>
<p>Enter SPEED and LAUNCE severally</p>
<p>  SPEED. Launce! by mine honesty, welcome to Padua.<br/>
  LAUNCE. Forswear not thyself, sweet youth, for I am not welcome. I<br/>
    reckon this always, that a man is never undone till he be hang'd,<br/>
    nor never welcome to a place till some certain shot be paid, and<br/>
    the hostess say 'Welcome!'<br/>
  SPEED. Come on, you madcap; I'll to the alehouse with you<br/>
    presently; where, for one shot of five pence, thou shalt have<br/>
    five thousand welcomes. But, sirrah, how did thy master part with<br/>
    Madam Julia?<br/>
  LAUNCE. Marry, after they clos'd in earnest, they parted very<br/>
    fairly in jest.<br/>
  SPEED. But shall she marry him?<br/>
  LAUNCE. No.<br/>
  SPEED. How then? Shall he marry her?<br/>
  LAUNCE. No, neither.<br/>
  SPEED. What, are they broken?<br/>
  LAUNCE. No, they are both as whole as a fish.<br/>
  SPEED. Why then, how stands the matter with them?<br/>
  LAUNCE. Marry, thus: when it stands well with him, it stands well<br/>
    with her.<br/>
  SPEED. What an ass art thou! I understand thee not.<br/>
  LAUNCE. What a block art thou that thou canst not! My staff<br/>
    understands me.<br/>
  SPEED. What thou say'st?<br/>
  LAUNCE. Ay, and what I do too; look thee, I'll but lean, and my<br/>
    staff understands me.<br/>
  SPEED. It stands under thee, indeed.<br/>
  LAUNCE. Why, stand-under and under-stand is all one.<br/>
  SPEED. But tell me true, will't be a match?<br/>
  LAUNCE. Ask my dog. If he say ay, it will; if he say no, it will;<br/>
    if he shake his tail and say nothing, it will.<br/>
  SPEED. The conclusion is, then, that it will.<br/>
  LAUNCE. Thou shalt never get such a secret from me but by a<br/>
    parable.<br/>
  SPEED. 'Tis well that I get it so. But, Launce, how say'st thou<br/>
    that my master is become a notable lover?<br/>
  LAUNCE. I never knew him otherwise.<br/>
  SPEED. Than how?<br/>
  LAUNCE. A notable lubber, as thou reportest him to be.<br/>
  SPEED. Why, thou whoreson ass, thou mistak'st me.<br/>
  LAUNCE. Why, fool, I meant not thee, I meant thy master.<br/>
  SPEED. I tell thee my master is become a hot lover.<br/>
  LAUNCE. Why, I tell thee I care not though he burn himself in love.<br/>
    If thou wilt, go with me to the alehouse; if not, thou art an<br/>
    Hebrew, a Jew, and not worth the name of a Christian.<br/>
  SPEED. Why?<br/>
  LAUNCE. Because thou hast not so much charity in thee as to go to<br/>
    the ale with a Christian. Wilt thou go?<br/>
  SPEED. At thy service.                                  Exeunt<br/>
</p>
<h4>SCENE VI.
Milan. The DUKE's palace</h4>
<p>Enter PROTEUS</p>
<p>  PROTEUS. To leave my Julia, shall I be forsworn;<br/>
    To love fair Silvia, shall I be forsworn;<br/>
    To wrong my friend, I shall be much forsworn;<br/>
    And ev'n that pow'r which gave me first my oath<br/>
    Provokes me to this threefold perjury:<br/>
    Love bade me swear, and Love bids me forswear.<br/>
    O sweet-suggesting Love, if thou hast sinn'd,<br/>
    Teach me, thy tempted subject, to excuse it!<br/>
    At first I did adore a twinkling star,<br/>
    But now I worship a celestial sun.<br/>
    Unheedful vows may heedfully be broken;<br/>
    And he wants wit that wants resolved will<br/>
    To learn his wit t' exchange the bad for better.<br/>
    Fie, fie, unreverend tongue, to call her bad<br/>
    Whose sovereignty so oft thou hast preferr'd<br/>
    With twenty thousand soul-confirming oaths!<br/>
    I cannot leave to love, and yet I do;<br/>
    But there I leave to love where I should love.<br/>
    Julia I lose, and Valentine I lose;<br/>
    If I keep them, I needs must lose myself;<br/>
    If I lose them, thus find I by their loss:<br/>
    For Valentine, myself; for Julia, Silvia.<br/>
    I to myself am dearer than a friend;<br/>
    For love is still most precious in itself;<br/>
    And Silvia- witness heaven, that made her fair!-<br/>
    Shows Julia but a swarthy Ethiope.<br/>
    I will forget that Julia is alive,<br/>
    Rememb'ring that my love to her is dead;<br/>
    And Valentine I'll hold an enemy,<br/>
    Aiming at Silvia as a sweeter friend.<br/>
    I cannot now prove constant to myself<br/>
    Without some treachery us'd to Valentine.<br/>
    This night he meaneth with a corded ladder<br/>
    To climb celestial Silvia's chamber window,<br/>
    Myself in counsel, his competitor.<br/>
    Now presently I'll give her father notice<br/>
    Of their disguising and pretended flight,<br/>
    Who, all enrag'd, will banish Valentine,<br/>
    For Thurio, he intends, shall wed his daughter;<br/>
    But, Valentine being gone, I'll quickly cross<br/>
    By some sly trick blunt Thurio's dull proceeding.<br/>
    Love, lend me wings to make my purpose swift,<br/>
    As thou hast lent me wit to plot this drift.            Exit<br/>
</p>
<h4>SCENE VII.
Verona. JULIA'S house</h4>
<p>Enter JULIA and LUCETTA</p>
<p>  JULIA. Counsel, Lucetta; gentle girl, assist me;<br/>
    And, ev'n in kind love, I do conjure thee,<br/>
    Who art the table wherein all my thoughts<br/>
    Are visibly character'd and engrav'd,<br/>
    To lesson me and tell me some good mean<br/>
    How, with my honour, I may undertake<br/>
    A journey to my loving Proteus.<br/>
  LUCETTA. Alas, the way is wearisome and long!<br/>
  JULIA. A true-devoted pilgrim is not weary<br/>
    To measure kingdoms with his feeble steps;<br/>
    Much less shall she that hath Love's wings to fly,<br/>
    And when the flight is made to one so dear,<br/>
    Of such divine perfection, as Sir Proteus.<br/>
  LUCETTA. Better forbear till Proteus make return.<br/>
  JULIA. O, know'st thou not his looks are my soul's food?<br/>
    Pity the dearth that I have pined in<br/>
    By longing for that food so long a time.<br/>
    Didst thou but know the inly touch of love.<br/>
    Thou wouldst as soon go kindle fire with snow<br/>
    As seek to quench the fire of love with words.<br/>
  LUCETTA. I do not seek to quench your love's hot fire,<br/>
    But qualify the fire's extreme rage,<br/>
    Lest it should burn above the bounds of reason.<br/>
  JULIA. The more thou dam'st it up, the more it burns.<br/>
    The current that with gentle murmur glides,<br/>
    Thou know'st, being stopp'd, impatiently doth rage;<br/>
    But when his fair course is not hindered,<br/>
    He makes sweet music with th' enamell'd stones,<br/>
    Giving a gentle kiss to every sedge<br/>
    He overtaketh in his pilgrimage;<br/>
    And so by many winding nooks he strays,<br/>
    With willing sport, to the wild ocean.<br/>
    Then let me go, and hinder not my course.<br/>
    I'll be as patient as a gentle stream,<br/>
    And make a pastime of each weary step,<br/>
    Till the last step have brought me to my love;<br/>
    And there I'll rest as, after much turmoil,<br/>
    A blessed soul doth in Elysium.<br/>
  LUCETTA. But in what habit will you go along?<br/>
  JULIA. Not like a woman, for I would prevent<br/>
    The loose encounters of lascivious men;<br/>
    Gentle Lucetta, fit me with such weeds<br/>
    As may beseem some well-reputed page.<br/>
  LUCETTA. Why then, your ladyship must cut your hair.<br/>
  JULIA. No, girl; I'll knit it up in silken strings<br/>
    With twenty odd-conceited true-love knots-<br/>
    To be fantastic may become a youth<br/>
    Of greater time than I shall show to be.<br/>
  LUCETTA. What fashion, madam, shall I make your breeches?<br/>
  JULIA. That fits as well as 'Tell me, good my lord,<br/>
    What compass will you wear your farthingale.'<br/>
    Why ev'n what fashion thou best likes, Lucetta.<br/>
  LUCETTA. You must needs have them with a codpiece, madam.<br/>
  JULIA. Out, out, Lucetta, that will be ill-favour'd.<br/>
  LUCETTA. A round hose, madam, now's not worth a pin,<br/>
    Unless you have a codpiece to stick pins on.<br/>
  JULIA. Lucetta, as thou lov'st me, let me have<br/>
    What thou think'st meet, and is most mannerly.<br/>
    But tell me, wench, how will the world repute me<br/>
    For undertaking so unstaid a journey?<br/>
    I fear me it will make me scandaliz'd.<br/>
  LUCETTA. If you think so, then stay at home and go not.<br/>
  JULIA. Nay, that I will not.<br/>
  LUCETTA. Then never dream on infamy, but go.<br/>
    If Proteus like your journey when you come,<br/>
    No matter who's displeas'd when you are gone.<br/>
    I fear me he will scarce be pleas'd withal.<br/>
  JULIA. That is the least, Lucetta, of my fear:<br/>
    A thousand oaths, an ocean of his tears,<br/>
    And instances of infinite of love,<br/>
    Warrant me welcome to my Proteus.<br/>
  LUCETTA. All these are servants to deceitful men.<br/>
  JULIA. Base men that use them to so base effect!<br/>
    But truer stars did govern Proteus' birth;<br/>
    His words are bonds, his oaths are oracles,<br/>
    His love sincere, his thoughts immaculate,<br/>
    His tears pure messengers sent from his heart,<br/>
    His heart as far from fraud as heaven from earth.<br/>
  LUCETTA. Pray heav'n he prove so when you come to him.<br/>
  JULIA. Now, as thou lov'st me, do him not that wrong<br/>
    To bear a hard opinion of his truth;<br/>
    Only deserve my love by loving him.<br/>
    And presently go with me to my chamber,<br/>
    To take a note of what I stand in need of<br/>
    To furnish me upon my longing journey.<br/>
    All that is mine I leave at thy dispose,<br/>
    My goods, my lands, my reputation;<br/>
    Only, in lieu thereof, dispatch me hence.<br/>
    Come, answer not, but to it presently;<br/>
    I am impatient of my tarriance.                      Exeunt<br/>
</p>
<h4>ACT III. SCENE I.
Milan. The DUKE'S palace</h4>
<p>Enter DUKE, THURIO, and PROTEUS</p>
<p>  DUKE. Sir Thurio, give us leave, I pray, awhile;<br/>
    We have some secrets to confer about.            Exit THURIO<br/>
    Now tell me, Proteus, what's your will with me?<br/>
  PROTEUS. My gracious lord, that which I would discover<br/>
    The law of friendship bids me to conceal;<br/>
    But, when I call to mind your gracious favours<br/>
    Done to me, undeserving as I am,<br/>
    My duty pricks me on to utter that<br/>
    Which else no worldly good should draw from me.<br/>
    Know, worthy prince, Sir Valentine, my friend,<br/>
    This night intends to steal away your daughter;<br/>
    Myself am one made privy to the plot.<br/>
    I know you have determin'd to bestow her<br/>
    On Thurio, whom your gentle daughter hates;<br/>
    And should she thus be stol'n away from you,<br/>
    It would be much vexation to your age.<br/>
    Thus, for my duty's sake, I rather chose<br/>
    To cross my friend in his intended drift<br/>
    Than, by concealing it, heap on your head<br/>
    A pack of sorrows which would press you down,<br/>
    Being unprevented, to your timeless grave.<br/>
  DUKE. Proteus, I thank thee for thine honest care,<br/>
    Which to requite, command me while I live.<br/>
    This love of theirs myself have often seen,<br/>
    Haply when they have judg'd me fast asleep,<br/>
    And oftentimes have purpos'd to forbid<br/>
    Sir Valentine her company and my court;<br/>
    But, fearing lest my jealous aim might err<br/>
    And so, unworthily, disgrace the man,<br/>
    A rashness that I ever yet have shunn'd,<br/>
    I gave him gentle looks, thereby to find<br/>
    That which thyself hast now disclos'd to me.<br/>
    And, that thou mayst perceive my fear of this,<br/>
    Knowing that tender youth is soon suggested,<br/>
    I nightly lodge her in an upper tow'r,<br/>
    The key whereof myself have ever kept;<br/>
    And thence she cannot be convey'd away.<br/>
  PROTEUS. Know, noble lord, they have devis'd a mean<br/>
    How he her chamber window will ascend<br/>
    And with a corded ladder fetch her down;<br/>
    For which the youthful lover now is gone,<br/>
    And this way comes he with it presently;<br/>
    Where, if it please you, you may intercept him.<br/>
    But, good my lord, do it so cunningly<br/>
    That my discovery be not aimed at;<br/>
    For love of you, not hate unto my friend,<br/>
    Hath made me publisher of this pretence.<br/>
  DUKE. Upon mine honour, he shall never know<br/>
    That I had any light from thee of this.<br/>
  PROTEUS. Adieu, my lord; Sir Valentine is coming.        Exit<br/>
</p>
<p>                        Enter VALENTINE</p>
<p>  DUKE. Sir Valentine, whither away so fast?<br/>
  VALENTINE. Please it your Grace, there is a messenger<br/>
    That stays to bear my letters to my friends,<br/>
    And I am going to deliver them.<br/>
  DUKE. Be they of much import?<br/>
  VALENTINE. The tenour of them doth but signify<br/>
    My health and happy being at your court.<br/>
  DUKE. Nay then, no matter; stay with me awhile;<br/>
    I am to break with thee of some affairs<br/>
    That touch me near, wherein thou must be secret.<br/>
    'Tis not unknown to thee that I have sought<br/>
    To match my friend Sir Thurio to my daughter.<br/>
  VALENTINE. I know it well, my lord; and, sure, the match<br/>
    Were rich and honourable; besides, the gentleman<br/>
    Is full of virtue, bounty, worth, and qualities<br/>
    Beseeming such a wife as your fair daughter.<br/>
    Cannot your grace win her to fancy him?<br/>
  DUKE. No, trust me; she is peevish, sullen, froward,<br/>
    Proud, disobedient, stubborn, lacking duty;<br/>
    Neither regarding that she is my child<br/>
    Nor fearing me as if I were her father;<br/>
    And, may I say to thee, this pride of hers,<br/>
    Upon advice, hath drawn my love from her;<br/>
    And, where I thought the remnant of mine age<br/>
    Should have been cherish'd by her childlike duty,<br/>
    I now am full resolv'd to take a wife<br/>
    And turn her out to who will take her in.<br/>
    Then let her beauty be her wedding-dow'r;<br/>
    For me and my possessions she esteems not.<br/>
  VALENTINE. What would your Grace have me to do in this?<br/>
  DUKE. There is a lady, in Verona here,<br/>
    Whom I affect; but she is nice, and coy,<br/>
    And nought esteems my aged eloquence.<br/>
    Now, therefore, would I have thee to my tutor-<br/>
    For long agone I have forgot to court;<br/>
    Besides, the fashion of the time is chang'd-<br/>
    How and which way I may bestow myself<br/>
    To be regarded in her sun-bright eye.<br/>
  VALENTINE. Win her with gifts, if she respect not words:<br/>
    Dumb jewels often in their silent kind<br/>
    More than quick words do move a woman's mind.<br/>
  DUKE. But she did scorn a present that I sent her.<br/>
  VALENTINE. A woman sometime scorns what best contents her.<br/>
    Send her another; never give her o'er,<br/>
    For scorn at first makes after-love the more.<br/>
    If she do frown, 'tis not in hate of you,<br/>
    But rather to beget more love in you;<br/>
    If she do chide, 'tis not to have you gone,<br/>
    For why, the fools are mad if left alone.<br/>
    Take no repulse, whatever she doth say;<br/>
    For 'Get you gone' she doth not mean 'Away!'<br/>
    Flatter and praise, commend, extol their graces;<br/>
    Though ne'er so black, say they have angels' faces.<br/>
    That man that hath a tongue, I say, is no man,<br/>
    If with his tongue he cannot win a woman.<br/>
  DUKE. But she I mean is promis'd by her friends<br/>
    Unto a youthful gentleman of worth;<br/>
    And kept severely from resort of men,<br/>
    That no man hath access by day to her.<br/>
  VALENTINE. Why then I would resort to her by night.<br/>
  DUKE. Ay, but the doors be lock'd and keys kept safe,<br/>
    That no man hath recourse to her by night.<br/>
  VALENTINE. What lets but one may enter at her window?<br/>
  DUKE. Her chamber is aloft, far from the ground,<br/>
    And built so shelving that one cannot climb it<br/>
    Without apparent hazard of his life.<br/>
  VALENTINE. Why then a ladder, quaintly made of cords,<br/>
    To cast up with a pair of anchoring hooks,<br/>
    Would serve to scale another Hero's tow'r,<br/>
    So bold Leander would adventure it.<br/>
  DUKE. Now, as thou art a gentleman of blood,<br/>
    Advise me where I may have such a ladder.<br/>
  VALENTINE. When would you use it? Pray, sir, tell me that.<br/>
  DUKE. This very night; for Love is like a child,<br/>
    That longs for everything that he can come by.<br/>
  VALENTINE. By seven o'clock I'll get you such a ladder.<br/>
  DUKE. But, hark thee; I will go to her alone;<br/>
    How shall I best convey the ladder thither?<br/>
  VALENTINE. It will be light, my lord, that you may bear it<br/>
    Under a cloak that is of any length.<br/>
  DUKE. A cloak as long as thine will serve the turn?<br/>
  VALENTINE. Ay, my good lord.<br/>
  DUKE. Then let me see thy cloak.<br/>
    I'll get me one of such another length.<br/>
  VALENTINE. Why, any cloak will serve the turn, my lord.<br/>
  DUKE. How shall I fashion me to wear a cloak?<br/>
    I pray thee, let me feel thy cloak upon me.<br/>
    What letter is this same? What's here? 'To Silvia'!<br/>
    And here an engine fit for my proceeding!<br/>
    I'll be so bold to break the seal for once.          [Reads]<br/>
      'My thoughts do harbour with my Silvia nightly,<br/>
        And slaves they are to me, that send them flying.<br/>
      O, could their master come and go as lightly,<br/>
        Himself would lodge where, senseless, they are lying!<br/>
      My herald thoughts in thy pure bosom rest them,<br/>
        While I, their king, that thither them importune,<br/>
      Do curse the grace that with such grace hath blest them,<br/>
        Because myself do want my servants' fortune.<br/>
      I curse myself, for they are sent by me,<br/>
        That they should harbour where their lord should be.'<br/>
    What's here?<br/>
      'Silvia, this night I will enfranchise thee.'<br/>
    'Tis so; and here's the ladder for the purpose.<br/>
    Why, Phaethon- for thou art Merops' son-<br/>
    Wilt thou aspire to guide the heavenly car,<br/>
    And with thy daring folly burn the world?<br/>
    Wilt thou reach stars because they shine on thee?<br/>
    Go, base intruder, over-weening slave,<br/>
    Bestow thy fawning smiles on equal mates;<br/>
    And think my patience, more than thy desert,<br/>
    Is privilege for thy departure hence.<br/>
    Thank me for this more than for all the favours<br/>
    Which, all too much, I have bestow'd on thee.<br/>
    But if thou linger in my territories<br/>
    Longer than swiftest expedition<br/>
    Will give thee time to leave our royal court,<br/>
    By heaven! my wrath shall far exceed the love<br/>
    I ever bore my daughter or thyself.<br/>
    Be gone; I will not hear thy vain excuse,<br/>
    But, as thou lov'st thy life, make speed from hence.    Exit<br/>
  VALENTINE. And why not death rather than living torment?<br/>
    To die is to be banish'd from myself,<br/>
    And Silvia is myself; banish'd from her<br/>
    Is self from self, a deadly banishment.<br/>
    What light is light, if Silvia be not seen?<br/>
    What joy is joy, if Silvia be not by?<br/>
    Unless it be to think that she is by,<br/>
    And feed upon the shadow of perfection.<br/>
    Except I be by Silvia in the night,<br/>
    There is no music in the nightingale;<br/>
    Unless I look on Silvia in the day,<br/>
    There is no day for me to look upon.<br/>
    She is my essence, and I leave to be<br/>
    If I be not by her fair influence<br/>
    Foster'd, illumin'd, cherish'd, kept alive.<br/>
    I fly not death, to fly his deadly doom:<br/>
    Tarry I here, I but attend on death;<br/>
    But fly I hence, I fly away from life.<br/>
</p>
<p>                      Enter PROTEUS and LAUNCE</p>
<p>  PROTEUS. Run, boy, run, run, seek him out.<br/>
  LAUNCE. So-ho, so-ho!<br/>
  PROTEUS. What seest thou?<br/>
  LAUNCE. Him we go to find: there's not a hair on 's head but 'tis a<br/>
    Valentine.<br/>
  PROTEUS. Valentine?<br/>
  VALENTINE. No.<br/>
  PROTEUS. Who then? his spirit?<br/>
  VALENTINE. Neither.<br/>
  PROTEUS. What then?<br/>
  VALENTINE. Nothing.<br/>
  LAUNCE. Can nothing speak? Master, shall I strike?<br/>
  PROTEUS. Who wouldst thou strike?<br/>
  LAUNCE. Nothing.<br/>
  PROTEUS. Villain, forbear.<br/>
  LAUNCE. Why, sir, I'll strike nothing. I pray you-<br/>
  PROTEUS. Sirrah, I say, forbear. Friend Valentine, a word.<br/>
  VALENTINE. My ears are stopp'd and cannot hear good news,<br/>
    So much of bad already hath possess'd them.<br/>
  PROTEUS. Then in dumb silence will I bury mine,<br/>
    For they are harsh, untuneable, and bad.<br/>
  VALENTINE. Is Silvia dead?<br/>
  PROTEUS. No, Valentine.<br/>
  VALENTINE. No Valentine, indeed, for sacred Silvia.<br/>
    Hath she forsworn me?<br/>
  PROTEUS. No, Valentine.<br/>
  VALENTINE. No Valentine, if Silvia have forsworn me.<br/>
    What is your news?<br/>
  LAUNCE. Sir, there is a proclamation that you are vanished.<br/>
  PROTEUS. That thou art banished- O, that's the news!-<br/>
    From hence, from Silvia, and from me thy friend.<br/>
  VALENTINE. O, I have fed upon this woe already,<br/>
    And now excess of it will make me surfeit.<br/>
    Doth Silvia know that I am banished?<br/>
  PROTEUS. Ay, ay; and she hath offered to the doom-<br/>
    Which, unrevers'd, stands in effectual force-<br/>
    A sea of melting pearl, which some call tears;<br/>
    Those at her father's churlish feet she tender'd;<br/>
    With them, upon her knees, her humble self,<br/>
    Wringing her hands, whose whiteness so became them<br/>
    As if but now they waxed pale for woe.<br/>
    But neither bended knees, pure hands held up,<br/>
    Sad sighs, deep groans, nor silver-shedding tears,<br/>
    Could penetrate her uncompassionate sire-<br/>
    But Valentine, if he be ta'en, must die.<br/>
    Besides, her intercession chaf'd him so,<br/>
    When she for thy repeal was suppliant,<br/>
    That to close prison he commanded her,<br/>
    With many bitter threats of biding there.<br/>
  VALENTINE. No more; unless the next word that thou speak'st<br/>
    Have some malignant power upon my life:<br/>
    If so, I pray thee breathe it in mine ear,<br/>
    As ending anthem of my endless dolour.<br/>
  PROTEUS. Cease to lament for that thou canst not help,<br/>
    And study help for that which thou lament'st.<br/>
    Time is the nurse and breeder of all good.<br/>
    Here if thou stay thou canst not see thy love;<br/>
    Besides, thy staying will abridge thy life.<br/>
    Hope is a lover's staff; walk hence with that,<br/>
    And manage it against despairing thoughts.<br/>
    Thy letters may be here, though thou art hence,<br/>
    Which, being writ to me, shall be deliver'd<br/>
    Even in the milk-white bosom of thy love.<br/>
    The time now serves not to expostulate.<br/>
    Come, I'll convey thee through the city gate;<br/>
    And, ere I part with thee, confer at large<br/>
    Of all that may concern thy love affairs.<br/>
    As thou lov'st Silvia, though not for thyself,<br/>
    Regard thy danger, and along with me.<br/>
  VALENTINE. I pray thee, Launce, an if thou seest my boy,<br/>
    Bid him make haste and meet me at the Northgate.<br/>
  PROTEUS. Go, sirrah, find him out. Come, Valentine.<br/>
  VALENTINE. O my dear Silvia! Hapless Valentine!<br/>
                                    Exeunt VALENTINE and PROTEUS<br/>
  LAUNCE. I am but a fool, look you, and yet I have the wit to think<br/>
    my master is a kind of a knave; but that's all one if he be but<br/>
    one knave. He lives not now that knows me to be in love; yet I am<br/>
    in love; but a team of horse shall not pluck that from me; nor<br/>
    who 'tis I love; and yet 'tis a woman; but what woman I will not<br/>
    tell myself; and yet 'tis a milkmaid; yet 'tis not a maid, for<br/>
    she hath had gossips; yet 'tis a maid, for she is her master's<br/>
    maid and serves for wages. She hath more qualities than a<br/>
    water-spaniel- which is much in a bare Christian. Here is the<br/>
    cate-log  [Pulling out a paper]  of her condition. 'Inprimis: She<br/>
    can fetch and carry.' Why, a horse can do no more; nay, a horse<br/>
    cannot fetch, but only carry; therefore is she better than a<br/>
    jade. 'Item: She can milk.' Look you, a sweet virtue in a maid<br/>
    with clean hands.<br/>
</p>
<p>                            Enter SPEED</p>
<p>  SPEED. How now, Signior Launce! What news with your mastership?<br/>
  LAUNCE. With my master's ship? Why, it is at sea.<br/>
  SPEED. Well, your old vice still: mistake the word. What news,<br/>
    then, in your paper?<br/>
  LAUNCE. The black'st news that ever thou heard'st.<br/>
  SPEED. Why, man? how black?<br/>
  LAUNCE. Why, as black as ink.<br/>
  SPEED. Let me read them.<br/>
  LAUNCE. Fie on thee, jolt-head; thou canst not read.<br/>
  SPEED. Thou liest; I can.<br/>
  LAUNCE. I will try thee. Tell me this: Who begot thee?<br/>
  SPEED. Marry, the son of my grandfather.<br/>
  LAUNCE. O illiterate loiterer. It was the son of thy grandmother.<br/>
    This proves that thou canst not read.<br/>
  SPEED. Come, fool, come; try me in thy paper.<br/>
  LAUNCE.  [Handing over the paper]  There; and Saint Nicholas be thy<br/>
    speed.<br/>
  SPEED.  [Reads]  'Inprimis: She can milk.'<br/>
  LAUNCE. Ay, that she can.<br/>
  SPEED. 'Item: She brews good ale.'<br/>
  LAUNCE. And thereof comes the proverb: Blessing of your heart, you<br/>
    brew good ale.<br/>
  SPEED. 'Item: She can sew.'<br/>
  LAUNCE. That's as much as to say 'Can she so?'<br/>
  SPEED. 'Item: She can knit.'<br/>
  LAUNCE. What need a man care for a stock with a wench, when she can<br/>
    knit him a stock.<br/>
  SPEED. 'Item: She can wash and scour.'<br/>
  LAUNCE. A special virtue; for then she need not be wash'd and<br/>
    scour'd.<br/>
  SPEED. 'Item: She can spin.'<br/>
  LAUNCE. Then may I set the world on wheels, when she can spin for<br/>
    her living.<br/>
  SPEED. 'Item: She hath many nameless virtues.'<br/>
  LAUNCE. That's as much as to say 'bastard virtues'; that indeed<br/>
    know not their fathers, and therefore have no names.<br/>
  SPEED. 'Here follow her vices.'<br/>
  LAUNCE. Close at the heels of her virtues.<br/>
  SPEED. 'Item: She is not to be kiss'd fasting, in respect of her<br/>
    breath.'<br/>
  LAUNCE. Well, that fault may be mended with a breakfast.<br/>
    Read on.<br/>
  SPEED. 'Item: She hath a sweet mouth.'<br/>
  LAUNCE. That makes amends for her sour breath.<br/>
  SPEED. 'Item: She doth talk in her sleep.'<br/>
  LAUNCE. It's no matter for that, so she sleep not in her talk.<br/>
  SPEED. 'Item: She is slow in words.'<br/>
  LAUNCE. O villain, that set this down among her vices! To be slow<br/>
    in words is a woman's only virtue. I pray thee, out with't; and<br/>
    place it for her chief virtue.<br/>
  SPEED. 'Item: She is proud.'<br/>
  LAUNCE. Out with that too; it was Eve's legacy, and cannot be ta'en<br/>
    from her.<br/>
  SPEED. 'Item: She hath no teeth.'<br/>
  LAUNCE. I care not for that neither, because I love crusts.<br/>
  SPEED. 'Item: She is curst.'<br/>
  LAUNCE. Well, the best is, she hath no teeth to bite.<br/>
  SPEED. 'Item: She will often praise her liquor.'<br/>
  LAUNCE. If her liquor be good, she shall; if she will not, I will;<br/>
    for good things should be praised.<br/>
  SPEED. 'Item: She is too liberal.'<br/>
  LAUNCE. Of her tongue she cannot, for that's writ down she is slow<br/>
    of; of her purse she shall not, for that I'll keep shut. Now of<br/>
    another thing she may, and that cannot I help. Well, proceed.<br/>
  SPEED. 'Item: She hath more hair than wit, and more faults<br/>
    than hairs, and more wealth than faults.'<br/>
  LAUNCE. Stop there; I'll have her; she was mine, and not mine,<br/>
    twice or thrice in that last article. Rehearse that once more.<br/>
  SPEED. 'Item: She hath more hair than wit'-<br/>
  LAUNCE. More hair than wit. It may be; I'll prove it: the cover of<br/>
    the salt hides the salt, and therefore it is more than the salt;<br/>
    the hair that covers the wit is more than the wit, for the<br/>
    greater hides the less. What's next?<br/>
  SPEED. 'And more faults than hairs'-<br/>
  LAUNCE. That's monstrous. O that that were out!<br/>
  SPEED. 'And more wealth than faults.'<br/>
  LAUNCE. Why, that word makes the faults gracious. Well, I'll have<br/>
    her; an if it be a match, as nothing is impossible-<br/>
  SPEED. What then?<br/>
  LAUNCE. Why, then will I tell thee- that thy master stays for thee<br/>
    at the Northgate.<br/>
  SPEED. For me?<br/>
  LAUNCE. For thee! ay, who art thou? He hath stay'd for a better man<br/>
    than thee.<br/>
  SPEED. And must I go to him?<br/>
  LAUNCE. Thou must run to him, for thou hast stay'd so long that<br/>
    going will scarce serve the turn.<br/>
  SPEED. Why didst not tell me sooner? Pox of your love letters!<br/>
Exit<br/>
  LAUNCE. Now will he be swing'd for reading my letter. An unmannerly<br/>
    slave that will thrust himself into secrets! I'll after, to<br/>
    rejoice in the boy's correction.                        Exit<br/>
</p>
<h4>SCENE II.
Milan. The DUKE'S palace</h4>
<p>Enter DUKE and THURIO</p>
<p>  DUKE. Sir Thurio, fear not but that she will love you<br/>
    Now Valentine is banish'd from her sight.<br/>
  THURIO. Since his exile she hath despis'd me most,<br/>
    Forsworn my company and rail'd at me,<br/>
    That I am desperate of obtaining her.<br/>
  DUKE. This weak impress of love is as a figure<br/>
    Trenched in ice, which with an hour's heat<br/>
    Dissolves to water and doth lose his form.<br/>
    A little time will melt her frozen thoughts,<br/>
    And worthless Valentine shall be forgot.<br/>
</p>
<p>                          Enter PROTEUS</p>
<p>    How now, Sir Proteus! Is your countryman,<br/>
    According to our proclamation, gone?<br/>
  PROTEUS. Gone, my good lord.<br/>
  DUKE. My daughter takes his going grievously.<br/>
  PROTEUS. A little time, my lord, will kill that grief.<br/>
  DUKE. So I believe; but Thurio thinks not so.<br/>
    Proteus, the good conceit I hold of thee-<br/>
    For thou hast shown some sign of good desert-<br/>
    Makes me the better to confer with thee.<br/>
  PROTEUS. Longer than I prove loyal to your Grace<br/>
    Let me not live to look upon your Grace.<br/>
  DUKE. Thou know'st how willingly I would effect<br/>
    The match between Sir Thurio and my daughter.<br/>
  PROTEUS. I do, my lord.<br/>
  DUKE. And also, I think, thou art not ignorant<br/>
    How she opposes her against my will.<br/>
  PROTEUS. She did, my lord, when Valentine was here.<br/>
  DUKE. Ay, and perversely she persevers so.<br/>
    What might we do to make the girl forget<br/>
    The love of Valentine, and love Sir Thurio?<br/>
  PROTEUS. The best way is to slander Valentine<br/>
    With falsehood, cowardice, and poor descent-<br/>
    Three things that women highly hold in hate.<br/>
  DUKE. Ay, but she'll think that it is spoke in hate.<br/>
  PROTEUS. Ay, if his enemy deliver it;<br/>
    Therefore it must with circumstance be spoken<br/>
    By one whom she esteemeth as his friend.<br/>
  DUKE. Then you must undertake to slander him.<br/>
  PROTEUS. And that, my lord, I shall be loath to do:<br/>
    'Tis an ill office for a gentleman,<br/>
    Especially against his very friend.<br/>
  DUKE. Where your good word cannot advantage him,<br/>
    Your slander never can endamage him;<br/>
    Therefore the office is indifferent,<br/>
    Being entreated to it by your friend.<br/>
  PROTEUS. You have prevail'd, my lord; if I can do it<br/>
    By aught that I can speak in his dispraise,<br/>
    She shall not long continue love to him.<br/>
    But say this weed her love from Valentine,<br/>
    It follows not that she will love Sir Thurio.<br/>
  THURIO. Therefore, as you unwind her love from him,<br/>
    Lest it should ravel and be good to none,<br/>
    You must provide to bottom it on me;<br/>
    Which must be done by praising me as much<br/>
    As you in worth dispraise Sir Valentine.<br/>
  DUKE. And, Proteus, we dare trust you in this kind,<br/>
    Because we know, on Valentine's report,<br/>
    You are already Love's firm votary<br/>
    And cannot soon revolt and change your mind.<br/>
    Upon this warrant shall you have access<br/>
    Where you with Silvia may confer at large-<br/>
    For she is lumpish, heavy, melancholy,<br/>
    And, for your friend's sake, will be glad of you-<br/>
    Where you may temper her by your persuasion<br/>
    To hate young Valentine and love my friend.<br/>
  PROTEUS. As much as I can do I will effect.<br/>
    But you, Sir Thurio, are not sharp enough;<br/>
    You must lay lime to tangle her desires<br/>
    By wailful sonnets, whose composed rhymes<br/>
    Should be full-fraught with serviceable vows.<br/>
  DUKE. Ay,<br/>
    Much is the force of heaven-bred poesy.<br/>
  PROTEUS. Say that upon the altar of her beauty<br/>
    You sacrifice your tears, your sighs, your heart;<br/>
    Write till your ink be dry, and with your tears<br/>
    Moist it again, and frame some feeling line<br/>
    That may discover such integrity;<br/>
    For Orpheus' lute was strung with poets' sinews,<br/>
    Whose golden touch could soften steel and stones,<br/>
    Make tigers tame, and huge leviathans<br/>
    Forsake unsounded deeps to dance on sands.<br/>
    After your dire-lamenting elegies,<br/>
    Visit by night your lady's chamber window<br/>
    With some sweet consort; to their instruments<br/>
    Tune a deploring dump- the night's dead silence<br/>
    Will well become such sweet-complaining grievance.<br/>
    This, or else nothing, will inherit her.<br/>
  DUKE. This discipline shows thou hast been in love.<br/>
  THURIO. And thy advice this night I'll put in practice;<br/>
    Therefore, sweet Proteus, my direction-giver,<br/>
    Let us into the city presently<br/>
    To sort some gentlemen well skill'd in music.<br/>
    I have a sonnet that will serve the turn<br/>
    To give the onset to thy good advice.<br/>
  DUKE. About it, gentlemen!<br/>
  PROTEUS. We'll wait upon your Grace till after supper,<br/>
    And afterward determine our proceedings.<br/>
  DUKE. Even now about it! I will pardon you.            Exeunt<br/>
</p>
<h4>ACT IV. SCENE I.
The frontiers of Mantua. A forest</h4>
<p>Enter certain OUTLAWS</p>
<p>  FIRST OUTLAW. Fellows, stand fast; I see a passenger.<br/>
  SECOND OUTLAW. If there be ten, shrink not, but down with 'em.<br/>
</p>
<p>                  Enter VALENTINE and SPEED</p>
<p>  THIRD OUTLAW. Stand, sir, and throw us that you have about ye;<br/>
    If not, we'll make you sit, and rifle you.<br/>
  SPEED. Sir, we are undone; these are the villains<br/>
    That all the travellers do fear so much.<br/>
  VALENTINE. My friends-<br/>
  FIRST OUTLAW. That's not so, sir; we are your enemies.<br/>
  SECOND OUTLAW. Peace! we'll hear him.<br/>
  THIRD OUTLAW. Ay, by my beard, will we; for he is a proper man.<br/>
  VALENTINE. Then know that I have little wealth to lose;<br/>
    A man I am cross'd with adversity;<br/>
    My riches are these poor habiliments,<br/>
    Of which if you should here disfurnish me,<br/>
    You take the sum and substance that I have.<br/>
  SECOND OUTLAW. Whither travel you?<br/>
  VALENTINE. To Verona.<br/>
  FIRST OUTLAW. Whence came you?<br/>
  VALENTINE. From Milan.<br/>
  THIRD OUTLAW. Have you long sojourn'd there?<br/>
  VALENTINE. Some sixteen months, and longer might have stay'd,<br/>
    If crooked fortune had not thwarted me.<br/>
  FIRST OUTLAW. What, were you banish'd thence?<br/>
  VALENTINE. I was.<br/>
  SECOND OUTLAW. For what offence?<br/>
  VALENTINE. For that which now torments me to rehearse:<br/>
    I kill'd a man, whose death I much repent;<br/>
    But yet I slew him manfully in fight,<br/>
    Without false vantage or base treachery.<br/>
  FIRST OUTLAW. Why, ne'er repent it, if it were done so.<br/>
    But were you banish'd for so small a fault?<br/>
  VALENTINE. I was, and held me glad of such a doom.<br/>
  SECOND OUTLAW. Have you the tongues?<br/>
  VALENTINE. My youthful travel therein made me happy,<br/>
    Or else I often had been miserable.<br/>
  THIRD OUTLAW. By the bare scalp of Robin Hood's fat friar,<br/>
    This fellow were a king for our wild faction!<br/>
  FIRST OUTLAW. We'll have him. Sirs, a word.<br/>
  SPEED. Master, be one of them; it's an honourable kind of thievery.<br/>
  VALENTINE. Peace, villain!<br/>
  SECOND OUTLAW. Tell us this: have you anything to take to?<br/>
  VALENTINE. Nothing but my fortune.<br/>
  THIRD OUTLAW. Know, then, that some of us are gentlemen,<br/>
    Such as the fury of ungovern'd youth<br/>
    Thrust from the company of awful men;<br/>
    Myself was from Verona banished<br/>
    For practising to steal away a lady,<br/>
    An heir, and near allied unto the Duke.<br/>
  SECOND OUTLAW. And I from Mantua, for a gentleman<br/>
    Who, in my mood, I stabb'd unto the heart.<br/>
  FIRST OUTLAW. And I for such-like petty crimes as these.<br/>
    But to the purpose- for we cite our faults<br/>
    That they may hold excus'd our lawless lives;<br/>
    And, partly, seeing you are beautified<br/>
    With goodly shape, and by your own report<br/>
    A linguist, and a man of such perfection<br/>
    As we do in our quality much want-<br/>
  SECOND OUTLAW. Indeed, because you are a banish'd man,<br/>
    Therefore, above the rest, we parley to you.<br/>
    Are you content to be our general-<br/>
    To make a virtue of necessity,<br/>
    And live as we do in this wilderness?<br/>
  THIRD OUTLAW. What say'st thou? Wilt thou be of our consort?<br/>
    Say 'ay' and be the captain of us all.<br/>
    We'll do thee homage, and be rul'd by thee,<br/>
    Love thee as our commander and our king.<br/>
  FIRST OUTLAW. But if thou scorn our courtesy thou diest.<br/>
  SECOND OUTLAW. Thou shalt not live to brag what we have offer'd.<br/>
  VALENTINE. I take your offer, and will live with you,<br/>
    Provided that you do no outrages<br/>
    On silly women or poor passengers.<br/>
  THIRD OUTLAW. No, we detest such vile base practices.<br/>
    Come, go with us; we'll bring thee to our crews,<br/>
    And show thee all the treasure we have got;<br/>
    Which, with ourselves, all rest at thy dispose.      Exeunt<br/>
</p>
<h4>SCENE II.
Milan. Outside the DUKE'S palace, under SILVIA'S window</h4>
<p>Enter PROTEUS</p>
<p>  PROTEUS. Already have I been false to Valentine,<br/>
    And now I must be as unjust to Thurio.<br/>
    Under the colour of commending him<br/>
    I have access my own love to prefer;<br/>
    But Silvia is too fair, too true, too holy,<br/>
    To be corrupted with my worthless gifts.<br/>
    When I protest true loyalty to her,<br/>
    She twits me with my falsehood to my friend;<br/>
    When to her beauty I commend my vows,<br/>
    She bids me think how I have been forsworn<br/>
    In breaking faith with Julia whom I lov'd;<br/>
    And notwithstanding all her sudden quips,<br/>
    The least whereof would quell a lover's hope,<br/>
    Yet, spaniel-like, the more she spurns my love<br/>
    The more it grows and fawneth on her still.<br/>
</p>
<p>                Enter THURIO and MUSICIANS</p>
<p>    But here comes Thurio. Now must we to her window,<br/>
    And give some evening music to her ear.<br/>
  THURIO. How now, Sir Proteus, are you crept before us?<br/>
  PROTEUS. Ay, gentle Thurio; for you know that love<br/>
    Will creep in service where it cannot go.<br/>
  THURIO. Ay, but I hope, sir, that you love not here.<br/>
  PROTEUS. Sir, but I do; or else I would be hence.<br/>
  THURIO. Who? Silvia?<br/>
  PROTEUS. Ay, Silvia- for your sake.<br/>
  THURIO. I thank you for your own. Now, gentlemen,<br/>
    Let's tune, and to it lustily awhile.<br/>
</p>
<p>    Enter at a distance, HOST, and JULIA in boy's clothes</p>
<p>  HOST. Now, my young guest, methinks you're allycholly; I pray you,<br/>
    why is it?<br/>
  JULIA. Marry, mine host, because I cannot be merry.<br/>
  HOST. Come, we'll have you merry; I'll bring you where you shall<br/>
    hear music, and see the gentleman that you ask'd for.<br/>
  JULIA. But shall I hear him speak?<br/>
  HOST. Ay, that you shall.                        [Music plays]<br/>
  JULIA. That will be music.<br/>
  HOST. Hark, hark!<br/>
  JULIA. Is he among these?<br/>
  HOST. Ay; but peace! let's hear 'em.<br/>
</p>
<p>                  SONG<br/>
        Who is Silvia? What is she,<br/>
          That all our swains commend her?<br/>
        Holy, fair, and wise is she;<br/>
          The heaven such grace did lend her,<br/>
        That she might admired be.<br/>
</p>
<p>        Is she kind as she is fair?<br/>
          For beauty lives with kindness.<br/>
        Love doth to her eyes repair,<br/>
          To help him of his blindness;<br/>
        And, being help'd, inhabits there.<br/>
</p>
<p>        Then to Silvia let us sing<br/>
          That Silvia is excelling;<br/>
        She excels each mortal thing<br/>
          Upon the dull earth dwelling.<br/>
        'To her let us garlands bring.<br/>
</p>
<p>  HOST. How now, are you sadder than you were before?<br/>
    How do you, man? The music likes you not.<br/>
  JULIA. You mistake; the musician likes me not.<br/>
  HOST. Why, my pretty youth?<br/>
  JULIA. He plays false, father.<br/>
  HOST. How, out of tune on the strings?<br/>
  JULIA. Not so; but yet so false that he grieves my very<br/>
    heart-strings.<br/>
  HOST. You have a quick ear.<br/>
  JULIA. Ay, I would I were deaf; it makes me have a slow heart.<br/>
  HOST. I perceive you delight not in music.<br/>
  JULIA. Not a whit, when it jars so.<br/>
  HOST. Hark, what fine change is in the music!<br/>
  JULIA. Ay, that change is the spite.<br/>
  HOST. You would have them always play but one thing?<br/>
  JULIA. I would always have one play but one thing.<br/>
    But, Host, doth this Sir Proteus, that we talk on,<br/>
    Often resort unto this gentlewoman?<br/>
  HOST. I tell you what Launce, his man, told me: he lov'd her out of<br/>
    all nick.<br/>
  JULIA. Where is Launce?<br/>
  HOST. Gone to seek his dog, which to-morrow, by his master's<br/>
    command, he must carry for a present to his lady.<br/>
  JULIA. Peace, stand aside; the company parts.<br/>
  PROTEUS. Sir Thurio, fear not you; I will so plead<br/>
    That you shall say my cunning drift excels.<br/>
  THURIO. Where meet we?<br/>
  PROTEUS. At Saint Gregory's well.<br/>
  THURIO. Farewell.                  Exeunt THURIO and MUSICIANS<br/>
</p>
<p>                  Enter SILVIA above, at her window</p>
<p>  PROTEUS. Madam, good ev'n to your ladyship.<br/>
  SILVIA. I thank you for your music, gentlemen.<br/>
    Who is that that spake?<br/>
  PROTEUS. One, lady, if you knew his pure heart's truth,<br/>
    You would quickly learn to know him by his voice.<br/>
  SILVIA. Sir Proteus, as I take it.<br/>
  PROTEUS. Sir Proteus, gentle lady, and your servant.<br/>
  SILVIA. What's your will?<br/>
  PROTEUS. That I may compass yours.<br/>
  SILVIA. You have your wish; my will is even this,<br/>
    That presently you hie you home to bed.<br/>
    Thou subtle, perjur'd, false, disloyal man,<br/>
    Think'st thou I am so shallow, so conceitless,<br/>
    To be seduced by thy flattery<br/>
    That hast deceiv'd so many with thy vows?<br/>
    Return, return, and make thy love amends.<br/>
    For me, by this pale queen of night I swear,<br/>
    I am so far from granting thy request<br/>
    That I despise thee for thy wrongful suit,<br/>
    And by and by intend to chide myself<br/>
    Even for this time I spend in talking to thee.<br/>
  PROTEUS. I grant, sweet love, that I did love a lady;<br/>
    But she is dead.<br/>
  JULIA.  [Aside]  'Twere false, if I should speak it;<br/>
    For I am sure she is not buried.<br/>
  SILVIA. Say that she be; yet Valentine, thy friend,<br/>
    Survives, to whom, thyself art witness,<br/>
    I am betroth'd; and art thou not asham'd<br/>
    To wrong him with thy importunacy?<br/>
  PROTEUS. I likewise hear that Valentine is dead.<br/>
  SILVIA. And so suppose am I; for in his grave<br/>
    Assure thyself my love is buried.<br/>
  PROTEUS. Sweet lady, let me rake it from the earth.<br/>
  SILVIA. Go to thy lady's grave, and call hers thence;<br/>
    Or, at the least, in hers sepulchre thine.<br/>
  JULIA.  [Aside]  He heard not that.<br/>
  PROTEUS. Madam, if your heart be so obdurate,<br/>
    Vouchsafe me yet your picture for my love,<br/>
    The picture that is hanging in your chamber;<br/>
    To that I'll speak, to that I'll sigh and weep;<br/>
    For, since the substance of your perfect self<br/>
    Is else devoted, I am but a shadow;<br/>
    And to your shadow will I make true love.<br/>
  JULIA.  [Aside]  If 'twere a substance, you would, sure, deceive it<br/>
    And make it but a shadow, as I am.<br/>
  SILVIA. I am very loath to be your idol, sir;<br/>
    But since your falsehood shall become you well<br/>
    To worship shadows and adore false shapes,<br/>
    Send to me in the morning, and I'll send it;<br/>
    And so, good rest.<br/>
  PROTEUS. As wretches have o'ernight<br/>
    That wait for execution in the morn.<br/>
                                      Exeunt PROTEUS and SILVIA<br/>
  JULIA. Host, will you go?<br/>
  HOST. By my halidom, I was fast asleep.<br/>
  JULIA. Pray you, where lies Sir Proteus?<br/>
  HOST. Marry, at my house. Trust me, I think 'tis almost day.<br/>
  JULIA. Not so; but it hath been the longest night<br/>
    That e'er I watch'd, and the most heaviest.          Exeunt<br/>
</p>
<h4>SCENE III.
Under SILVIA'S window</h4>
<p>Enter EGLAMOUR</p>
<p>  EGLAMOUR. This is the hour that Madam Silvia<br/>
    Entreated me to call and know her mind;<br/>
    There's some great matter she'd employ me in.<br/>
    Madam, madam!<br/>
</p>
<p>            Enter SILVIA above, at her window</p>
<p>  SILVIA. Who calls?<br/>
  EGLAMOUR. Your servant and your friend;<br/>
    One that attends your ladyship's command.<br/>
  SILVIA. Sir Eglamour, a thousand times good morrow!<br/>
  EGLAMOUR. As many, worthy lady, to yourself!<br/>
    According to your ladyship's impose,<br/>
    I am thus early come to know what service<br/>
    It is your pleasure to command me in.<br/>
  SILVIA. O Eglamour, thou art a gentleman-<br/>
    Think not I flatter, for I swear I do not-<br/>
    Valiant, wise, remorseful, well accomplish'd.<br/>
    Thou art not ignorant what dear good will<br/>
    I bear unto the banish'd Valentine;<br/>
    Nor how my father would enforce me marry<br/>
    Vain Thurio, whom my very soul abhors.<br/>
    Thyself hast lov'd; and I have heard thee say<br/>
    No grief did ever come so near thy heart<br/>
    As when thy lady and thy true love died,<br/>
    Upon whose grave thou vow'dst pure chastity.<br/>
    Sir Eglamour, I would to Valentine,<br/>
    To Mantua, where I hear he makes abode;<br/>
    And, for the ways are dangerous to pass,<br/>
    I do desire thy worthy company,<br/>
    Upon whose faith and honour I repose.<br/>
    Urge not my father's anger, Eglamour,<br/>
    But think upon my grief, a lady's grief,<br/>
    And on the justice of my flying hence<br/>
    To keep me from a most unholy match,<br/>
    Which heaven and fortune still rewards with plagues.<br/>
    I do desire thee, even from a heart<br/>
    As full of sorrows as the sea of sands,<br/>
    To bear me company and go with me;<br/>
    If not, to hide what I have said to thee,<br/>
    That I may venture to depart alone.<br/>
  EGLAMOUR. Madam, I pity much your grievances;<br/>
    Which since I know they virtuously are plac'd,<br/>
    I give consent to go along with you,<br/>
    Recking as little what betideth me<br/>
    As much I wish all good befortune you.<br/>
    When will you go?<br/>
  SILVIA. This evening coming.<br/>
  EGLAMOUR. Where shall I meet you?<br/>
  SILVIA. At Friar Patrick's cell,<br/>
    Where I intend holy confession.<br/>
  EGLAMOUR. I will not fail your ladyship. Good morrow, gentle lady.<br/>
  SILVIA. Good morrow, kind Sir Eglamour.                Exeunt<br/>
</p>
<h4>SCENE IV.
Under SILVIA'S Window</h4>
<p>Enter LAUNCE with his dog</p>
<p>  LAUNCE. When a man's servant shall play the
cur with him, look you,
    it goes hard- one that I brought up of a puppy; one that I sav'd
    from drowning, when three or four of his blind brothers and
    sisters went to it. I have taught him, even as one would say
    precisely 'Thus I would teach a dog.' I was sent to deliver him
    as a present to Mistress Silvia from my master; and I came no
    sooner into the dining-chamber, but he steps me to her trencher
    and steals her capon's leg. O, 'tis a foul thing when a cur
    cannot keep himself in all companies! I would have, as one should
    say, one that takes upon him to be a dog indeed, to be, as it
    were, a dog at all things. If I had not had more wit than he, to
    take a fault upon me that he did, I think verily he had been
    hang'd for't; sure as I live, he had suffer'd for't. You shall
    judge. He thrusts me himself into the company of three or four
    gentleman-like dogs under the Duke's table; he had not been
    there, bless the mark, a pissing while but all the chamber smelt
    him. 'Out with the dog' says one; 'What cur is that?' says
    another; 'Whip him out' says the third; 'Hang him up' says the
    Duke. I, having been acquainted with the smell before, knew it
    was Crab, and goes me to the fellow that whips the dogs.
    'Friend,' quoth I 'you mean to whip the dog.' 'Ay, marry do I'
    quoth he. 'You do him the more wrong,' quoth I; "twas I did the
    thing you wot of.' He makes me no more ado, but whips me out of
    the chamber. How many masters would do this for his servant? Nay,
    I'll be sworn, I have sat in the stock for puddings he hath
    stol'n, otherwise he had been executed; I have stood on the
    pillory for geese he hath kill'd, otherwise he had suffer'd
    for't. Thou think'st not of this now. Nay, I remember the trick
    you serv'd me when I took my leave of Madam Silvia. Did not I bid
    thee still mark me and do as I do? When didst thou see me heave
    up my leg and make water against a gentlewoman's farthingale?
    Didst thou ever see me do such a trick?</p>
<p>              Enter PROTEUS, and JULIA in boy's clothes</p>
<p>  PROTEUS. Sebastian is thy name? I like thee well,<br/>
    And will employ thee in some service presently.<br/>
  JULIA. In what you please; I'll do what I can.<br/>
  PROTEUS..I hope thou wilt.  [To LAUNCE]  How now, you whoreson<br/>
      peasant!<br/>
    Where have you been these two days loitering?<br/>
  LAUNCE. Marry, sir, I carried Mistress Silvia the dog you bade me.<br/>
  PROTEUS. And what says she to my little jewel?<br/>
  LAUNCE. Marry, she says your dog was a cur, and tells you currish<br/>
    thanks is good enough for such a present.<br/>
  PROTEUS. But she receiv'd my dog?<br/>
  LAUNCE. No, indeed, did she not; here have I brought him back<br/>
    again.<br/>
  PROTEUS. What, didst thou offer her this from me?<br/>
  LAUNCE. Ay, sir; the other squirrel was stol'n from me by the<br/>
    hangman's boys in the market-place; and then I offer'd her mine<br/>
    own, who is a dog as big as ten of yours, and therefore the gift<br/>
    the greater.<br/>
  PROTEUS. Go, get thee hence and find my dog again,<br/>
    Or ne'er return again into my sight.<br/>
    Away, I say. Stayest thou to vex me here?        Exit LAUNCE<br/>
    A slave that still an end turns me to shame!<br/>
    Sebastian, I have entertained thee<br/>
    Partly that I have need of such a youth<br/>
    That can with some discretion do my business,<br/>
    For 'tis no trusting to yond foolish lout,<br/>
    But chiefly for thy face and thy behaviour,<br/>
    Which, if my augury deceive me not,<br/>
    Witness good bringing up, fortune, and truth;<br/>
    Therefore, know thou, for this I entertain thee.<br/>
    Go presently, and take this ring with thee,<br/>
    Deliver it to Madam Silvia-<br/>
    She lov'd me well deliver'd it to me.<br/>
  JULIA. It seems you lov'd not her, to leave her token.<br/>
    She is dead, belike?<br/>
  PROTEUS. Not so; I think she lives.<br/>
  JULIA. Alas!<br/>
  PROTEUS. Why dost thou cry 'Alas'?<br/>
  JULIA. I cannot choose<br/>
    But pity her.<br/>
  PROTEUS. Wherefore shouldst thou pity her?<br/>
  JULIA. Because methinks that she lov'd you as well<br/>
    As you do love your lady Silvia.<br/>
    She dreams on him that has forgot her love:<br/>
    You dote on her that cares not for your love.<br/>
    'Tis pity love should be so contrary;<br/>
    And thinking on it makes me cry 'Alas!'<br/>
  PROTEUS. Well, give her that ring, and therewithal<br/>
    This letter. That's her chamber. Tell my lady<br/>
    I claim the promise for her heavenly picture.<br/>
    Your message done, hie home unto my chamber,<br/>
    Where thou shalt find me sad and solitary.      Exit PROTEUS<br/>
  JULIA. How many women would do such a message?<br/>
    Alas, poor Proteus, thou hast entertain'd<br/>
    A fox to be the shepherd of thy lambs.<br/>
    Alas, poor fool, why do I pity him<br/>
    That with his very heart despiseth me?<br/>
    Because he loves her, he despiseth me;<br/>
    Because I love him, I must pity him.<br/>
    This ring I gave him, when he parted from me,<br/>
    To bind him to remember my good will;<br/>
    And now am I, unhappy messenger,<br/>
    To plead for that which I would not obtain,<br/>
    To carry that which I would have refus'd,<br/>
    To praise his faith, which I would have disprais'd.<br/>
    I am my master's true confirmed love,<br/>
    But cannot be true servant to my master<br/>
    Unless I prove false traitor to myself.<br/>
    Yet will I woo for him, but yet so coldly<br/>
    As, heaven it knows, I would not have him speed.<br/>
</p>
<p>                    Enter SILVIA, attended</p>
<p>    Gentlewoman, good day! I pray you be my mean<br/>
    To bring me where to speak with Madam Silvia.<br/>
  SILVIA. What would you with her, if that I be she?<br/>
  JULIA. If you be she, I do entreat your patience<br/>
    To hear me speak the message I am sent on.<br/>
  SILVIA. From whom?<br/>
  JULIA. From my master, Sir Proteus, madam.<br/>
  SILVIA. O, he sends you for a picture?<br/>
  JULIA. Ay, madam.<br/>
  SILVIA. Ursula, bring my picture there.<br/>
    Go, give your master this. Tell him from me,<br/>
    One Julia, that his changing thoughts forget,<br/>
    Would better fit his chamber than this shadow.<br/>
  JULIA. Madam, please you peruse this letter.<br/>
    Pardon me, madam; I have unadvis'd<br/>
    Deliver'd you a paper that I should not.<br/>
    This is the letter to your ladyship.<br/>
  SILVIA. I pray thee let me look on that again.<br/>
  JULIA. It may not be; good madam, pardon me.<br/>
  SILVIA. There, hold!<br/>
    I will not look upon your master's lines.<br/>
    I know they are stuff'd with protestations,<br/>
    And full of new-found oaths, which he wul break<br/>
    As easily as I do tear his paper.<br/>
  JULIA. Madam, he sends your ladyship this ring.<br/>
  SILVIA. The more shame for him that he sends it me;<br/>
    For I have heard him say a thousand times<br/>
    His Julia gave it him at his departure.<br/>
    Though his false finger have profan'd the ring,<br/>
    Mine shall not do his Julia so much wrong.<br/>
  JULIA. She thanks you.<br/>
  SILVIA. What say'st thou?<br/>
  JULIA. I thank you, madam, that you tender her.<br/>
    Poor gentlewoman, my master wrongs her much.<br/>
  SILVIA. Dost thou know her?<br/>
  JULIA. Almost as well as I do know myself.<br/>
    To think upon her woes, I do protest<br/>
    That I have wept a hundred several times.<br/>
  SILVIA. Belike she thinks that Proteus hath forsook her.<br/>
  JULIA. I think she doth, and that's her cause of sorrow.<br/>
  SILVIA. Is she not passing fair?<br/>
  JULIA. She hath been fairer, madam, than she is.<br/>
    When she did think my master lov'd her well,<br/>
    She, in my judgment, was as fair as you;<br/>
    But since she did neglect her looking-glass<br/>
    And threw her sun-expelling mask away,<br/>
    The air hath starv'd the roses in her cheeks<br/>
    And pinch'd the lily-tincture of her face,<br/>
    That now she is become as black as I.<br/>
  SILVIA. How tall was she?<br/>
  JULIA. About my stature; for at Pentecost,<br/>
    When all our pageants of delight were play'd,<br/>
    Our youth got me to play the woman's part,<br/>
    And I was trimm'd in Madam Julia's gown;<br/>
    Which served me as fit, by all men's judgments,<br/>
    As if the garment had been made for me;<br/>
    Therefore I know she is about my height.<br/>
    And at that time I made her weep a good,<br/>
    For I did play a lamentable part.<br/>
    Madam, 'twas Ariadne passioning<br/>
    For Theseus' perjury and unjust flight;<br/>
    Which I so lively acted with my tears<br/>
    That my poor mistress, moved therewithal,<br/>
    Wept bitterly; and would I might be dead<br/>
    If I in thought felt not her very sorrow.<br/>
  SILVIA. She is beholding to thee, gentle youth.<br/>
    Alas, poor lady, desolate and left!<br/>
    I weep myself, to think upon thy words.<br/>
    Here, youth, there is my purse; I give thee this<br/>
    For thy sweet mistress' sake, because thou lov'st her.<br/>
    Farewell.                        Exit SILVIA with ATTENDANTS<br/>
  JULIA. And she shall thank you for't, if e'er you know her.<br/>
    A virtuous gentlewoman, mild and beautiful!<br/>
    I hope my master's suit will be but cold,<br/>
    Since she respects my mistress' love so much.<br/>
    Alas, how love can trifle with itself!<br/>
    Here is her picture; let me see. I think,<br/>
    If I had such a tire, this face of mine<br/>
    Were full as lovely as is this of hers;<br/>
    And yet the painter flatter'd her a little,<br/>
    Unless I flatter with myself too much.<br/>
    Her hair is auburn, mine is perfect yellow;<br/>
    If that be all the difference in his love,<br/>
    I'll get me such a colour'd periwig.<br/>
    Her eyes are grey as glass, and so are mine;<br/>
    Ay, but her forehead's low, and mine's as high.<br/>
    What should it be that he respects in her<br/>
    But I can make respective in myself,<br/>
    If this fond Love were not a blinded god?<br/>
    Come, shadow, come, and take this shadow up,<br/>
    For 'tis thy rival. O thou senseless form,<br/>
    Thou shalt be worshipp'd, kiss'd, lov'd, and ador'd!<br/>
    And were there sense in his idolatry<br/>
    My substance should be statue in thy stead.<br/>
    I'll use thee kindly for thy mistress' sake,<br/>
    That us'd me so; or else, by Jove I vow,<br/>
    I should have scratch'd out your unseeing eyes,<br/>
    To make my master out of love with thee.                Exit<br/>
</p>
<h4>ACT V. SCENE I.
Milan. An abbey</h4>
<p>Enter EGLAMOUR</p>
<p>  EGLAMOUR. The sun begins to gild the western sky,<br/>
    And now it is about the very hour<br/>
    That Silvia at Friar Patrick's cell should meet me.<br/>
    She will not fail, for lovers break not hours<br/>
    Unless it be to come before their time,<br/>
    So much they spur their expedition.<br/>
</p>
<p>                        Enter SILVIA</p>
<p>    See where she comes. Lady, a happy evening!<br/>
  SILVIA. Amen, amen! Go on, good Eglamour,<br/>
    Out at the postern by the abbey wall;<br/>
    I fear I am attended by some spies.<br/>
  EGLAMOUR. Fear not. The forest is not three leagues off;<br/>
    If we recover that, we are sure enough.              Exeunt<br/>
</p>
<h4>SCENE II.
Milan. The DUKE'S palace</h4>
<p>Enter THURIO, PROTEUS, and JULIA as SEBASTIAN</p>
<p>  THURIO. Sir Proteus, what says Silvia to my suit?<br/>
  PROTEUS. O, sir, I find her milder than she was;<br/>
    And yet she takes exceptions at your person.<br/>
  THURIO. What, that my leg is too long?<br/>
  PROTEUS. No; that it is too little.<br/>
  THURIO. I'll wear a boot to make it somewhat rounder.<br/>
  JULIA.  [Aside]  But love will not be spurr'd to what it loathes.<br/>
  THURIO. What says she to my face?<br/>
  PROTEUS. She says it is a fair one.<br/>
  THURIO. Nay, then, the wanton lies; my face is black.<br/>
  PROTEUS. But pearls are fair; and the old saying is:<br/>
    Black men are pearls in beauteous ladies' eyes.<br/>
  JULIA.  [Aside]  'Tis true, such pearls as put out ladies' eyes;<br/>
    For I had rather wink than look on them.<br/>
  THURIO. How likes she my discourse?<br/>
  PROTEUS. Ill, when you talk of war.<br/>
  THURIO. But well when I discourse of love and peace?<br/>
  JULIA.  [Aside]  But better, indeed, when you hold your peace.<br/>
  THURIO. What says she to my valour?<br/>
  PROTEUS. O, sir, she makes no doubt of that.<br/>
  JULIA.  [Aside]  She needs not, when she knows it cowardice.<br/>
  THURIO. What says she to my birth?<br/>
  PROTEUS. That you are well deriv'd.<br/>
  JULIA.  [Aside]  True; from a gentleman to a fool.<br/>
  THURIO. Considers she my possessions?<br/>
  PROTEUS. O, ay; and pities them.<br/>
  THURIO. Wherefore?<br/>
  JULIA.  [Aside]  That such an ass should owe them.<br/>
  PROTEUS. That they are out by lease.<br/>
  JULIA. Here comes the Duke.<br/>
</p>
<p>                          Enter DUKE</p>
<p>  DUKE. How now, Sir Proteus! how now, Thurio!<br/>
    Which of you saw Sir Eglamour of late?<br/>
  THURIO. Not I.<br/>
  PROTEUS. Nor I.<br/>
  DUKE. Saw you my daughter?<br/>
  PROTEUS. Neither.<br/>
  DUKE. Why then,<br/>
    She's fled unto that peasant Valentine;<br/>
    And Eglamour is in her company.<br/>
    'Tis true; for Friar Lawrence met them both<br/>
    As he in penance wander'd through the forest;<br/>
    Him he knew well, and guess'd that it was she,<br/>
    But, being mask'd, he was not sure of it;<br/>
    Besides, she did intend confession<br/>
    At Patrick's cell this even; and there she was not.<br/>
    These likelihoods confirm her flight from hence;<br/>
    Therefore, I pray you, stand not to discourse,<br/>
    But mount you presently, and meet with me<br/>
    Upon the rising of the mountain foot<br/>
    That leads toward Mantua, whither they are fled.<br/>
    Dispatch, sweet gentlemen, and follow me.              Exit<br/>
  THURIO. Why, this it is to be a peevish girl<br/>
    That flies her fortune when it follows her.<br/>
    I'll after, more to be reveng'd on Eglamour<br/>
    Than for the love of reckless Silvia.                  Exit<br/>
  PROTEUS. And I will follow, more for Silvia's love<br/>
    Than hate of Eglamour, that goes with her.              Exit<br/>
  JULIA. And I will follow, more to cross that love<br/>
    Than hate for Silvia, that is gone for love.            Exit<br/>
</p>
<h4>SCENE III.
The frontiers of Mantua. The forest</h4>
<p>Enter OUTLAWS with SILVA</p>
<p>  FIRST OUTLAW. Come, come.<br/>
    Be patient; we must bring you to our captain.<br/>
  SILVIA. A thousand more mischances than this one<br/>
    Have learn'd me how to brook this patiently.<br/>
  SECOND OUTLAW. Come, bring her away.<br/>
  FIRST OUTLAW. Where is the gentleman that was with her?<br/>
  SECOND OUTLAW. Being nimble-footed, he hath outrun us,<br/>
    But Moyses and Valerius follow him.<br/>
    Go thou with her to the west end of the wood;<br/>
    There is our captain; we'll follow him that's fled.<br/>
    The thicket is beset; he cannot 'scape.<br/>
  FIRST OUTLAW. Come, I must bring you to our captain's cave;<br/>
    Fear not; he bears an honourable mind,<br/>
    And will not use a woman lawlessly.<br/>
  SILVIA. O Valentine, this I endure for thee!            Exeunt<br/>
</p>
<h4>SCENE IV.
Another part of the forest</h4>
<p>Enter VALENTINE</p>
<p>  VALENTINE. How use doth breed a habit in a man!<br/>
    This shadowy desert, unfrequented woods,<br/>
    I better brook than flourishing peopled towns.<br/>
    Here can I sit alone, unseen of any,<br/>
    And to the nightingale's complaining notes<br/>
    Tune my distresses and record my woes.<br/>
    O thou that dost inhabit in my breast,<br/>
    Leave not the mansion so long tenantless,<br/>
    Lest, growing ruinous, the building fall<br/>
    And leave no memory of what it was!<br/>
    Repair me with thy presence, Silvia:<br/>
    Thou gentle nymph, cherish thy forlorn swain.<br/>
    What halloing and what stir is this to-day?<br/>
    These are my mates, that make their wills their law,<br/>
    Have some unhappy passenger in chase.<br/>
    They love me well; yet I have much to do<br/>
    To keep them from uncivil outrages.<br/>
    Withdraw thee, Valentine. Who's this comes here?<br/>
                                                  [Steps aside]<br/>
</p>
<p>          Enter PROTEUS, SILVIA, and JULIA as Sebastian</p>
<p>  PROTEUS. Madam, this service I have done for you,<br/>
    Though you respect not aught your servant doth,<br/>
    To hazard life, and rescue you from him<br/>
    That would have forc'd your honour and your love.<br/>
    Vouchsafe me, for my meed, but one fair look;<br/>
    A smaller boon than this I cannot beg,<br/>
    And less than this, I am sure, you cannot give.<br/>
  VALENTINE.  [Aside]  How like a dream is this I see and hear!<br/>
    Love, lend me patience to forbear awhile.<br/>
  SILVIA. O miserable, unhappy that I am!<br/>
  PROTEUS. Unhappy were you, madam, ere I came;<br/>
    But by my coming I have made you happy.<br/>
  SILVIA. By thy approach thou mak'st me most unhappy.<br/>
  JULIA.  [Aside]  And me, when he approacheth to your presence.<br/>
  SILVIA. Had I been seized by a hungry lion,<br/>
    I would have been a breakfast to the beast<br/>
    Rather than have false Proteus rescue me.<br/>
    O, heaven be judge how I love Valentine,<br/>
    Whose life's as tender to me as my soul!<br/>
    And full as much, for more there cannot be,<br/>
    I do detest false, perjur'd Proteus.<br/>
    Therefore be gone; solicit me no more.<br/>
  PROTEUS. What dangerous action, stood it next to death,<br/>
    Would I not undergo for one calm look?<br/>
    O, 'tis the curse in love, and still approv'd,<br/>
    When women cannot love where they're belov'd!<br/>
  SILVIA. When Proteus cannot love where he's belov'd!<br/>
    Read over Julia's heart, thy first best love,<br/>
    For whose dear sake thou didst then rend thy faith<br/>
    Into a thousand oaths; and all those oaths<br/>
    Descended into perjury, to love me.<br/>
    Thou hast no faith left now, unless thou'dst two,<br/>
    And that's far worse than none; better have none<br/>
    Than plural faith, which is too much by one.<br/>
    Thou counterfeit to thy true friend!<br/>
  PROTEUS. In love,<br/>
    Who respects friend?<br/>
  SILVIA. All men but Proteus.<br/>
  PROTEUS. Nay, if the gentle spirit of moving words<br/>
    Can no way change you to a milder form,<br/>
    I'll woo you like a soldier, at arms' end,<br/>
    And love you 'gainst the nature of love- force ye.<br/>
  SILVIA. O heaven!<br/>
  PROTEUS. I'll force thee yield to my desire.<br/>
  VALENTINE. Ruffian! let go that rude uncivil touch;<br/>
    Thou friend of an ill fashion!<br/>
  PROTEUS. Valentine!<br/>
  VALENTINE. Thou common friend, that's without faith or love-<br/>
    For such is a friend now; treacherous man,<br/>
    Thou hast beguil'd my hopes; nought but mine eye<br/>
    Could have persuaded me. Now I dare not say<br/>
    I have one friend alive: thou wouldst disprove me.<br/>
    Who should be trusted, when one's own right hand<br/>
    Is perjured to the bosom? Proteus,<br/>
    I am sorry I must never trust thee more,<br/>
    But count the world a stranger for thy sake.<br/>
    The private wound is deepest. O time most accurst!<br/>
    'Mongst all foes that a friend should be the worst!<br/>
  PROTEUS. My shame and guilt confounds me.<br/>
    Forgive me, Valentine; if hearty sorrow<br/>
    Be a sufficient ransom for offence,<br/>
    I tender 't here; I do as truly suffer<br/>
    As e'er I did commit.<br/>
  VALENTINE. Then I am paid;<br/>
    And once again I do receive thee honest.<br/>
    Who by repentance is not satisfied<br/>
    Is nor of heaven nor earth, for these are pleas'd;<br/>
    By penitence th' Eternal's wrath's appeas'd.<br/>
    And, that my love may appear plain and free,<br/>
    All that was mine in Silvia I give thee.<br/>
  JULIA. O me unhappy!                                  [Swoons]<br/>
  PROTEUS. Look to the boy.<br/>
  VALENTINE. Why, boy! why, wag! how now!<br/>
    What's the matter? Look up; speak.<br/>
  JULIA. O good sir, my master charg'd me to deliver a ring to Madam<br/>
    Silvia, which, out of my neglect, was never done.<br/>
  PROTEUS. Where is that ring, boy?<br/>
  JULIA. Here 'tis; this is it.<br/>
  PROTEUS. How! let me see. Why, this is the ring I gave to Julia.<br/>
  JULIA. O, cry you mercy, sir, I have mistook;<br/>
    This is the ring you sent to Silvia.<br/>
  PROTEUS. But how cam'st thou by this ring?<br/>
    At my depart I gave this unto Julia.<br/>
  JULIA. And Julia herself did give it me;<br/>
    And Julia herself have brought it hither.<br/>
  PROTEUS. How! Julia!<br/>
  JULIA. Behold her that gave aim to all thy oaths,<br/>
    And entertain'd 'em deeply in her heart.<br/>
    How oft hast thou with perjury cleft the root!<br/>
    O Proteus, let this habit make thee blush!<br/>
    Be thou asham'd that I have took upon me<br/>
    Such an immodest raiment- if shame live<br/>
    In a disguise of love.<br/>
    It is the lesser blot, modesty finds,<br/>
    Women to change their shapes than men their minds.<br/>
  PROTEUS. Than men their minds! 'tis true. O heaven, were man<br/>
    But constant, he were perfect! That one error<br/>
    Fills him with faults; makes him run through all th' sins:<br/>
    Inconstancy falls off ere it begins.<br/>
    What is in Silvia's face but I may spy<br/>
    More fresh in Julia's with a constant eye?<br/>
  VALENTINE. Come, come, a hand from either.<br/>
    Let me be blest to make this happy close;<br/>
    'Twere pity two such friends should be long foes.<br/>
  PROTEUS. Bear witness, heaven, I have my wish for ever.<br/>
  JULIA. And I mine.<br/>
</p>
<p>                Enter OUTLAWS, with DUKE and THURIO</p>
<p>  OUTLAW. A prize, a prize, a prize!<br/>
  VALENTINE. Forbear, forbear, I say; it is my lord the Duke.<br/>
    Your Grace is welcome to a man disgrac'd,<br/>
    Banished Valentine.<br/>
  DUKE. Sir Valentine!<br/>
  THURIO. Yonder is Silvia; and Silvia's mine.<br/>
  VALENTINE. Thurio, give back, or else embrace thy death;<br/>
    Come not within the measure of my wrath;<br/>
    Do not name Silvia thine; if once again,<br/>
    Verona shall not hold thee. Here she stands<br/>
    Take but possession of her with a touch-<br/>
    I dare thee but to breathe upon my love.<br/>
  THURIO. Sir Valentine, I care not for her, I;<br/>
    I hold him but a fool that will endanger<br/>
    His body for a girl that loves him not.<br/>
    I claim her not, and therefore she is thine.<br/>
  DUKE. The more degenerate and base art thou<br/>
    To make such means for her as thou hast done<br/>
    And leave her on such slight conditions.<br/>
    Now, by the honour of my ancestry,<br/>
    I do applaud thy spirit, Valentine,<br/>
    And think thee worthy of an empress' love.<br/>
    Know then, I here forget all former griefs,<br/>
    Cancel all grudge, repeal thee home again,<br/>
    Plead a new state in thy unrivall'd merit,<br/>
    To which I thus subscribe: Sir Valentine,<br/>
    Thou art a gentleman, and well deriv'd;<br/>
    Take thou thy Silvia, for thou hast deserv'd her.<br/>
  VALENTINE. I thank your Grace; the gift hath made me happy.<br/>
    I now beseech you, for your daughter's sake,<br/>
    To grant one boon that I shall ask of you.<br/>
  DUKE. I grant it for thine own, whate'er it be.<br/>
  VALENTINE. These banish'd men, that I have kept withal,<br/>
    Are men endu'd with worthy qualities;<br/>
    Forgive them what they have committed here,<br/>
    And let them be recall'd from their exile:<br/>
    They are reformed, civil, full of good,<br/>
    And fit for great employment, worthy lord.<br/>
  DUKE. Thou hast prevail'd; I pardon them, and thee;<br/>
    Dispose of them as thou know'st their deserts.<br/>
    Come, let us go; we will include all jars<br/>
    With triumphs, mirth, and rare solemnity.<br/>
  VALENTINE. And, as we walk along, I dare be bold<br/>
    With our discourse to make your Grace to smile.<br/>
    What think you of this page, my lord?<br/>
  DUKE. I think the boy hath grace in him; he blushes.<br/>
  VALENTINE. I warrant you, my lord- more grace than boy.<br/>
  DUKE. What mean you by that saying?<br/>
  VALENTINE. Please you, I'll tell you as we pass along,<br/>
    That you will wonder what hath fortuned.<br/>
    Come, Proteus, 'tis your penance but to hear<br/>
    The story of your loves discovered.<br/>
    That done, our day of marriage shall be yours;<br/>
    One feast, one house, one mutual happiness!    Exeunt<br/>
</p>
<h2>THE TWO NOBLE KINSMEN:</h2>
<p>Presented at the Blackfriers
by the Kings Maiesties servants,
with great applause:</p>
<p>Written by the memorable Worthies of their time;</p>
<p>Mr John Fletcher, Gent., and<br/>
Mr William Shakspeare, Gent.<br/>
</p>
<p>Printed at London by Tho. Cotes, for John Waterson:
and are to be sold at the signe of the Crowne
in Pauls Church-yard. 1634.</p>
<p>(The Persons represented in the Play.</p>
<p>Hymen,<br/>
Theseus,<br/>
Hippolita, Bride to Theseus<br/>
Emelia, Sister to Theseus<br/>
[Emelia's Woman],<br/>
Nymphs,<br/>
Three Queens,<br/>
Three valiant Knights,<br/>
Palamon, and<br/>
Arcite, The two Noble Kinsmen, in love with fair Emelia<br/>
[Valerius],<br/>
Perithous,<br/>
[A Herald],<br/>
[A Gentleman],<br/>
[A Messenger],<br/>
[A Servant],<br/>
[Wooer],<br/>
[Keeper],<br/>
Jaylor,<br/>
His Daughter, in love with Palamon<br/>
[His brother],<br/>
[A Doctor],<br/>
[4] Countreymen,<br/>
[2 Friends of the Jaylor],<br/>
[3 Knights],<br/>
[Nel, and other]<br/>
Wenches,<br/>
A Taborer,<br/>
Gerrold, A Schoolmaster.)<br/>
</p>
<h4>PROLOGUE.</h4>
<p>[Florish.]</p>
<p>New Playes, and Maydenheads, are neare a kin,<br/>
Much follow'd both, for both much mony g'yn,<br/>
If they stand sound, and well: And a good Play<br/>
(Whose modest Sceanes blush on his marriage day,<br/>
And shake to loose his honour) is like hir<br/>
That after holy Tye and first nights stir<br/>
Yet still is Modestie, and still retaines<br/>
More of the maid to sight, than Husbands paines;<br/>
We pray our Play may be so; For I am sure<br/>
It has a noble Breeder, and a pure,<br/>
A learned, and a Poet never went<br/>
More famous yet twixt Po and silver Trent:<br/>
Chaucer (of all admir'd) the Story gives,<br/>
There constant to Eternity it lives.<br/>
If we let fall the Noblenesse of this,<br/>
And the first sound this child heare, be a hisse,<br/>
How will it shake the bones of that good man,<br/>
And make him cry from under ground, 'O fan<br/>
From me the witles chaffe of such a wrighter<br/>
That blastes my Bayes, and my fam'd workes makes lighter<br/>
Then Robin Hood!'  This is the feare we bring;<br/>
For to say Truth, it were an endlesse thing,<br/>
And too ambitious, to aspire to him,<br/>
Weake as we are, and almost breathlesse swim<br/>
In this deepe water.  Do but you hold out<br/>
Your helping hands, and we shall take about,<br/>
And something doe to save us: You shall heare<br/>
Sceanes, though below his Art, may yet appeare<br/>
Worth two houres travell.  To his bones sweet sleepe:<br/>
Content to you.  If this play doe not keepe<br/>
A little dull time from us, we perceave<br/>
Our losses fall so thicke, we must needs leave.  [Florish.]<br/>
</p>
<h4>ACT I</h4>
<h4><b>SCENE 1. (Athens.  Before a temple.)</b></h4>
<p>[Enter Hymen with a Torch burning: a Boy, in a white Robe before<br/>
singing, and strewing Flowres: After Hymen, a Nimph, encompast<br/>
in<br/>
her Tresses, bearing a wheaten Garland.  Then Theseus betweene<br/>
two other Nimphs with wheaten Chaplets on their heades.  Then<br/>
Hipolita the Bride, lead by Pirithous, and another holding a<br/>
Garland over her head (her Tresses likewise hanging.)  After<br/>
her Emilia holding up her Traine.  (Artesius and Attendants.)]<br/>
</p>
<p>The Song,  [Musike.]</p>
<p>Roses their sharpe spines being gon,<br/>
Not royall in their smels alone,<br/>
But in their hew.<br/>
Maiden Pinckes, of odour faint,<br/>
Dazies smel-lesse, yet most quaint<br/>
And sweet Time true.<br/>
</p>
<p>Prim-rose first borne child of Ver,<br/>
Merry Spring times Herbinger,<br/>
With her bels dimme.<br/>
Oxlips, in their Cradles growing,<br/>
Mary-golds, on death beds blowing,<br/>
Larkes-heeles trymme.<br/>
</p>
<p>All deere natures children sweete,<br/>
Ly fore Bride and Bridegroomes feete,  [Strew Flowers.]<br/>
Blessing their sence.<br/>
Not an angle of the aire,<br/>
Bird melodious, or bird faire,<br/>
Is absent hence.<br/>
</p>
<p>The Crow, the slaundrous Cuckoe, nor<br/>
The boding Raven, nor Chough hore<br/>
Nor chattring Pie,<br/>
May on our Bridehouse pearch or sing,<br/>
Or with them any discord bring,<br/>
But from it fly.<br/>
</p>
<p>[Enter 3. Queenes in Blacke, with vailes staind, with imperiall<br/>
Crownes.  The 1. Queene fals downe at the foote of Theseus; The<br/>
2. fals downe at the foote of Hypolita.  The 3. before Emilia.]<br/>
</p>
<p>1. QUEEN.<br/>
For pitties sake and true gentilities,<br/>
Heare, and respect me.<br/>
</p>
<p>2. QUEEN.<br/>
For your Mothers sake,<br/>
And as you wish your womb may thrive with faire ones,<br/>
Heare and respect me.<br/>
</p>
<p>3. QUEEN<br/>
Now for the love of him whom Iove hath markd<br/>
The honour of your Bed, and for the sake<br/>
Of cleere virginity, be Advocate<br/>
For us, and our distresses.  This good deede<br/>
Shall raze you out o'th Booke of Trespasses<br/>
All you are set downe there.<br/>
</p>
<p>THESEUS.<br/>
Sad Lady, rise.</p>
<p>HIPPOLITA.<br/>
Stand up.</p>
<p>EMILIA.<br/>
No knees to me.<br/>
What woman I may steed that is distrest,<br/>
Does bind me to her.<br/>
</p>
<p>THESEUS.<br/>
What's your request?  Deliver you for all.</p>
<p>1. QUEEN.<br/>
We are 3. Queenes, whose Soveraignes fel before<br/>
The wrath of cruell Creon; who endured<br/>
The Beakes of Ravens, Tallents of the Kights,<br/>
And pecks of Crowes, in the fowle feilds of Thebs.<br/>
He will not suffer us to burne their bones,<br/>
To urne their ashes, nor to take th' offence<br/>
Of mortall loathsomenes from the blest eye<br/>
Of holy Phoebus, but infects the windes<br/>
With stench of our slaine Lords.  O pitty, Duke:<br/>
Thou purger of the earth, draw thy feard Sword<br/>
That does good turnes to'th world; give us the Bones<br/>
Of our dead Kings, that we may Chappell them;<br/>
And of thy boundles goodnes take some note<br/>
That for our crowned heades we have no roofe,<br/>
Save this which is the Lyons, and the Beares,<br/>
And vault to every thing.<br/>
</p>
<p>THESEUS.<br/>
Pray you, kneele not:<br/>
I was transported with your Speech, and suffer'd<br/>
Your knees to wrong themselves; I have heard the fortunes<br/>
Of your dead Lords, which gives me such lamenting<br/>
As wakes my vengeance, and revenge for'em,<br/>
King Capaneus was your Lord: the day<br/>
That he should marry you, at such a season,<br/>
As now it is with me, I met your Groome,<br/>
By Marsis Altar; you were that time faire,<br/>
Not Iunos Mantle fairer then your Tresses,<br/>
Nor in more bounty spread her.  Your wheaten wreathe<br/>
Was then nor threashd, nor blasted; Fortune at you<br/>
Dimpled her Cheeke with smiles: Hercules our kinesman<br/>
(Then weaker than your eies) laide by his Club,<br/>
He tumbled downe upon his Nemean hide<br/>
And swore his sinews thawd: O greife, and time,<br/>
Fearefull consumers, you will all devoure.<br/>
</p>
<p>1. QUEEN.<br/>
O, I hope some God,<br/>
Some God hath put his mercy in your manhood<br/>
Whereto heel infuse powre, and presse you forth<br/>
Our undertaker.<br/>
</p>
<p>THESEUS.<br/>
O no knees, none, Widdow,<br/>
Vnto the Helmeted Belona use them,<br/>
And pray for me your Souldier.<br/>
Troubled I am.  [turnes away.]<br/>
</p>
<p>2. QUEEN.<br/>
Honoured Hypolita,<br/>
Most dreaded Amazonian, that hast slaine<br/>
The Sith-tuskd Bore; that with thy Arme as strong<br/>
As it is white, wast neere to make the male<br/>
To thy Sex captive, but that this thy Lord,<br/>
Borne to uphold Creation in that honour<br/>
First nature stilde it in, shrunke thee into<br/>
The bownd thou wast ore-flowing, at once subduing<br/>
Thy force, and thy affection: Soldiresse<br/>
That equally canst poize sternenes with pitty,<br/>
Whom now I know hast much more power on him<br/>
Then ever he had on thee, who ow'st his strength<br/>
And his Love too, who is a Servant for<br/>
The Tenour of thy Speech: Deere Glasse of Ladies,<br/>
Bid him that we, whom flaming war doth scortch,<br/>
Vnder the shaddow of his Sword may coole us:<br/>
Require him he advance it ore our heades;<br/>
Speak't in a womans key: like such a woman<br/>
As any of us three; weepe ere you faile;<br/>
Lend us a knee;<br/>
But touch the ground for us no longer time<br/>
Then a Doves motion, when the head's pluckt off:<br/>
Tell him if he i'th blood cizd field lay swolne,<br/>
Showing the Sun his Teeth, grinning at the Moone,<br/>
What you would doe.<br/>
</p>
<p>HIPPOLITA.<br/>
Poore Lady, say no more:<br/>
I had as leife trace this good action with you<br/>
As that whereto I am going, and never yet<br/>
Went I so willing way.  My Lord is taken<br/>
Hart deepe with your distresse: Let him consider:<br/>
Ile speake anon.<br/>
</p>
<p>3. QUEEN.<br/>
O my petition was  [kneele to Emilia.]<br/>
Set downe in yce, which by hot greefe uncandied<br/>
Melts into drops, so sorrow, wanting forme,<br/>
Is prest with deeper matter.<br/>
</p>
<p>EMILIA.<br/>
Pray stand up,<br/>
Your greefe is written in your cheeke.<br/>
</p>
<p>3. QUEEN.<br/>
O woe,<br/>
You cannot reade it there, there through my teares—<br/>
Like wrinckled peobles in a glassie streame<br/>
You may behold 'em.  Lady, Lady, alacke,<br/>
He that will all the Treasure know o'th earth<br/>
Must know the Center too; he that will fish<br/>
For my least minnow, let him lead his line<br/>
To catch one at my heart.  O pardon me:<br/>
Extremity, that sharpens sundry wits,<br/>
Makes me a Foole.<br/>
</p>
<p>EMILIA.<br/>
Pray you say nothing, pray you:<br/>
Who cannot feele nor see the raine, being in't,<br/>
Knowes neither wet nor dry: if that you were<br/>
The ground-peece of some Painter, I would buy you<br/>
T'instruct me gainst a Capitall greefe indeed—<br/>
Such heart peirc'd demonstration; but, alas,<br/>
Being a naturall Sifter of our Sex<br/>
Your sorrow beates so ardently upon me,<br/>
That it shall make a counter reflect gainst<br/>
My Brothers heart, and warme it to some pitty,<br/>
Though it were made of stone: pray, have good comfort.<br/>
</p>
<p>THESEUS.<br/>
Forward to'th Temple, leave not out a Iot<br/>
O'th sacred Ceremony.<br/>
</p>
<p>1. QUEEN.<br/>
O, This Celebration<br/>
Will long last, and be more costly then<br/>
Your Suppliants war: Remember that your Fame<br/>
Knowles in the eare o'th world: what you doe quickly<br/>
Is not done rashly; your first thought is more<br/>
Then others laboured meditance: your premeditating<br/>
More then their actions: But, oh Iove! your actions,<br/>
Soone as they mooves, as Asprayes doe the fish,<br/>
Subdue before they touch: thinke, deere Duke, thinke<br/>
What beds our slaine Kings have.<br/>
</p>
<p>2. QUEEN.<br/>
What greifes our beds,<br/>
That our deere Lords have none.<br/>
</p>
<p>3. QUEEN.<br/>
None fit for 'th dead:<br/>
Those that with Cordes, Knives, drams precipitance,<br/>
Weary of this worlds light, have to themselves<br/>
Beene deathes most horrid Agents, humaine grace<br/>
Affords them dust and shaddow.<br/>
</p>
<p>1. QUEEN.<br/>
But our Lords<br/>
Ly blistring fore the visitating Sunne,<br/>
And were good Kings, when living.<br/>
</p>
<p>THESEUS.<br/>
It is true, and I will give you comfort,<br/>
To give your dead Lords graves: the which to doe,<br/>
Must make some worke with Creon.<br/>
</p>
<p>1. QUEEN.<br/>
And that worke presents it selfe to'th doing:<br/>
Now twill take forme, the heates are gone to morrow.<br/>
Then, booteles toyle must recompence it selfe<br/>
With it's owne sweat; Now he's secure,<br/>
Not dreames we stand before your puissance<br/>
Wrinching our holy begging in our eyes<br/>
To make petition cleere.<br/>
</p>
<p>2. QUEEN.<br/>
Now you may take him, drunke with his victory.</p>
<p>3. QUEEN.<br/>
And his Army full of Bread, and sloth.</p>
<p>THESEUS.<br/>
Artesius, that best knowest<br/>
How to draw out fit to this enterprise<br/>
The prim'st for this proceeding, and the number<br/>
To carry such a businesse, forth and levy<br/>
Our worthiest Instruments, whilst we despatch<br/>
This grand act of our life, this daring deede<br/>
Of Fate in wedlocke.<br/>
</p>
<p>1. QUEEN.<br/>
Dowagers, take hands;<br/>
Let us be Widdowes to our woes: delay<br/>
Commends us to a famishing hope.<br/>
</p>
<p>ALL.<br/>
Farewell.</p>
<p>2. QUEEN.<br/>
We come unseasonably: But when could greefe<br/>
Cull forth, as unpanged judgement can, fit'st time<br/>
For best solicitation.<br/>
</p>
<p>THESEUS.<br/>
Why, good Ladies,<br/>
This is a service, whereto I am going,<br/>
Greater then any was; it more imports me<br/>
Then all the actions that I have foregone,<br/>
Or futurely can cope.<br/>
</p>
<p>1. QUEEN.<br/>
The more proclaiming<br/>
Our suit shall be neglected: when her Armes<br/>
Able to locke Iove from a Synod, shall<br/>
By warranting Moone-light corslet thee, oh, when<br/>
Her twyning Cherries shall their sweetnes fall<br/>
Vpon thy tastefull lips, what wilt thou thinke<br/>
Of rotten Kings or blubberd Queenes, what care<br/>
For what thou feelst not? what thou feelst being able<br/>
To make Mars spurne his Drom.  O, if thou couch<br/>
But one night with her, every howre in't will<br/>
Take hostage of thee for a hundred, and<br/>
Thou shalt remember nothing more then what<br/>
That Banket bids thee too.<br/>
</p>
<p>HIPPOLITA.<br/>
Though much unlike  [Kneeling.]<br/>
You should be so transported, as much sorry<br/>
I should be such a Suitour; yet I thinke,<br/>
Did I not by th'abstayning of my joy,<br/>
Which breeds a deeper longing, cure their surfeit<br/>
That craves a present medcine, I should plucke<br/>
All Ladies scandall on me.  Therefore, Sir,<br/>
As I shall here make tryall of my prayres,<br/>
Either presuming them to have some force,<br/>
Or sentencing for ay their vigour dombe:<br/>
Prorogue this busines we are going about, and hang<br/>
Your Sheild afore your Heart, about that necke<br/>
Which is my ffee, and which I freely lend<br/>
To doe these poore Queenes service.<br/>
</p>
<p>ALL QUEENS.<br/>
Oh helpe now,<br/>
Our Cause cries for your knee.<br/>
</p>
<p>EMILIA.<br/>
If you grant not  [Kneeling.]<br/>
My Sister her petition in that force,<br/>
With that Celerity and nature, which<br/>
Shee makes it in, from henceforth ile not dare<br/>
To aske you any thing, nor be so hardy<br/>
Ever to take a Husband.<br/>
</p>
<p>THESEUS.<br/>
Pray stand up.<br/>
I am entreating of my selfe to doe<br/>
That which you kneele to have me.  Pyrithous,<br/>
Leade on the Bride; get you and pray the Gods<br/>
For successe, and returne; omit not any thing<br/>
In the pretended Celebration.  Queenes,<br/>
Follow your Soldier.  As before, hence you  [to Artesius]<br/>
And at the banckes of Aulis meete us with<br/>
The forces you can raise, where we shall finde<br/>
The moytie of a number, for a busines<br/>
More bigger look't.  Since that our Theame is haste,<br/>
I stamp this kisse upon thy currant lippe;<br/>
Sweete, keepe it as my Token.  Set you forward,<br/>
For I will see you gone.  [Exeunt towards the Temple.]<br/>
Farewell, my beauteous Sister: Pyrithous,<br/>
Keepe the feast full, bate not an howre on't.<br/>
</p>
<p>PERITHOUS.<br/>
Sir,<br/>
Ile follow you at heeles; The Feasts solempnity<br/>
Shall want till your returne.<br/>
</p>
<p>THESEUS.<br/>
Cosen, I charge you<br/>
Boudge not from Athens; We shall be returning<br/>
Ere you can end this Feast, of which, I pray you,<br/>
Make no abatement; once more, farewell all.<br/>
</p>
<p>1. QUEEN.<br/>
Thus do'st thou still make good the tongue o'th world.</p>
<p>2. QUEEN.<br/>
And earnst a Deity equal with Mars.</p>
<p>3. QUEEN.<br/>
If not above him, for<br/>
Thou being but mortall makest affections bend<br/>
To Godlike honours; they themselves, some say,<br/>
Grone under such a Mastry.<br/>
</p>
<p>THESEUS.<br/>
As we are men,<br/>
Thus should we doe; being sensually subdude,<br/>
We loose our humane tytle.  Good cheere, Ladies.  [Florish.]<br/>
Now turne we towards your Comforts.  [Exeunt.]<br/>
</p>
<h4><b>SCENE 2.  (Thebs).</b></h4>
<p>[Enter Palamon, and Arcite.]</p>
<p>ARCITE.<br/>
Deere Palamon, deerer in love then Blood<br/>
And our prime Cosen, yet unhardned in<br/>
The Crimes of nature; Let us leave the Citty<br/>
Thebs, and the temptings in't, before we further<br/>
Sully our glosse of youth:<br/>
And here to keepe in abstinence we shame<br/>
As in Incontinence; for not to swim<br/>
I'th aide o'th Current were almost to sincke,<br/>
At least to frustrate striving, and to follow<br/>
The common Streame, twold bring us to an Edy<br/>
Where we should turne or drowne; if labour through,<br/>
Our gaine but life, and weakenes.<br/>
</p>
<p>PALAMON.<br/>
Your advice<br/>
Is cride up with example: what strange ruins<br/>
Since first we went to Schoole, may we perceive<br/>
Walking in Thebs?  Skars, and bare weedes<br/>
The gaine o'th Martialist, who did propound<br/>
To his bold ends honour, and golden Ingots,<br/>
Which though he won, he had not, and now flurted<br/>
By peace for whom he fought: who then shall offer<br/>
To Marsis so scornd Altar? I doe bleede<br/>
When such I meete, and wish great Iuno would<br/>
Resume her ancient fit of Ielouzie<br/>
To get the Soldier worke, that peace might purge<br/>
For her repletion, and retaine anew<br/>
Her charitable heart now hard, and harsher<br/>
Then strife or war could be.<br/>
</p>
<p>ARCITE.<br/>
Are you not out?<br/>
Meete you no ruine but the Soldier in<br/>
The Cranckes and turnes of Thebs? you did begin<br/>
As if you met decaies of many kindes:<br/>
Perceive you none, that doe arowse your pitty<br/>
But th'un-considerd Soldier?<br/>
</p>
<p>PALAMON.<br/>
Yes, I pitty<br/>
Decaies where ere I finde them, but such most<br/>
That, sweating in an honourable Toyle,<br/>
Are paide with yce to coole 'em.<br/>
</p>
<p>ARCITE.<br/>
Tis not this<br/>
I did begin to speake of: This is vertue<br/>
Of no respect in Thebs; I spake of Thebs<br/>
How dangerous if we will keepe our Honours,<br/>
It is for our resyding, where every evill<br/>
Hath a good cullor; where eve'ry seeming good's<br/>
A certaine evill, where not to be ev'n Iumpe<br/>
As they are, here were to be strangers, and<br/>
Such things to be, meere Monsters.<br/>
</p>
<p>PALAMON.<br/>
Tis in our power,<br/>
(Vnlesse we feare that Apes can Tutor's) to<br/>
Be Masters of our manners: what neede I<br/>
Affect anothers gate, which is not catching<br/>
Where there is faith, or to be fond upon<br/>
Anothers way of speech, when by mine owne<br/>
I may be reasonably conceiv'd; sav'd too,<br/>
Speaking it truly? why am I bound<br/>
By any generous bond to follow him<br/>
Followes his Taylor, haply so long untill<br/>
The follow'd make pursuit? or let me know,<br/>
Why mine owne Barber is unblest, with him<br/>
My poore Chinne too, for tis not Cizard iust<br/>
To such a Favorites glasse: What Cannon is there<br/>
That does command my Rapier from my hip<br/>
To dangle't in my hand, or to go tip toe<br/>
Before the streete be foule?  Either I am<br/>
The fore-horse in the Teame, or I am none<br/>
That draw i'th sequent trace: these poore sleight sores<br/>
Neede not a plantin; That which rips my bosome<br/>
Almost to'th heart's—<br/>
</p>
<p>ARCITE.<br/>
Our Vncle Creon.</p>
<p>PALAMON.<br/>
He,<br/>
A most unbounded Tyrant, whose successes<br/>
Makes heaven unfeard, and villany assured<br/>
Beyond its power there's nothing, almost puts<br/>
Faith in a feavour, and deifies alone<br/>
Voluble chance; who onely attributes<br/>
The faculties of other Instruments<br/>
To his owne Nerves and act; Commands men service,<br/>
And what they winne in't, boot and glory; on(e)<br/>
That feares not to do harm; good, dares not; Let<br/>
The blood of mine that's sibbe to him be suckt<br/>
From me with Leeches; Let them breake and fall<br/>
Off me with that corruption.<br/>
</p>
<p>ARCITE.<br/>
Cleere spirited Cozen,<br/>
Lets leave his Court, that we may nothing share<br/>
Of his lowd infamy: for our milke<br/>
Will relish of the pasture, and we must<br/>
Be vile or disobedient, not his kinesmen<br/>
In blood, unlesse in quality.<br/>
</p>
<p>PALAMON.<br/>
Nothing truer:<br/>
I thinke the Ecchoes of his shames have dea'ft<br/>
The eares of heav'nly Iustice: widdows cryes<br/>
Descend againe into their throates, and have not<br/>
</p>
<p>[enter Valerius.]</p>
<p>Due audience of the Gods.—Valerius!</p>
<p>VALERIUS.<br/>
The King cals for you; yet be leaden footed,<br/>
Till his great rage be off him.  Phebus, when<br/>
He broke his whipstocke and exclaimd against<br/>
The Horses of the Sun, but whisperd too<br/>
The lowdenesse of his Fury.<br/>
</p>
<p>PALAMON.<br/>
Small windes shake him:<br/>
But whats the matter?<br/>
</p>
<p>VALERIUS.<br/>
Theseus (who where he threates appals,) hath sent<br/>
Deadly defyance to him, and pronounces<br/>
Ruine to Thebs; who is at hand to seale<br/>
The promise of his wrath.<br/>
</p>
<p>ARCITE.<br/>
Let him approach;<br/>
But that we feare the Gods in him, he brings not<br/>
A jot of terrour to us; Yet what man<br/>
Thirds his owne worth (the case is each of ours)<br/>
When that his actions dregd with minde assurd<br/>
Tis bad he goes about?<br/>
</p>
<p>PALAMON.<br/>
Leave that unreasond.<br/>
Our services stand now for Thebs, not Creon,<br/>
Yet to be neutrall to him were dishonour;<br/>
Rebellious to oppose: therefore we must<br/>
With him stand to the mercy of our Fate,<br/>
Who hath bounded our last minute.<br/>
</p>
<p>ARCITE.<br/>
So we must.<br/>
Ist sed this warres a foote? or it shall be,<br/>
On faile of some condition?<br/>
</p>
<p>VALERIUS.<br/>
Tis in motion<br/>
The intelligence of state came in the instant<br/>
With the defier.<br/>
</p>
<p>PALAMON.<br/>
Lets to the king, who, were he<br/>
A quarter carrier of that honour which<br/>
His Enemy come in, the blood we venture<br/>
Should be as for our health, which were not spent,<br/>
Rather laide out for purchase: but, alas,<br/>
Our hands advanc'd before our hearts, what will<br/>
The fall o'th stroke doe damage?<br/>
</p>
<p>ARCITE.<br/>
Let th'event,<br/>
That never erring Arbitratour, tell us<br/>
When we know all our selves, and let us follow<br/>
The becking of our chance.  [Exeunt.]<br/>
</p>
<h4><b>SCENE 3.  (Before the gates of Athens.)</b></h4>
<p>[Enter Pirithous, Hipolita, Emilia.]</p>
<p>PERITHOUS.<br/>
No further.</p>
<p>HIPPOLITA.<br/>
Sir, farewell; repeat my wishes<br/>
To our great Lord, of whose succes I dare not<br/>
Make any timerous question; yet I wish him<br/>
Exces and overflow of power, and't might be,<br/>
To dure ill-dealing fortune: speede to him,<br/>
Store never hurtes good Gouernours.<br/>
</p>
<p>PERITHOUS.<br/>
Though I know<br/>
His Ocean needes not my poore drops, yet they<br/>
Must yeild their tribute there.  My precious Maide,<br/>
Those best affections, that the heavens infuse<br/>
In their best temperd peices, keepe enthroand<br/>
In your deare heart.<br/>
</p>
<p>EMILIA.<br/>
Thanckes, Sir.  Remember me<br/>
To our all royall Brother, for whose speede<br/>
The great Bellona ile sollicite; and<br/>
Since in our terrene State petitions are not<br/>
Without giftes understood, Ile offer to her<br/>
What I shall be advised she likes: our hearts<br/>
Are in his Army, in his Tent.<br/>
</p>
<p>HIPPOLITA.<br/>
In's bosome:<br/>
We have bin Soldiers, and wee cannot weepe<br/>
When our Friends don their helmes, or put to sea,<br/>
Or tell of Babes broachd on the Launce, or women<br/>
That have sod their Infants in (and after eate them)<br/>
The brine, they wept at killing 'em; Then if<br/>
You stay to see of us such Spincsters, we<br/>
Should hold you here for ever.<br/>
</p>
<p>PERITHOUS.<br/>
Peace be to you,<br/>
As I pursue this war, which shall be then<br/>
Beyond further requiring.  [Exit Pir.]<br/>
</p>
<p>EMILIA.<br/>
How his longing<br/>
Followes his Friend! since his depart, his sportes<br/>
Though craving seriousnes, and skill, past slightly<br/>
His careles execution, where nor gaine<br/>
Made him regard, or losse consider; but<br/>
Playing one busines in his hand, another<br/>
Directing in his head, his minde, nurse equall<br/>
To these so diffring Twyns—have you observ'd him,<br/>
Since our great Lord departed?<br/>
</p>
<p>HIPPOLITA.<br/>
With much labour,<br/>
And I did love him fort: they two have Cabind<br/>
In many as dangerous, as poore a Corner,<br/>
Perill and want contending; they have skift<br/>
Torrents whose roring tyranny and power<br/>
I'th least of these was dreadfull, and they have<br/>
Fought out together, where Deaths-selfe was lodgd,<br/>
Yet fate hath brought them off: Their knot of love,<br/>
Tide, weau'd, intangled, with so true, so long,<br/>
And with a finger of so deepe a cunning,<br/>
May be outworne, never undone.  I thinke<br/>
Theseus cannot be umpire to himselfe,<br/>
Cleaving his conscience into twaine and doing<br/>
Each side like Iustice, which he loves best.<br/>
</p>
<p>EMILIA.<br/>
Doubtlesse<br/>
There is a best, and reason has no manners<br/>
To say it is not you: I was acquainted<br/>
Once with a time, when I enjoyd a Play-fellow;<br/>
You were at wars, when she the grave enrichd,<br/>
Who made too proud the Bed, tooke leave o th Moone<br/>
(Which then lookt pale at parting) when our count<br/>
Was each eleven.<br/>
</p>
<p>HIPPOLITA.<br/>
Twas Flaui(n)a.</p>
<p>EMILIA.<br/>
Yes.<br/>
You talke of Pirithous and Theseus love;<br/>
Theirs has more ground, is more maturely seasond,<br/>
More buckled with strong Iudgement and their needes<br/>
The one of th'other may be said to water  [2. Hearses ready<br/>
with Palamon: and Arcite: the 3. Queenes.  Theseus: and his<br/>
Lordes ready.]<br/>
Their intertangled rootes of love; but I<br/>
And shee I sigh and spoke of were things innocent,<br/>
Lou'd for we did, and like the Elements<br/>
That know not what, nor why, yet doe effect<br/>
Rare issues by their operance, our soules<br/>
Did so to one another; what she lik'd,<br/>
Was then of me approov'd, what not, condemd,<br/>
No more arraignment; the flowre that I would plucke<br/>
And put betweene my breasts (then but beginning<br/>
To swell about the blossome) oh, she would long<br/>
Till shee had such another, and commit it<br/>
To the like innocent Cradle, where Phenix like<br/>
They dide in perfume: on my head no toy<br/>
But was her patterne; her affections (pretty,<br/>
Though, happely, her careles were) I followed<br/>
For my most serious decking; had mine eare<br/>
Stolne some new aire, or at adventure humd on<br/>
From musicall Coynadge, why it was a note<br/>
Whereon her spirits would sojourne (rather dwell on)<br/>
And sing it in her slumbers.  This rehearsall<br/>
(Which ev'ry innocent wots well comes in<br/>
Like old importments bastard) has this end,<br/>
That the true love tweene Mayde, and mayde, may be<br/>
More then in sex idividuall.<br/>
</p>
<p>HIPPOLITA.<br/>
Y'are out of breath<br/>
And this high speeded pace, is but to say<br/>
That you shall never like the Maide Flavina<br/>
Love any that's calld Man.<br/>
</p>
<p>EMILIA.<br/>
I am sure I shall not.</p>
<p>HIPPOLITA.<br/>
Now, alacke, weake Sister,<br/>
I must no more beleeve thee in this point<br/>
(Though in't I know thou dost beleeve thy selfe,)<br/>
Then I will trust a sickely appetite,<br/>
That loathes even as it longs; but, sure, my Sister,<br/>
If I were ripe for your perswasion, you<br/>
Have saide enough to shake me from the Arme<br/>
Of the all noble Theseus, for whose fortunes<br/>
I will now in, and kneele with great assurance,<br/>
That we, more then his Pirothous, possesse<br/>
The high throne in his heart.<br/>
</p>
<p>EMILIA.<br/>
I am not<br/>
Against your faith; yet I continew mine.  [Exeunt. Cornets.]<br/>
</p>
<h4><b>SCENE 4.  (A field before Thebes.  Dead bodies lying on the
ground.)</b></h4>
<p>[A Battaile strooke within: Then a Retrait: Florish.  Then<br/>
Enter Theseus (victor), (Herald and Attendants:) the three<br/>
Queenes meete him, and fall on their faces before him.]<br/>
</p>
<p>1. QUEEN.<br/>
To thee no starre be darke.</p>
<p>2. QUEEN.<br/>
Both heaven and earth<br/>
Friend thee for ever.<br/>
</p>
<p>3. QUEEN.<br/>
All the good that may<br/>
Be wishd upon thy head, I cry Amen too't.<br/>
</p>
<p>THESEUS.<br/>
Th'imparciall Gods, who from the mounted heavens<br/>
View us their mortall Heard, behold who erre,<br/>
And in their time chastice: goe and finde out<br/>
The bones of your dead Lords, and honour them<br/>
With treble Ceremonie; rather then a gap<br/>
Should be in their deere rights, we would supply't.<br/>
But those we will depute, which shall invest<br/>
You in your dignities, and even each thing<br/>
Our hast does leave imperfect: So, adiew,<br/>
And heavens good eyes looke on you.  What are those?  [Exeunt<br/>
Queenes.]<br/>
</p>
<p>HERALD.<br/>
Men of great quality, as may be judgd<br/>
By their appointment; Sone of Thebs have told's<br/>
They are Sisters children, Nephewes to the King.<br/>
</p>
<p>THESEUS.<br/>
By'th Helme of Mars, I saw them in the war,<br/>
Like to a paire of Lions, smeard with prey,<br/>
Make lanes in troopes agast.  I fixt my note<br/>
Constantly on them; for they were a marke<br/>
Worth a god's view: what prisoner was't that told me<br/>
When I enquired their names?<br/>
</p>
<p>HERALD.<br/>
Wi'leave, they'r called Arcite and Palamon.</p>
<p>THESEUS.<br/>
Tis right: those, those.  They are not dead?</p>
<p>HERALD.<br/>
Nor in a state of life: had they bin taken,<br/>
When their last hurts were given, twas possible  [3. Hearses<br/>
ready.]<br/>
They might have bin recovered; Yet they breathe<br/>
And haue the name of men.<br/>
</p>
<p>THESEUS.<br/>
Then like men use 'em.<br/>
The very lees of such (millions of rates)<br/>
Exceede the wine of others: all our Surgions<br/>
Convent in their behoofe; our richest balmes<br/>
Rather then niggard, waft: their lives concerne us<br/>
Much more then Thebs is worth: rather then have 'em<br/>
Freed of this plight, and in their morning state<br/>
(Sound and at liberty) I would 'em dead;<br/>
But forty thousand fold we had rather have 'em<br/>
Prisoners to us then death.  Beare 'em speedily<br/>
From our kinde aire, to them unkinde, and minister<br/>
What man to man may doe—for our sake more,<br/>
Since I have knowne frights, fury, friends beheastes,<br/>
Loves provocations, zeale, a mistris Taske,<br/>
Desire of liberty, a feavour, madnes,<br/>
Hath set a marke which nature could not reach too<br/>
Without some imposition: sicknes in will<br/>
Or wrastling strength in reason.  For our Love<br/>
And great Appollos mercy, all our best<br/>
Their best skill tender.  Leade into the Citty,<br/>
Where having bound things scatterd, we will post  [Florish.]<br/>
To Athens for(e) our Army  [Exeunt.  Musicke.]<br/>
</p>
<h4><b>SCENE 5.  (Another part of the same.)</b></h4>
<p>[Enter the Queenes with the Hearses of their Knightes, in a<br/>
Funerall Solempnity, &amp;c.]<br/>
</p>
<p>Vrnes and odours bring away,<br/>
Vapours, sighes, darken the day;<br/>
Our dole more deadly lookes than dying;<br/>
Balmes, and Gummes, and heavy cheeres,<br/>
Sacred vials fill'd with teares,<br/>
And clamors through the wild ayre flying.<br/>
</p>
<p>Come all sad and solempne Showes,<br/>
That are quick-eyd pleasures foes;<br/>
We convent nought else but woes.<br/>
We convent, &amp;c.<br/>
</p>
<p>3. QUEEN.<br/>
This funeral path brings to your housholds grave:<br/>
Ioy ceaze on you againe: peace sleepe with him.<br/>
</p>
<p>2. QUEEN.<br/>
And this to yours.</p>
<p>1. QUEEN.<br/>
Yours this way: Heavens lend<br/>
A thousand differing waies to one sure end.<br/>
</p>
<p>3. QUEEN.<br/>
This world's a Citty full of straying Streetes,
And Death's the market place, where each one meetes.  [Exeunt
severally.]</p>
<h4>ACT II</h4>
<h4><b>SCENE 1.  (Athens.  A garden, with a prison in the background.)</b></h4>
<p>[Enter Iailor, and Wooer.]</p>
<p>IAILOR.<br/>
I may depart with little, while I live; some thing I may cast to
you, not much: Alas, the Prison I keepe, though it be for great
ones, yet they seldome come; Before one Salmon, you shall take a
number of Minnowes.  I am given out to be better lyn'd then it
can appeare to me report is a true Speaker: I would I were really
that I am deliverd to be.  Marry, what I have (be it what it
will)
I will assure upon my daughter at the day of my death.</p>
<p>WOOER.<br/>
Sir, I demaund no more then your owne offer, and I will estate<br/>
your<br/>
Daughter in what I have promised.<br/>
</p>
<p>IAILOR.<br/>
Wel, we will talke more of this, when the solemnity is past.  But
have you a full promise of her?  When that shall be seene, I
tender
my consent.</p>
<p>[Enter Daughter.]</p>
<p>WOOER.<br/>
I have Sir; here shee comes.</p>
<p>IAILOR.<br/>
Your Friend and I have chanced to name you here, upon the old
busines: But no more of that now; so soone as the Court hurry
is over, we will have an end of it: I'th meane time looke
tenderly to the two Prisoners.  I can tell you they are princes.</p>
<p>DAUGHTER.<br/>
These strewings are for their Chamber; tis pitty they are in
prison,
and twer pitty they should be out: I doe thinke they have
patience
to make any adversity asham'd; the prison it selfe is proud of
'em;
and they have all the world in their Chamber.</p>
<p>IAILOR.<br/>
They are fam'd to be a paire of absolute men.</p>
<p>DAUGHTER.<br/>
By my troth, I think Fame but stammers 'em; they stand a greise
above the reach of report.</p>
<p>IAILOR.<br/>
I heard them reported in the Battaile to be the only doers.</p>
<p>DAUGHTER.<br/>
Nay, most likely, for they are noble suffrers; I mervaile how
they
would have lookd had they beene Victors, that with such a
constant
Nobility enforce a freedome out of Bondage, making misery their
Mirth,
and affliction a toy to jest at.</p>
<p>IAILOR.<br/>
Doe they so?</p>
<p>DAUGHTER.<br/>
It seemes to me they have no more sence of their Captivity, then
I
of ruling Athens: they eate well, looke merrily, discourse of
many
things, but nothing of their owne restraint, and disasters: yet
sometime a devided sigh, martyrd as 'twer i'th deliverance, will
breake from one of them; when the other presently gives it so
sweete
a rebuke, that I could wish my selfe a Sigh to be so chid, or at
least a Sigher to be comforted.</p>
<p>WOOER.<br/>
I never saw 'em.</p>
<p>IAILOR.<br/>
The Duke himselfe came privately in the night,</p>
<p>[Enter Palamon, and Arcite, above.]</p>
<p>and so did they: what the reason of it is, I know not: Looke,
yonder
they are! that's Arcite lookes out.</p>
<p>DAUGHTER.<br/>
No, Sir, no, that's Palamon: Arcite is the lower of the twaine;
you
may perceive a part of him.</p>
<p>IAILOR.<br/>
Goe too, leave your pointing; they would not make us their
object;
out of their sight.</p>
<p>DAUGHTER.<br/>
It is a holliday to looke on them: Lord, the diffrence of men!<br/>
[Exeunt.]<br/>
</p>
<h4><b>SCENE 2.  (The prison)</b></h4>
<p>[Enter Palamon, and Arcite in prison.]</p>
<p>PALAMON.<br/>
How doe you, Noble Cosen?</p>
<p>ARCITE.<br/>
How doe you, Sir?</p>
<p>PALAMON.<br/>
Why strong inough to laugh at misery,<br/>
And beare the chance of warre, yet we are prisoners,<br/>
I feare, for ever, Cosen.<br/>
</p>
<p>ARCITE.<br/>
I beleeve it,<br/>
And to that destiny have patiently<br/>
Laide up my houre to come.<br/>
</p>
<p>PALAMON.<br/>
O Cosen Arcite,<br/>
Where is Thebs now? where is our noble Country?<br/>
Where are our friends, and kindreds? never more<br/>
Must we behold those comforts, never see<br/>
The hardy youthes strive for the Games of honour<br/>
(Hung with the painted favours of their Ladies,<br/>
Like tall Ships under saile) then start among'st 'em<br/>
And as an Eastwind leave 'en all behinde us,<br/>
Like lazy Clowdes, whilst Palamon and Arcite,<br/>
Even in the wagging of a wanton leg<br/>
Out-stript the peoples praises, won the Garlands,<br/>
Ere they have time to wish 'em ours.  O never<br/>
Shall we two exercise, like Twyns of honour,<br/>
Our Armes againe, and feele our fyry horses<br/>
Like proud Seas under us: our good Swords now<br/>
(Better the red-eyd god of war nev'r wore)<br/>
Ravishd our sides, like age must run to rust,<br/>
And decke the Temples of those gods that hate us:<br/>
These hands shall never draw'em out like lightning,<br/>
To blast whole Armies more.<br/>
</p>
<p>ARCITE.<br/>
No, Palamon,<br/>
Those hopes are Prisoners with us; here we are<br/>
And here the graces of our youthes must wither<br/>
Like a too-timely Spring; here age must finde us,<br/>
And, which is heaviest, Palamon, unmarried;<br/>
The sweete embraces of a loving wife,<br/>
Loden with kisses, armd with thousand Cupids<br/>
Shall never claspe our neckes, no issue know us,<br/>
No figures of our selves shall we ev'r see,<br/>
To glad our age, and like young Eagles teach 'em<br/>
Boldly to gaze against bright armes, and say:<br/>
'Remember what your fathers were, and conquer.'<br/>
The faire-eyd Maides, shall weepe our Banishments,<br/>
And in their Songs, curse ever-blinded fortune,<br/>
Till shee for shame see what a wrong she has done<br/>
To youth and nature.  This is all our world;<br/>
We shall know nothing here but one another,<br/>
Heare nothing but the Clocke that tels our woes.<br/>
The Vine shall grow, but we shall never see it:<br/>
Sommer shall come, and with her all delights;<br/>
But dead-cold winter must inhabite here still.<br/>
</p>
<p>PALAMON.<br/>
Tis too true, Arcite.  To our Theban houndes,<br/>
That shooke the aged Forrest with their ecchoes,<br/>
No more now must we halloa, no more shake<br/>
Our pointed Iavelyns, whilst the angry Swine<br/>
Flyes like a parthian quiver from our rages,<br/>
Strucke with our well-steeld Darts: All valiant uses<br/>
(The foode, and nourishment of noble mindes,)<br/>
In us two here shall perish; we shall die<br/>
(Which is the curse of honour) lastly<br/>
Children of greife, and Ignorance.<br/>
</p>
<p>ARCITE.<br/>
Yet, Cosen,<br/>
Even from the bottom of these miseries,<br/>
From all that fortune can inflict upon us,<br/>
I see two comforts rysing, two meere blessings,<br/>
If the gods please: to hold here a brave patience,<br/>
And the enjoying of our greefes together.<br/>
Whilst Palamon is with me, let me perish<br/>
If I thinke this our prison.<br/>
</p>
<p>PALAMON.<br/>
Certeinly,<br/>
Tis a maine goodnes, Cosen, that our fortunes<br/>
Were twyn'd together; tis most true, two soules<br/>
Put in two noble Bodies—let 'em suffer<br/>
The gaule of hazard, so they grow together—<br/>
Will never sincke; they must not, say they could:<br/>
A willing man dies sleeping, and all's done.<br/>
</p>
<p>ARCITE.<br/>
Shall we make worthy uses of this place<br/>
That all men hate so much?<br/>
</p>
<p>PALAMON.<br/>
How, gentle Cosen?</p>
<p>ARCITE.<br/>
Let's thinke this prison holy sanctuary,<br/>
To keepe us from corruption of worse men.<br/>
We are young and yet desire the waies of honour,<br/>
That liberty and common Conversation,<br/>
The poyson of pure spirits, might like women<br/>
Wooe us to wander from.  What worthy blessing<br/>
Can be but our Imaginations<br/>
May make it ours?  And heere being thus together,<br/>
We are an endles mine to one another;<br/>
We are one anothers wife, ever begetting<br/>
New birthes of love; we are father, friends, acquaintance;<br/>
We are, in one another, Families,<br/>
I am your heire, and you are mine: This place<br/>
Is our Inheritance, no hard Oppressour<br/>
Dare take this from us; here, with a little patience,<br/>
We shall live long, and loving: No surfeits seeke us:<br/>
The hand of war hurts none here, nor the Seas<br/>
Swallow their youth: were we at liberty,<br/>
A wife might part us lawfully, or busines;<br/>
Quarrels consume us, Envy of ill men<br/>
Grave our acquaintance; I might sicken, Cosen,<br/>
Where you should never know it, and so perish<br/>
Without your noble hand to close mine eies,<br/>
Or praiers to the gods: a thousand chaunces,<br/>
Were we from hence, would seaver us.<br/>
</p>
<p>PALAMON.<br/>
You have made me<br/>
(I thanke you, Cosen Arcite) almost wanton<br/>
With my Captivity: what a misery<br/>
It is to live abroade, and every where!<br/>
Tis like a Beast, me thinkes: I finde the Court here—<br/>
I am sure, a more content; and all those pleasures<br/>
That wooe the wils of men to vanity,<br/>
I see through now, and am sufficient<br/>
To tell the world, tis but a gaudy shaddow,<br/>
That old Time, as he passes by, takes with him.<br/>
What had we bin, old in the Court of Creon,<br/>
Where sin is Iustice, lust and ignorance<br/>
The vertues of the great ones! Cosen Arcite,<br/>
Had not the loving gods found this place for us,<br/>
We had died as they doe, ill old men, unwept,<br/>
And had their Epitaphes, the peoples Curses:<br/>
Shall I say more?<br/>
</p>
<p>ARCITE.<br/>
I would heare you still.</p>
<p>PALAMON.<br/>
Ye shall.<br/>
Is there record of any two that lov'd<br/>
Better then we doe, Arcite?<br/>
</p>
<p>ARCITE.<br/>
Sure, there cannot.</p>
<p>PALAMON.<br/>
I doe not thinke it possible our friendship<br/>
Should ever leave us.<br/>
</p>
<p>ARCITE.<br/>
Till our deathes it cannot;</p>
<p>[Enter Emilia and her woman (below).]</p>
<p>And after death our spirits shall be led<br/>
To those that love eternally.  Speake on, Sir.<br/>
</p>
<p>EMILIA.<br/>
This garden has a world of pleasures in't.<br/>
What Flowre is this?<br/>
</p>
<p>WOMAN.<br/>
Tis calld Narcissus, Madam.</p>
<p>EMILIA.<br/>
That was a faire Boy, certaine, but a foole,<br/>
To love himselfe; were there not maides enough?<br/>
</p>
<p>ARCITE.<br/>
Pray forward.</p>
<p>PALAMON.<br/>
Yes.</p>
<p>EMILIA.<br/>
Or were they all hard hearted?</p>
<p>WOMAN.<br/>
They could not be to one so faire.</p>
<p>EMILIA.<br/>
Thou wouldst not.</p>
<p>WOMAN.<br/>
I thinke I should not, Madam.</p>
<p>EMILIA.<br/>
That's a good wench:<br/>
But take heede to your kindnes though.<br/>
</p>
<p>WOMAN.<br/>
Why, Madam?</p>
<p>EMILIA.<br/>
Men are mad things.</p>
<p>ARCITE.<br/>
Will ye goe forward, Cosen?</p>
<p>EMILIA.<br/>
Canst not thou worke such flowers in silke, wench?</p>
<p>WOMAN.<br/>
Yes.</p>
<p>EMILIA.<br/>
Ile have a gowne full of 'em, and of these;<br/>
This is a pretty colour, wilt not doe<br/>
Rarely upon a Skirt, wench?<br/>
</p>
<p>WOMAN.<br/>
Deinty, Madam.</p>
<p>ARCITE.<br/>
Cosen, Cosen, how doe you, Sir?  Why, Palamon?</p>
<p>PALAMON.<br/>
Never till now I was in prison, Arcite.</p>
<p>ARCITE.<br/>
Why whats the matter, Man?</p>
<p>PALAMON.<br/>
Behold, and wonder.<br/>
By heaven, shee is a Goddesse.<br/>
</p>
<p>ARCITE.<br/>
Ha.</p>
<p>PALAMON.<br/>
Doe reverence.  She is a Goddesse, Arcite.</p>
<p>EMILIA.<br/>
Of all Flowres, me thinkes a Rose is best.</p>
<p>WOMAN.<br/>
Why, gentle Madam?</p>
<p>EMILIA.<br/>
It is the very Embleme of a Maide.<br/>
For when the west wind courts her gently,<br/>
How modestly she blowes, and paints the Sun,<br/>
With her chaste blushes!  When the North comes neere her,<br/>
Rude and impatient, then, like Chastity,<br/>
Shee lockes her beauties in her bud againe,<br/>
And leaves him to base briers.<br/>
</p>
<p>WOMAN.<br/>
Yet, good Madam,<br/>
Sometimes her modesty will blow so far<br/>
She fals for't: a Mayde,<br/>
If shee have any honour, would be loth<br/>
To take example by her.<br/>
</p>
<p>EMILIA.<br/>
Thou art wanton.</p>
<p>ARCITE.<br/>
She is wondrous faire.</p>
<p>PALAMON.<br/>
She is beauty extant.</p>
<p>EMILIA.<br/>
The Sun grows high, lets walk in: keep these flowers;<br/>
Weele see how neere Art can come neere their colours.<br/>
I am wondrous merry hearted, I could laugh now.<br/>
</p>
<p>WOMAN.<br/>
I could lie downe, I am sure.</p>
<p>EMILIA.<br/>
And take one with you?</p>
<p>WOMAN.<br/>
That's as we bargaine, Madam.</p>
<p>EMILIA.<br/>
Well, agree then.  [Exeunt Emilia and woman.]</p>
<p>PALAMON.<br/>
What thinke you of this beauty?</p>
<p>ARCITE.<br/>
Tis a rare one.</p>
<p>PALAMON.<br/>
Is't but a rare one?</p>
<p>ARCITE.<br/>
Yes, a matchles beauty.</p>
<p>PALAMON.<br/>
Might not a man well lose himselfe and love her?</p>
<p>ARCITE.<br/>
I cannot tell what you have done, I have;<br/>
Beshrew mine eyes for't: now I feele my Shackles.<br/>
</p>
<p>PALAMON.<br/>
You love her, then?</p>
<p>ARCITE.<br/>
Who would not?</p>
<p>PALAMON.<br/>
And desire her?</p>
<p>ARCITE.<br/>
Before my liberty.</p>
<p>PALAMON.<br/>
I saw her first.</p>
<p>ARCITE.<br/>
That's nothing.</p>
<p>PALAMON.<br/>
But it shall be.</p>
<p>ARCITE.<br/>
I saw her too.</p>
<p>PALAMON.<br/>
Yes, but you must not love her.</p>
<p>ARCITE.<br/>
I will not as you doe, to worship her,<br/>
As she is heavenly, and a blessed Goddes;<br/>
I love her as a woman, to enjoy her:<br/>
So both may love.<br/>
</p>
<p>PALAMON.<br/>
You shall not love at all.</p>
<p>ARCITE.<br/>
Not love at all!<br/>
Who shall deny me?<br/>
</p>
<p>PALAMON.<br/>
I, that first saw her; I, that tooke possession<br/>
First with mine eyes of all those beauties<br/>
In her reveald to mankinde: if thou lou'st her,<br/>
Or entertain'st a hope to blast my wishes,<br/>
Thou art a Traytour, Arcite, and a fellow<br/>
False as thy Title to her: friendship, blood,<br/>
And all the tyes betweene us I disclaime,<br/>
If thou once thinke upon her.<br/>
</p>
<p>ARCITE.<br/>
Yes, I love her,<br/>
And if the lives of all my name lay on it,<br/>
I must doe so; I love her with my soule:<br/>
If that will lose ye, farewell, Palamon;<br/>
I say againe, I love, and in loving her maintaine<br/>
I am as worthy and as free a lover,<br/>
And have as just a title to her beauty<br/>
As any Palamon or any living<br/>
That is a mans Sonne.<br/>
</p>
<p>PALAMON.<br/>
Have I cald thee friend?</p>
<p>ARCITE.<br/>
Yes, and have found me so; why are you mov'd thus?<br/>
Let me deale coldly with you: am not I<br/>
Part of your blood, part of your soule? you have told me<br/>
That I was Palamon, and you were Arcite.<br/>
</p>
<p>PALAMON.<br/>
Yes.</p>
<p>ARCITE.<br/>
Am not I liable to those affections,<br/>
Those joyes, greifes, angers, feares, my friend shall suffer?<br/>
</p>
<p>PALAMON.<br/>
Ye may be.</p>
<p>ARCITE.<br/>
Why, then, would you deale so cunningly,<br/>
So strangely, so vnlike a noble kinesman,<br/>
To love alone? speake truely: doe you thinke me<br/>
Vnworthy of her sight?<br/>
</p>
<p>PALAMON.<br/>
No; but unjust,<br/>
If thou pursue that sight.<br/>
</p>
<p>ARCITE.<br/>
Because an other<br/>
First sees the Enemy, shall I stand still<br/>
And let mine honour downe, and never charge?<br/>
</p>
<p>PALAMON.<br/>
Yes, if he be but one.</p>
<p>ARCITE.<br/>
But say that one<br/>
Had rather combat me?<br/>
</p>
<p>PALAMON.<br/>
Let that one say so,<br/>
And use thy freedome; els if thou pursuest her,<br/>
Be as that cursed man that hates his Country,<br/>
A branded villaine.<br/>
</p>
<p>ARCITE.<br/>
You are mad.</p>
<p>PALAMON.<br/>
I must be,<br/>
Till thou art worthy, Arcite; it concernes me,<br/>
And in this madnes, if I hazard thee<br/>
And take thy life, I deale but truely.<br/>
</p>
<p>ARCITE.<br/>
Fie, Sir,<br/>
You play the Childe extreamely: I will love her,<br/>
I must, I ought to doe so, and I dare;<br/>
And all this justly.<br/>
</p>
<p>PALAMON.<br/>
O that now, that now<br/>
Thy false-selfe and thy friend had but this fortune,<br/>
To be one howre at liberty, and graspe<br/>
Our good Swords in our hands! I would quickly teach thee<br/>
What 'twer to filch affection from another:<br/>
Thou art baser in it then a Cutpurse;<br/>
Put but thy head out of this window more,<br/>
And as I have a soule, Ile naile thy life too't.<br/>
</p>
<p>ARCITE.<br/>
Thou dar'st not, foole, thou canst not, thou art feeble.<br/>
Put my head out?  Ile throw my Body out,<br/>
And leape the garden, when I see her next<br/>
</p>
<p>[Enter Keeper.]</p>
<p>And pitch between her armes to anger thee.</p>
<p>PALAMON.<br/>
No more; the keeper's comming; I shall live<br/>
To knocke thy braines out with my Shackles.<br/>
</p>
<p>ARCITE.<br/>
Doe.</p>
<p>KEEPER.<br/>
By your leave, Gentlemen—</p>
<p>PALAMON.<br/>
Now, honest keeper?</p>
<p>KEEPER.<br/>
Lord Arcite, you must presently to'th Duke;<br/>
The cause I know not yet.<br/>
</p>
<p>ARCITE.<br/>
I am ready, keeper.</p>
<p>KEEPER.<br/>
Prince Palamon, I must awhile bereave you<br/>
Of your faire Cosens Company.  [Exeunt Arcite, and Keeper.]<br/>
</p>
<p>PALAMON.<br/>
And me too,<br/>
Even when you please, of life.  Why is he sent for?<br/>
It may be he shall marry her; he's goodly,<br/>
And like enough the Duke hath taken notice<br/>
Both of his blood and body: But his falsehood!<br/>
Why should a friend be treacherous?  If that<br/>
Get him a wife so noble, and so faire,<br/>
Let honest men ne're love againe.  Once more<br/>
I would but see this faire One.  Blessed Garden,<br/>
And fruite, and flowers more blessed, that still blossom<br/>
As her bright eies shine on ye! would I were,<br/>
For all the fortune of my life hereafter,<br/>
Yon little Tree, yon blooming Apricocke;<br/>
How I would spread, and fling my wanton armes<br/>
In at her window; I would bring her fruite<br/>
Fit for the Gods to feed on: youth and pleasure<br/>
Still as she tasted should be doubled on her,<br/>
And if she be not heavenly, I would make her<br/>
So neere the Gods in nature, they should feare her,<br/>
</p>
<p>[Enter Keeper.]</p>
<p>And then I am sure she would love me.  How now, keeper.<br/>
Wher's Arcite?<br/>
</p>
<p>KEEPER.<br/>
Banishd: Prince Pirithous<br/>
Obtained his liberty; but never more<br/>
Vpon his oth and life must he set foote<br/>
Vpon this Kingdome.<br/>
</p>
<p>PALAMON.<br/>
Hees a blessed man!<br/>
He shall see Thebs againe, and call to Armes<br/>
The bold yong men, that, when he bids 'em charge,<br/>
Fall on like fire: Arcite shall have a Fortune,<br/>
If he dare make himselfe a worthy Lover,<br/>
Yet in the Feild to strike a battle for her;<br/>
And if he lose her then, he's a cold Coward;<br/>
How bravely may he beare himselfe to win her<br/>
If he be noble Arcite—thousand waies.<br/>
Were I at liberty, I would doe things<br/>
Of such a vertuous greatnes, that this Lady,<br/>
This blushing virgine, should take manhood to her<br/>
And seeke to ravish me.<br/>
</p>
<p>KEEPER.<br/>
My Lord for you<br/>
I have this charge too—<br/>
</p>
<p>PALAMON.<br/>
To discharge my life?</p>
<p>KEEPER.<br/>
No, but from this place to remoove your Lordship:<br/>
The windowes are too open.<br/>
</p>
<p>PALAMON.<br/>
Devils take 'em,<br/>
That are so envious to me! pre'thee kill me.<br/>
</p>
<p>KEEPER.<br/>
And hang for't afterward.</p>
<p>PALAMON.<br/>
By this good light,<br/>
Had I a sword I would kill thee.<br/>
</p>
<p>KEEPER.<br/>
Why, my Lord?</p>
<p>PALAMON.<br/>
Thou bringst such pelting scuruy news continually<br/>
Thou art not worthy life.  I will not goe.<br/>
</p>
<p>KEEPER.<br/>
Indeede, you must, my Lord.</p>
<p>PALAMON.<br/>
May I see the garden?</p>
<p>KEEPER.<br/>
Noe.</p>
<p>PALAMON.<br/>
Then I am resolud, I will not goe.</p>
<p>KEEPER.<br/>
I must constraine you then: and for you are dangerous,<br/>
Ile clap more yrons on you.<br/>
</p>
<p>PALAMON.<br/>
Doe, good keeper.<br/>
Ile shake 'em so, ye shall not sleepe;<br/>
Ile make ye a new Morrisse: must I goe?<br/>
</p>
<p>KEEPER.<br/>
There is no remedy.</p>
<p>PALAMON.<br/>
Farewell, kinde window.<br/>
May rude winde never hurt thee.  O, my Lady,<br/>
If ever thou hast felt what sorrow was,<br/>
Dreame how I suffer.  Come; now bury me.  [Exeunt Palamon, and<br/>
Keeper.]<br/>
</p>
<h4><b>SCENE 3.  (The country near Athens.</b></h4>
<p>[Enter Arcite.]</p>
<p>ARCITE.<br/>
Banishd the kingdome? tis a benefit,<br/>
A mercy I must thanke 'em for, but banishd<br/>
The free enjoying of that face I die for,<br/>
Oh twas a studdied punishment, a death<br/>
Beyond Imagination: Such a vengeance<br/>
That, were I old and wicked, all my sins<br/>
Could never plucke upon me.  Palamon,<br/>
Thou ha'st the Start now, thou shalt stay and see<br/>
Her bright eyes breake each morning gainst thy window,<br/>
And let in life into thee; thou shalt feede<br/>
Vpon the sweetenes of a noble beauty,<br/>
That nature nev'r exceeded, nor nev'r shall:<br/>
Good gods! what happines has Palamon!<br/>
Twenty to one, hee'le come to speake to her,<br/>
And if she be as gentle as she's faire,<br/>
I know she's his; he has a Tongue will tame<br/>
Tempests, and make the wild Rockes wanton.<br/>
Come what can come,<br/>
The worst is death; I will not leave the Kingdome.<br/>
I know mine owne is but a heape of ruins,<br/>
And no redresse there; if I goe, he has her.<br/>
I am resolu'd an other shape shall make me,<br/>
Or end my fortunes.  Either way, I am happy:<br/>
Ile see her, and be neere her, or no more.<br/>
</p>
<p>[Enter 4. Country people, &amp; one with a garlond before them.]</p>
<p>1. COUNTREYMAN<br/>
My Masters, ile be there, that's certaine</p>
<p>2. COUNTREYMAN<br/>
And Ile be there.</p>
<p>3. COUNTREYMAN<br/>
And I.</p>
<p>4. COUNTREYMAN<br/>
Why, then, have with ye, Boyes; Tis but a chiding.<br/>
Let the plough play to day, ile tick'lt out<br/>
Of the Iades tailes to morrow.<br/>
</p>
<p>1. COUNTREYMAN<br/>
I am sure<br/>
To have my wife as jealous as a Turkey:<br/>
But that's all one; ile goe through, let her mumble.<br/>
</p>
<p>2. COUNTREYMAN<br/>
Clap her aboard to morrow night, and stoa her,<br/>
And all's made up againe.<br/>
</p>
<p>3. COUNTREYMAN<br/>
I, doe but put a feskue in her fist, and you shall see her<br/>
Take a new lesson out, and be a good wench.<br/>
Doe we all hold against the Maying?<br/>
</p>
<p>4. COUNTREYMAN<br/>
Hold? what should aile us?</p>
<p>3. COUNTREYMAN<br/>
Arcas will be there.</p>
<p>2. COUNTREYMAN<br/>
And Sennois.<br/>
And Rycas, and 3. better lads nev'r dancd<br/>
Under green Tree.  And yee know what wenches: ha?<br/>
But will the dainty Domine, the Schoolemaster,<br/>
Keep touch, doe you thinke? for he do's all, ye know.<br/>
</p>
<p>3. COUNTREYMAN<br/>
Hee'l eate a hornebooke ere he faile: goe too, the matter's too
farre driven betweene him and the Tanners daughter, to let slip
now, and she must see the Duke, and she must daunce too.</p>
<p>4. COUNTREYMAN<br/>
Shall we be lusty?</p>
<p>2. COUNTREYMAN<br/>
All the Boyes in Athens blow wind i'th breech on's, and heere ile
be and there ile be, for our Towne, and here againe, and there
againe:
ha, Boyes, heigh for the weavers.</p>
<p>1. COUNTREYMAN<br/>
This must be done i'th woods.</p>
<p>4. COUNTREYMAN<br/>
O, pardon me.</p>
<p>2. COUNTREYMAN<br/>
By any meanes, our thing of learning saies so:<br/>
Where he himselfe will edifie the Duke<br/>
Most parlously in our behalfes: hees excellent i'th woods;<br/>
Bring him to'th plaines, his learning makes no cry.<br/>
</p>
<p>3. COUNTREYMAN<br/>
Weele see the sports, then; every man to's Tackle:<br/>
And, Sweete Companions, lets rehearse by any meanes,<br/>
Before the Ladies see us, and doe sweetly,<br/>
And God knows what May come on't.<br/>
</p>
<p>4. COUNTREYMAN<br/>
Content; the sports once ended, wee'l performe.<br/>
Away, Boyes and hold.<br/>
</p>
<p>ARCITE.<br/>
By your leaves, honest friends: pray you, whither goe you?</p>
<p>4. COUNTREYMAN<br/>
Whither? why, what a question's that?</p>
<p>ARCITE.<br/>
Yes, tis a question, to me that know not.</p>
<p>3. COUNTREYMAN<br/>
To the Games, my Friend.</p>
<p>2. COUNTREYMAN<br/>
Where were you bred, you know it not?</p>
<p>ARCITE.<br/>
Not farre, Sir,<br/>
Are there such Games to day?<br/>
</p>
<p>1. COUNTREYMAN<br/>
Yes, marry, are there:<br/>
And such as you neuer saw; The Duke himselfe<br/>
Will be in person there.<br/>
</p>
<p>ARCITE.<br/>
What pastimes are they?</p>
<p>2. COUNTREYMAN<br/>
Wrastling, and Running.—Tis a pretty Fellow.</p>
<p>3. COUNTREYMAN<br/>
Thou wilt not goe along?</p>
<p>ARCITE.<br/>
Not yet, Sir.</p>
<p>4. COUNTREYMAN<br/>
Well, Sir,<br/>
Take your owne time: come, Boyes.<br/>
</p>
<p>1. COUNTREYMAN<br/>
My minde misgives me;<br/>
This fellow has a veng'ance tricke o'th hip:<br/>
Marke how his Bodi's made for't<br/>
</p>
<p>2. COUNTREYMAN<br/>
Ile be hangd, though,<br/>
If he dare venture; hang him, plumb porredge,<br/>
He wrastle? he rost eggs! Come, lets be gon, Lads.  [Exeunt.]<br/>
</p>
<p>ARCITE.<br/>
This is an offerd oportunity<br/>
I durst not wish for.  Well I could have wrestled,<br/>
The best men calld it excellent, and run—<br/>
Swifter the winde upon a feild of Corne<br/>
(Curling the wealthy eares) never flew: Ile venture,<br/>
And in some poore disguize be there; who knowes<br/>
Whether my browes may not be girt with garlands?<br/>
And happines preferre me to a place,<br/>
Where I may ever dwell in sight of her.  [Exit Arcite.]<br/>
</p>
<h4><b>SCENE 4.  (Athens.  A room in the prison.)</b></h4>
<p>[Enter Iailors Daughter alone.]</p>
<p>DAUGHTER.<br/>
Why should I love this Gentleman?  Tis odds<br/>
He never will affect me; I am base,<br/>
My Father the meane Keeper of his Prison,<br/>
And he a prince: To marry him is hopelesse;<br/>
To be his whore is witles.  Out upon't,<br/>
What pushes are we wenches driven to,<br/>
When fifteene once has found us!  First, I saw him;<br/>
I (seeing) thought he was a goodly man;<br/>
He has as much to please a woman in him,<br/>
(If he please to bestow it so) as ever<br/>
These eyes yet lookt on.  Next, I pittied him,<br/>
And so would any young wench, o' my Conscience,<br/>
That ever dream'd, or vow'd her Maydenhead<br/>
To a yong hansom Man; Then I lov'd him,<br/>
Extreamely lov'd him, infinitely lov'd him;<br/>
And yet he had a Cosen, faire as he too.<br/>
But in my heart was Palamon, and there,<br/>
Lord, what a coyle he keepes!  To heare him<br/>
Sing in an evening, what a heaven it is!<br/>
And yet his Songs are sad ones.  Fairer spoken<br/>
Was never Gentleman.  When I come in<br/>
To bring him water in a morning, first<br/>
He bowes his noble body, then salutes me, thus:<br/>
'Faire, gentle Mayde, good morrow; may thy goodnes<br/>
Get thee a happy husband.'  Once he kist me.<br/>
I lov'd my lips the better ten daies after.<br/>
Would he would doe so ev'ry day!  He greives much,<br/>
And me as much to see his misery.<br/>
What should I doe, to make him know I love him?<br/>
For I would faine enjoy him.  Say I ventur'd<br/>
To set him free? what saies the law then?  Thus much<br/>
For Law, or kindred!  I will doe it,<br/>
And this night, or to morrow, he shall love me.  [Exit.]<br/>
</p>
<h4><b>SCENE 5.  (An open place in Athens.)</b></h4>
<p>[Enter Theseus, Hipolita, Pirithous, Emilia: Arcite with a<br/>
Garland, &amp;c.]<br/>
</p>
<p>[This short florish of Cornets and Showtes within.]</p>
<p>THESEUS.<br/>
You have done worthily; I have not seene,<br/>
Since Hercules, a man of tougher synewes;<br/>
What ere you are, you run the best, and wrastle,<br/>
That these times can allow.<br/>
</p>
<p>ARCITE.<br/>
I am proud to please you.</p>
<p>THESEUS.<br/>
What Countrie bred you?</p>
<p>ARCITE.<br/>
This; but far off, Prince.</p>
<p>THESEUS.<br/>
Are you a Gentleman?</p>
<p>ARCITE.<br/>
My father said so;<br/>
And to those gentle uses gave me life.<br/>
</p>
<p>THESEUS.<br/>
Are you his heire?</p>
<p>ARCITE.<br/>
His yongest, Sir.</p>
<p>THESEUS.<br/>
Your Father<br/>
Sure is a happy Sire then: what prooves you?<br/>
</p>
<p>ARCITE.<br/>
A little of all noble Quallities:<br/>
I could have kept a Hawke, and well have holloa'd<br/>
To a deepe crie of Dogges; I dare not praise<br/>
My feat in horsemanship, yet they that knew me<br/>
Would say it was my best peece: last, and greatest,<br/>
I would be thought a Souldier.<br/>
</p>
<p>THESEUS.<br/>
You are perfect.</p>
<p>PERITHOUS.<br/>
Vpon my soule, a proper man.</p>
<p>EMILIA.<br/>
He is so.</p>
<p>PERITHOUS.<br/>
How doe you like him, Ladie?</p>
<p>HIPPOLITA.<br/>
I admire him;<br/>
I have not seene so yong a man so noble<br/>
(If he say true,) of his sort.<br/>
</p>
<p>EMILIA.<br/>
Beleeve,<br/>
His mother was a wondrous handsome woman;<br/>
His face, me thinkes, goes that way.<br/>
</p>
<p>HIPPOLITA.<br/>
But his Body<br/>
And firie minde illustrate a brave Father.<br/>
</p>
<p>PERITHOUS.<br/>
Marke how his vertue, like a hidden Sun,<br/>
Breakes through his baser garments.<br/>
</p>
<p>HIPPOLITA.<br/>
Hee's well got, sure.</p>
<p>THESEUS.<br/>
What made you seeke this place, Sir?</p>
<p>ARCITE.<br/>
Noble Theseus,<br/>
To purchase name, and doe my ablest service<br/>
To such a well-found wonder as thy worth,<br/>
For onely in thy Court, of all the world,<br/>
Dwells faire-eyd honor.<br/>
</p>
<p>PERITHOUS.<br/>
All his words are worthy.</p>
<p>THESEUS.<br/>
Sir, we are much endebted to your travell,<br/>
Nor shall you loose your wish: Perithous,<br/>
Dispose of this faire Gentleman.<br/>
</p>
<p>PERITHOUS.<br/>
Thankes, Theseus.<br/>
What ere you are y'ar mine, and I shall give you<br/>
To a most noble service, to this Lady,<br/>
This bright yong Virgin; pray, observe her goodnesse;<br/>
You have honourd hir faire birth-day with your vertues,<br/>
And as your due y'ar hirs: kisse her faire hand, Sir.<br/>
</p>
<p>ARCITE.<br/>
Sir, y'ar a noble Giver: dearest Bewtie,<br/>
Thus let me seale my vowd faith: when your Servant<br/>
(Your most unworthie Creature) but offends you,<br/>
Command him die, he shall.<br/>
</p>
<p>EMILIA.<br/>
That were too cruell.<br/>
If you deserve well, Sir, I shall soone see't:<br/>
Y'ar mine, and somewhat better than your rancke<br/>
Ile use you.<br/>
</p>
<p>PERITHOUS.<br/>
Ile see you furnish'd, and because you say<br/>
You are a horseman, I must needs intreat you<br/>
This after noone to ride, but tis a rough one.<br/>
</p>
<p>ARCITE.<br/>
I like him better, Prince, I shall not then<br/>
Freeze in my Saddle.<br/>
</p>
<p>THESEUS.<br/>
Sweet, you must be readie,<br/>
And you, Emilia, and you, Friend, and all,<br/>
To morrow by the Sun, to doe observance<br/>
To flowry May, in Dians wood: waite well, Sir,<br/>
Vpon your Mistris.  Emely, I hope<br/>
He shall not goe a foote.<br/>
</p>
<p>EMILIA.<br/>
That were a shame, Sir,<br/>
While I have horses: take your choice, and what<br/>
You want at any time, let me but know it;<br/>
If you serve faithfully, I dare assure you<br/>
You'l finde a loving Mistris.<br/>
</p>
<p>ARCITE.<br/>
If I doe not,<br/>
Let me finde that my Father ever hated,<br/>
Disgrace and blowes.<br/>
</p>
<p>THESEUS.<br/>
Go, leade the way; you have won it:<br/>
It shall be so; you shall receave all dues<br/>
Fit for the honour you have won; Twer wrong else.<br/>
Sister, beshrew my heart, you have a Servant,<br/>
That, if I were a woman, would be Master,<br/>
But you are wise.  [Florish.]<br/>
</p>
<p>EMILIA.<br/>
I hope too wise for that, Sir.  [Exeunt omnes.]</p>
<h4><b>SCENE 6.  (Before the prison.)</b></h4>
<p>[Enter Iaylors Daughter alone.]</p>
<p>DAUGHTER.<br/>
Let all the Dukes, and all the divells rore,<br/>
He is at liberty: I have venturd for him,<br/>
And out I have brought him to a little wood<br/>
A mile hence.  I have sent him, where a Cedar,<br/>
Higher than all the rest, spreads like a plane<br/>
Fast by a Brooke, and there he shall keepe close,<br/>
Till I provide him Fyles and foode, for yet<br/>
His yron bracelets are not off.  O Love,<br/>
What a stout hearted child thou art!  My Father<br/>
Durst better have indur'd cold yron, than done it:<br/>
I love him beyond love and beyond reason,<br/>
Or wit, or safetie: I have made him know it.<br/>
I care not, I am desperate; If the law<br/>
Finde me, and then condemne me for't, some wenches,<br/>
Some honest harted Maides, will sing my Dirge,<br/>
And tell to memory my death was noble,<br/>
Dying almost a Martyr: That way he takes,<br/>
I purpose is my way too: Sure he cannot<br/>
Be so unmanly, as to leave me here;<br/>
If he doe, Maides will not so easily<br/>
Trust men againe: And yet he has not thank'd me<br/>
For what I have done: no not so much as kist me,<br/>
And that (me thinkes) is not so well; nor scarcely<br/>
Could I perswade him to become a Freeman,<br/>
He made such scruples of the wrong he did<br/>
To me, and to my Father.  Yet I hope,<br/>
When he considers more, this love of mine<br/>
Will take more root within him: Let him doe<br/>
What he will with me, so he use me kindly;<br/>
For use me so he shall, or ile proclaime him,<br/>
And to his face, no man.  Ile presently<br/>
Provide him necessaries, and packe my cloathes up,<br/>
And where there is a patch of ground Ile venture,<br/>
So hee be with me; By him, like a shadow,<br/>
Ile ever dwell; within this houre the whoobub<br/>
Will be all ore the prison: I am then<br/>
Kissing the man they looke for: farewell, Father;<br/>
Get many more such prisoners and such daughters,<br/>
And shortly you may keepe your selfe.  Now to him!<br/>
</p>
<h4>ACT III</h4>
<h4><b>SCENE 1.  (A forest near Athens.)</b></h4>
<p>[Cornets in sundry places.  Noise and hallowing as people a<br/>
Maying.]<br/>
</p>
<p>[Enter Arcite alone.]</p>
<p>ARCITE.<br/>
The Duke has lost Hypolita; each tooke<br/>
A severall land.  This is a solemne Right<br/>
They owe bloomd May, and the Athenians pay it<br/>
To'th heart of Ceremony.  O Queene Emilia,<br/>
Fresher then May, sweeter<br/>
Then hir gold Buttons on the bowes, or all<br/>
Th'enamelld knackes o'th Meade or garden: yea,<br/>
We challenge too the bancke of any Nymph<br/>
That makes the streame seeme flowers; thou, o Iewell<br/>
O'th wood, o'th world, hast likewise blest a place<br/>
With thy sole presence: in thy rumination<br/>
That I, poore man, might eftsoones come betweene<br/>
And chop on some cold thought! thrice blessed chance,<br/>
To drop on such a Mistris, expectation<br/>
Most giltlesse on't! tell me, O Lady Fortune,<br/>
(Next after Emely my Soveraigne) how far<br/>
I may be prowd.  She takes strong note of me,<br/>
Hath made me neere her; and this beuteous Morne<br/>
(The prim'st of all the yeare) presents me with<br/>
A brace of horses: two such Steeds might well<br/>
Be by a paire of Kings backt, in a Field<br/>
That their crownes titles tride.  Alas, alas,<br/>
Poore Cosen Palamon, poore prisoner, thou<br/>
So little dream'st upon my fortune, that<br/>
Thou thinkst thy selfe the happier thing, to be<br/>
So neare Emilia; me thou deem'st at Thebs,<br/>
And therein wretched, although free.  But if<br/>
Thou knew'st my Mistris breathd on me, and that<br/>
I ear'd her language, livde in her eye, O Coz,<br/>
What passion would enclose thee!<br/>
</p>
<p>[Enter Palamon as out of a Bush, with his Shackles: bends his
fist
at Arcite.]</p>
<p>PALAMON.<br/>
Traytor kinesman,<br/>
Thou shouldst perceive my passion, if these signes<br/>
Of prisonment were off me, and this hand<br/>
But owner of a Sword: By all othes in one,<br/>
I and the iustice of my love would make thee<br/>
A confest Traytor.  O thou most perfidious<br/>
That ever gently lookd; the voydest of honour,<br/>
That eu'r bore gentle Token; falsest Cosen<br/>
That ever blood made kin, call'st thou hir thine?<br/>
Ile prove it in my Shackles, with these hands,<br/>
Void of appointment, that thou ly'st, and art<br/>
A very theefe in love, a Chaffy Lord,<br/>
Nor worth the name of villaine: had I a Sword<br/>
And these house clogges away—<br/>
</p>
<p>ARCITE.<br/>
Deere Cosin Palamon—</p>
<p>PALAMON.<br/>
Cosoner Arcite, give me language such<br/>
As thou hast shewd me feate.<br/>
</p>
<p>ARCITE.<br/>
Not finding in<br/>
The circuit of my breast any grosse stuffe<br/>
To forme me like your blazon, holds me to<br/>
This gentlenesse of answer; tis your passion<br/>
That thus mistakes, the which to you being enemy,<br/>
Cannot to me be kind: honor, and honestie<br/>
I cherish, and depend on, how so ev'r<br/>
You skip them in me, and with them, faire Coz,<br/>
Ile maintaine my proceedings; pray, be pleas'd<br/>
To shew in generous termes your griefes, since that<br/>
Your question's with your equall, who professes<br/>
To cleare his owne way with the minde and Sword<br/>
Of a true Gentleman.<br/>
</p>
<p>PALAMON.<br/>
That thou durst, Arcite!</p>
<p>ARCITE.<br/>
My Coz, my Coz, you have beene well advertis'd<br/>
How much I dare, y'ave seene me use my Sword<br/>
Against th'advice of feare: sure, of another<br/>
You would not heare me doubted, but your silence<br/>
Should breake out, though i'th Sanctuary.<br/>
</p>
<p>PALAMON.<br/>
Sir,<br/>
I have seene you move in such a place, which well<br/>
Might justifie your manhood; you were calld<br/>
A good knight and a bold; But the whole weeke's not faire,<br/>
If any day it rayne: Their valiant temper<br/>
Men loose when they encline to trecherie,<br/>
And then they fight like coupelld Beares, would fly<br/>
Were they not tyde.<br/>
</p>
<p>ARCITE.<br/>
Kinsman, you might as well<br/>
Speake this and act it in your Glasse, as to<br/>
His eare which now disdaines you.<br/>
</p>
<p>PALAMON.<br/>
Come up to me,<br/>
Quit me of these cold Gyves, give me a Sword,<br/>
Though it be rustie, and the charity<br/>
Of one meale lend me; Come before me then,<br/>
A good Sword in thy hand, and doe but say<br/>
That Emily is thine: I will forgive<br/>
The trespasse thou hast done me, yea, my life,<br/>
If then thou carry't, and brave soules in shades<br/>
That have dyde manly, which will seeke of me<br/>
Some newes from earth, they shall get none but this,<br/>
That thou art brave and noble.<br/>
</p>
<p>ARCITE.<br/>
Be content:<br/>
Againe betake you to your hawthorne house;<br/>
With counsaile of the night, I will be here<br/>
With wholesome viands; these impediments<br/>
Will I file off; you shall have garments and<br/>
Perfumes to kill the smell o'th prison; after,<br/>
When you shall stretch your selfe and say but, 'Arcite,<br/>
I am in plight,' there shall be at your choyce<br/>
Both Sword and Armour.<br/>
</p>
<p>PALAMON.<br/>
Oh you heavens, dares any<br/>
So noble beare a guilty busines! none<br/>
But onely Arcite, therefore none but Arcite<br/>
In this kinde is so bold.<br/>
</p>
<p>ARCITE.<br/>
Sweete Palamon.</p>
<p>PALAMON.<br/>
I doe embrace you and your offer,—for<br/>
Your offer doo't I onely, Sir; your person,<br/>
Without hipocrisy I may not wish  [Winde hornes of Cornets.]<br/>
More then my Swords edge ont.<br/>
</p>
<p>ARCITE.<br/>
You heare the Hornes;<br/>
Enter your Musite least this match between's<br/>
Be crost, er met: give me your hand; farewell.<br/>
Ile bring you every needfull thing: I pray you,<br/>
Take comfort and be strong.<br/>
</p>
<p>PALAMON.<br/>
Pray hold your promise;<br/>
And doe the deede with a bent brow: most certaine<br/>
You love me not, be rough with me, and powre<br/>
This oile out of your language; by this ayre,<br/>
I could for each word give a Cuffe, my stomach<br/>
Not reconcild by reason.<br/>
</p>
<p>ARCITE.<br/>
Plainely spoken,<br/>
Yet pardon me hard language: when I spur  [Winde hornes.]<br/>
My horse, I chide him not; content and anger<br/>
In me have but one face.  Harke, Sir, they call<br/>
The scatterd to the Banket; you must guesse<br/>
I have an office there.<br/>
</p>
<p>PALAMON.<br/>
Sir, your attendance<br/>
Cannot please heaven, and I know your office<br/>
Vnjustly is atcheev'd.<br/>
</p>
<p>ARCITE.<br/>
If a good title,<br/>
I am perswaded this question sicke between's<br/>
By bleeding must be cur'd.  I am a Suitour,<br/>
That to your Sword you will bequeath this plea<br/>
And talke of it no more.<br/>
</p>
<p>PALAMON.<br/>
But this one word:<br/>
You are going now to gaze upon my Mistris,<br/>
For note you, mine she is—<br/>
</p>
<p>ARCITE.<br/>
Nay, then.</p>
<p>PALAMON.<br/>
Nay, pray you,<br/>
You talke of feeding me to breed me strength:<br/>
You are going now to looke upon a Sun<br/>
That strengthens what it lookes on; there<br/>
You have a vantage ore me, but enjoy't till<br/>
I may enforce my remedy.  Farewell.  [Exeunt.]<br/>
</p>
<h4><b>SCENE 2.  (Another Part of the forest.)</b></h4>
<p>[Enter Iaylors daughter alone.]</p>
<p>DAUGHTER.<br/>
He has mistooke the Brake I meant, is gone<br/>
After his fancy.  Tis now welnigh morning;<br/>
No matter, would it were perpetuall night,<br/>
And darkenes Lord o'th world.  Harke, tis a woolfe:<br/>
In me hath greife slaine feare, and but for one thing<br/>
I care for nothing, and that's Palamon.<br/>
I wreake not if the wolves would jaw me, so<br/>
He had this File: what if I hallowd for him?<br/>
I cannot hallow: if I whoop'd, what then?<br/>
If he not answeard, I should call a wolfe,<br/>
And doe him but that service.  I have heard<br/>
Strange howles this live-long night, why may't not be<br/>
They have made prey of him? he has no weapons,<br/>
He cannot run, the Iengling of his Gives<br/>
Might call fell things to listen, who have in them<br/>
A sence to know a man unarmd, and can<br/>
Smell where resistance is.  Ile set it downe<br/>
He's torne to peeces; they howld many together<br/>
And then they fed on him: So much for that,<br/>
Be bold to ring the Bell; how stand I then?<br/>
All's char'd when he is gone.  No, no, I lye,<br/>
My Father's to be hang'd for his escape;<br/>
My selfe to beg, if I prizd life so much<br/>
As to deny my act, but that I would not,<br/>
Should I try death by dussons.—I am mop't,<br/>
Food tooke I none these two daies,<br/>
Sipt some water.  I have not closd mine eyes<br/>
Save when my lids scowrd off their brine; alas,<br/>
Dissolue my life, Let not my sence unsettle,<br/>
Least I should drowne, or stab or hang my selfe.<br/>
O state of Nature, faile together in me,<br/>
Since thy best props are warpt! So, which way now?<br/>
The best way is the next way to a grave:<br/>
Each errant step beside is torment.  Loe,<br/>
The Moone is down, the Cryckets chirpe, the Schreichowle<br/>
Calls in the dawne; all offices are done<br/>
Save what I faile in: But the point is this,<br/>
An end, and that is all.  [Exit.]<br/>
</p>
<h4><b>SCENE 3.  (Same as Scene I.)</b></h4>
<p>[Enter Arcite, with Meate, Wine, and Files.]</p>
<p>ARCITE.<br/>
I should be neere the place: hoa, Cosen Palamon.  [Enter<br/>
Palamon.]<br/>
</p>
<p>PALAMON.<br/>
Arcite?</p>
<p>ARCITE.<br/>
The same: I have brought you foode and files.<br/>
Come forth and feare not, here's no Theseus.<br/>
</p>
<p>PALAMON.<br/>
Nor none so honest, Arcite.</p>
<p>ARCITE.<br/>
That's no matter,<br/>
Wee'l argue that hereafter: Come, take courage;<br/>
You shall not dye thus beastly: here, Sir, drinke;<br/>
I know you are faint: then ile talke further with you.<br/>
</p>
<p>PALAMON.<br/>
Arcite, thou mightst now poyson me.</p>
<p>ARCITE.<br/>
I might,<br/>
But I must feare you first: Sit downe, and, good, now<br/>
No more of these vaine parlies; let us not,<br/>
Having our ancient reputation with us,<br/>
Make talke for Fooles and Cowards.  To your health, &amp;c.<br/>
</p>
<p>PALAMON.<br/>
Doe.</p>
<p>ARCITE.<br/>
Pray, sit downe then; and let me entreate you,<br/>
By all the honesty and honour in you,<br/>
No mention of this woman: t'will disturbe us;<br/>
We shall have time enough.<br/>
</p>
<p>PALAMON.<br/>
Well, Sir, Ile pledge you.</p>
<p>ARCITE.<br/>
Drinke a good hearty draught; it breeds good blood, man.<br/>
Doe not you feele it thaw you?<br/>
</p>
<p>PALAMON.<br/>
Stay, Ile tell you after a draught or two more.</p>
<p>ARCITE.<br/>
Spare it not, the Duke has more, Cuz: Eate now.</p>
<p>PALAMON.<br/>
Yes.</p>
<p>ARCITE.<br/>
I am glad you have so good a stomach.</p>
<p>PALAMON.<br/>
I am gladder I have so good meate too't.</p>
<p>ARCITE.<br/>
Is't not mad lodging here in the wild woods, Cosen?</p>
<p>PALAMON.<br/>
Yes, for them that have wilde Consciences.</p>
<p>ARCITE.<br/>
How tasts your vittails? your hunger needs no sawce, I see.</p>
<p>PALAMON.<br/>
Not much;<br/>
But if it did, yours is too tart, sweete Cosen: what is this?<br/>
</p>
<p>ARCITE.<br/>
Venison.</p>
<p>PALAMON.<br/>
Tis a lusty meate:<br/>
Giue me more wine; here, Arcite, to the wenches<br/>
We have known in our daies.  The Lord Stewards daughter,<br/>
Doe you remember her?<br/>
</p>
<p>ARCITE.<br/>
After you, Cuz.</p>
<p>PALAMON.<br/>
She lov'd a black-haird man.</p>
<p>ARCITE.<br/>
She did so; well, Sir.</p>
<p>PALAMON.<br/>
And I have heard some call him Arcite, and—</p>
<p>ARCITE.<br/>
Out with't, faith.</p>
<p>PALAMON.<br/>
She met him in an Arbour:<br/>
What did she there, Cuz? play o'th virginals?<br/>
</p>
<p>ARCITE.<br/>
Something she did, Sir.</p>
<p>PALAMON.<br/>
Made her groane a moneth for't, or 2. or 3. or 10.</p>
<p>ARCITE.<br/>
The Marshals Sister<br/>
Had her share too, as I remember, Cosen,<br/>
Else there be tales abroade; you'l pledge her?<br/>
</p>
<p>PALAMON.<br/>
Yes.</p>
<p>ARCITE.<br/>
A pretty broune wench t'is.  There was a time<br/>
When yong men went a hunting, and a wood,<br/>
And a broade Beech: and thereby hangs a tale:—heigh ho!<br/>
</p>
<p>PALAMON.<br/>
For Emily, upon my life!  Foole,<br/>
Away with this straind mirth; I say againe,<br/>
That sigh was breathd for Emily; base Cosen,<br/>
Dar'st thou breake first?<br/>
</p>
<p>ARCITE.<br/>
You are wide.</p>
<p>PALAMON.<br/>
By heaven and earth, ther's nothing in thee honest.</p>
<p>ARCITE.<br/>
Then Ile leave you: you are a Beast now.</p>
<p>PALAMON.<br/>
As thou makst me, Traytour.</p>
<p>ARCITE.<br/>
Ther's all things needfull, files and shirts, and perfumes:<br/>
Ile come againe some two howres hence, and bring<br/>
That that shall quiet all,<br/>
</p>
<p>PALAMON.<br/>
A Sword and Armour?</p>
<p>ARCITE.<br/>
Feare me not; you are now too fowle; farewell.<br/>
Get off your Trinkets; you shall want nought.<br/>
</p>
<p>PALAMON.<br/>
Sir, ha—</p>
<p>ARCITE.<br/>
Ile heare no more.  [Exit.]</p>
<p>PALAMON.<br/>
If he keepe touch, he dies for't.  [Exit.]</p>
<h4><b>SCENE 4.  (Another part of the forest.)</b></h4>
<p>[Enter Iaylors daughter.]</p>
<p>DAUGHTER.<br/>
I am very cold, and all the Stars are out too,<br/>
The little Stars, and all, that looke like aglets:<br/>
The Sun has seene my Folly.  Palamon!<br/>
Alas no; hees in heaven.  Where am I now?<br/>
Yonder's the sea, and ther's a Ship; how't tumbles!<br/>
And ther's a Rocke lies watching under water;<br/>
Now, now, it beates upon it; now, now, now,<br/>
Ther's a leak sprung, a sound one, how they cry!<br/>
Spoon her before the winde, you'l loose all els:<br/>
Vp with a course or two, and take about, Boyes.<br/>
Good night, good night, y'ar gone.—I am very hungry.<br/>
Would I could finde a fine Frog; he would tell me<br/>
Newes from all parts o'th world, then would I make<br/>
A Carecke of a Cockle shell, and sayle<br/>
By east and North East to the King of Pigmes,<br/>
For he tels fortunes rarely.  Now my Father,<br/>
Twenty to one, is trust up in a trice<br/>
To morrow morning; Ile say never a word.<br/>
</p>
<p>[Sing.]</p>
<p>For ile cut my greene coat a foote above my knee,
And ile clip my yellow lockes an inch below mine eie.
hey, nonny, nonny, nonny,
He's buy me a white Cut, forth for to ride
And ile goe seeke him, throw the world that is so wide
hey nonny, nonny, nonny.</p>
<p>O for a pricke now like a Nightingale,<br/>
To put my breast against.  I shall sleepe like a Top else.<br/>
[Exit.]<br/>
</p>
<h4><b>SCENE 5.  (Another part of the forest.)</b></h4>
<p>[Enter a Schoole master, 4. Countrymen, and Bavian. 2. or 3.
wenches,
with a Taborer.]</p>
<p>SCHOOLMASTER.<br/>
Fy, fy, what tediosity, &amp; disensanity is here among ye? have
my Rudiments bin labourd so long with ye? milkd unto ye, and
by a figure even the very plumbroth &amp; marrow of my understanding
laid upon ye? and do you still cry: where, and how, &amp; wherfore?
you most course freeze capacities, ye jane Iudgements, have I
saide:
thus let be, and there let be, and then let be, and no man
understand
mee?  Proh deum, medius fidius, ye are all dunces!  For why, here
stand I, Here the Duke comes, there are you close in the Thicket;
the Duke appeares, I meete him and unto him I utter learned
things
and many figures; he heares, and nods, and hums, and then cries:
rare, and I goe forward; at length I fling my Cap up; marke
there;
then do you, as once did Meleager and the Bore, break comly out
before him: like true lovers, cast your selves in a Body
decently,
and sweetly, by a figure trace and turne, Boyes.</p>
<p>1. COUNTREYMAN.<br/>
And sweetly we will doe it Master Gerrold.</p>
<p>2. COUNTREYMAN.<br/>
Draw up the Company.  Where's the Taborour?</p>
<p>3. COUNTREYMAN.<br/>
Why, Timothy!</p>
<p>TABORER.<br/>
Here, my mad boyes, have at ye.</p>
<p>SCHOOLMASTER.<br/>
But I say, where's their women?</p>
<p>4. COUNTREYMAN.<br/>
Here's Friz and Maudline.</p>
<p>2. COUNTREYMAN.<br/>
And little Luce with the white legs, and bouncing Barbery.</p>
<p>1. COUNTREYMAN.<br/>
And freckeled Nel, that never faild her Master.</p>
<p>SCHOOLMASTER.<br/>
Wher be your Ribands, maids? swym with your Bodies<br/>
And carry it sweetly, and deliverly<br/>
And now and then a fauour, and a friske.<br/>
</p>
<p>NEL.<br/>
Let us alone, Sir.</p>
<p>SCHOOLMASTER.<br/>
Wher's the rest o'th Musicke?</p>
<p>3. COUNTREYMAN.<br/>
Dispersd as you commanded.</p>
<p>SCHOOLMASTER.<br/>
Couple, then,<br/>
And see what's wanting; wher's the Bavian?<br/>
My friend, carry your taile without offence<br/>
Or scandall to the Ladies; and be sure<br/>
You tumble with audacity and manhood;<br/>
And when you barke, doe it with judgement.<br/>
</p>
<p>BAVIAN.<br/>
Yes, Sir.</p>
<p>SCHOOLMASTER.<br/>
Quo usque tandem?  Here is a woman wanting.</p>
<p>4. COUNTREYMAN.<br/>
We may goe whistle: all the fat's i'th fire.</p>
<p>SCHOOLMASTER.<br/>
We have,<br/>
As learned Authours utter, washd a Tile,<br/>
We have beene FATUUS, and laboured vainely.<br/>
</p>
<p>2. COUNTREYMAN.<br/>
This is that scornefull peece, that scurvy hilding,<br/>
That gave her promise faithfully, she would be here,<br/>
Cicely the Sempsters daughter:<br/>
The next gloves that I give her shall be dog skin;<br/>
Nay and she faile me once—you can tell, Arcas,<br/>
She swore by wine and bread, she would not breake.<br/>
</p>
<p>SCHOOLMASTER.<br/>
An Eele and woman,<br/>
A learned Poet sayes, unles by'th taile<br/>
And with thy teeth thou hold, will either faile.<br/>
In manners this was false position<br/>
</p>
<p>1. COUNTREYMAN.<br/>
A fire ill take her; do's she flinch now?</p>
<p>3. COUNTREYMAN.<br/>
What<br/>
Shall we determine, Sir?<br/>
</p>
<p>SCHOOLMASTER.<br/>
Nothing.<br/>
Our busines is become a nullity;<br/>
Yea, and a woefull, and a pittious nullity.<br/>
</p>
<p>4. COUNTREYMAN.<br/>
Now when the credite of our Towne lay on it,<br/>
Now to be frampall, now to pisse o'th nettle!<br/>
Goe thy waies; ile remember thee, ile fit thee.<br/>
</p>
<p>[Enter Iaylors daughter.]</p>
<p>DAUGHTER.<br/>
[Sings.]</p>
<p>The George alow came from the South,<br/>
From the coast of Barbary a.<br/>
And there he met with brave gallants of war<br/>
By one, by two, by three, a.<br/>
</p>
<p>Well haild, well haild, you jolly gallants,<br/>
And whither now are you bound a?<br/>
O let me have your company  [Chaire and stooles out.]<br/>
Till (I) come to the sound a.<br/>
</p>
<p>There was three fooles, fell out about an howlet:<br/>
The one sed it was an owle,<br/>
The other he sed nay,<br/>
The third he sed it was a hawke,<br/>
And her bels wer cut away.<br/>
</p>
<p>3. COUNTREYMAN.<br/>
Ther's a dainty mad woman M(aiste)r<br/>
Comes i'th Nick, as mad as a march hare:<br/>
If wee can get her daunce, wee are made againe:<br/>
I warrant her, shee'l doe the rarest gambols.<br/>
</p>
<p>1. COUNTREYMAN.<br/>
A mad woman? we are made, Boyes.</p>
<p>SCHOOLMASTER.<br/>
And are you mad, good woman?</p>
<p>DAUGHTER.<br/>
I would be sorry else;<br/>
Give me your hand.<br/>
</p>
<p>SCHOOLMASTER.<br/>
Why?</p>
<p>DAUGHTER.<br/>
I can tell your fortune.<br/>
You are a foole: tell ten.  I have pozd him: Buz!<br/>
Friend you must eate no whitebread; if you doe,<br/>
Your teeth will bleede extreamely.  Shall we dance, ho?<br/>
I know you, y'ar a Tinker: Sirha Tinker,<br/>
Stop no more holes, but what you should.<br/>
</p>
<p>SCHOOLMASTER.<br/>
Dij boni.  A Tinker, Damzell?</p>
<p>DAUGHTER.<br/>
Or a Conjurer:<br/>
Raise me a devill now, and let him play<br/>
Quipassa o'th bels and bones.<br/>
</p>
<p>SCHOOLMASTER.<br/>
Goe, take her,<br/>
And fluently perswade her to a peace:<br/>
Et opus exegi, quod nec Iouis ira, nec ignis.<br/>
Strike up, and leade her in.<br/>
</p>
<p>2. COUNTREYMAN.<br/>
Come, Lasse, lets trip it.</p>
<p>DAUGHTER.<br/>
Ile leade.  [Winde Hornes.]</p>
<p>3. COUNTREYMAN.<br/>
Doe, doe.</p>
<p>SCHOOLMASTER.<br/>
Perswasively, and cunningly: away, boyes,  [Ex. all but<br/>
Schoolemaster.]<br/>
I heare the hornes: give me some meditation,<br/>
And marke your Cue.—Pallas inspire me.<br/>
</p>
<p>[Enter Thes. Pir. Hip. Emil. Arcite, and traine.]</p>
<p>THESEUS.<br/>
This way the Stag tooke.</p>
<p>SCHOOLMASTER.<br/>
Stay, and edifie.</p>
<p>THESEUS.<br/>
What have we here?</p>
<p>PERITHOUS.<br/>
Some Countrey sport, upon my life, Sir.</p>
<p>THESEUS.<br/>
Well, Sir, goe forward, we will edifie.<br/>
Ladies, sit downe, wee'l stay it.<br/>
</p>
<p>SCHOOLMASTER.<br/>
Thou, doughtie Duke, all haile: all haile, sweet Ladies.</p>
<p>THESEUS.<br/>
This is a cold beginning.</p>
<p>SCHOOLMASTER.<br/>
If you but favour, our Country pastime made is.<br/>
We are a few of those collected here,<br/>
That ruder Tongues distinguish villager;<br/>
And to say veritie, and not to fable,<br/>
We are a merry rout, or else a rable,<br/>
Or company, or, by a figure, Choris,<br/>
That fore thy dignitie will dance a Morris.<br/>
And I, that am the rectifier of all,<br/>
By title Pedagogus, that let fall<br/>
The Birch upon the breeches of the small ones,<br/>
And humble with a Ferula the tall ones,<br/>
Doe here present this Machine, or this frame:<br/>
And daintie Duke, whose doughtie dismall fame<br/>
From Dis to Dedalus, from post to pillar,<br/>
Is blowne abroad, helpe me thy poore well willer,<br/>
And with thy twinckling eyes looke right and straight<br/>
Vpon this mighty MORR—of mickle waight;<br/>
IS now comes in, which being glewd together,<br/>
Makes MORRIS, and the cause that we came hether.<br/>
The body of our sport, of no small study,<br/>
I first appeare, though rude, and raw, and muddy,<br/>
To speake before thy noble grace this tenner:<br/>
At whose great feete I offer up my penner.<br/>
The next the Lord of May and Lady bright,<br/>
The Chambermaid and Servingman by night<br/>
That seeke out silent hanging: Then mine Host<br/>
And his fat Spowse, that welcomes to their cost<br/>
The gauled Traveller, and with a beckning<br/>
Informes the Tapster to inflame the reckning:<br/>
Then the beast eating Clowne, and next the foole,<br/>
The Bavian, with long tayle and eke long toole,<br/>
Cum multis alijs that make a dance:<br/>
Say 'I,' and all shall presently advance.<br/>
</p>
<p>THESEUS.<br/>
I, I, by any meanes, deere Domine.</p>
<p>PERITHOUS.<br/>
Produce.</p>
<p>(SCHOOLMASTER.)<br/>
Intrate, filij; Come forth, and foot it.—</p>
<p>[Musicke, Dance.  Knocke for Schoole.]</p>
<p>[Enter the Dance.]</p>
<p>Ladies, if we have beene merry,<br/>
And have pleasd yee with a derry,<br/>
And a derry, and a downe,<br/>
Say the Schoolemaster's no Clowne:<br/>
Duke, if we have pleasd thee too,<br/>
And have done as good Boyes should doe,<br/>
Give us but a tree or twaine<br/>
For a Maypole, and againe,<br/>
Ere another yeare run out,<br/>
Wee'l make thee laugh and all this rout.<br/>
</p>
<p>THESEUS.<br/>
Take 20., Domine; how does my sweet heart?</p>
<p>HIPPOLITA.<br/>
Never so pleasd, Sir.</p>
<p>EMILIA.<br/>
Twas an excellent dance, and for a preface<br/>
I never heard a better.<br/>
</p>
<p>THESEUS.<br/>
Schoolemaster, I thanke you.—One see'em all rewarded.</p>
<p>PERITHOUS.<br/>
And heer's something to paint your Pole withall.</p>
<p>THESEUS.<br/>
Now to our sports againe.</p>
<p>SCHOOLMASTER.<br/>
May the Stag thou huntst stand long,<br/>
And thy dogs be swift and strong:<br/>
May they kill him without lets,<br/>
And the Ladies eate his dowsets!<br/>
Come, we are all made.  [Winde Hornes.]<br/>
Dij Deoeq(ue) omnes, ye have danc'd rarely, wenches.  [Exeunt.]<br/>
</p>
<h4><b>SCENE 6.  (Same as Scene III.)</b></h4>
<p>[Enter Palamon from the Bush.]</p>
<p>PALAMON.<br/>
About this houre my Cosen gave his faith<br/>
To visit me againe, and with him bring<br/>
Two Swords, and two good Armors; if he faile,<br/>
He's neither man nor Souldier.  When he left me,<br/>
I did not thinke a weeke could have restord<br/>
My lost strength to me, I was growne so low,<br/>
And Crest-falne with my wants: I thanke thee, Arcite,<br/>
Thou art yet a faire Foe; and I feele my selfe<br/>
With this refreshing, able once againe<br/>
To out dure danger: To delay it longer<br/>
Would make the world think, when it comes to hearing,<br/>
That I lay fatting like a Swine to fight,<br/>
And not a Souldier: Therefore, this blest morning<br/>
Shall be the last; and that Sword he refuses,<br/>
If it but hold, I kill him with; tis Iustice:<br/>
So love, and Fortune for me!—O, good morrow.<br/>
</p>
<p>[Enter Arcite with Armors and Swords.]</p>
<p>ARCITE.<br/>
Good morrow, noble kinesman.</p>
<p>PALAMON.<br/>
I have put you to too much paines, Sir.</p>
<p>ARCITE.<br/>
That too much, faire Cosen,<br/>
Is but a debt to honour, and my duty.<br/>
</p>
<p>PALAMON.<br/>
Would you were so in all, Sir; I could wish ye<br/>
As kinde a kinsman, as you force me finde<br/>
A beneficiall foe, that my embraces<br/>
Might thanke ye, not my blowes.<br/>
</p>
<p>ARCITE.<br/>
I shall thinke either, well done,<br/>
A noble recompence.<br/>
</p>
<p>PALAMON.<br/>
Then I shall quit you.</p>
<p>ARCITE.<br/>
Defy me in these faire termes, and you show<br/>
More then a Mistris to me, no more anger<br/>
As you love any thing that's honourable:<br/>
We were not bred to talke, man; when we are arm'd<br/>
And both upon our guards, then let our fury,<br/>
Like meeting of two tides, fly strongly from us,<br/>
And then to whom the birthright of this Beauty<br/>
Truely pertaines (without obbraidings, scornes,<br/>
Dispisings of our persons, and such powtings,<br/>
Fitter for Girles and Schooleboyes) will be seene<br/>
And quickly, yours, or mine: wilt please you arme, Sir,<br/>
Or if you feele your selfe not fitting yet<br/>
And furnishd with your old strength, ile stay, Cosen,<br/>
And ev'ry day discourse you into health,<br/>
As I am spard: your person I am friends with,<br/>
And I could wish I had not saide I lov'd her,<br/>
Though I had dide; But loving such a Lady<br/>
And justifying my Love, I must not fly from't.<br/>
</p>
<p>PALAMON.<br/>
Arcite, thou art so brave an enemy,<br/>
That no man but thy Cosen's fit to kill thee:<br/>
I am well and lusty, choose your Armes.<br/>
</p>
<p>ARCITE.<br/>
Choose you, Sir.</p>
<p>PALAMON.<br/>
Wilt thou exceede in all, or do'st thou doe it<br/>
To make me spare thee?<br/>
</p>
<p>ARCITE.<br/>
If you thinke so, Cosen,<br/>
You are deceived, for as I am a Soldier,<br/>
I will not spare you.<br/>
</p>
<p>PALAMON.<br/>
That's well said.</p>
<p>ARCITE.<br/>
You'l finde it.</p>
<p>PALAMON.<br/>
Then, as I am an honest man and love<br/>
With all the justice of affection,<br/>
Ile pay thee soundly.  This ile take.<br/>
</p>
<p>ARCITE.<br/>
That's mine, then;<br/>
Ile arme you first.<br/>
</p>
<p>PALAMON.<br/>
Do: pray thee, tell me, Cosen,<br/>
Where gotst thou this good Armour?<br/>
</p>
<p>ARCITE.<br/>
Tis the Dukes,<br/>
And to say true, I stole it; doe I pinch you?<br/>
</p>
<p>PALAMON.<br/>
Noe.</p>
<p>ARCITE.<br/>
Is't not too heavie?</p>
<p>PALAMON.<br/>
I have worne a lighter,<br/>
But I shall make it serve.<br/>
</p>
<p>ARCITE.<br/>
Ile buckl't close.</p>
<p>PALAMON.<br/>
By any meanes.</p>
<p>ARCITE.<br/>
You care not for a Grand guard?</p>
<p>PALAMON.<br/>
No, no; wee'l use no horses: I perceave<br/>
You would faine be at that Fight.<br/>
</p>
<p>ARCITE.<br/>
I am indifferent.</p>
<p>PALAMON.<br/>
Faith, so am I: good Cosen, thrust the buckle<br/>
Through far enough.<br/>
</p>
<p>ARCITE.<br/>
I warrant you.</p>
<p>PALAMON.<br/>
My Caske now.</p>
<p>ARCITE.<br/>
Will you fight bare-armd?</p>
<p>PALAMON.<br/>
We shall be the nimbler.</p>
<p>ARCITE.<br/>
But use your Gauntlets though; those are o'th least,<br/>
Prethee take mine, good Cosen.<br/>
</p>
<p>PALAMON.<br/>
Thanke you, Arcite.<br/>
How doe I looke? am I falne much away?<br/>
</p>
<p>ARCITE.<br/>
Faith, very little; love has usd you kindly.</p>
<p>PALAMON.<br/>
Ile warrant thee, Ile strike home.</p>
<p>ARCITE.<br/>
Doe, and spare not;<br/>
Ile give you cause, sweet Cosen.<br/>
</p>
<p>PALAMON.<br/>
Now to you, Sir:<br/>
Me thinkes this Armor's very like that, Arcite,<br/>
Thou wor'st the day the 3. Kings fell, but lighter.<br/>
</p>
<p>ARCITE.<br/>
That was a very good one; and that day,<br/>
I well remember, you outdid me, Cosen.<br/>
I never saw such valour: when you chargd<br/>
Vpon the left wing of the Enemie,<br/>
I spurd hard to come up, and under me<br/>
I had a right good horse.<br/>
</p>
<p>PALAMON.<br/>
You had indeede; a bright Bay, I remember.</p>
<p>ARCITE.<br/>
Yes, but all<br/>
Was vainely labour'd in me; you outwent me,<br/>
Nor could my wishes reach you; yet a little<br/>
I did by imitation.<br/>
</p>
<p>PALAMON.<br/>
More by vertue;<br/>
You are modest, Cosen.<br/>
</p>
<p>ARCITE.<br/>
When I saw you charge first,<br/>
Me thought I heard a dreadfull clap of Thunder<br/>
Breake from the Troope.<br/>
</p>
<p>PALAMON.<br/>
But still before that flew<br/>
The lightning of your valour.  Stay a little,<br/>
Is not this peece too streight?<br/>
</p>
<p>ARCITE.<br/>
No, no, tis well.</p>
<p>PALAMON.<br/>
I would have nothing hurt thee but my Sword,<br/>
A bruise would be dishonour.<br/>
</p>
<p>ARCITE.<br/>
Now I am perfect.</p>
<p>PALAMON.<br/>
Stand off, then.</p>
<p>ARCITE.<br/>
Take my Sword, I hold it better.</p>
<p>PALAMON.<br/>
I thanke ye: No, keepe it; your life lyes on it.<br/>
Here's one; if it but hold, I aske no more<br/>
For all my hopes: My Cause and honour guard me!  [They bow<br/>
severall wayes: then advance and stand.]<br/>
</p>
<p>ARCITE.<br/>
And me my love!  Is there ought else to say?</p>
<p>PALAMON.<br/>
This onely, and no more: Thou art mine Aunts Son,<br/>
And that blood we desire to shed is mutuall;<br/>
In me, thine, and in thee, mine.  My Sword<br/>
Is in my hand, and if thou killst me,<br/>
The gods and I forgive thee; If there be<br/>
A place prepar'd for those that sleepe in honour,<br/>
I wish his wearie soule that falls may win it:<br/>
Fight bravely, Cosen; give me thy noble hand.<br/>
</p>
<p>ARCITE.<br/>
Here, Palamon: This hand shall never more<br/>
Come neare thee with such friendship.<br/>
</p>
<p>PALAMON.<br/>
I commend thee.</p>
<p>ARCITE.<br/>
If I fall, curse me, and say I was a coward,<br/>
For none but such dare die in these just Tryalls.<br/>
Once more farewell, my Cosen.<br/>
</p>
<p>PALAMON.<br/>
Farewell, Arcite.  [Fight.]</p>
<p>[Hornes within: they stand.]</p>
<p>ARCITE.<br/>
Loe, Cosen, loe, our Folly has undon us.</p>
<p>PALAMON.<br/>
Why?</p>
<p>ARCITE.<br/>
This is the Duke, a hunting as I told you.<br/>
If we be found, we are wretched.  O retire<br/>
For honours sake, and safety presently<br/>
Into your Bush agen; Sir, we shall finde<br/>
Too many howres to dye in: gentle Cosen,<br/>
If you be seene you perish instantly<br/>
For breaking prison, and I, if you reveale me,<br/>
For my contempt.  Then all the world will scorne us,<br/>
And say we had a noble difference,<br/>
But base disposers of it.<br/>
</p>
<p>PALAMON.<br/>
No, no, Cosen,<br/>
I will no more be hidden, nor put off<br/>
This great adventure to a second Tryall:<br/>
I know your cunning, and I know your cause;<br/>
He that faints now, shame take him: put thy selfe<br/>
Vpon thy present guard—<br/>
</p>
<p>ARCITE.<br/>
You are not mad?</p>
<p>PALAMON.<br/>
Or I will make th'advantage of this howre<br/>
Mine owne, and what to come shall threaten me,<br/>
I feare lesse then my fortune: know, weake Cosen,<br/>
I love Emilia, and in that ile bury<br/>
Thee, and all crosses else.<br/>
</p>
<p>ARCITE.<br/>
Then, come what can come,<br/>
Thou shalt know, Palamon, I dare as well<br/>
Die, as discourse, or sleepe: Onely this feares me,<br/>
The law will have the honour of our ends.<br/>
Have at thy life.<br/>
</p>
<p>PALAMON.<br/>
Looke to thine owne well, Arcite.  [Fight againe.  Hornes.]</p>
<p>[Enter Theseus, Hipolita, Emilia, Perithous and traine.]</p>
<p>THESEUS.<br/>
What ignorant and mad malicious Traitors,<br/>
Are you, That gainst the tenor of my Lawes<br/>
Are making Battaile, thus like Knights appointed,<br/>
Without my leave, and Officers of Armes?<br/>
By Castor, both shall dye.<br/>
</p>
<p>PALAMON.<br/>
Hold thy word, Theseus.<br/>
We are certainly both Traitors, both despisers<br/>
Of thee and of thy goodnesse: I am Palamon,<br/>
That cannot love thee, he that broke thy Prison;<br/>
Thinke well what that deserves: and this is Arcite,<br/>
A bolder Traytor never trod thy ground,<br/>
A Falser neu'r seem'd friend: This is the man<br/>
Was begd and banish'd; this is he contemnes thee<br/>
And what thou dar'st doe, and in this disguise<br/>
Against thy owne Edict followes thy Sister,<br/>
That fortunate bright Star, the faire Emilia,<br/>
Whose servant, (if there be a right in seeing,<br/>
And first bequeathing of the soule to) justly<br/>
I am, and, which is more, dares thinke her his.<br/>
This treacherie, like a most trusty Lover,<br/>
I call'd him now to answer; if thou bee'st,<br/>
As thou art spoken, great and vertuous,<br/>
The true descider of all injuries,<br/>
Say, 'Fight againe,' and thou shalt see me, Theseus,<br/>
Doe such a Iustice, thou thy selfe wilt envie.<br/>
Then take my life; Ile wooe thee too't.<br/>
</p>
<p>PERITHOUS.<br/>
O heaven,<br/>
What more then man is this!<br/>
</p>
<p>THESEUS.<br/>
I have sworne.</p>
<p>ARCITE.<br/>
We seeke not<br/>
Thy breath of mercy, Theseus.  Tis to me<br/>
A thing as soone to dye, as thee to say it,<br/>
And no more mov'd: where this man calls me Traitor,<br/>
Let me say thus much: if in love be Treason,<br/>
In service of so excellent a Beutie,<br/>
As I love most, and in that faith will perish,<br/>
As I have brought my life here to confirme it,<br/>
As I have serv'd her truest, worthiest,<br/>
As I dare kill this Cosen, that denies it,<br/>
So let me be most Traitor, and ye please me.<br/>
For scorning thy Edict, Duke, aske that Lady<br/>
Why she is faire, and why her eyes command me<br/>
Stay here to love her; and if she say 'Traytor,'<br/>
I am a villaine fit to lye unburied.<br/>
</p>
<p>PALAMON.<br/>
Thou shalt have pitty of us both, o Theseus,<br/>
If unto neither thou shew mercy; stop<br/>
(As thou art just) thy noble eare against us.<br/>
As thou art valiant, for thy Cosens soule<br/>
Whose 12. strong labours crowne his memory,<br/>
Lets die together, at one instant, Duke,<br/>
Onely a little let him fall before me,<br/>
That I may tell my Soule he shall not have her.<br/>
</p>
<p>THESEUS.<br/>
I grant your wish, for, to say true, your Cosen<br/>
Has ten times more offended; for I gave him<br/>
More mercy then you found, Sir, your offenses<br/>
Being no more then his.  None here speake for 'em,<br/>
For, ere the Sun set, both shall sleepe for ever.<br/>
</p>
<p>HIPPOLITA.<br/>
Alas the pitty! now or never, Sister,<br/>
Speake, not to be denide; That face of yours<br/>
Will beare the curses else of after ages<br/>
For these lost Cosens.<br/>
</p>
<p>EMILIA.<br/>
In my face, deare Sister,<br/>
I finde no anger to 'em, nor no ruyn;<br/>
The misadventure of their owne eyes kill 'em;<br/>
Yet that I will be woman, and have pitty,<br/>
My knees shall grow to'th ground but Ile get mercie.<br/>
Helpe me, deare Sister; in a deede so vertuous<br/>
The powers of all women will be with us.<br/>
Most royall Brother—<br/>
</p>
<p>HIPPOLITA.<br/>
Sir, by our tye of Marriage—</p>
<p>EMILIA.<br/>
By your owne spotlesse honour—</p>
<p>HIPPOLITA.<br/>
By that faith,<br/>
That faire hand, and that honest heart you gave me.<br/>
</p>
<p>EMILIA.<br/>
By that you would have pitty in another,<br/>
By your owne vertues infinite.<br/>
</p>
<p>HIPPOLITA.<br/>
By valour,<br/>
By all the chaste nights I have ever pleasd you.<br/>
</p>
<p>THESEUS.<br/>
These are strange Conjurings.</p>
<p>PERITHOUS.<br/>
Nay, then, Ile in too:<br/>
By all our friendship, Sir, by all our dangers,<br/>
By all you love most: warres and this sweet Lady.<br/>
</p>
<p>EMILIA.<br/>
By that you would have trembled to deny,<br/>
A blushing Maide.<br/>
</p>
<p>HIPPOLITA.<br/>
By your owne eyes: By strength,<br/>
In which you swore I went beyond all women,<br/>
Almost all men, and yet I yeelded, Theseus.<br/>
</p>
<p>PERITHOUS.<br/>
To crowne all this: By your most noble soule,<br/>
Which cannot want due mercie, I beg first.<br/>
</p>
<p>HIPPOLITA.<br/>
Next, heare my prayers.</p>
<p>EMILIA.<br/>
Last, let me intreate, Sir.</p>
<p>PERITHOUS.<br/>
For mercy.</p>
<p>HIPPOLITA.<br/>
Mercy.</p>
<p>EMILIA.<br/>
Mercy on these Princes.</p>
<p>THESEUS.<br/>
Ye make my faith reele: Say I felt<br/>
Compassion to'em both, how would you place it?<br/>
</p>
<p>EMILIA.<br/>
Vpon their lives: But with their banishments.</p>
<p>THESEUS.<br/>
You are a right woman, Sister; you have pitty,<br/>
But want the vnderstanding where to use it.<br/>
If you desire their lives, invent a way<br/>
Safer then banishment: Can these two live<br/>
And have the agony of love about 'em,<br/>
And not kill one another?  Every day<br/>
They'ld fight about you; howrely bring your honour<br/>
In publique question with their Swords.  Be wise, then,<br/>
And here forget 'em; it concernes your credit<br/>
And my oth equally: I have said they die;<br/>
Better they fall by'th law, then one another.<br/>
Bow not my honor.<br/>
</p>
<p>EMILIA.<br/>
O my noble Brother,<br/>
That oth was rashly made, and in your anger,<br/>
Your reason will not hold it; if such vowes<br/>
Stand for expresse will, all the world must perish.<br/>
Beside, I have another oth gainst yours,<br/>
Of more authority, I am sure more love,<br/>
Not made in passion neither, but good heede.<br/>
</p>
<p>THESEUS.<br/>
What is it, Sister?</p>
<p>PERITHOUS.<br/>
Vrge it home, brave Lady.</p>
<p>EMILIA.<br/>
That you would nev'r deny me any thing<br/>
Fit for my modest suit, and your free granting:<br/>
I tye you to your word now; if ye fall in't,<br/>
Thinke how you maime your honour,<br/>
(For now I am set a begging, Sir, I am deafe<br/>
To all but your compassion.)  How, their lives<br/>
Might breed the ruine of my name, Opinion!<br/>
Shall any thing that loves me perish for me?<br/>
That were a cruell wisedome; doe men proyne<br/>
The straight yong Bowes that blush with thousand Blossoms,<br/>
Because they may be rotten?  O Duke Theseus,<br/>
The goodly Mothers that have groand for these,<br/>
And all the longing Maides that ever lov'd,<br/>
If your vow stand, shall curse me and my Beauty,<br/>
And in their funerall songs for these two Cosens<br/>
Despise my crueltie, and cry woe worth me,<br/>
Till I am nothing but the scorne of women;<br/>
For heavens sake save their lives, and banish 'em.<br/>
</p>
<p>THESEUS.<br/>
On what conditions?</p>
<p>EMILIA.<br/>
Sweare'em never more<br/>
To make me their Contention, or to know me,<br/>
To tread upon thy Dukedome; and to be,<br/>
Where ever they shall travel, ever strangers<br/>
To one another.<br/>
</p>
<p>PALAMON.<br/>
Ile be cut a peeces<br/>
Before I take this oth: forget I love her?<br/>
O all ye gods dispise me, then!  Thy Banishment<br/>
I not mislike, so we may fairely carry<br/>
Our Swords and cause along: else, never trifle,<br/>
But take our lives, Duke: I must love and will,<br/>
And for that love must and dare kill this Cosen<br/>
On any peece the earth has.<br/>
</p>
<p>THESEUS.<br/>
Will you, Arcite,<br/>
Take these conditions?<br/>
</p>
<p>PALAMON.<br/>
He's a villaine, then.</p>
<p>PERITHOUS.<br/>
These are men.</p>
<p>ARCITE.<br/>
No, never, Duke: Tis worse to me than begging<br/>
To take my life so basely; though I thinke<br/>
I never shall enjoy her, yet ile preserve<br/>
The honour of affection, and dye for her,<br/>
Make death a Devill.<br/>
</p>
<p>THESEUS.<br/>
What may be done? for now I feele compassion.</p>
<p>PERITHOUS.<br/>
Let it not fall agen, Sir.</p>
<p>THESEUS.<br/>
Say, Emilia,<br/>
If one of them were dead, as one must, are you<br/>
Content to take th'other to your husband?<br/>
They cannot both enjoy you; They are Princes<br/>
As goodly as your owne eyes, and as noble<br/>
As ever fame yet spoke of; looke upon 'em,<br/>
And if you can love, end this difference.<br/>
I give consent; are you content too, Princes?<br/>
</p>
<p>BOTH.<br/>
With all our soules.</p>
<p>THESEUS.<br/>
He that she refuses<br/>
Must dye, then.<br/>
</p>
<p>BOTH.<br/>
Any death thou canst invent, Duke.</p>
<p>PALAMON.<br/>
If I fall from that mouth, I fall with favour,<br/>
And Lovers yet unborne shall blesse my ashes.<br/>
</p>
<p>ARCITE.<br/>
If she refuse me, yet my grave will wed me,<br/>
And Souldiers sing my Epitaph.<br/>
</p>
<p>THESEUS.<br/>
Make choice, then.</p>
<p>EMILIA.<br/>
I cannot, Sir, they are both too excellent:<br/>
For me, a hayre shall never fall of these men.<br/>
</p>
<p>HIPPOLITA.<br/>
What will become of 'em?</p>
<p>THESEUS.<br/>
Thus I ordaine it;<br/>
And by mine honor, once againe, it stands,<br/>
Or both shall dye:—You shall both to your Countrey,<br/>
And each within this moneth, accompanied<br/>
With three faire Knights, appeare againe in this place,<br/>
In which Ile plant a Pyramid; and whether,<br/>
Before us that are here, can force his Cosen<br/>
By fayre and knightly strength to touch the Pillar,<br/>
He shall enjoy her: the other loose his head,<br/>
And all his friends; Nor shall he grudge to fall,<br/>
Nor thinke he dies with interest in this Lady:<br/>
Will this content yee?<br/>
</p>
<p>PALAMON.<br/>
Yes: here, Cosen Arcite,<br/>
I am friends againe, till that howre.<br/>
</p>
<p>ARCITE.<br/>
I embrace ye.</p>
<p>THESEUS.<br/>
Are you content, Sister?</p>
<p>EMILIA.<br/>
Yes, I must, Sir,<br/>
Els both miscarry.<br/>
</p>
<p>THESEUS.<br/>
Come, shake hands againe, then;<br/>
And take heede, as you are Gentlemen, this Quarrell<br/>
Sleepe till the howre prefixt; and hold your course.<br/>
</p>
<p>PALAMON.<br/>
We dare not faile thee, Theseus.</p>
<p>THESEUS.<br/>
Come, Ile give ye<br/>
Now usage like to Princes, and to Friends:<br/>
When ye returne, who wins, Ile settle heere;<br/>
Who looses, yet Ile weepe upon his Beere.  [Exeunt.]<br/>
</p>
<h4>ACT IV</h4>
<h4><b>SCENE 1.  (Athens.  A room in the prison.)</b></h4>
<p>[Enter Iailor and his friend.]</p>
<p>IAILOR.<br/>
Heare you no more? was nothing saide of me<br/>
Concerning the escape of Palamon?<br/>
Good Sir, remember.<br/>
</p>
<p>1. FRIEND.<br/>
Nothing that I heard,<br/>
For I came home before the busines<br/>
Was fully ended: Yet I might perceive,<br/>
Ere I departed, a great likelihood<br/>
Of both their pardons: For Hipolita,<br/>
And faire-eyd Emilie, upon their knees<br/>
Begd with such hansom pitty, that the Duke<br/>
Me thought stood staggering, whether he should follow<br/>
His rash oth, or the sweet compassion<br/>
Of those two Ladies; and to second them,<br/>
That truely noble Prince Perithous,<br/>
Halfe his owne heart, set in too, that I hope<br/>
All shall be well: Neither heard I one question<br/>
Of your name or his scape.<br/>
</p>
<p>[Enter 2. Friend.]</p>
<p>IAILOR.<br/>
Pray heaven it hold so.</p>
<p>2. FRIEND.<br/>
Be of good comfort, man; I bring you newes,<br/>
Good newes.<br/>
</p>
<p>IAILOR.<br/>
They are welcome,</p>
<p>2. FRIEND.<br/>
Palamon has cleerd you,<br/>
And got your pardon, and discoverd how<br/>
And by whose meanes he escapt, which was your Daughters,<br/>
Whose pardon is procurd too; and the Prisoner,<br/>
Not to be held ungratefull to her goodnes,<br/>
Has given a summe of money to her Marriage,<br/>
A large one, ile assure you.<br/>
</p>
<p>IAILOR.<br/>
Ye are a good man<br/>
And ever bring good newes.<br/>
</p>
<p>1. FRIEND.<br/>
How was it ended?</p>
<p>2. FRIEND.<br/>
Why, as it should be; they that nev'r begd<br/>
But they prevaild, had their suites fairely granted,<br/>
The prisoners have their lives.<br/>
</p>
<p>1. FRIEND.<br/>
I knew t'would be so.</p>
<p>2. FRIEND.<br/>
But there be new conditions, which you'l heare of<br/>
At better time.<br/>
</p>
<p>IAILOR.<br/>
I hope they are good.</p>
<p>2. FRIEND.<br/>
They are honourable,<br/>
How good they'l prove, I know not.<br/>
</p>
<p>[Enter Wooer.]</p>
<p>1. FRIEND.<br/>
T'will be knowne.</p>
<p>WOOER.<br/>
Alas, Sir, wher's your Daughter?</p>
<p>IAILOR.<br/>
Why doe you aske?</p>
<p>WOOER.<br/>
O, Sir, when did you see her?</p>
<p>2. FRIEND.<br/>
How he lookes?</p>
<p>IAILOR.<br/>
This morning.</p>
<p>WOOER.<br/>
Was she well? was she in health, Sir?<br/>
When did she sleepe?<br/>
</p>
<p>1. FRIEND.<br/>
These are strange Questions.</p>
<p>IAILOR.<br/>
I doe not thinke she was very well, for now<br/>
You make me minde her, but this very day<br/>
I ask'd her questions, and she answered me<br/>
So farre from what she was, so childishly,<br/>
So sillily, as if she were a foole,<br/>
An Inocent, and I was very angry.<br/>
But what of her, Sir?<br/>
</p>
<p>WOOER.<br/>
Nothing but my pitty;<br/>
But you must know it, and as good by me<br/>
As by an other that lesse loves her—<br/>
</p>
<p>IAILOR.<br/>
Well, Sir.</p>
<p>1. FRIEND.<br/>
Not right?</p>
<p>2. FRIEND.<br/>
Not well?</p>
<p>WOOER.<br/>
No, Sir, not well.<br/>
Tis too true, she is mad.<br/>
</p>
<p>1. FRIEND.<br/>
It cannot be.</p>
<p>WOOER.<br/>
Beleeve, you'l finde it so.</p>
<p>IAILOR.<br/>
I halfe suspected<br/>
What you (have) told me: the gods comfort her:<br/>
Either this was her love to Palamon,<br/>
Or feare of my miscarrying on his scape,<br/>
Or both.<br/>
</p>
<p>WOOER.<br/>
Tis likely.</p>
<p>IAILOR.<br/>
But why all this haste, Sir?</p>
<p>WOOER.<br/>
Ile tell you quickly.  As I late was angling<br/>
In the great Lake that lies behind the Pallace,<br/>
From the far shore, thicke set with reedes and Sedges,<br/>
As patiently I was attending sport,<br/>
I heard a voyce, a shrill one, and attentive<br/>
I gave my eare, when I might well perceive<br/>
T'was one that sung, and by the smallnesse of it<br/>
A boy or woman.  I then left my angle<br/>
To his owne skill, came neere, but yet perceivd not<br/>
Who made the sound, the rushes and the Reeds<br/>
Had so encompast it: I laide me downe<br/>
And listned to the words she sung, for then,<br/>
Through a small glade cut by the Fisher men,<br/>
I saw it was your Daughter.<br/>
</p>
<p>IAILOR.<br/>
Pray, goe on, Sir?</p>
<p>WOOER.<br/>
She sung much, but no sence; onely I heard her<br/>
Repeat this often: 'Palamon is gone,<br/>
Is gone to'th wood to gather Mulberies;<br/>
Ile finde him out to morrow.'<br/>
</p>
<p>1. FRIEND.<br/>
Pretty soule.</p>
<p>WOOER.<br/>
'His shackles will betray him, hee'l be taken,<br/>
And what shall I doe then?  Ile bring a beavy,<br/>
A hundred blacke eyd Maides, that love as I doe,<br/>
With Chaplets on their heads of Daffadillies,<br/>
With cherry-lips, and cheekes of Damaske Roses,<br/>
And all wee'l daunce an Antique fore the Duke,<br/>
And beg his pardon.'  Then she talk'd of you, Sir;<br/>
That you must loose your head to morrow morning,<br/>
And she must gather flowers to bury you,<br/>
And see the house made handsome: then she sung<br/>
Nothing but 'Willow, willow, willow,' and betweene<br/>
Ever was, 'Palamon, faire Palamon,'<br/>
And 'Palamon was a tall yong man.'  The place<br/>
Was knee deepe where she sat; her careles Tresses<br/>
A wreathe of bull-rush rounded; about her stucke<br/>
Thousand fresh water flowers of severall cullors,<br/>
That me thought she appeard like the faire Nimph<br/>
That feedes the lake with waters, or as Iris<br/>
Newly dropt downe from heaven; Rings she made<br/>
Of rushes that grew by, and to 'em spoke<br/>
The prettiest posies: 'Thus our true love's tide,'<br/>
'This you may loose, not me,' and many a one:<br/>
And then she wept, and sung againe, and sigh'd,<br/>
And with the same breath smil'd, and kist her hand.<br/>
</p>
<p>2. FRIEND.<br/>
Alas, what pitty it is!</p>
<p>WOOER.<br/>
I made in to her.<br/>
She saw me, and straight sought the flood; I sav'd her,<br/>
And set her safe to land: when presently<br/>
She slipt away, and to the Citty made,<br/>
With such a cry and swiftnes, that, beleeve me,<br/>
Shee left me farre behinde her; three or foure<br/>
I saw from farre off crosse her, one of 'em<br/>
I knew to be your brother; where she staid,<br/>
And fell, scarce to be got away: I left them with her,  [Enter<br/>
Brother, Daughter, and others.]<br/>
And hether came to tell you.  Here they are.<br/>
</p>
<p>DAUGHTER.  [sings.]</p>
<p>May you never more enjoy the light, &amp;c.</p>
<p>Is not this a fine Song?</p>
<p>BROTHER.<br/>
O, a very fine one.</p>
<p>DAUGHTER.<br/>
I can sing twenty more.</p>
<p>BROTHER.<br/>
I thinke you can.</p>
<p>DAUGHTER.<br/>
Yes, truely, can I; I can sing the Broome,<br/>
And Bony Robin.  Are not you a tailour?<br/>
</p>
<p>BROTHER.<br/>
Yes.</p>
<p>DAUGHTER.<br/>
Wher's my wedding Gowne?</p>
<p>BROTHER.<br/>
Ile bring it to morrow.</p>
<p>DAUGHTER.<br/>
Doe, very rarely; I must be abroad else<br/>
To call the Maides, and pay the Minstrels,<br/>
For I must loose my Maydenhead by cock-light;<br/>
Twill never thrive else.<br/>
[Singes.]  O faire, oh sweete, &amp;c.<br/>
</p>
<p>BROTHER.<br/>
You must ev'n take it patiently.</p>
<p>IAILOR.<br/>
Tis true.</p>
<p>DAUGHTER.<br/>
Good ev'n, good men; pray, did you ever heare<br/>
Of one yong Palamon?<br/>
</p>
<p>IAILOR.<br/>
Yes, wench, we know him.</p>
<p>DAUGHTER.<br/>
Is't not a fine yong Gentleman?</p>
<p>IAILOR.<br/>
Tis Love.</p>
<p>BROTHER.<br/>
By no meane crosse her; she is then distemperd<br/>
Far worse then now she showes.<br/>
</p>
<p>1. FRIEND.<br/>
Yes, he's a fine man.</p>
<p>DAUGHTER.<br/>
O, is he so? you have a Sister?</p>
<p>1. FRIEND.<br/>
Yes.</p>
<p>DAUGHTER.<br/>
But she shall never have him, tell her so,<br/>
For a tricke that I know; y'had best looke to her,<br/>
For if she see him once, she's gone, she's done,<br/>
And undon in an howre.  All the young Maydes<br/>
Of our Towne are in love with him, but I laugh at 'em<br/>
And let 'em all alone; Is't not a wise course?<br/>
</p>
<p>1. FRIEND.<br/>
Yes.</p>
<p>DAUGHTER.<br/>
There is at least two hundred now with child by him—<br/>
There must be fowre; yet I keepe close for all this,<br/>
Close as a Cockle; and all these must be Boyes,<br/>
He has the tricke on't, and at ten yeares old<br/>
They must be all gelt for Musitians,<br/>
And sing the wars of Theseus.<br/>
</p>
<p>2. FRIEND.<br/>
This is strange.</p>
<p>DAUGHTER.<br/>
As ever you heard, but say nothing.</p>
<p>1. FRIEND.<br/>
No.</p>
<p>DAUGHTER.<br/>
They come from all parts of the Dukedome to him;<br/>
Ile warrant ye, he had not so few last night<br/>
As twenty to dispatch: hee'l tickl't up<br/>
In two howres, if his hand be in.<br/>
</p>
<p>IAILOR.<br/>
She's lost<br/>
Past all cure.<br/>
</p>
<p>BROTHER.<br/>
Heaven forbid, man.</p>
<p>DAUGHTER.<br/>
Come hither, you are a wise man.</p>
<p>1. FRIEND.<br/>
Do's she know him?</p>
<p>2. FRIEND.<br/>
No, would she did.</p>
<p>DAUGHTER.<br/>
You are master of a Ship?</p>
<p>IAILOR.<br/>
Yes.</p>
<p>DAUGHTER.<br/>
Wher's your Compasse?</p>
<p>IAILOR.<br/>
Heere.</p>
<p>DAUGHTER.<br/>
Set it too'th North.<br/>
And now direct your course to'th wood, wher Palamon<br/>
Lyes longing for me; For the Tackling<br/>
Let me alone; Come, waygh, my hearts, cheerely!<br/>
</p>
<p>ALL.<br/>
Owgh, owgh, owgh, tis up, the wind's faire,<br/>
Top the Bowling, out with the maine saile;<br/>
Wher's your Whistle, Master?<br/>
</p>
<p>BROTHER.<br/>
Lets get her in.</p>
<p>IAILOR.<br/>
Vp to the top, Boy.</p>
<p>BROTHER.<br/>
Wher's the Pilot?</p>
<p>1. FRIEND.<br/>
Heere.</p>
<p>DAUGHTER.<br/>
What ken'st thou?</p>
<p>2. FRIEND.<br/>
A faire wood.</p>
<p>DAUGHTER.<br/>
Beare for it, master: take about!  [Singes.]<br/>
When Cinthia with her borrowed light, &amp;c.  [Exeunt.]<br/>
</p>
<h4><b>SCENE 2.  (A Room in the Palace.)</b></h4>
<p>[Enter Emilia alone, with 2. Pictures.]</p>
<p>EMILIA.<br/>
Yet I may binde those wounds up, that must open<br/>
And bleed to death for my sake else; Ile choose,<br/>
And end their strife: Two such yong hansom men<br/>
Shall never fall for me, their weeping Mothers,<br/>
Following the dead cold ashes of their Sonnes,<br/>
Shall never curse my cruelty.  Good heaven,<br/>
What a sweet face has Arcite! if wise nature,<br/>
With all her best endowments, all those beuties<br/>
She sowes into the birthes of noble bodies,<br/>
Were here a mortall woman, and had in her<br/>
The coy denialls of yong Maydes, yet doubtles,<br/>
She would run mad for this man: what an eye,<br/>
Of what a fyry sparkle, and quick sweetnes,<br/>
Has this yong Prince!  Here Love himselfe sits smyling,<br/>
Iust such another wanton Ganimead<br/>
Set Jove a fire with, and enforcd the god<br/>
Snatch up the goodly Boy, and set him by him<br/>
A shining constellation: What a brow,<br/>
Of what a spacious Majesty, he carries!<br/>
Arch'd like the great eyd Iuno's, but far sweeter,<br/>
Smoother then Pelops Shoulder!  Fame and honour,<br/>
Me thinks, from hence, as from a Promontory<br/>
Pointed in heaven, should clap their wings, and sing<br/>
To all the under world the Loves and Fights<br/>
Of gods, and such men neere 'em.  Palamon<br/>
Is but his foyle, to him a meere dull shadow:<br/>
Hee's swarth and meagre, of an eye as heavy<br/>
As if he had lost his mother; a still temper,<br/>
No stirring in him, no alacrity,<br/>
Of all this sprightly sharpenes not a smile;<br/>
Yet these that we count errours may become him:<br/>
Narcissus was a sad Boy, but a heavenly:—<br/>
Oh who can finde the bent of womans fancy?<br/>
I am a Foole, my reason is lost in me;<br/>
I have no choice, and I have ly'd so lewdly<br/>
That women ought to beate me.  On my knees<br/>
I aske thy pardon, Palamon; thou art alone,<br/>
And only beutifull, and these the eyes,<br/>
These the bright lamps of beauty, that command<br/>
And threaten Love, and what yong Mayd dare crosse 'em?<br/>
What a bold gravity, and yet inviting,<br/>
Has this browne manly face!  O Love, this only<br/>
From this howre is Complexion: Lye there, Arcite,<br/>
Thou art a changling to him, a meere Gipsey,<br/>
And this the noble Bodie.  I am sotted,<br/>
Vtterly lost: My Virgins faith has fled me;<br/>
For if my brother but even now had ask'd me<br/>
Whether I lov'd, I had run mad for Arcite;<br/>
Now, if my Sister, More for Palamon.<br/>
Stand both together: Now, come aske me, Brother.—<br/>
Alas, I know not!  Aske me now, sweet Sister;—<br/>
I may goe looke.  What a meere child is Fancie,<br/>
That, having two faire gawdes of equall sweetnesse,<br/>
Cannot distinguish, but must crie for both.<br/>
</p>
<p>[Enter (a) Gent(leman.)]</p>
<p>EMILIA.<br/>
How now, Sir?</p>
<p>GENTLEMAN.<br/>
From the Noble Duke your Brother,<br/>
Madam, I bring you newes: The Knights are come.<br/>
</p>
<p>EMILIA.<br/>
To end the quarrell?</p>
<p>GENTLEMAN.<br/>
Yes.</p>
<p>EMILIA.<br/>
Would I might end first:<br/>
What sinnes have I committed, chast Diana,<br/>
That my unspotted youth must now be soyld<br/>
With blood of Princes? and my Chastitie<br/>
Be made the Altar, where the lives of Lovers<br/>
(Two greater and two better never yet<br/>
Made mothers joy) must be the sacrifice<br/>
To my unhappy Beautie?<br/>
</p>
<p>[Enter Theseus, Hipolita, Perithous and attendants.]</p>
<p>THESEUS.<br/>
Bring 'em in<br/>
Quickly, By any meanes; I long to see 'em.—<br/>
Your two contending Lovers are return'd,<br/>
And with them their faire Knights: Now, my faire Sister,<br/>
You must love one of them.<br/>
</p>
<p>EMILIA.<br/>
I had rather both,<br/>
So neither for my sake should fall untimely.<br/>
</p>
<p>[Enter Messenger.  (Curtis.)]</p>
<p>THESEUS.<br/>
Who saw 'em?</p>
<p>PERITHOUS.<br/>
I, a while.</p>
<p>GENTLEMAN.<br/>
And I.</p>
<p>THESEUS.<br/>
From whence come you, Sir?</p>
<p>MESSENGER.<br/>
From the Knights.</p>
<p>THESEUS.<br/>
Pray, speake,<br/>
You that have seene them, what they are.<br/>
</p>
<p>MESSENGER.<br/>
I will, Sir,<br/>
And truly what I thinke: Six braver spirits<br/>
Then these they have brought, (if we judge by the outside)<br/>
I never saw, nor read of.  He that stands<br/>
In the first place with Arcite, by his seeming,<br/>
Should be a stout man, by his face a Prince,<br/>
(His very lookes so say him) his complexion,<br/>
Nearer a browne, than blacke, sterne, and yet noble,<br/>
Which shewes him hardy, fearelesse, proud of dangers:<br/>
The circles of his eyes show fire within him,<br/>
And as a heated Lyon, so he lookes;<br/>
His haire hangs long behind him, blacke and shining<br/>
Like Ravens wings: his shoulders broad and strong,<br/>
Armd long and round, and on his Thigh a Sword<br/>
Hung by a curious Bauldricke, when he frownes<br/>
To seale his will with: better, o'my conscience<br/>
Was never Souldiers friend.<br/>
</p>
<p>THESEUS.<br/>
Thou ha'st well describde him.</p>
<p>PERITHOUS.<br/>
Yet a great deale short,<br/>
Me thinkes, of him that's first with Palamon.<br/>
</p>
<p>THESEUS.<br/>
Pray, speake him, friend.</p>
<p>PERITHOUS.<br/>
I ghesse he is a Prince too,<br/>
And, if it may be, greater; for his show<br/>
Has all the ornament of honour in't:<br/>
Hee's somewhat bigger, then the Knight he spoke of,<br/>
But of a face far sweeter; His complexion<br/>
Is (as a ripe grape) ruddy: he has felt,<br/>
Without doubt, what he fights for, and so apter<br/>
To make this cause his owne: In's face appeares<br/>
All the faire hopes of what he undertakes,<br/>
And when he's angry, then a setled valour<br/>
(Not tainted with extreames) runs through his body,<br/>
And guides his arme to brave things: Feare he cannot,<br/>
He shewes no such soft temper; his head's yellow,<br/>
Hard hayr'd, and curld, thicke twind like Ivy tods,<br/>
Not to undoe with thunder; In his face<br/>
The liverie of the warlike Maide appeares,<br/>
Pure red, and white, for yet no beard has blest him.<br/>
And in his rowling eyes sits victory,<br/>
As if she ever ment to court his valour:<br/>
His Nose stands high, a Character of honour.<br/>
His red lips, after fights, are fit for Ladies.<br/>
</p>
<p>EMILIA.<br/>
Must these men die too?</p>
<p>PERITHOUS.<br/>
When he speakes, his tongue<br/>
Sounds like a Trumpet; All his lyneaments<br/>
Are as a man would wish 'em, strong and cleane,<br/>
He weares a well-steeld Axe, the staffe of gold;<br/>
His age some five and twenty.<br/>
</p>
<p>MESSENGER.<br/>
Ther's another,<br/>
A little man, but of a tough soule, seeming<br/>
As great as any: fairer promises<br/>
In such a Body yet I never look'd on.<br/>
</p>
<p>PERITHOUS.<br/>
O, he that's freckle fac'd?</p>
<p>MESSENGER.<br/>
The same, my Lord;<br/>
Are they not sweet ones?<br/>
</p>
<p>PERITHOUS.<br/>
Yes, they are well.</p>
<p>MESSENGER.<br/>
Me thinkes,<br/>
Being so few, and well disposd, they show<br/>
Great, and fine art in nature: he's white hair'd,<br/>
Not wanton white, but such a manly colour<br/>
Next to an aborne; tough, and nimble set,<br/>
Which showes an active soule; his armes are brawny,<br/>
Linde with strong sinewes: To the shoulder peece<br/>
Gently they swell, like women new conceav'd,<br/>
Which speakes him prone to labour, never fainting<br/>
Vnder the waight of Armes; stout harted, still,<br/>
But when he stirs, a Tiger; he's gray eyd,<br/>
Which yeelds compassion where he conquers: sharpe<br/>
To spy advantages, and where he finds 'em,<br/>
He's swift to make 'em his: He do's no wrongs,<br/>
Nor takes none; he's round fac'd, and when he smiles<br/>
He showes a Lover, when he frownes, a Souldier:<br/>
About his head he weares the winners oke,<br/>
And in it stucke the favour of his Lady:<br/>
His age, some six and thirtie.  In his hand<br/>
He beares a charging Staffe, embost with silver.<br/>
</p>
<p>THESEUS.<br/>
Are they all thus?</p>
<p>PERITHOUS.<br/>
They are all the sonnes of honour.</p>
<p>THESEUS.<br/>
Now, as I have a soule, I long to see'em.<br/>
Lady, you shall see men fight now.<br/>
</p>
<p>HIPPOLITA.<br/>
I wish it,<br/>
But not the cause, my Lord; They would show<br/>
Bravely about the Titles of two Kingdomes;<br/>
Tis pitty Love should be so tyrannous:<br/>
O my soft harted Sister, what thinke you?<br/>
Weepe not, till they weepe blood, Wench; it must be.<br/>
</p>
<p>THESEUS.<br/>
You have steel'd 'em with your Beautie.—Honord Friend,<br/>
To you I give the Feild; pray, order it<br/>
Fitting the persons that must use it.<br/>
</p>
<p>PERITHOUS.<br/>
Yes, Sir.</p>
<p>THESEUS.<br/>
Come, Ile goe visit 'em: I cannot stay,<br/>
Their fame has fir'd me so; Till they appeare.<br/>
Good Friend, be royall.<br/>
</p>
<p>PERITHOUS.<br/>
There shall want no bravery.</p>
<p>EMILIA.<br/>
Poore wench, goe weepe, for whosoever wins,<br/>
Looses a noble Cosen for thy sins.  [Exeunt.]<br/>
</p>
<h4><b>SCENE 3.  (A room in the prison.)</b></h4>
<p>[Enter Iailor, Wooer, Doctor.]</p>
<p>DOCTOR.<br/>
Her distraction is more at some time of the Moone, then at other
some, is it not?</p>
<p>IAILOR.<br/>
She is continually in a harmelesse distemper, sleepes little,
altogether without appetite, save often drinking, dreaming of
another world, and a better; and what broken peece of matter
so'ere she's about, the name Palamon lardes it, that she farces
ev'ry busines withall, fyts it to every question.—</p>
<p>[Enter Daughter.]</p>
<p>Looke where shee comes, you shall perceive her behaviour.</p>
<p>DAUGHTER.<br/>
I have forgot it quite; The burden on't, was DOWNE A, DOWNE A,
and pend by no worse man, then Giraldo, Emilias Schoolemaster;
he's as Fantasticall too, as ever he may goe upon's legs,—for
in the next world will Dido see Palamon, and then will she be
out of love with Eneas.</p>
<p>DOCTOR.<br/>
What stuff's here? pore soule!</p>
<p>IAILOR.<br/>
Ev'n thus all day long.</p>
<p>DAUGHTER.<br/>
Now for this Charme, that I told you of: you must bring a peece
of silver on the tip of your tongue, or no ferry: then, if it be
your chance to come where the blessed spirits, as ther's a sight
now—we maids that have our Lyvers perish'd, crakt to peeces with
Love, we shall come there, and doe nothing all day long but picke
flowers with Proserpine; then will I make Palamon a Nosegay; then
let him marke me,—then—</p>
<p>DOCTOR.<br/>
How prettily she's amisse? note her a little further.</p>
<p>DAUGHTER.<br/>
Faith, ile tell you, sometime we goe to Barly breake, we of the
blessed; alas, tis a sore life they have i'th other place, such
burning, frying, boyling, hissing, howling, chattring, cursing,
oh they have shrowd measure! take heede; if one be mad, or hang
or drowne themselves, thither they goe, Iupiter blesse vs, and
there shall we be put in a Caldron of lead, and Vsurers grease,
amongst a whole million of cutpurses, and there boyle like a
Gamon
of Bacon that will never be enough.  [Exit.]</p>
<p>DOCTOR.<br/>
How her braine coynes!</p>
<p>DAUGHTER.<br/>
Lords and Courtiers, that have got maids with Child, they are in
this place: they shall stand in fire up to the Nav'le, and in yce
up to'th hart, and there th'offending part burnes, and the
deceaving part freezes; in troth, a very greevous punishment, as
one would thinke, for such a Trifle; beleve me, one would marry a
leaprous witch, to be rid on't, Ile assure you.</p>
<p>DOCTOR.<br/>
How she continues this fancie!  Tis not an engraffed Madnesse,
but a most thicke, and profound mellencholly.</p>
<p>DAUGHTER.<br/>
To heare there a proud Lady, and a proud Citty wiffe, howle
together! I were a beast and il'd call it good sport: one cries,
'O this smoake!' another, 'this fire!'  One cries, 'O, that ever
I did it behind the arras!' and then howles; th'other curses a
suing fellow and her garden house.  [Sings]  I will be true, my
stars, my fate, &amp;c.  [Exit Daugh.]</p>
<p>IAILOR.<br/>
What thinke you of her, Sir?</p>
<p>DOCTOR.<br/>
I thinke she has a perturbed minde, which I cannot minister to.</p>
<p>IAILOR.<br/>
Alas, what then?</p>
<p>DOCTOR.<br/>
Vnderstand you, she ever affected any man, ere she beheld<br/>
Palamon?<br/>
</p>
<p>IAILOR.<br/>
I was once, Sir, in great hope she had fixd her liking on this
gentleman, my friend.</p>
<p>WOOER.<br/>
I did thinke so too, and would account I had a great pen-worth
on't, to give halfe my state, that both she and I at this present
stood unfainedly on the same tearmes.</p>
<p>DOCTOR.<br/>
That intemprat surfeit of her eye hath distemperd the other sences:
they may returne and settle againe to execute their preordaind
faculties, but they are now in a most extravagant vagary.  This
you must doe: Confine her to a place, where the light may rather
seeme to steale in, then be permitted; take vpon you (yong Sir,
her friend) the name of Palamon; say you come to eate with her,
and to commune of Love; this will catch her attention, for this
her minde beates upon; other objects that are inserted tweene her
minde and eye become the prankes and friskins of her madnes; Sing
to her such greene songs of Love, as she sayes Palamon hath sung
in prison; Come to her, stucke in as sweet flowers as the season
is mistres of, and thereto make an addition of som other compounded
odours, which are grateful to the sence: all this shall become
Palamon, for Palamon can sing, and Palamon is sweet, and ev'ry
good thing: desire to eate with her, carve her, drinke to her,
and still among, intermingle your petition of grace and acceptance
into her favour: Learne what Maides have beene her companions and
play-pheeres, and let them repaire to her with Palamon in their
mouthes, and appeare with tokens, as if they suggested for him.
It is a falsehood she is in, which is with falsehood to be combated.
This may bring her to eate, to sleepe, and reduce what's now out
of square in her, into their former law, and regiment; I have seene
it approved, how many times I know not, but to make the number more,
I have great hope in this.  I will, betweene the passages of this
project, come in with my applyance: Let us put it in execution,
and hasten the successe, which, doubt not, will bring forth
comfort.  [Florish.  Exeunt.]</p>
<h4>ACT V</h4>
<h4><b>SCENE 1.  (Before the Temples of Mars, Venus, and Diana.)</b></h4>
<p>[Enter Thesius, Perithous, Hipolita, attendants.]</p>
<p>THESEUS.<br/>
Now let'em enter, and before the gods<br/>
Tender their holy prayers: Let the Temples<br/>
Burne bright with sacred fires, and the Altars<br/>
In hallowed clouds commend their swelling Incense<br/>
To those above us: Let no due be wanting;  [Florish of Cornets.]<br/>
They have a noble worke in hand, will honour<br/>
The very powers that love 'em.<br/>
</p>
<p>[Enter Palamon and Arcite, and their Knights.]</p>
<p>PERITHOUS.<br/>
Sir, they enter.</p>
<p>THESEUS.<br/>
You valiant and strong harted Enemies,<br/>
You royall German foes, that this day come<br/>
To blow that furnesse out that flames betweene ye:<br/>
Lay by your anger for an houre, and dove-like,<br/>
Before the holy Altars of your helpers,<br/>
(The all feard gods) bow downe your stubborne bodies.<br/>
Your ire is more than mortall; So your helpe be,<br/>
And as the gods regard ye, fight with Iustice;<br/>
Ile leave you to your prayers, and betwixt ye<br/>
I part my wishes.<br/>
</p>
<p>PERITHOUS.<br/>
Honour crowne the worthiest.  [Exit Theseus, and his traine.]</p>
<p>PALAMON.<br/>
The glasse is running now that cannot finish<br/>
Till one of us expire: Thinke you but thus,<br/>
That were there ought in me which strove to show<br/>
Mine enemy in this businesse, wer't one eye<br/>
Against another, Arme opprest by Arme,<br/>
I would destroy th'offender, Coz, I would,<br/>
Though parcell of my selfe: Then from this gather<br/>
How I should tender you.<br/>
</p>
<p>ARCITE.<br/>
I am in labour<br/>
To push your name, your auncient love, our kindred<br/>
Out of my memory; and i'th selfe same place<br/>
To seate something I would confound: So hoyst we<br/>
The sayles, that must these vessells port even where<br/>
The heavenly Lymiter pleases.<br/>
</p>
<p>PALAMON.<br/>
You speake well;<br/>
Before I turne, Let me embrace thee, Cosen:<br/>
This I shall never doe agen.<br/>
</p>
<p>ARCITE.<br/>
One farewell.</p>
<p>PALAMON.<br/>
Why, let it be so: Farewell, Coz.  [Exeunt Palamon and his<br/>
Knights.]<br/>
</p>
<p>ARCITE.<br/>
Farewell, Sir.—<br/>
Knights, Kinsemen, Lovers, yea, my Sacrifices,<br/>
True worshippers of Mars, whose spirit in you<br/>
Expells the seedes of feare, and th'apprehension<br/>
Which still is farther off it, Goe with me<br/>
Before the god of our profession: There<br/>
Require of him the hearts of Lyons, and<br/>
The breath of Tigers, yea, the fearcenesse too,<br/>
Yea, the speed also,—to goe on, I meane,<br/>
Else wish we to be Snayles: you know my prize<br/>
Must be drag'd out of blood; force and great feate<br/>
Must put my Garland on, where she stickes<br/>
The Queene of Flowers: our intercession then<br/>
Must be to him that makes the Campe a Cestron<br/>
Brymd with the blood of men: give me your aide<br/>
And bend your spirits towards him.  [They kneele.]<br/>
Thou mighty one, that with thy power hast turnd<br/>
Greene Neptune into purple, (whose Approach)<br/>
Comets prewarne, whose havocke in vaste Feild<br/>
Vnearthed skulls proclaime, whose breath blowes downe,<br/>
The teeming Ceres foyzon, who doth plucke<br/>
With hand armypotent from forth blew clowdes<br/>
The masond Turrets, that both mak'st and break'st<br/>
The stony girthes of Citties: me thy puple,<br/>
Yongest follower of thy Drom, instruct this day<br/>
With military skill, that to thy lawde<br/>
I may advance my Streamer, and by thee,<br/>
Be stil'd the Lord o'th day: give me, great Mars,<br/>
Some token of thy pleasure.<br/>
</p>
<p>[Here they fall on their faces as formerly, and there is heard<br/>
clanging of Armor, with a short Thunder as the burst of a<br/>
Battaile,<br/>
whereupon they all rise and bow to the Altar.]<br/>
</p>
<p>O Great Corrector of enormous times,<br/>
Shaker of ore-rank States, thou grand decider<br/>
Of dustie and old tytles, that healst with blood<br/>
The earth when it is sicke, and curst the world<br/>
O'th pluresie of people; I doe take<br/>
Thy signes auspiciously, and in thy name<br/>
To my designe march boldly.  Let us goe.  [Exeunt.]<br/>
</p>
<p>[Enter Palamon and his Knights, with the former observance.]</p>
<p>PALAMON.<br/>
Our stars must glister with new fire, or be<br/>
To daie extinct; our argument is love,<br/>
Which if the goddesse of it grant, she gives<br/>
Victory too: then blend your spirits with mine,<br/>
You, whose free noblenesse doe make my cause<br/>
Your personall hazard; to the goddesse Venus<br/>
Commend we our proceeding, and implore<br/>
Her power unto our partie.  [Here they kneele as formerly.]<br/>
Haile, Soveraigne Queene of secrets, who hast power<br/>
To call the feircest Tyrant from his rage,<br/>
And weepe unto a Girle; that ha'st the might,<br/>
Even with an ey-glance, to choke Marsis Drom<br/>
And turne th'allarme to whispers; that canst make<br/>
A Criple florish with his Crutch, and cure him<br/>
Before Apollo; that may'st force the King<br/>
To be his subjects vassaile, and induce<br/>
Stale gravitie to daunce; the pould Bachelour—<br/>
Whose youth, like wonton Boyes through Bonfyres,<br/>
Have skipt thy flame—at seaventy thou canst catch<br/>
And make him, to the scorne of his hoarse throate,<br/>
Abuse yong laies of love: what godlike power<br/>
Hast thou not power upon?  To Phoebus thou<br/>
Add'st flames hotter then his; the heavenly fyres<br/>
Did scortch his mortall Son, thine him; the huntresse<br/>
All moyst and cold, some say, began to throw<br/>
Her Bow away, and sigh.  Take to thy grace<br/>
Me, thy vowd Souldier, who doe beare thy yoke<br/>
As t'wer a wreath of Roses, yet is heavier<br/>
Then Lead it selfe, stings more than Nettles.<br/>
I have never beene foule mouthd against thy law,<br/>
Nev'r reveald secret, for I knew none—would not,<br/>
Had I kend all that were; I never practised<br/>
Vpon mans wife, nor would the Libells reade<br/>
Of liberall wits; I never at great feastes<br/>
Sought to betray a Beautie, but have blush'd<br/>
At simpring Sirs that did; I have beene harsh<br/>
To large Confessors, and have hotly ask'd them<br/>
If they had Mothers: I had one, a woman,<br/>
And women t'wer they wrong'd.  I knew a man<br/>
Of eightie winters, this I told them, who<br/>
A Lasse of foureteene brided; twas thy power<br/>
To put life into dust; the aged Crampe<br/>
Had screw'd his square foote round,<br/>
The Gout had knit his fingers into knots,<br/>
Torturing Convulsions from his globie eyes,<br/>
Had almost drawne their spheeres, that what was life<br/>
In him seem'd torture: this Anatomie<br/>
Had by his yong faire pheare a Boy, and I<br/>
Beleev'd it was him, for she swore it was,<br/>
And who would not beleeve her? briefe, I am<br/>
To those that prate and have done no Companion;<br/>
To those that boast and have not a defyer;<br/>
To those that would and cannot a Rejoycer.<br/>
Yea, him I doe not love, that tells close offices<br/>
The fowlest way, nor names concealements in<br/>
The boldest language: such a one I am,<br/>
And vow that lover never yet made sigh<br/>
Truer then I.  O, then, most soft, sweet goddesse,<br/>
Give me the victory of this question, which<br/>
Is true loves merit, and blesse me with a signe<br/>
Of thy great pleasure.<br/>
</p>
<p>[Here Musicke is heard, Doves are seene to flutter; they fall<br/>
againe upon their faces, then on their knees.]<br/>
</p>
<p>PALAMON.<br/>
O thou, that from eleven to ninetie raign'st<br/>
In mortall bosomes, whose chase is this world,<br/>
And we in heards thy game: I give thee thankes<br/>
For this faire Token, which, being layd unto<br/>
Mine innocent true heart, armes in assurance  [They bow.]<br/>
My body to this businesse.  Let us rise<br/>
And bow before the goddesse: Time comes on.  [Exeunt.]<br/>
</p>
<p>[Still Musicke of Records.]</p>
<p>[Enter Emilia in white, her haire about her shoulders, (wearing) a
wheaten wreath: One in white holding up her traine, her haire stucke
with flowers: One before her carrying a silver Hynde, in which is
conveyd Incense and sweet odours, which being set upon the Altar
(of Diana) her maides standing a loofe, she sets fire to it; then
they curtsey and kneele.]</p>
<p>EMILIA.<br/>
O sacred, shadowie, cold and constant Queene,<br/>
Abandoner of Revells, mute, contemplative,<br/>
Sweet, solitary, white as chaste, and pure<br/>
As windefand Snow, who to thy femall knights<br/>
Alow'st no more blood than will make a blush,<br/>
Which is their orders robe: I heere, thy Priest,<br/>
Am humbled fore thine Altar; O vouchsafe,<br/>
With that thy rare greene eye, which never yet<br/>
Beheld thing maculate, looke on thy virgin;<br/>
And, sacred silver Mistris, lend thine eare<br/>
(Which nev'r heard scurrill terme, into whose port<br/>
Ne're entred wanton found,) to my petition<br/>
Seasond with holy feare: This is my last<br/>
Of vestall office; I am bride habited,<br/>
But mayden harted, a husband I have pointed,<br/>
But doe not know him; out of two I should<br/>
Choose one and pray for his successe, but I<br/>
Am guiltlesse of election: of mine eyes,<br/>
Were I to loose one, they are equall precious,<br/>
I could doombe neither, that which perish'd should<br/>
Goe too't unsentenc'd: Therefore, most modest Queene,<br/>
He of the two Pretenders, that best loves me<br/>
And has the truest title in't, Let him<br/>
Take off my wheaten Gerland, or else grant<br/>
The fyle and qualitie I hold, I may<br/>
Continue in thy Band.<br/>
</p>
<p>[Here the Hynde vanishes under the Altar: and in the place ascends<br/>
a Rose Tree, having one Rose upon it.]<br/>
</p>
<p>See what our Generall of Ebbs and Flowes<br/>
Out from the bowells of her holy Altar<br/>
With sacred act advances!  But one Rose:<br/>
If well inspird, this Battaile shal confound<br/>
Both these brave Knights, and I, a virgin flowre<br/>
Must grow alone unpluck'd.<br/>
</p>
<p>[Here is heard a sodaine twang of Instruments, and the Rose fals\<br/>
from the Tree (which vanishes under the altar.)]<br/>
</p>
<p>The flowre is falne, the Tree descends: O, Mistris,<br/>
Thou here dischargest me; I shall be gather'd:<br/>
I thinke so, but I know not thine owne will;<br/>
Vnclaspe thy Misterie.—I hope she's pleas'd,<br/>
Her Signes were gratious.  [They curtsey and Exeunt.]<br/>
</p>
<h4><b>SCENE 2.  (A darkened Room in the Prison.)</b></h4>
<p>[Enter Doctor, Iaylor and Wooer, in habite of Palamon.]</p>
<p>DOCTOR.<br/>
Has this advice I told you, done any good upon her?</p>
<p>WOOER.<br/>
O very much; The maids that kept her company<br/>
Have halfe perswaded her that I am Palamon;<br/>
Within this halfe houre she came smiling to me,<br/>
And asked me what I would eate, and when I would kisse her:<br/>
I told her presently, and kist her twice.<br/>
</p>
<p>DOCTOR.<br/>
Twas well done; twentie times had bin far better,<br/>
For there the cure lies mainely.<br/>
</p>
<p>WOOER.<br/>
Then she told me<br/>
She would watch with me to night, for well she knew<br/>
What houre my fit would take me.<br/>
</p>
<p>DOCTOR.<br/>
Let her doe so,<br/>
And when your fit comes, fit her home,<br/>
And presently.<br/>
</p>
<p>WOOER.<br/>
She would have me sing.</p>
<p>DOCTOR.<br/>
You did so?</p>
<p>WOOER.<br/>
No.</p>
<p>DOCTOR.<br/>
Twas very ill done, then;<br/>
You should observe her ev'ry way.<br/>
</p>
<p>WOOER.<br/>
Alas,<br/>
I have no voice, Sir, to confirme her that way.<br/>
</p>
<p>DOCTOR.<br/>
That's all one, if yee make a noyse;<br/>
If she intreate againe, doe any thing,—<br/>
Lye with her, if she aske you.<br/>
</p>
<p>IAILOR.<br/>
Hoa, there, Doctor!</p>
<p>DOCTOR.<br/>
Yes, in the waie of cure.</p>
<p>IAILOR.<br/>
But first, by your leave,<br/>
I'th way of honestie.<br/>
</p>
<p>DOCTOR.<br/>
That's but a nicenesse,<br/>
Nev'r cast your child away for honestie;<br/>
Cure her first this way, then if shee will be honest,<br/>
She has the path before her.<br/>
</p>
<p>IAILOR.<br/>
Thanke yee, Doctor.</p>
<p>DOCTOR.<br/>
Pray, bring her in,<br/>
And let's see how shee is.<br/>
</p>
<p>IAILOR.<br/>
I will, and tell her<br/>
Her Palamon staies for her: But, Doctor,<br/>
Me thinkes you are i'th wrong still.  [Exit Iaylor.]<br/>
</p>
<p>DOCTOR.<br/>
Goe, goe:<br/>
You Fathers are fine Fooles: her honesty?<br/>
And we should give her physicke till we finde that—<br/>
</p>
<p>WOOER.<br/>
Why, doe you thinke she is not honest, Sir?</p>
<p>DOCTOR.<br/>
How old is she?</p>
<p>WOOER.<br/>
She's eighteene.</p>
<p>DOCTOR.<br/>
She may be,<br/>
But that's all one; tis nothing to our purpose.<br/>
What ere her Father saies, if you perceave<br/>
Her moode inclining that way that I spoke of,<br/>
Videlicet, the way of flesh—you have me?<br/>
</p>
<p>WOOER.<br/>
Yet, very well, Sir.</p>
<p>DOCTOR.<br/>
Please her appetite,<br/>
And doe it home; it cures her, ipso facto,<br/>
The mellencholly humour that infects her.<br/>
</p>
<p>WOOER.<br/>
I am of your minde, Doctor.</p>
<p>[Enter Iaylor, Daughter, Maide.]</p>
<p>DOCTOR.<br/>
You'l finde it so; she comes, pray humour her.</p>
<p>IAILOR.<br/>
Come, your Love Palamon staies for you, childe,<br/>
And has done this long houre, to visite you.<br/>
</p>
<p>DAUGHTER.<br/>
I thanke him for his gentle patience;<br/>
He's a kind Gentleman, and I am much bound to him.<br/>
Did you nev'r see the horse he gave me?<br/>
</p>
<p>IAILOR.<br/>
Yes.</p>
<p>DAUGHTER.<br/>
How doe you like him?</p>
<p>IAILOR.<br/>
He's a very faire one.</p>
<p>DAUGHTER.<br/>
You never saw him dance?</p>
<p>IAILOR.<br/>
No.</p>
<p>DAUGHTER.<br/>
I have often.<br/>
He daunces very finely, very comely,<br/>
And for a Iigge, come cut and long taile to him,<br/>
He turnes ye like a Top.<br/>
</p>
<p>IAILOR.<br/>
That's fine, indeede.</p>
<p>DAUGHTER.<br/>
Hee'l dance the Morris twenty mile an houre,<br/>
And that will founder the best hobby-horse<br/>
(If I have any skill) in all the parish,<br/>
And gallops to the turne of LIGHT A' LOVE:<br/>
What thinke you of this horse?<br/>
</p>
<p>IAILOR.<br/>
Having these vertues,<br/>
I thinke he might be broght to play at Tennis.<br/>
</p>
<p>DAUGHTER.<br/>
Alas, that's nothing.</p>
<p>IAILOR.<br/>
Can he write and reade too?</p>
<p>DAUGHTER.<br/>
A very faire hand, and casts himselfe th'accounts<br/>
Of all his hay and provender: That Hostler<br/>
Must rise betime that cozens him.  You know<br/>
The Chestnut Mare the Duke has?<br/>
</p>
<p>IAILOR.<br/>
Very well.</p>
<p>DAUGHTER.<br/>
She is horribly in love with him, poore beast,<br/>
But he is like his master, coy and scornefull.<br/>
</p>
<p>IAILOR.<br/>
What dowry has she?</p>
<p>DAUGHTER.<br/>
Some two hundred Bottles,<br/>
And twenty strike of Oates; but hee'l ne're have her;<br/>
He lispes in's neighing, able to entice<br/>
A Millars Mare: Hee'l be the death of her.<br/>
</p>
<p>DOCTOR.<br/>
What stuffe she utters!</p>
<p>IAILOR.<br/>
Make curtsie; here your love comes.</p>
<p>WOOER.<br/>
Pretty soule,<br/>
How doe ye? that's a fine maide, ther's a curtsie!<br/>
</p>
<p>DAUGHTER.<br/>
Yours to command ith way of honestie.<br/>
How far is't now to'th end o'th world, my Masters?<br/>
</p>
<p>DOCTOR.<br/>
Why, a daies Iorney, wench.</p>
<p>DAUGHTER.<br/>
Will you goe with me?</p>
<p>WOOER.<br/>
What shall we doe there, wench?</p>
<p>DAUGHTER.<br/>
Why, play at stoole ball:<br/>
What is there else to doe?<br/>
</p>
<p>WOOER.<br/>
I am content,<br/>
If we shall keepe our wedding there.<br/>
</p>
<p>DAUGHTER.<br/>
Tis true:<br/>
For there, I will assure you, we shall finde<br/>
Some blind Priest for the purpose, that will venture<br/>
To marry us, for here they are nice, and foolish;<br/>
Besides, my father must be hang'd to morrow<br/>
And that would be a blot i'th businesse.<br/>
Are not you Palamon?<br/>
</p>
<p>WOOER.<br/>
Doe not you know me?</p>
<p>DAUGHTER.<br/>
Yes, but you care not for me; I have nothing<br/>
But this pore petticoate, and too corse Smockes.<br/>
</p>
<p>WOOER.<br/>
That's all one; I will have you.</p>
<p>DAUGHTER.<br/>
Will you surely?</p>
<p>WOOER.<br/>
Yes, by this faire hand, will I.</p>
<p>DAUGHTER.<br/>
Wee'l to bed, then.</p>
<p>WOOER.<br/>
Ev'n when you will.  [Kisses her.]</p>
<p>DAUGHTER.<br/>
O Sir, you would faine be nibling.</p>
<p>WOOER.<br/>
Why doe you rub my kisse off?</p>
<p>DAUGHTER.<br/>
Tis a sweet one,<br/>
And will perfume me finely against the wedding.<br/>
Is not this your Cosen Arcite?<br/>
</p>
<p>DOCTOR.<br/>
Yes, sweet heart,<br/>
And I am glad my Cosen Palamon<br/>
Has made so faire a choice.<br/>
</p>
<p>DAUGHTER.<br/>
Doe you thinke hee'l have me?</p>
<p>DOCTOR.<br/>
Yes, without doubt.</p>
<p>DAUGHTER.<br/>
Doe you thinke so too?</p>
<p>IAILOR.<br/>
Yes.</p>
<p>DAUGHTER.<br/>
We shall have many children:—Lord, how y'ar growne!<br/>
My Palamon, I hope, will grow, too, finely,<br/>
Now he's at liberty: Alas, poore Chicken,<br/>
He was kept downe with hard meate and ill lodging,<br/>
But ile kisse him up againe.<br/>
</p>
<p>[Emter a Messenger.]</p>
<p>MESSENGER.<br/>
What doe you here? you'l loose the noblest sight<br/>
That ev'r was seene.<br/>
</p>
<p>IAILOR.<br/>
Are they i'th Field?</p>
<p>MESSENGER.<br/>
They are.<br/>
You beare a charge there too.<br/>
</p>
<p>IAILOR.<br/>
Ile away straight.<br/>
I must ev'n leave you here.<br/>
</p>
<p>DOCTOR.<br/>
Nay, wee'l goe with you;<br/>
I will not loose the Fight.<br/>
</p>
<p>IAILOR.<br/>
How did you like her?</p>
<p>DOCTOR.<br/>
Ile warrant you, within these 3. or 4. daies<br/>
Ile make her right againe.  You must not from her,<br/>
But still preserve her in this way.<br/>
</p>
<p>WOOER.<br/>
I will.</p>
<p>DOCTOR.<br/>
Lets get her in.</p>
<p>WOOER.<br/>
Come, sweete, wee'l goe to dinner;<br/>
And then weele play at Cardes.<br/>
</p>
<p>DAUGHTER.<br/>
And shall we kisse too?</p>
<p>WOOER.<br/>
A hundred times.</p>
<p>DAUGHTER.<br/>
And twenty.</p>
<p>WOOER.<br/>
I, and twenty.</p>
<p>DAUGHTER.<br/>
And then wee'l sleepe together.</p>
<p>DOCTOR.<br/>
Take her offer.</p>
<p>WOOER.<br/>
Yes, marry, will we.</p>
<p>DAUGHTER.<br/>
But you shall not hurt me.</p>
<p>WOOER.<br/>
I will not, sweete.</p>
<p>DAUGHTER.<br/>
If you doe, Love, ile cry.  [Florish.  Exeunt]</p>
<h4><b>SCENE 3.  (A Place near the Lists.)</b></h4>
<p>[Enter Theseus, Hipolita, Emilia, Perithous: and some Attendants,<br/>
(T. Tucke: Curtis.)]<br/>
</p>
<p>EMILIA.<br/>
Ile no step further.</p>
<p>PERITHOUS.<br/>
Will you loose this sight?</p>
<p>EMILIA.<br/>
I had rather see a wren hawke at a fly<br/>
Then this decision; ev'ry blow that falls<br/>
Threats a brave life, each stroake laments<br/>
The place whereon it fals, and sounds more like<br/>
A Bell then blade: I will stay here;<br/>
It is enough my hearing shall be punishd<br/>
With what shall happen—gainst the which there is<br/>
No deaffing, but to heare—not taint mine eye<br/>
With dread sights, it may shun.<br/>
</p>
<p>PERITHOUS.<br/>
Sir, my good Lord,<br/>
Your Sister will no further.<br/>
</p>
<p>THESEUS.<br/>
Oh, she must.<br/>
She shall see deeds of honour in their kinde,<br/>
Which sometime show well, pencild.  Nature now<br/>
Shall make and act the Story, the beleife<br/>
Both seald with eye and eare; you must be present,<br/>
You are the victours meede, the price, and garlond<br/>
To crowne the Questions title.<br/>
</p>
<p>EMILIA.<br/>
Pardon me;<br/>
If I were there, I'ld winke.<br/>
</p>
<p>THESEUS.<br/>
You must be there;<br/>
This Tryall is as t'wer i'th night, and you<br/>
The onely star to shine.<br/>
</p>
<p>EMILIA.<br/>
I am extinct;<br/>
There is but envy in that light, which showes<br/>
The one the other: darkenes, which ever was<br/>
The dam of horrour, who do's stand accurst<br/>
Of many mortall Millions, may even now,<br/>
By casting her blacke mantle over both,<br/>
That neither coulde finde other, get her selfe<br/>
Some part of a good name, and many a murther<br/>
Set off wherto she's guilty.<br/>
</p>
<p>HIPPOLITA.<br/>
You must goe.</p>
<p>EMILIA.<br/>
In faith, I will not.</p>
<p>THESEUS.<br/>
Why, the knights must kindle<br/>
Their valour at your eye: know, of this war<br/>
You are the Treasure, and must needes be by<br/>
To give the Service pay.<br/>
</p>
<p>EMILIA.<br/>
Sir, pardon me;<br/>
The tytle of a kingdome may be tride<br/>
Out of it selfe.<br/>
</p>
<p>THESEUS.<br/>
Well, well, then, at your pleasure;<br/>
Those that remaine with you could wish their office<br/>
To any of their Enemies.<br/>
</p>
<p>HIPPOLITA.<br/>
Farewell, Sister;<br/>
I am like to know your husband fore your selfe<br/>
By some small start of time: he whom the gods<br/>
Doe of the two know best, I pray them he<br/>
Be made your Lot.<br/>
</p>
<p>[Exeunt Theseus, Hipolita, Perithous, &amp;c.]</p>
<p>EMILIA.<br/>
Arcite is gently visagd; yet his eye<br/>
Is like an Engyn bent, or a sharpe weapon<br/>
In a soft sheath; mercy and manly courage<br/>
Are bedfellowes in his visage.  Palamon<br/>
Has a most menacing aspect: his brow<br/>
Is grav'd, and seemes to bury what it frownes on;<br/>
Yet sometime tis not so, but alters to<br/>
The quallity of his thoughts; long time his eye<br/>
Will dwell upon his object.  Mellencholly<br/>
Becomes him nobly; So do's Arcites mirth,<br/>
But Palamons sadnes is a kinde of mirth,<br/>
So mingled, as if mirth did make him sad,<br/>
And sadnes, merry; those darker humours that<br/>
Sticke misbecomingly on others, on them<br/>
Live in faire dwelling.  [Cornets.  Trompets sound as to a<br/>
charge.]<br/>
Harke, how yon spurs to spirit doe incite<br/>
The Princes to their proofe! Arcite may win me,<br/>
And yet may Palamon wound Arcite to<br/>
The spoyling of his figure.  O, what pitty<br/>
Enough for such a chance; if I were by,<br/>
I might doe hurt, for they would glance their eies<br/>
Toward my Seat, and in that motion might<br/>
Omit a ward, or forfeit an offence<br/>
Which crav'd that very time: it is much better<br/>
I am not there; oh better never borne<br/>
Then minister to such harme.  [Cornets.  A great cry and noice within,<br/>
crying 'a Palamon'.]  What is the chance?<br/>
</p>
<p>[Enter Servant.]</p>
<p>SERVANT.<br/>
The Crie's 'a Palamon'.</p>
<p>EMILIA.<br/>
Then he has won!  Twas ever likely;<br/>
He lookd all grace and successe, and he is<br/>
Doubtlesse the prim'st of men: I pre'thee, run<br/>
And tell me how it goes.  [Showt, and Cornets: Crying, 'a<br/>
Palamon.']<br/>
</p>
<p>SERVANT.<br/>
Still Palamon.</p>
<p>EMILIA.<br/>
Run and enquire.  Poore Servant, thou hast lost;<br/>
Vpon my right side still I wore thy picture,<br/>
Palamons on the left: why so, I know not;<br/>
I had no end in't else, chance would have it so.<br/>
On the sinister side the heart lyes; Palamon<br/>
Had the best boding chance.  [Another cry, and showt within, and<br/>
Cornets.]  This burst of clamour<br/>
Is sure th'end o'th Combat.<br/>
</p>
<p>[Enter Servant.]</p>
<p>SERVANT.<br/>
They saide that Palamon had Arcites body<br/>
Within an inch o'th Pyramid, that the cry<br/>
Was generall 'a Palamon': But, anon,<br/>
Th'Assistants made a brave redemption, and<br/>
The two bold Tytlers, at this instant are<br/>
Hand to hand at it.<br/>
</p>
<p>EMILIA.<br/>
Were they metamorphisd<br/>
Both into one! oh why? there were no woman<br/>
Worth so composd a Man: their single share,<br/>
Their noblenes peculier to them, gives<br/>
The prejudice of disparity, values shortnes,  [Cornets.  Cry within,<br/>
Arcite, Arcite.]<br/>
To any Lady breathing—More exulting?<br/>
Palamon still?<br/>
</p>
<p>SERVANT.<br/>
Nay, now the sound is Arcite.</p>
<p>EMILIA.<br/>
I pre'thee, lay attention to the Cry,  [Cornets.  A great showt and
cry, 'Arcite, victory!']
Set both thine eares to'th busines.</p>
<p>SERVANT.<br/>
The cry is<br/>
'Arcite', and 'victory', harke: 'Arcite, victory!'<br/>
The Combats consummation is proclaim'd<br/>
By the wind Instruments.<br/>
</p>
<p>EMILIA.<br/>
Halfe sights saw<br/>
That Arcite was no babe; god's lyd, his richnes<br/>
And costlines of spirit look't through him, it could<br/>
No more be hid in him then fire in flax,<br/>
Then humble banckes can goe to law with waters,<br/>
That drift windes force to raging: I did thinke<br/>
Good Palamon would miscarry; yet I knew not<br/>
Why I did thinke so; Our reasons are not prophets,<br/>
When oft our fancies are.  They are comming off:<br/>
Alas, poore Palamon!  [Cornets.]<br/>
</p>
<p>[Enter Theseus, Hipolita, Pirithous, Arcite as victor, and<br/>
attendants, &amp;c.]<br/>
</p>
<p>THESEUS.<br/>
Lo, where our Sister is in expectation,<br/>
Yet quaking, and unsetled.—Fairest Emily,<br/>
The gods by their divine arbitrament<br/>
Have given you this Knight; he is a good one<br/>
As ever strooke at head.  Give me your hands;<br/>
Receive you her, you him; be plighted with<br/>
A love that growes, as you decay.<br/>
</p>
<p>ARCITE.<br/>
Emily,<br/>
To buy you, I have lost what's deerest to me,<br/>
Save what is bought, and yet I purchase cheapely,<br/>
As I doe rate your value.<br/>
</p>
<p>THESEUS.<br/>
O loved Sister,<br/>
He speakes now of as brave a Knight as ere<br/>
Did spur a noble Steed: Surely, the gods<br/>
Would have him die a Batchelour, least his race<br/>
Should shew i'th world too godlike: His behaviour<br/>
So charmed me, that me thought Alcides was<br/>
To him a sow of lead: if I could praise<br/>
Each part of him to'th all I have spoke, your Arcite<br/>
Did not loose by't; For he that was thus good<br/>
Encountred yet his Better.  I have heard<br/>
Two emulous Philomels beate the eare o'th night<br/>
With their contentious throates, now one the higher,<br/>
Anon the other, then againe the first,<br/>
And by and by out breasted, that the sence<br/>
Could not be judge betweene 'em: So it far'd<br/>
Good space betweene these kinesmen; till heavens did<br/>
Make hardly one the winner.  Weare the Girlond<br/>
With joy that you have won: For the subdude,<br/>
Give them our present Iustice, since I know<br/>
Their lives but pinch 'em; Let it here be done.<br/>
The Sceane's not for our seeing, goe we hence,<br/>
Right joyfull, with some sorrow.—Arme your prize,<br/>
I know you will not loose her.—Hipolita,<br/>
I see one eye of yours conceives a teare<br/>
The which it will deliver.  [Florish.]<br/>
</p>
<p>EMILIA.<br/>
Is this wynning?<br/>
Oh all you heavenly powers, where is your mercy?<br/>
But that your wils have saide it must be so,<br/>
And charge me live to comfort this unfriended,<br/>
This miserable Prince, that cuts away<br/>
A life more worthy from him then all women,<br/>
I should, and would, die too.<br/>
</p>
<p>HIPPOLITA.<br/>
Infinite pitty,<br/>
That fowre such eies should be so fixd on one<br/>
That two must needes be blinde fort.<br/>
</p>
<p>THESEUS.<br/>
So it is.  [Exeunt.]</p>
<h4><b>SCENE 4.  (The same; a Block prepared.)</b></h4>
<p>[Enter Palamon and his Knightes pyniond: Iaylor, Executioner,
&amp;c.  Gard.]</p>
<p>(PALAMON.)<br/>
Ther's many a man alive that hath out liv'd<br/>
The love o'th people; yea, i'th selfesame state<br/>
Stands many a Father with his childe; some comfort<br/>
We have by so considering: we expire<br/>
And not without mens pitty.  To live still,<br/>
Have their good wishes; we prevent<br/>
The loathsome misery of age, beguile<br/>
The Gowt and Rheume, that in lag howres attend<br/>
For grey approachers; we come towards the gods<br/>
Yong and unwapper'd, not halting under Crymes<br/>
Many and stale: that sure shall please the gods,<br/>
Sooner than such, to give us Nectar with 'em,<br/>
For we are more cleare Spirits.  My deare kinesmen,<br/>
Whose lives (for this poore comfort) are laid downe,<br/>
You have sould 'em too too cheape.<br/>
</p>
<p>1. KNIGHT.<br/>
What ending could be<br/>
Of more content? ore us the victors have<br/>
Fortune, whose title is as momentary,<br/>
As to us death is certaine: A graine of honour<br/>
They not ore'-weigh us.<br/>
</p>
<p>2. KNIGHT.<br/>
Let us bid farewell;<br/>
And with our patience anger tottring Fortune,<br/>
Who at her certain'st reeles.<br/>
</p>
<p>3. KNIGHT.<br/>
Come; who begins?</p>
<p>PALAMON.<br/>
Ev'n he that led you to this Banket shall<br/>
Taste to you all.—Ah ha, my Friend, my Friend,<br/>
Your gentle daughter gave me freedome once;<br/>
You'l see't done now for ever: pray, how do'es she?<br/>
I heard she was not well; her kind of ill<br/>
Gave me some sorrow.<br/>
</p>
<p>IAILOR.<br/>
Sir, she's well restor'd,<br/>
And to be marryed shortly.<br/>
</p>
<p>PALAMON.<br/>
By my short life,<br/>
I am most glad on't; Tis the latest thing<br/>
I shall be glad of; pre'thee tell her so:<br/>
Commend me to her, and to peece her portion,<br/>
Tender her this.  [Gives purse.]<br/>
</p>
<p>1. KNIGHT.<br/>
Nay lets be offerers all.</p>
<p>2. KNIGHT.<br/>
Is it a maide?</p>
<p>PALAMON.<br/>
Verily, I thinke so,<br/>
A right good creature, more to me deserving<br/>
Then I can quight or speake of.<br/>
</p>
<p>ALL KNIGHTS.<br/>
Commend us to her.  [They give their purses.]</p>
<p>IAILOR.<br/>
The gods requight you all,<br/>
And make her thankefull.<br/>
</p>
<p>PALAMON.<br/>
Adiew; and let my life be now as short,<br/>
As my leave taking.  [Lies on the Blocke.]<br/>
</p>
<p>1. KNIGHT.<br/>
Leade, couragious Cosin.</p>
<p>2. KNIGHT.<br/>
Wee'l follow cheerefully.  [A great noise within crying, 'run, save,
hold!']</p>
<p>[Enter in hast a Messenger.]</p>
<p>MESSENGER.<br/>
Hold, hold!  O hold, hold, hold!</p>
<p>[Enter Pirithous in haste.]</p>
<p>PERITHOUS.<br/>
Hold! hoa!  It is a cursed hast you made,<br/>
If you have done so quickly.  Noble Palamon,<br/>
The gods will shew their glory in a life,<br/>
That thou art yet to leade.<br/>
</p>
<p>PALAMON.<br/>
Can that be,<br/>
When Venus, I have said, is false?  How doe things fare?<br/>
</p>
<p>PERITHOUS.<br/>
Arise, great Sir, and give the tydings eare<br/>
That are most dearly sweet and bitter.<br/>
</p>
<p>PALAMON.<br/>
What<br/>
Hath wakt us from our dreame?<br/>
</p>
<p>PERITHOUS.<br/>
List then: your Cosen,<br/>
Mounted upon a Steed that Emily<br/>
Did first bestow on him, a blacke one, owing<br/>
Not a hayre worth of white—which some will say<br/>
Weakens his price, and many will not buy<br/>
His goodnesse with this note: Which superstition<br/>
Heere findes allowance—On this horse is Arcite<br/>
Trotting the stones of Athens, which the Calkins<br/>
Did rather tell then trample; for the horse<br/>
Would make his length a mile, if't pleas'd his Rider<br/>
To put pride in him: as he thus went counting<br/>
The flinty pavement, dancing, as t'wer, to'th Musicke<br/>
His owne hoofes made; (for as they say from iron<br/>
Came Musickes origen) what envious Flint,<br/>
Cold as old Saturne, and like him possest<br/>
With fire malevolent, darted a Sparke,<br/>
Or what feirce sulphur else, to this end made,<br/>
I comment not;—the hot horse, hot as fire,<br/>
Tooke Toy at this, and fell to what disorder<br/>
His power could give his will; bounds, comes on end,<br/>
Forgets schoole dooing, being therein traind,<br/>
And of kind mannadge; pig-like he whines<br/>
At the sharpe Rowell, which he freats at rather<br/>
Then any jot obaies; seekes all foule meanes<br/>
Of boystrous and rough Iadrie, to dis-seate<br/>
His Lord, that kept it bravely: when nought serv'd,<br/>
When neither Curb would cracke, girth breake nor diffring plunges<br/>
Dis-roote his Rider whence he grew, but that<br/>
He kept him tweene his legges, on his hind hoofes on end he stands,<br/>
That Arcites leggs, being higher then his head,<br/>
Seem'd with strange art to hand: His victors wreath<br/>
Even then fell off his head: and presently<br/>
Backeward the Iade comes ore, and his full poyze<br/>
Becomes the Riders loade: yet is he living,<br/>
But such a vessell tis, that floates but for<br/>
The surge that next approaches: he much desires<br/>
To have some speech with you: Loe he appeares.<br/>
</p>
<p>[Enter Theseus, Hipolita, Emilia, Arcite in a chaire.]</p>
<p>PALAMON.<br/>
O miserable end of our alliance!<br/>
The gods are mightie, Arcite: if thy heart,<br/>
Thy worthie, manly heart, be yet unbroken,<br/>
Give me thy last words; I am Palamon,<br/>
One that yet loves thee dying.<br/>
</p>
<p>ARCITE.<br/>
Take Emilia<br/>
And with her all the worlds joy: Reach thy hand:<br/>
Farewell: I have told my last houre.  I was false,<br/>
Yet never treacherous: Forgive me, Cosen:—<br/>
One kisse from faire Emilia: Tis done:<br/>
Take her: I die.<br/>
</p>
<p>PALAMON.<br/>
Thy brave soule seeke Elizium.</p>
<p>EMILIA.<br/>
Ile close thine eyes, Prince; blessed soules be with thee!<br/>
Thou art a right good man, and while I live,<br/>
This day I give to teares.<br/>
</p>
<p>PALAMON.<br/>
And I to honour.</p>
<p>THESEUS.<br/>
In this place first you fought: ev'n very here<br/>
I sundred you: acknowledge to the gods<br/>
Our thankes that you are living.<br/>
His part is playd, and though it were too short,<br/>
He did it well: your day is lengthned, and<br/>
The blissefull dew of heaven do's arowze you.<br/>
The powerfull Venus well hath grac'd her Altar,<br/>
And given you your love: Our Master Mars<br/>
Hath vouch'd his Oracle, and to Arcite gave<br/>
The grace of the Contention: So the Deities<br/>
Have shewd due justice: Beare this hence.<br/>
</p>
<p>PALAMON.<br/>
O Cosen,<br/>
That we should things desire, which doe cost us<br/>
The losse of our desire!  That nought could buy<br/>
Deare love, but losse of deare love!<br/>
</p>
<p>THESEUS.<br/>
Never Fortune<br/>
Did play a subtler Game: The conquerd triumphes,<br/>
The victor has the Losse: yet in the passage<br/>
The gods have beene most equall: Palamon,<br/>
Your kinseman hath confest the right o'th Lady<br/>
Did lye in you, for you first saw her, and<br/>
Even then proclaimd your fancie: He restord her<br/>
As your stolne Iewell, and desir'd your spirit<br/>
To send him hence forgiven; The gods my justice<br/>
Take from my hand, and they themselves become<br/>
The Executioners: Leade your Lady off;<br/>
And call your Lovers from the stage of death,<br/>
Whom I adopt my Frinds.  A day or two<br/>
Let us looke sadly, and give grace unto<br/>
The Funerall of Arcite; in whose end<br/>
The visages of Bridegroomes weele put on<br/>
And smile with Palamon; for whom an houre,<br/>
But one houre, since, I was as dearely sorry,<br/>
As glad of Arcite: and am now as glad,<br/>
As for him sorry.  O you heavenly Charmers,<br/>
What things you make of us!  For what we lacke<br/>
We laugh, for what we have, are sorry: still<br/>
Are children in some kind.  Let us be thankefull<br/>
For that which is, and with you leave dispute<br/>
That are above our question.  Let's goe off,<br/>
And beare us like the time.  [Florish.  Exeunt.]<br/>
</p>
<h4>EPILOGUE</h4>
<p>I would now aske ye how ye like the Play,<br/>
But, as it is with Schoole Boyes, cannot say,<br/>
I am cruell fearefull: pray, yet stay a while,<br/>
And let me looke upon ye: No man smile?<br/>
Then it goes hard, I see; He that has<br/>
Lov'd a yong hansome wench, then, show his face—<br/>
Tis strange if none be heere—and if he will<br/>
Against his Conscience, let him hisse, and kill<br/>
Our Market: Tis in vaine, I see, to stay yee;<br/>
Have at the worst can come, then!  Now what say ye?<br/>
And yet mistake me not: I am not bold;<br/>
We have no such cause.  If the tale we have told<br/>
(For tis no other) any way content ye<br/>
(For to that honest purpose it was ment ye)<br/>
We have our end; and ye shall have ere long,<br/>
I dare say, many a better, to prolong<br/>
Your old loves to us: we, and all our might<br/>
Rest at your service.  Gentlemen, good night.  [Florish.]<br/>
</p>
<h2>THE WINTER'S TALE</h2>
<hr />
<h3>Contents</h3>
<p>
ACT&nbsp;I<br/>
[[#sceneI_391|Scene I.
Sicilia. An Antechamber in Leontes' Palace.<br/>
[[#sceneI_392|Scene II.
The same. A Room of State in the Palace.<br/>
<br/>
ACT&nbsp;II<br/>
[[#sceneII_391|Scene I.
Sicilia. A Room in the Palace.<br/>
[[#sceneII_392|Scene II.
The same. The outer Room of a Prison.<br/>
[[#sceneII_393|Scene III.
The same. A Room in the Palace.<br/>
<br/>
ACT&nbsp;III<br/>
[[#sceneIII_391|Scene I.
Sicilia. A Street in some Town.<br/>
[[#sceneIII_392|Scene II.
The same. A Court of Justice.<br/>
[[#sceneIII_393|Scene III.
Bohemia. A desert Country near the Sea.<br/>
<br/>
ACT&nbsp;IV<br/>
[[#sceneIV_391|Scene I.
Prologue.<br/>
[[#sceneIV_392|Scene II.
Bohemia. A Room in the palace of Polixenes.<br/>
[[#sceneIV_393|Scene III.
The same. A Road near the Shepherd's cottage.<br/>
[[#sceneIV_394|Scene IV.
The same. A Shepherd's Cottage.<br/>
<br/>
ACT&nbsp;V<br/>
[[#sceneV_391|Scene I.
Sicilia. A Room in the palace of Leontes.<br/>
[[#sceneV_392|Scene II.
The same. Before the Palace.<br/>
[[#sceneV_393|Scene III.
The same. A Room in Paulina's house.<br/>
</p>
<h3>Dramatis Personæ</h3>
<p>
LEONTES, King of Sicilia<br/>
MAMILLIUS, his son<br/>
CAMILLO, Sicilian Lord<br/>
ANTIGONUS, Sicilian Lord<br/>
CLEOMENES, Sicilian Lord<br/>
DION, Sicilian Lord<br/>
POLIXENES, King of Bohemia<br/>
FLORIZEL, his son<br/>
ARCHIDAMUS, a Bohemian Lord<br/>
An Old Shepherd, reputed father of Perdita<br/>
CLOWN, his son<br/>
AUTOLYCUS, a rogue<br/>
A Mariner<br/>
A Gaoler<br/>
Servant to the Old Shepherd<br/>
Other Sicilian Lords<br/>
Sicilian Gentlemen<br/>
Officers of a Court of Judicature
</p>
<p>HERMIONE, Queen to Leontes<br/>
PERDITA, daughter to Leontes and Hermione<br/>
PAULINA, wife to Antigonus<br/>
EMILIA, a lady attending on the Queen<br/>
MOPSA, shepherdess<br/>
DORCAS, shepherdess<br/>
Other Ladies, attending on the Queen
</p>
<p>Lords, Ladies, and Attendants; Satyrs for a Dance; Shepherds, Shepherdesses,
Guards, &amp;c.
</p>
<p>TIME, as Chorus
</p>
<h4><b>Scene: Sometimes in Sicilia; sometimes in Bohemia.</b></h4>
<h3 id="sceneI_391"> <b>ACT I</b></h3>
<h4><b>SCENE I. Sicilia. An Antechamber in Leontes' Palace.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Camillo</span> and <span
class="charname">Archidamus</span>.</p>
<p>ARCHIDAMUS.<br/>
If you shall chance, Camillo, to visit Bohemia, on the like occasion whereon my
services are now on foot, you shall see, as I have said, great difference
betwixt our Bohemia and your Sicilia.
</p>
<p>CAMILLO.<br/>
I think this coming summer the King of Sicilia means to pay Bohemia the
visitation which he justly owes him.
</p>
<p>ARCHIDAMUS.<br/>
Wherein our entertainment shall shame us; we will be justified in our loves.
For indeed,&mdash;
</p>
<p>CAMILLO.<br/>
Beseech you&mdash;
</p>
<p>ARCHIDAMUS.<br/>
Verily, I speak it in the freedom of my knowledge. We cannot with such
magnificence&mdash;in so rare&mdash;I know not what to say. We will give you
sleepy drinks, that your senses, unintelligent of our insufficience, may,
though they cannot praise us, as little accuse us.
</p>
<p>CAMILLO.<br/>
You pay a great deal too dear for what's given freely.
</p>
<p>ARCHIDAMUS.<br/>
Believe me, I speak as my understanding instructs me and as mine honesty puts
it to utterance.
</p>
<p>CAMILLO.<br/>
Sicilia cannot show himself over-kind to Bohemia. They were trained together in
their childhoods, and there rooted betwixt them then such an affection which
cannot choose but branch now. Since their more mature dignities and royal
necessities made separation of their society, their encounters, though not
personal, have been royally attorneyed with interchange of gifts, letters,
loving embassies, that they have seemed to be together, though absent; shook
hands, as over a vast; and embraced as it were from the ends of opposed winds.
The heavens continue their loves!
</p>
<p>ARCHIDAMUS.<br/>
I think there is not in the world either malice or matter to alter it. You have
an unspeakable comfort of your young Prince Mamillius. It is a gentleman of the
greatest promise that ever came into my note.
</p>
<p>CAMILLO.<br/>
I very well agree with you in the hopes of him. It is a gallant child; one that
indeed physics the subject, makes old hearts fresh. They that went on crutches
ere he was born desire yet their life to see him a man.
</p>
<p>ARCHIDAMUS.<br/>
Would they else be content to die?
</p>
<p>CAMILLO.<br/>
Yes, if there were no other excuse why they should desire to live.
</p>
<p>ARCHIDAMUS.<br/>
If the king had no son, they would desire to live on crutches till he had one.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneI_392"> <b>SCENE II. The same. A Room of State in the Palace.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Leontes, Polixenes,
Hermione, Mamillius, Camillo</span> and Attendants.</p>
<p>POLIXENES.<br/>
Nine changes of the watery star hath been<br/>
The shepherd's note since we have left our throne<br/>
Without a burden. Time as long again<br/>
Would be fill'd up, my brother, with our thanks;<br/>
And yet we should, for perpetuity,<br/>
Go hence in debt: and therefore, like a cipher,<br/>
Yet standing in rich place, I multiply<br/>
With one &ldquo;we thank you&rdquo; many thousands more<br/>
That go before it.
</p>
<p>LEONTES.<br/>
Stay your thanks a while,<br/>
And pay them when you part.
</p>
<p>POLIXENES.<br/>
Sir, that's tomorrow.<br/>
I am question'd by my fears, of what may chance<br/>
Or breed upon our absence; that may blow<br/>
No sneaping winds at home, to make us say<br/>
&ldquo;This is put forth too truly.&rdquo; Besides, I have stay'd<br/>
To tire your royalty.
</p>
<p>LEONTES.<br/>
We are tougher, brother,<br/>
Than you can put us to 't.
</p>
<p>POLIXENES.<br/>
No longer stay.
</p>
<p>LEONTES.<br/>
One seve'night longer.
</p>
<p>POLIXENES.<br/>
Very sooth, tomorrow.
</p>
<p>LEONTES.<br/>
We'll part the time between 's then: and in that<br/>
I'll no gainsaying.
</p>
<p>POLIXENES.<br/>
Press me not, beseech you, so,<br/>
There is no tongue that moves, none, none i' th' world,<br/>
So soon as yours, could win me: so it should now,<br/>
Were there necessity in your request, although<br/>
'Twere needful I denied it. My affairs<br/>
Do even drag me homeward: which to hinder<br/>
Were, in your love a whip to me; my stay<br/>
To you a charge and trouble: to save both,<br/>
Farewell, our brother.
</p>
<p>LEONTES.<br/>
Tongue-tied, our queen? Speak you.
</p>
<p>HERMIONE.<br/>
I had thought, sir, to have held my peace until<br/>
You had drawn oaths from him not to stay. You, sir,<br/>
Charge him too coldly. Tell him you are sure<br/>
All in Bohemia's well: this satisfaction<br/>
The by-gone day proclaimed. Say this to him,<br/>
He's beat from his best ward.
</p>
<p>LEONTES.<br/>
Well said, Hermione.
</p>
<p>HERMIONE.<br/>
To tell he longs to see his son were strong.<br/>
But let him say so then, and let him go;<br/>
But let him swear so, and he shall not stay,<br/>
We'll thwack him hence with distaffs.<br/>
[<i>To Polixenes.</i>] Yet of your royal presence I'll adventure<br/>
The borrow of a week. When at Bohemia<br/>
You take my lord, I'll give him my commission<br/>
To let him there a month behind the gest<br/>
Prefix'd for's parting:&mdash;yet, good deed, Leontes,<br/>
I love thee not a jar of th' clock behind<br/>
What lady she her lord. You'll stay?
</p>
<p>POLIXENES.<br/>
No, madam.
</p>
<p>HERMIONE.<br/>
Nay, but you will?
</p>
<p>POLIXENES.<br/>
I may not, verily.
</p>
<p>HERMIONE.<br/>
Verily!<br/>
You put me off with limber vows; but I,<br/>
Though you would seek t' unsphere the stars with oaths,<br/>
Should yet say &ldquo;Sir, no going.&rdquo; Verily,<br/>
You shall not go. A lady's verily is<br/>
As potent as a lord's. Will go yet?<br/>
Force me to keep you as a prisoner,<br/>
Not like a guest: so you shall pay your fees<br/>
When you depart, and save your thanks. How say you?<br/>
My prisoner or my guest? By your dread &ldquo;verily,&rdquo;<br/>
One of them you shall be.
</p>
<p>POLIXENES.<br/>
Your guest, then, madam.<br/>
To be your prisoner should import offending;<br/>
Which is for me less easy to commit<br/>
Than you to punish.
</p>
<p>HERMIONE.<br/>
Not your gaoler then,<br/>
But your kind hostess. Come, I'll question you<br/>
Of my lord's tricks and yours when you were boys.<br/>
You were pretty lordings then.
</p>
<p>POLIXENES.<br/>
We were, fair queen,<br/>
Two lads that thought there was no more behind<br/>
But such a day tomorrow as today,<br/>
And to be boy eternal.
</p>
<p>HERMIONE.<br/>
Was not my lord<br/>
The verier wag o' th' two?
</p>
<p>POLIXENES.<br/>
We were as twinn'd lambs that did frisk i' th' sun<br/>
And bleat the one at th' other. What we chang'd<br/>
Was innocence for innocence; we knew not<br/>
The doctrine of ill-doing, nor dream'd<br/>
That any did. Had we pursu'd that life,<br/>
And our weak spirits ne'er been higher rear'd<br/>
With stronger blood, we should have answer'd heaven<br/>
Boldly &ldquo;Not guilty,&rdquo; the imposition clear'd<br/>
Hereditary ours.
</p>
<p>HERMIONE.<br/>
By this we gather<br/>
You have tripp'd since.
</p>
<p>POLIXENES.<br/>
O my most sacred lady,<br/>
Temptations have since then been born to 's! for<br/>
In those unfledg'd days was my wife a girl;<br/>
Your precious self had then not cross'd the eyes<br/>
Of my young play-fellow.
</p>
<p>HERMIONE.<br/>
Grace to boot!<br/>
Of this make no conclusion, lest you say<br/>
Your queen and I are devils. Yet go on;<br/>
Th' offences we have made you do we'll answer,<br/>
If you first sinn'd with us, and that with us<br/>
You did continue fault, and that you slipp'd not<br/>
With any but with us.
</p>
<p>LEONTES.<br/>
Is he won yet?
</p>
<p>HERMIONE.<br/>
He'll stay, my lord.
</p>
<p>LEONTES.<br/>
At my request he would not.<br/>
Hermione, my dearest, thou never spok'st<br/>
To better purpose.
</p>
<p>HERMIONE.<br/>
Never?
</p>
<p>LEONTES.<br/>
Never but once.
</p>
<p>HERMIONE.<br/>
What! have I twice said well? when was't before?<br/>
I prithee tell me. Cram 's with praise, and make 's<br/>
As fat as tame things: one good deed dying tongueless<br/>
Slaughters a thousand waiting upon that.<br/>
Our praises are our wages. You may ride 's<br/>
With one soft kiss a thousand furlongs ere<br/>
With spur we heat an acre. But to th' goal:<br/>
My last good deed was to entreat his stay.<br/>
What was my first? It has an elder sister,<br/>
Or I mistake you: O, would her name were Grace!<br/>
But once before I spoke to the purpose&mdash;when?<br/>
Nay, let me have't; I long.
</p>
<p>LEONTES.<br/>
Why, that was when<br/>
Three crabbed months had sour'd themselves to death,<br/>
Ere I could make thee open thy white hand<br/>
And clap thyself my love; then didst thou utter<br/>
&ldquo;I am yours for ever.&rdquo;
</p>
<p>HERMIONE.<br/>
'Tis Grace indeed.<br/>
Why, lo you now, I have spoke to th' purpose twice.<br/>
The one for ever earn'd a royal husband;<br/>
Th' other for some while a friend.
</p>
<p class="right"> [<i>Giving her hand to Polixenes.</i>]</p>
<p>LEONTES.<br/>
[<i>Aside.</i>] Too hot, too hot!<br/>
To mingle friendship far is mingling bloods.<br/>
I have <i>tremor cordis</i> on me. My heart dances,<br/>
But not for joy,&mdash;not joy. This entertainment<br/>
May a free face put on, derive a liberty<br/>
From heartiness, from bounty, fertile bosom,<br/>
And well become the agent: 't may, I grant:<br/>
But to be paddling palms and pinching fingers,<br/>
As now they are, and making practis'd smiles<br/>
As in a looking-glass; and then to sigh, as 'twere<br/>
The mort o' th' deer. O, that is entertainment<br/>
My bosom likes not, nor my brows. Mamillius,<br/>
Art thou my boy?
</p>
<p>MAMILLIUS.<br/>
Ay, my good lord.
</p>
<p>LEONTES.<br/>
I' fecks!<br/>
Why, that's my bawcock. What! hast smutch'd thy nose?<br/>
They say it is a copy out of mine. Come, captain,<br/>
We must be neat; not neat, but cleanly, captain:<br/>
And yet the steer, the heifer, and the calf<br/>
Are all call'd neat.&mdash;Still virginalling<br/>
Upon his palm?&mdash;How now, you wanton calf!<br/>
Art thou my calf?
</p>
<p>MAMILLIUS.<br/>
Yes, if you will, my lord.
</p>
<p>LEONTES.<br/>
Thou want'st a rough pash and the shoots that I have<br/>
To be full like me:&mdash;yet they say we are<br/>
Almost as like as eggs; women say so,<br/>
That will say anything. But were they false<br/>
As o'er-dy'd blacks, as wind, as waters, false<br/>
As dice are to be wish'd by one that fixes<br/>
No bourn 'twixt his and mine, yet were it true<br/>
To say this boy were like me. Come, sir page,<br/>
Look on me with your welkin eye: sweet villain!<br/>
Most dear'st! my collop! Can thy dam?&mdash;may't be?<br/>
Affection! thy intention stabs the centre:<br/>
Thou dost make possible things not so held,<br/>
Communicat'st with dreams;&mdash;how can this be?&mdash;<br/>
With what's unreal thou coactive art,<br/>
And fellow'st nothing: then 'tis very credent<br/>
Thou may'st co-join with something; and thou dost,<br/>
And that beyond commission, and I find it,<br/>
And that to the infection of my brains<br/>
And hardening of my brows.
</p>
<p>POLIXENES.<br/>
What means Sicilia?
</p>
<p>HERMIONE.<br/>
He something seems unsettled.
</p>
<p>POLIXENES.<br/>
How, my lord?<br/>
What cheer? How is't with you, best brother?
</p>
<p>HERMIONE.<br/>
You look<br/>
As if you held a brow of much distraction:<br/>
Are you mov'd, my lord?
</p>
<p>LEONTES.<br/>
No, in good earnest.<br/>
How sometimes nature will betray its folly,<br/>
Its tenderness, and make itself a pastime<br/>
To harder bosoms! Looking on the lines<br/>
Of my boy's face, methoughts I did recoil<br/>
Twenty-three years, and saw myself unbreech'd,<br/>
In my green velvet coat; my dagger muzzled<br/>
Lest it should bite its master, and so prove,<br/>
As ornaments oft do, too dangerous.<br/>
How like, methought, I then was to this kernel,<br/>
This squash, this gentleman. Mine honest friend,<br/>
Will you take eggs for money?
</p>
<p>MAMILLIUS.<br/>
No, my lord, I'll fight.
</p>
<p>LEONTES.<br/>
You will? Why, happy man be 's dole! My brother,<br/>
Are you so fond of your young prince as we<br/>
Do seem to be of ours?
</p>
<p>POLIXENES.<br/>
If at home, sir,<br/>
He's all my exercise, my mirth, my matter:<br/>
Now my sworn friend, and then mine enemy;<br/>
My parasite, my soldier, statesman, all.<br/>
He makes a July's day short as December;<br/>
And with his varying childness cures in me<br/>
Thoughts that would thick my blood.
</p>
<p>LEONTES.<br/>
So stands this squire<br/>
Offic'd with me. We two will walk, my lord,<br/>
And leave you to your graver steps. Hermione,<br/>
How thou lov'st us show in our brother's welcome;<br/>
Let what is dear in Sicily be cheap:<br/>
Next to thyself and my young rover, he's<br/>
Apparent to my heart.
</p>
<p>HERMIONE.<br/>
If you would seek us,<br/>
We are yours i' the garden. Shall 's attend you there?
</p>
<p>LEONTES.<br/>
To your own bents dispose you: you'll be found,<br/>
Be you beneath the sky. [<i>Aside.</i>] I am angling now,<br/>
Though you perceive me not how I give line.<br/>
Go to, go to!<br/>
How she holds up the neb, the bill to him!<br/>
And arms her with the boldness of a wife<br/>
To her allowing husband!
</p>
<p class="right"> [<i>Exeunt <span class="charname">Polixenes, Hermione</span>
and Attendants.</i>]</p>
<p>Gone already!<br/>
Inch-thick, knee-deep, o'er head and ears a fork'd one!&mdash;<br/>
Go, play, boy, play. Thy mother plays, and I<br/>
Play too; but so disgrac'd a part, whose issue<br/>
Will hiss me to my grave: contempt and clamour<br/>
Will be my knell. Go, play, boy, play. There have been,<br/>
Or I am much deceiv'd, cuckolds ere now;<br/>
And many a man there is, even at this present,<br/>
Now while I speak this, holds his wife by th' arm,<br/>
That little thinks she has been sluic'd in 's absence,<br/>
And his pond fish'd by his next neighbour, by<br/>
Sir Smile, his neighbour. Nay, there's comfort in 't,<br/>
Whiles other men have gates, and those gates open'd,<br/>
As mine, against their will. Should all despair<br/>
That hath revolted wives, the tenth of mankind<br/>
Would hang themselves. Physic for't there's none;<br/>
It is a bawdy planet, that will strike<br/>
Where 'tis predominant; and 'tis powerful, think it,<br/>
From east, west, north, and south. Be it concluded,<br/>
No barricado for a belly. Know't;<br/>
It will let in and out the enemy<br/>
With bag and baggage. Many thousand of us<br/>
Have the disease, and feel't not.&mdash;How now, boy!
</p>
<p>MAMILLIUS.<br/>
I am like you, they say.
</p>
<p>LEONTES.<br/>
Why, that's some comfort.<br/>
What! Camillo there?
</p>
<p>CAMILLO.<br/>
Ay, my good lord.
</p>
<p>LEONTES.<br/>
Go play, Mamillius; thou'rt an honest man.
</p>
<p class="right"> [<i>Exit <span class="charname">Mamillius</span>.</i>]</p>
<p>Camillo, this great sir will yet stay longer.
</p>
<p>CAMILLO.<br/>
You had much ado to make his anchor hold:<br/>
When you cast out, it still came home.
</p>
<p>LEONTES.<br/>
Didst note it?
</p>
<p>CAMILLO.<br/>
He would not stay at your petitions; made<br/>
His business more material.
</p>
<p>LEONTES.<br/>
Didst perceive it?<br/>
[<i>Aside.</i>] They're here with me already; whisp'ring, rounding,<br/>
&ldquo;Sicilia is a so-forth.&rdquo; 'Tis far gone<br/>
When I shall gust it last.&mdash;How came't, Camillo,<br/>
That he did stay?
</p>
<p>CAMILLO.<br/>
At the good queen's entreaty.
</p>
<p>LEONTES.<br/>
At the queen's be't: &ldquo;good&rdquo; should be pertinent,<br/>
But so it is, it is not. Was this taken<br/>
By any understanding pate but thine?<br/>
For thy conceit is soaking, will draw in<br/>
More than the common blocks. Not noted, is't,<br/>
But of the finer natures? by some severals<br/>
Of head-piece extraordinary? lower messes<br/>
Perchance are to this business purblind? say.
</p>
<p>CAMILLO.<br/>
Business, my lord? I think most understand<br/>
Bohemia stays here longer.
</p>
<p>LEONTES.<br/>
Ha?
</p>
<p>CAMILLO.<br/>
Stays here longer.
</p>
<p>LEONTES.<br/>
Ay, but why?
</p>
<p>CAMILLO.<br/>
To satisfy your highness, and the entreaties<br/>
Of our most gracious mistress.
</p>
<p>LEONTES.<br/>
Satisfy?<br/>
Th' entreaties of your mistress? Satisfy?<br/>
Let that suffice. I have trusted thee, Camillo,<br/>
With all the nearest things to my heart, as well<br/>
My chamber-counsels, wherein, priest-like, thou<br/>
Hast cleans'd my bosom; I from thee departed<br/>
Thy penitent reform'd. But we have been<br/>
Deceiv'd in thy integrity, deceiv'd<br/>
In that which seems so.
</p>
<p>CAMILLO.<br/>
Be it forbid, my lord!
</p>
<p>LEONTES.<br/>
To bide upon't: thou art not honest; or,<br/>
If thou inclin'st that way, thou art a coward,<br/>
Which hoxes honesty behind, restraining<br/>
From course requir'd; or else thou must be counted<br/>
A servant grafted in my serious trust,<br/>
And therein negligent; or else a fool<br/>
That seest a game play'd home, the rich stake drawn,<br/>
And tak'st it all for jest.
</p>
<p>CAMILLO.<br/>
My gracious lord,<br/>
I may be negligent, foolish, and fearful;<br/>
In every one of these no man is free,<br/>
But that his negligence, his folly, fear,<br/>
Among the infinite doings of the world,<br/>
Sometime puts forth. In your affairs, my lord,<br/>
If ever I were wilful-negligent,<br/>
It was my folly; if industriously<br/>
I play'd the fool, it was my negligence,<br/>
Not weighing well the end; if ever fearful<br/>
To do a thing, where I the issue doubted,<br/>
Whereof the execution did cry out<br/>
Against the non-performance, 'twas a fear<br/>
Which oft affects the wisest: these, my lord,<br/>
Are such allow'd infirmities that honesty<br/>
Is never free of. But, beseech your Grace,<br/>
Be plainer with me; let me know my trespass<br/>
By its own visage: if I then deny it,<br/>
'Tis none of mine.
</p>
<p>LEONTES.<br/>
Ha' not you seen, Camillo?<br/>
(But that's past doubt: you have, or your eye-glass<br/>
Is thicker than a cuckold's horn) or heard?<br/>
(For, to a vision so apparent, rumour<br/>
Cannot be mute) or thought? (for cogitation<br/>
Resides not in that man that does not think)<br/>
My wife is slippery? If thou wilt confess,<br/>
Or else be impudently negative,<br/>
To have nor eyes nor ears nor thought, then say<br/>
My wife's a hobby-horse, deserves a name<br/>
As rank as any flax-wench that puts to<br/>
Before her troth-plight: say't and justify't.
</p>
<p>CAMILLO.<br/>
I would not be a stander-by to hear<br/>
My sovereign mistress clouded so, without<br/>
My present vengeance taken: 'shrew my heart,<br/>
You never spoke what did become you less<br/>
Than this; which to reiterate were sin<br/>
As deep as that, though true.
</p>
<p>LEONTES.<br/>
Is whispering nothing?<br/>
Is leaning cheek to cheek? is meeting noses?<br/>
Kissing with inside lip? Stopping the career<br/>
Of laughter with a sigh?&mdash;a note infallible<br/>
Of breaking honesty?&mdash;horsing foot on foot?<br/>
Skulking in corners? Wishing clocks more swift?<br/>
Hours, minutes? Noon, midnight? and all eyes<br/>
Blind with the pin and web but theirs, theirs only,<br/>
That would unseen be wicked? Is this nothing?<br/>
Why, then the world and all that's in't is nothing,<br/>
The covering sky is nothing, Bohemia nothing,<br/>
My wife is nothing, nor nothing have these nothings,<br/>
If this be nothing.
</p>
<p>CAMILLO.<br/>
Good my lord, be cur'd<br/>
Of this diseas'd opinion, and betimes,<br/>
For 'tis most dangerous.
</p>
<p>LEONTES.<br/>
Say it be, 'tis true.
</p>
<p>CAMILLO.<br/>
No, no, my lord.
</p>
<p>LEONTES.<br/>
It is; you lie, you lie:<br/>
I say thou liest, Camillo, and I hate thee,<br/>
Pronounce thee a gross lout, a mindless slave,<br/>
Or else a hovering temporizer that<br/>
Canst with thine eyes at once see good and evil,<br/>
Inclining to them both. Were my wife's liver<br/>
Infected as her life, she would not live<br/>
The running of one glass.
</p>
<p>CAMILLO.<br/>
Who does infect her?
</p>
<p>LEONTES.<br/>
Why, he that wears her like her medal, hanging<br/>
About his neck, Bohemia: who, if I<br/>
Had servants true about me, that bare eyes<br/>
To see alike mine honour as their profits,<br/>
Their own particular thrifts, they would do that<br/>
Which should undo more doing: ay, and thou,<br/>
His cupbearer,&mdash;whom I from meaner form<br/>
Have bench'd and rear'd to worship, who mayst see<br/>
Plainly as heaven sees earth and earth sees heaven,<br/>
How I am galled,&mdash;mightst bespice a cup,<br/>
To give mine enemy a lasting wink;<br/>
Which draught to me were cordial.
</p>
<p>CAMILLO.<br/>
Sir, my lord,<br/>
I could do this, and that with no rash potion,<br/>
But with a ling'ring dram, that should not work<br/>
Maliciously like poison. But I cannot<br/>
Believe this crack to be in my dread mistress,<br/>
So sovereignly being honourable.<br/>
I have lov'd thee,&mdash;
</p>
<p>LEONTES.<br/>
Make that thy question, and go rot!<br/>
Dost think I am so muddy, so unsettled,<br/>
To appoint myself in this vexation; sully<br/>
The purity and whiteness of my sheets,<br/>
(Which to preserve is sleep, which being spotted<br/>
Is goads, thorns, nettles, tails of wasps)<br/>
Give scandal to the blood o' th' prince, my son,<br/>
(Who I do think is mine, and love as mine)<br/>
Without ripe moving to't? Would I do this?<br/>
Could man so blench?
</p>
<p>CAMILLO.<br/>
I must believe you, sir:<br/>
I do; and will fetch off Bohemia for't;<br/>
Provided that, when he's remov'd, your highness<br/>
Will take again your queen as yours at first,<br/>
Even for your son's sake, and thereby for sealing<br/>
The injury of tongues in courts and kingdoms<br/>
Known and allied to yours.
</p>
<p>LEONTES.<br/>
Thou dost advise me<br/>
Even so as I mine own course have set down:<br/>
I'll give no blemish to her honour, none.
</p>
<p>CAMILLO.<br/>
My lord,<br/>
Go then; and with a countenance as clear<br/>
As friendship wears at feasts, keep with Bohemia<br/>
And with your queen. I am his cupbearer.<br/>
If from me he have wholesome beverage,<br/>
Account me not your servant.
</p>
<p>LEONTES.<br/>
This is all:<br/>
Do't, and thou hast the one half of my heart;<br/>
Do't not, thou splitt'st thine own.
</p>
<p>CAMILLO.<br/>
I'll do't, my lord.
</p>
<p>LEONTES.<br/>
I will seem friendly, as thou hast advis'd me.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>CAMILLO.<br/>
O miserable lady! But, for me,<br/>
What case stand I in? I must be the poisoner<br/>
Of good Polixenes, and my ground to do't<br/>
Is the obedience to a master; one<br/>
Who, in rebellion with himself, will have<br/>
All that are his so too. To do this deed,<br/>
Promotion follows. If I could find example<br/>
Of thousands that had struck anointed kings<br/>
And flourish'd after, I'd not do't. But since<br/>
Nor brass, nor stone, nor parchment, bears not one,<br/>
Let villainy itself forswear't. I must<br/>
Forsake the court: to do't, or no, is certain<br/>
To me a break-neck. Happy star reign now!<br/>
Here comes Bohemia.
</p>
<p class="scenedesc"> Enter <span class="charname">Polixenes</span>.</p>
<p>POLIXENES.<br/>
This is strange. Methinks<br/>
My favour here begins to warp. Not speak?<br/>
Good day, Camillo.
</p>
<p>CAMILLO.<br/>
Hail, most royal sir!
</p>
<p>POLIXENES.<br/>
What is the news i' th' court?
</p>
<p>CAMILLO.<br/>
None rare, my lord.
</p>
<p>POLIXENES.<br/>
The king hath on him such a countenance<br/>
As he had lost some province, and a region<br/>
Lov'd as he loves himself. Even now I met him<br/>
With customary compliment, when he,<br/>
Wafting his eyes to the contrary, and falling<br/>
A lip of much contempt, speeds from me, and<br/>
So leaves me to consider what is breeding<br/>
That changes thus his manners.
</p>
<p>CAMILLO.<br/>
I dare not know, my lord.
</p>
<p>POLIXENES.<br/>
How, dare not? Do not? Do you know, and dare not?<br/>
Be intelligent to me? 'Tis thereabouts;<br/>
For, to yourself, what you do know, you must,<br/>
And cannot say you dare not. Good Camillo,<br/>
Your chang'd complexions are to me a mirror<br/>
Which shows me mine chang'd too; for I must be<br/>
A party in this alteration, finding<br/>
Myself thus alter'd with't.
</p>
<p>CAMILLO.<br/>
There is a sickness<br/>
Which puts some of us in distemper, but<br/>
I cannot name the disease, and it is caught<br/>
Of you that yet are well.
</p>
<p>POLIXENES.<br/>
How caught of me?<br/>
Make me not sighted like the basilisk.<br/>
I have look'd on thousands who have sped the better<br/>
By my regard, but kill'd none so. Camillo,&mdash;<br/>
As you are certainly a gentleman, thereto<br/>
Clerk-like, experienc'd, which no less adorns<br/>
Our gentry than our parents' noble names,<br/>
In whose success we are gentle,&mdash;I beseech you,<br/>
If you know aught which does behove my knowledge<br/>
Thereof to be inform'd, imprison't not<br/>
In ignorant concealment.
</p>
<p>CAMILLO.<br/>
I may not answer.
</p>
<p>POLIXENES.<br/>
A sickness caught of me, and yet I well?<br/>
I must be answer'd. Dost thou hear, Camillo,<br/>
I conjure thee, by all the parts of man<br/>
Which honour does acknowledge, whereof the least<br/>
Is not this suit of mine, that thou declare<br/>
What incidency thou dost guess of harm<br/>
Is creeping toward me; how far off, how near;<br/>
Which way to be prevented, if to be;<br/>
If not, how best to bear it.
</p>
<p>CAMILLO.<br/>
Sir, I will tell you;<br/>
Since I am charg'd in honour, and by him<br/>
That I think honourable. Therefore mark my counsel,<br/>
Which must be ev'n as swiftly follow'd as<br/>
I mean to utter it, or both yourself and me<br/>
Cry lost, and so goodnight!
</p>
<p>POLIXENES.<br/>
On, good Camillo.
</p>
<p>CAMILLO.<br/>
I am appointed him to murder you.
</p>
<p>POLIXENES.<br/>
By whom, Camillo?
</p>
<p>CAMILLO.<br/>
By the king.
</p>
<p>POLIXENES.<br/>
For what?
</p>
<p>CAMILLO.<br/>
He thinks, nay, with all confidence he swears,<br/>
As he had seen't or been an instrument<br/>
To vice you to't, that you have touch'd his queen<br/>
Forbiddenly.
</p>
<p>POLIXENES.<br/>
O, then my best blood turn<br/>
To an infected jelly, and my name<br/>
Be yok'd with his that did betray the Best!<br/>
Turn then my freshest reputation to<br/>
A savour that may strike the dullest nostril<br/>
Where I arrive, and my approach be shunn'd,<br/>
Nay, hated too, worse than the great'st infection<br/>
That e'er was heard or read!
</p>
<p>CAMILLO.<br/>
Swear his thought over<br/>
By each particular star in heaven and<br/>
By all their influences, you may as well<br/>
Forbid the sea for to obey the moon<br/>
As or by oath remove or counsel shake<br/>
The fabric of his folly, whose foundation<br/>
Is pil'd upon his faith, and will continue<br/>
The standing of his body.
</p>
<p>POLIXENES.<br/>
How should this grow?
</p>
<p>CAMILLO.<br/>
I know not: but I am sure 'tis safer to<br/>
Avoid what's grown than question how 'tis born.<br/>
If therefore you dare trust my honesty,<br/>
That lies enclosed in this trunk, which you<br/>
Shall bear along impawn'd, away tonight.<br/>
Your followers I will whisper to the business,<br/>
And will by twos and threes, at several posterns,<br/>
Clear them o' th' city. For myself, I'll put<br/>
My fortunes to your service, which are here<br/>
By this discovery lost. Be not uncertain,<br/>
For, by the honour of my parents, I<br/>
Have utter'd truth: which if you seek to prove,<br/>
I dare not stand by; nor shall you be safer<br/>
Than one condemned by the king's own mouth,<br/>
Thereon his execution sworn.
</p>
<p>POLIXENES.<br/>
I do believe thee.<br/>
I saw his heart in 's face. Give me thy hand,<br/>
Be pilot to me, and thy places shall<br/>
Still neighbour mine. My ships are ready, and<br/>
My people did expect my hence departure<br/>
Two days ago. This jealousy<br/>
Is for a precious creature: as she's rare,<br/>
Must it be great; and, as his person's mighty,<br/>
Must it be violent; and as he does conceive<br/>
He is dishonour'd by a man which ever<br/>
Profess'd to him, why, his revenges must<br/>
In that be made more bitter. Fear o'ershades me.<br/>
Good expedition be my friend, and comfort<br/>
The gracious queen, part of his theme, but nothing<br/>
Of his ill-ta'en suspicion! Come, Camillo,<br/>
I will respect thee as a father if<br/>
Thou bear'st my life off hence. Let us avoid.
</p>
<p>CAMILLO.<br/>
It is in mine authority to command<br/>
The keys of all the posterns: please your highness<br/>
To take the urgent hour. Come, sir, away.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h3 id="sceneII_391"> <b>ACT II</b></h3>
<h4><b>SCENE I. Sicilia. A Room in the Palace.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Hermione, Mamillius</span>
and Ladies.</p>
<p>HERMIONE.<br/>
Take the boy to you: he so troubles me,<br/>
'Tis past enduring.
</p>
<p>FIRST LADY.<br/>
Come, my gracious lord,<br/>
Shall I be your playfellow?
</p>
<p>MAMILLIUS.<br/>
No, I'll none of you.
</p>
<p>FIRST LADY.<br/>
Why, my sweet lord?
</p>
<p>MAMILLIUS.<br/>
You'll kiss me hard, and speak to me as if<br/>
I were a baby still. I love you better.
</p>
<p>SECOND LADY.<br/>
And why so, my lord?
</p>
<p>MAMILLIUS.<br/>
Not for because<br/>
Your brows are blacker; yet black brows, they say,<br/>
Become some women best, so that there be not<br/>
Too much hair there, but in a semicircle<br/>
Or a half-moon made with a pen.
</p>
<p>SECOND LADY.<br/>
Who taught this?
</p>
<p>MAMILLIUS.<br/>
I learn'd it out of women's faces. Pray now,<br/>
What colour are your eyebrows?
</p>
<p>FIRST LADY.<br/>
Blue, my lord.
</p>
<p>MAMILLIUS.<br/>
Nay, that's a mock. I have seen a lady's nose<br/>
That has been blue, but not her eyebrows.
</p>
<p>FIRST LADY.<br/>
Hark ye,<br/>
The queen your mother rounds apace. We shall<br/>
Present our services to a fine new prince<br/>
One of these days, and then you'd wanton with us,<br/>
If we would have you.
</p>
<p>SECOND LADY.<br/>
She is spread of late<br/>
Into a goodly bulk: good time encounter her!
</p>
<p>HERMIONE.<br/>
What wisdom stirs amongst you? Come, sir, now<br/>
I am for you again. Pray you sit by us,<br/>
And tell 's a tale.
</p>
<p>MAMILLIUS.<br/>
Merry or sad shall't be?
</p>
<p>HERMIONE.<br/>
As merry as you will.
</p>
<p>MAMILLIUS.<br/>
A sad tale's best for winter. I have one<br/>
Of sprites and goblins.
</p>
<p>HERMIONE.<br/>
Let's have that, good sir.<br/>
Come on, sit down. Come on, and do your best<br/>
To fright me with your sprites: you're powerful at it.
</p>
<p>MAMILLIUS.<br/>
There was a man,&mdash;
</p>
<p>HERMIONE.<br/>
Nay, come, sit down, then on.
</p>
<p>MAMILLIUS.<br/>
Dwelt by a churchyard. I will tell it softly,<br/>
Yond crickets shall not hear it.
</p>
<p>HERMIONE.<br/>
Come on then,<br/>
And give't me in mine ear.
</p>
<p class="scenedesc"> Enter <span class="charname">Leontes, Antigonus,</span>
Lords and Guards.</p>
<p>LEONTES.<br/>
Was he met there? his train? Camillo with him?
</p>
<p>FIRST LORD.<br/>
Behind the tuft of pines I met them, never<br/>
Saw I men scour so on their way: I ey'd them<br/>
Even to their ships.
</p>
<p>LEONTES.<br/>
How blest am I<br/>
In my just censure, in my true opinion!<br/>
Alack, for lesser knowledge! How accurs'd<br/>
In being so blest! There may be in the cup<br/>
A spider steep'd, and one may drink, depart,<br/>
And yet partake no venom, for his knowledge<br/>
Is not infected; but if one present<br/>
Th' abhorr'd ingredient to his eye, make known<br/>
How he hath drunk, he cracks his gorge, his sides,<br/>
With violent hefts. I have drunk, and seen the spider.<br/>
Camillo was his help in this, his pander.<br/>
There is a plot against my life, my crown;<br/>
All's true that is mistrusted. That false villain<br/>
Whom I employ'd, was pre-employ'd by him.<br/>
He has discover'd my design, and I<br/>
Remain a pinch'd thing; yea, a very trick<br/>
For them to play at will. How came the posterns<br/>
So easily open?
</p>
<p>FIRST LORD.<br/>
By his great authority,<br/>
Which often hath no less prevail'd than so<br/>
On your command.
</p>
<p>LEONTES.<br/>
I know't too well.<br/>
Give me the boy. I am glad you did not nurse him.<br/>
Though he does bear some signs of me, yet you<br/>
Have too much blood in him.
</p>
<p>HERMIONE.<br/>
What is this? sport?
</p>
<p>LEONTES.<br/>
Bear the boy hence, he shall not come about her,<br/>
Away with him, and let her sport herself<br/>
With that she's big with; for 'tis Polixenes<br/>
Has made thee swell thus.
</p>
<p class="right"> [<i>Exit <span class="charname">Mamillius</span> with some
of the Guards.</i>]</p>
<p>HERMIONE.<br/>
But I'd say he had not,<br/>
And I'll be sworn you would believe my saying,<br/>
Howe'er you learn th' nayward.
</p>
<p>LEONTES.<br/>
You, my lords,<br/>
Look on her, mark her well. Be but about<br/>
To say, &ldquo;she is a goodly lady,&rdquo; and<br/>
The justice of your hearts will thereto add<br/>
&ldquo;'Tis pity she's not honest, honourable&rdquo;:<br/>
Praise her but for this her without-door form,<br/>
Which on my faith deserves high speech, and straight<br/>
The shrug, the hum or ha, these petty brands<br/>
That calumny doth use&mdash;O, I am out,<br/>
That mercy does; for calumny will sear<br/>
Virtue itself&mdash;these shrugs, these hum's, and ha's,<br/>
When you have said &ldquo;she's goodly,&rdquo; come between,<br/>
Ere you can say &ldquo;she's honest&rdquo;: but be it known,<br/>
From him that has most cause to grieve it should be,<br/>
She's an adultress!
</p>
<p>HERMIONE.<br/>
Should a villain say so,<br/>
The most replenish'd villain in the world,<br/>
He were as much more villain: you, my lord,<br/>
Do but mistake.
</p>
<p>LEONTES.<br/>
You have mistook, my lady,<br/>
Polixenes for Leontes O thou thing,<br/>
Which I'll not call a creature of thy place,<br/>
Lest barbarism, making me the precedent,<br/>
Should a like language use to all degrees,<br/>
And mannerly distinguishment leave out<br/>
Betwixt the prince and beggar. I have said<br/>
She's an adultress; I have said with whom:<br/>
More, she's a traitor, and Camillo is<br/>
A federary with her; and one that knows<br/>
What she should shame to know herself<br/>
But with her most vile principal, that she's<br/>
A bed-swerver, even as bad as those<br/>
That vulgars give bold'st titles; ay, and privy<br/>
To this their late escape.
</p>
<p>HERMIONE.<br/>
No, by my life,<br/>
Privy to none of this. How will this grieve you,<br/>
When you shall come to clearer knowledge, that<br/>
You thus have publish'd me! Gentle my lord,<br/>
You scarce can right me throughly then, to say<br/>
You did mistake.
</p>
<p>LEONTES.<br/>
No. If I mistake<br/>
In those foundations which I build upon,<br/>
The centre is not big enough to bear<br/>
A school-boy's top. Away with her to prison!<br/>
He who shall speak for her is afar off guilty<br/>
But that he speaks.
</p>
<p>HERMIONE.<br/>
There's some ill planet reigns:<br/>
I must be patient till the heavens look<br/>
With an aspect more favourable. Good my lords,<br/>
I am not prone to weeping, as our sex<br/>
Commonly are; the want of which vain dew<br/>
Perchance shall dry your pities. But I have<br/>
That honourable grief lodg'd here which burns<br/>
Worse than tears drown: beseech you all, my lords,<br/>
With thoughts so qualified as your charities<br/>
Shall best instruct you, measure me; and so<br/>
The king's will be perform'd.
</p>
<p>LEONTES.<br/>
Shall I be heard?
</p>
<p>HERMIONE.<br/>
Who is't that goes with me? Beseech your highness<br/>
My women may be with me, for you see<br/>
My plight requires it. Do not weep, good fools;<br/>
There is no cause: when you shall know your mistress<br/>
Has deserv'd prison, then abound in tears<br/>
As I come out: this action I now go on<br/>
Is for my better grace. Adieu, my lord:<br/>
I never wish'd to see you sorry; now<br/>
I trust I shall. My women, come; you have leave.
</p>
<p>LEONTES.<br/>
Go, do our bidding. Hence!
</p>
<p class="right"> [<i>Exeunt <span class="charname">Queen</span> and Ladies
with Guards.</i>]</p>
<p>FIRST LORD.<br/>
Beseech your highness, call the queen again.
</p>
<p>ANTIGONUS.<br/>
Be certain what you do, sir, lest your justice<br/>
Prove violence, in the which three great ones suffer,<br/>
Yourself, your queen, your son.
</p>
<p>FIRST LORD.<br/>
For her, my lord,<br/>
I dare my life lay down, and will do't, sir,<br/>
Please you to accept it, that the queen is spotless<br/>
I' th' eyes of heaven and to you&mdash;I mean<br/>
In this which you accuse her.
</p>
<p>ANTIGONUS.<br/>
If it prove<br/>
She's otherwise, I'll keep my stables where<br/>
I lodge my wife; I'll go in couples with her;<br/>
Than when I feel and see her no further trust her.<br/>
For every inch of woman in the world,<br/>
Ay, every dram of woman's flesh, is false,<br/>
If she be.
</p>
<p>LEONTES.<br/>
Hold your peaces.
</p>
<p>FIRST LORD.<br/>
Good my lord,&mdash;
</p>
<p>ANTIGONUS.<br/>
It is for you we speak, not for ourselves:<br/>
You are abus'd, and by some putter-on<br/>
That will be damn'd for't: would I knew the villain,<br/>
I would land-damn him. Be she honour-flaw'd,<br/>
I have three daughters; the eldest is eleven;<br/>
The second and the third, nine and some five;<br/>
If this prove true, they'll pay for't. By mine honour,<br/>
I'll geld 'em all; fourteen they shall not see,<br/>
To bring false generations: they are co-heirs,<br/>
And I had rather glib myself than they<br/>
Should not produce fair issue.
</p>
<p>LEONTES.<br/>
Cease; no more.<br/>
You smell this business with a sense as cold<br/>
As is a dead man's nose: but I do see't and feel't,<br/>
As you feel doing thus; and see withal<br/>
The instruments that feel.
</p>
<p>ANTIGONUS.<br/>
If it be so,<br/>
We need no grave to bury honesty.<br/>
There's not a grain of it the face to sweeten<br/>
Of the whole dungy earth.
</p>
<p>LEONTES.<br/>
What! Lack I credit?
</p>
<p>FIRST LORD.<br/>
I had rather you did lack than I, my lord,<br/>
Upon this ground: and more it would content me<br/>
To have her honour true than your suspicion,<br/>
Be blam'd for't how you might.
</p>
<p>LEONTES.<br/>
Why, what need we<br/>
Commune with you of this, but rather follow<br/>
Our forceful instigation? Our prerogative<br/>
Calls not your counsels, but our natural goodness<br/>
Imparts this; which, if you, or stupified<br/>
Or seeming so in skill, cannot or will not<br/>
Relish a truth, like us, inform yourselves<br/>
We need no more of your advice: the matter,<br/>
The loss, the gain, the ord'ring on't, is all<br/>
Properly ours.
</p>
<p>ANTIGONUS.<br/>
And I wish, my liege,<br/>
You had only in your silent judgement tried it,<br/>
Without more overture.
</p>
<p>LEONTES.<br/>
How could that be?<br/>
Either thou art most ignorant by age,<br/>
Or thou wert born a fool. Camillo's flight,<br/>
Added to their familiarity,<br/>
(Which was as gross as ever touch'd conjecture,<br/>
That lack'd sight only, nought for approbation<br/>
But only seeing, all other circumstances<br/>
Made up to th' deed) doth push on this proceeding.<br/>
Yet, for a greater confirmation<br/>
(For in an act of this importance, 'twere<br/>
Most piteous to be wild), I have dispatch'd in post<br/>
To sacred Delphos, to Apollo's temple,<br/>
Cleomenes and Dion, whom you know<br/>
Of stuff'd sufficiency: now from the oracle<br/>
They will bring all, whose spiritual counsel had,<br/>
Shall stop or spur me. Have I done well?
</p>
<p>FIRST LORD.<br/>
Well done, my lord.
</p>
<p>LEONTES.<br/>
Though I am satisfied, and need no more<br/>
Than what I know, yet shall the oracle<br/>
Give rest to the minds of others, such as he<br/>
Whose ignorant credulity will not<br/>
Come up to th' truth. So have we thought it good<br/>
From our free person she should be confin'd,<br/>
Lest that the treachery of the two fled hence<br/>
Be left her to perform. Come, follow us;<br/>
We are to speak in public; for this business<br/>
Will raise us all.
</p>
<p>ANTIGONUS.<br/>
[<i>Aside.</i>] To laughter, as I take it,<br/>
If the good truth were known.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneII_392"> <b>SCENE II. The same. The outer Room of a Prison.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Paulina</span> a
<span class="charname">Gentleman</span> and Attendants.</p>
<p>PAULINA.<br/>
The keeper of the prison, call to him;<br/>
Let him have knowledge who I am.
</p>
<p class="right"> [<i>Exit the Gentleman.</i>]</p>
<p>Good lady!<br/>
No court in Europe is too good for thee;<br/>
What dost thou then in prison?
</p>
<p class="scenedesc"> Enter <span class="charname">Gentleman</span> with the
<span class="charname">Gaoler</span>.</p>
<p>Now, good sir,<br/>
You know me, do you not?
</p>
<p>GAOLER.<br/>
For a worthy lady<br/>
And one who much I honour.
</p>
<p>PAULINA.<br/>
Pray you then,<br/>
Conduct me to the queen.
</p>
<p>GAOLER.<br/>
I may not, madam.<br/>
To the contrary I have express commandment.
</p>
<p>PAULINA.<br/>
Here's ado, to lock up honesty and honour from<br/>
Th' access of gentle visitors! Is't lawful, pray you,<br/>
To see her women? any of them? Emilia?
</p>
<p>GAOLER.<br/>
So please you, madam,<br/>
To put apart these your attendants, I<br/>
Shall bring Emilia forth.
</p>
<p>PAULINA.<br/>
I pray now, call her.<br/>
Withdraw yourselves.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Gentleman</span> and
Attendants.</i>]</p>
<p>GAOLER.<br/>
And, madam,<br/>
I must be present at your conference.
</p>
<p>PAULINA.<br/>
Well, be't so, prithee.
</p>
<p class="right"> [<i>Exit <span class="charname">Gaoler</span>.</i>]</p>
<p>Here's such ado to make no stain a stain<br/>
As passes colouring.
</p>
<p class="scenedesc"> Re-enter <span class="charname">Gaoler</span> with <span
class="charname">Emilia</span>.</p>
<p>Dear gentlewoman,<br/>
How fares our gracious lady?
</p>
<p>EMILIA.<br/>
As well as one so great and so forlorn<br/>
May hold together: on her frights and griefs,<br/>
(Which never tender lady hath borne greater)<br/>
She is, something before her time, deliver'd.
</p>
<p>PAULINA.<br/>
A boy?
</p>
<p>EMILIA.<br/>
A daughter; and a goodly babe,<br/>
Lusty, and like to live: the queen receives<br/>
Much comfort in 't; says &ldquo;My poor prisoner,<br/>
I am as innocent as you.&rdquo;
</p>
<p>PAULINA.<br/>
I dare be sworn.<br/>
These dangerous unsafe lunes i' th' king, beshrew them!<br/>
He must be told on't, and he shall: the office<br/>
Becomes a woman best. I'll take't upon me.<br/>
If I prove honey-mouth'd, let my tongue blister,<br/>
And never to my red-look'd anger be<br/>
The trumpet any more. Pray you, Emilia,<br/>
Commend my best obedience to the queen.<br/>
If she dares trust me with her little babe,<br/>
I'll show't the king, and undertake to be<br/>
Her advocate to th' loud'st. We do not know<br/>
How he may soften at the sight o' th' child:<br/>
The silence often of pure innocence<br/>
Persuades, when speaking fails.
</p>
<p>EMILIA.<br/>
Most worthy madam,<br/>
Your honour and your goodness is so evident,<br/>
That your free undertaking cannot miss<br/>
A thriving issue: there is no lady living<br/>
So meet for this great errand. Please your ladyship<br/>
To visit the next room, I'll presently<br/>
Acquaint the queen of your most noble offer,<br/>
Who but today hammer'd of this design,<br/>
But durst not tempt a minister of honour,<br/>
Lest she should be denied.
</p>
<p>PAULINA.<br/>
Tell her, Emilia,<br/>
I'll use that tongue I have: if wit flow from 't<br/>
As boldness from my bosom, let't not be doubted<br/>
I shall do good.
</p>
<p>EMILIA.<br/>
Now be you blest for it!<br/>
I'll to the queen: please you come something nearer.
</p>
<p>GAOLER.<br/>
Madam, if 't please the queen to send the babe,<br/>
I know not what I shall incur to pass it,<br/>
Having no warrant.
</p>
<p>PAULINA.<br/>
You need not fear it, sir:<br/>
This child was prisoner to the womb, and is,<br/>
By law and process of great nature thence<br/>
Freed and enfranchis'd: not a party to<br/>
The anger of the king, nor guilty of,<br/>
If any be, the trespass of the queen.
</p>
<p>GAOLER.<br/>
I do believe it.
</p>
<p>PAULINA.<br/>
Do not you fear: upon mine honour, I<br/>
Will stand betwixt you and danger.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneII_393"> <b>SCENE III. The same. A Room in the Palace.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Leontes, Antigonus,</span>
Lords and other Attendants.</p>
<p>LEONTES.<br/>
Nor night nor day no rest: it is but weakness<br/>
To bear the matter thus, mere weakness. If<br/>
The cause were not in being,&mdash;part o' th' cause,<br/>
She th' adultress; for the harlot king<br/>
Is quite beyond mine arm, out of the blank<br/>
And level of my brain, plot-proof. But she<br/>
I can hook to me. Say that she were gone,<br/>
Given to the fire, a moiety of my rest<br/>
Might come to me again. Who's there?
</p>
<p>FIRST ATTENDANT.<br/>
My lord.
</p>
<p>LEONTES.<br/>
How does the boy?
</p>
<p>FIRST ATTENDANT.<br/>
He took good rest tonight;<br/>
'Tis hop'd his sickness is discharg'd.
</p>
<p>LEONTES.<br/>
To see his nobleness,<br/>
Conceiving the dishonour of his mother.<br/>
He straight declin'd, droop'd, took it deeply,<br/>
Fasten'd and fix'd the shame on't in himself,<br/>
Threw off his spirit, his appetite, his sleep,<br/>
And downright languish'd. Leave me solely: go,<br/>
See how he fares.
</p>
<p class="right"> [<i>Exit <span class="charname">First
Attendant</span>.</i>]</p>
<p>Fie, fie! no thought of him.<br/>
The very thought of my revenges that way<br/>
Recoil upon me: in himself too mighty,<br/>
And in his parties, his alliance. Let him be,<br/>
Until a time may serve. For present vengeance,<br/>
Take it on her. Camillo and Polixenes<br/>
Laugh at me; make their pastime at my sorrow:<br/>
They should not laugh if I could reach them, nor<br/>
Shall she, within my power.
</p>
<p class="scenedesc"> Enter <span class="charname">Paulina</span> carrying a
baby, with <span class="charname">Antigonus,</span> lords and servants.</p>
<p>FIRST LORD.<br/>
You must not enter.
</p>
<p>PAULINA.<br/>
Nay, rather, good my lords, be second to me:<br/>
Fear you his tyrannous passion more, alas,<br/>
Than the queen's life? a gracious innocent soul,<br/>
More free than he is jealous.
</p>
<p>ANTIGONUS.<br/>
That's enough.
</p>
<p>SERVANT.<br/>
Madam, he hath not slept tonight; commanded<br/>
None should come at him.
</p>
<p>PAULINA.<br/>
Not so hot, good sir;<br/>
I come to bring him sleep. 'Tis such as you,<br/>
That creep like shadows by him, and do sigh<br/>
At each his needless heavings,&mdash;such as you<br/>
Nourish the cause of his awaking. I<br/>
Do come with words as med'cinal as true,<br/>
Honest as either, to purge him of that humour<br/>
That presses him from sleep.
</p>
<p>LEONTES.<br/>
What noise there, ho?
</p>
<p>PAULINA.<br/>
No noise, my lord; but needful conference<br/>
About some gossips for your highness.
</p>
<p>LEONTES.<br/>
How!<br/>
Away with that audacious lady! Antigonus,<br/>
I charg'd thee that she should not come about me.<br/>
I knew she would.
</p>
<p>ANTIGONUS.<br/>
I told her so, my lord,<br/>
On your displeasure's peril and on mine,<br/>
She should not visit you.
</p>
<p>LEONTES.<br/>
What, canst not rule her?
</p>
<p>PAULINA.<br/>
From all dishonesty he can. In this,<br/>
Unless he take the course that you have done,<br/>
Commit me for committing honour&mdash;trust it,<br/>
He shall not rule me.
</p>
<p>ANTIGONUS.<br/>
La you now, you hear.<br/>
When she will take the rein I let her run;<br/>
But she'll not stumble.
</p>
<p>PAULINA.<br/>
Good my liege, I come,&mdash;<br/>
And, I beseech you hear me, who professes<br/>
Myself your loyal servant, your physician,<br/>
Your most obedient counsellor, yet that dares<br/>
Less appear so, in comforting your evils,<br/>
Than such as most seem yours&mdash;I say I come<br/>
From your good queen.
</p>
<p>LEONTES.<br/>
Good queen!
</p>
<p>PAULINA.<br/>
Good queen, my lord, good queen: I say, good queen,<br/>
And would by combat make her good, so were I<br/>
A man, the worst about you.
</p>
<p>LEONTES.<br/>
Force her hence.
</p>
<p>PAULINA.<br/>
Let him that makes but trifles of his eyes<br/>
First hand me: on mine own accord I'll off;<br/>
But first I'll do my errand. The good queen,<br/>
(For she is good) hath brought you forth a daughter;<br/>
Here 'tis; commends it to your blessing.
</p>
<p class="right"> [<i>Laying down the child.</i>]</p>
<p>LEONTES.<br/>
Out!<br/>
A mankind witch! Hence with her, out o' door:<br/>
A most intelligencing bawd!
</p>
<p>PAULINA.<br/>
Not so.<br/>
I am as ignorant in that as you<br/>
In so entitling me; and no less honest<br/>
Than you are mad; which is enough, I'll warrant,<br/>
As this world goes, to pass for honest.
</p>
<p>LEONTES.<br/>
Traitors!<br/>
Will you not push her out? [<i>To Antigonus.</i>] Give her the bastard,<br/>
Thou dotard! Thou art woman-tir'd, unroosted<br/>
By thy Dame Partlet here. Take up the bastard,<br/>
Take't up, I say; give't to thy crone.
</p>
<p>PAULINA.<br/>
For ever<br/>
Unvenerable be thy hands, if thou<br/>
Tak'st up the princess by that forced baseness<br/>
Which he has put upon 't!
</p>
<p>LEONTES.<br/>
He dreads his wife.
</p>
<p>PAULINA.<br/>
So I would you did; then 'twere past all doubt<br/>
You'd call your children yours.
</p>
<p>LEONTES.<br/>
A nest of traitors!
</p>
<p>ANTIGONUS.<br/>
I am none, by this good light.
</p>
<p>PAULINA.<br/>
Nor I; nor any<br/>
But one that's here, and that's himself. For he<br/>
The sacred honour of himself, his queen's,<br/>
His hopeful son's, his babe's, betrays to slander,<br/>
Whose sting is sharper than the sword's; and will not,<br/>
(For, as the case now stands, it is a curse<br/>
He cannot be compell'd to't) once remove<br/>
The root of his opinion, which is rotten<br/>
As ever oak or stone was sound.
</p>
<p>LEONTES.<br/>
A callat<br/>
Of boundless tongue, who late hath beat her husband,<br/>
And now baits me! This brat is none of mine;<br/>
It is the issue of Polixenes.<br/>
Hence with it, and together with the dam<br/>
Commit them to the fire.
</p>
<p>PAULINA.<br/>
It is yours;<br/>
And, might we lay th' old proverb to your charge,<br/>
So like you 'tis the worse. Behold, my lords,<br/>
Although the print be little, the whole matter<br/>
And copy of the father: eye, nose, lip,<br/>
The trick of 's frown, his forehead; nay, the valley,<br/>
The pretty dimples of his chin and cheek; his smiles;<br/>
The very mould and frame of hand, nail, finger:<br/>
And thou, good goddess Nature, which hast made it<br/>
So like to him that got it, if thou hast<br/>
The ordering of the mind too, 'mongst all colours<br/>
No yellow in 't, lest she suspect, as he does,<br/>
Her children not her husband's!
</p>
<p>LEONTES.<br/>
A gross hag!<br/>
And, losel, thou art worthy to be hang'd<br/>
That wilt not stay her tongue.
</p>
<p>ANTIGONUS.<br/>
Hang all the husbands<br/>
That cannot do that feat, you'll leave yourself<br/>
Hardly one subject.
</p>
<p>LEONTES.<br/>
Once more, take her hence.
</p>
<p>PAULINA.<br/>
A most unworthy and unnatural lord<br/>
Can do no more.
</p>
<p>LEONTES.<br/>
I'll have thee burnt.
</p>
<p>PAULINA.<br/>
I care not.<br/>
It is an heretic that makes the fire,<br/>
Not she which burns in 't. I'll not call you tyrant;<br/>
But this most cruel usage of your queen,<br/>
Not able to produce more accusation<br/>
Than your own weak-hing'd fancy, something savours<br/>
Of tyranny, and will ignoble make you,<br/>
Yea, scandalous to the world.
</p>
<p>LEONTES.<br/>
On your allegiance,<br/>
Out of the chamber with her! Were I a tyrant,<br/>
Where were her life? She durst not call me so,<br/>
If she did know me one. Away with her!
</p>
<p>PAULINA.<br/>
I pray you, do not push me; I'll be gone.<br/>
Look to your babe, my lord; 'tis yours: Jove send her<br/>
A better guiding spirit! What needs these hands?<br/>
You that are thus so tender o'er his follies,<br/>
Will never do him good, not one of you.<br/>
So, so. Farewell; we are gone.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>LEONTES.<br/>
Thou, traitor, hast set on thy wife to this.<br/>
My child? Away with't. Even thou, that hast<br/>
A heart so tender o'er it, take it hence,<br/>
And see it instantly consum'd with fire;<br/>
Even thou, and none but thou. Take it up straight:<br/>
Within this hour bring me word 'tis done,<br/>
And by good testimony, or I'll seize thy life,<br/>
With that thou else call'st thine. If thou refuse<br/>
And wilt encounter with my wrath, say so;<br/>
The bastard brains with these my proper hands<br/>
Shall I dash out. Go, take it to the fire;<br/>
For thou set'st on thy wife.
</p>
<p>ANTIGONUS.<br/>
I did not, sir:<br/>
These lords, my noble fellows, if they please,<br/>
Can clear me in 't.
</p>
<p>LORDS<br/>
We can: my royal liege,<br/>
He is not guilty of her coming hither.
</p>
<p>LEONTES.<br/>
You're liars all.
</p>
<p>FIRST LORD.<br/>
Beseech your highness, give us better credit:<br/>
We have always truly serv'd you; and beseech<br/>
So to esteem of us. And on our knees we beg,<br/>
As recompense of our dear services<br/>
Past and to come, that you do change this purpose,<br/>
Which being so horrible, so bloody, must<br/>
Lead on to some foul issue. We all kneel.
</p>
<p>LEONTES.<br/>
I am a feather for each wind that blows.<br/>
Shall I live on to see this bastard kneel<br/>
And call me father? better burn it now<br/>
Than curse it then. But be it; let it live.<br/>
It shall not neither. [<i>To Antigonus.</i>] You, sir, come you hither,<br/>
You that have been so tenderly officious<br/>
With Lady Margery, your midwife, there,<br/>
To save this bastard's life&mdash;for 'tis a bastard,<br/>
So sure as this beard's grey. What will you adventure<br/>
To save this brat's life?
</p>
<p>ANTIGONUS.<br/>
Anything, my lord,<br/>
That my ability may undergo,<br/>
And nobleness impose: at least thus much:<br/>
I'll pawn the little blood which I have left<br/>
To save the innocent. Anything possible.
</p>
<p>LEONTES.<br/>
It shall be possible. Swear by this sword<br/>
Thou wilt perform my bidding.
</p>
<p>ANTIGONUS.<br/>
I will, my lord.
</p>
<p>LEONTES.<br/>
Mark, and perform it, seest thou? for the fail<br/>
Of any point in't shall not only be<br/>
Death to thyself, but to thy lewd-tongu'd wife,<br/>
Whom for this time we pardon. We enjoin thee,<br/>
As thou art liegeman to us, that thou carry<br/>
This female bastard hence, and that thou bear it<br/>
To some remote and desert place, quite out<br/>
Of our dominions; and that there thou leave it,<br/>
Without more mercy, to it own protection<br/>
And favour of the climate. As by strange fortune<br/>
It came to us, I do in justice charge thee,<br/>
On thy soul's peril and thy body's torture,<br/>
That thou commend it strangely to some place<br/>
Where chance may nurse or end it. Take it up.
</p>
<p>ANTIGONUS.<br/>
I swear to do this, though a present death<br/>
Had been more merciful. Come on, poor babe:<br/>
Some powerful spirit instruct the kites and ravens<br/>
To be thy nurses! Wolves and bears, they say,<br/>
Casting their savageness aside, have done<br/>
Like offices of pity. Sir, be prosperous<br/>
In more than this deed does require! And blessing<br/>
Against this cruelty, fight on thy side,<br/>
Poor thing, condemn'd to loss!
</p>
<p class="right"> [<i>Exit with the child.</i>]</p>
<p>LEONTES.<br/>
No, I'll not rear<br/>
Another's issue.
</p>
<p class="scenedesc"> Enter a <span class="charname">Servant</span>.</p>
<p>SERVANT.<br/>
Please your highness, posts<br/>
From those you sent to th' oracle are come<br/>
An hour since: Cleomenes and Dion,<br/>
Being well arriv'd from Delphos, are both landed,<br/>
Hasting to th' court.
</p>
<p>FIRST LORD.<br/>
So please you, sir, their speed<br/>
Hath been beyond account.
</p>
<p>LEONTES.<br/>
Twenty-three days<br/>
They have been absent: 'tis good speed; foretells<br/>
The great Apollo suddenly will have<br/>
The truth of this appear. Prepare you, lords;<br/>
Summon a session, that we may arraign<br/>
Our most disloyal lady; for, as she hath<br/>
Been publicly accus'd, so shall she have<br/>
A just and open trial. While she lives,<br/>
My heart will be a burden to me. Leave me,<br/>
And think upon my bidding.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h3 id="sceneIII_391"> <b>ACT III</b></h3>
<h4><b>SCENE I. Sicilia. A Street in some Town.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Cleomenes</span> and <span
class="charname">Dion</span>.</p>
<p>CLEOMENES<br/>
The climate's delicate; the air most sweet,<br/>
Fertile the isle, the temple much surpassing<br/>
The common praise it bears.
</p>
<p>DION.<br/>
I shall report,<br/>
For most it caught me, the celestial habits<br/>
(Methinks I so should term them) and the reverence<br/>
Of the grave wearers. O, the sacrifice!<br/>
How ceremonious, solemn, and unearthly,<br/>
It was i' th' offering!
</p>
<p>CLEOMENES<br/>
But of all, the burst<br/>
And the ear-deaf'ning voice o' th' oracle,<br/>
Kin to Jove's thunder, so surprised my sense<br/>
That I was nothing.
</p>
<p>DION.<br/>
If the event o' th' journey<br/>
Prove as successful to the queen,&mdash;O, be't so!&mdash;<br/>
As it hath been to us rare, pleasant, speedy,<br/>
The time is worth the use on't.
</p>
<p>CLEOMENES<br/>
Great Apollo<br/>
Turn all to th' best! These proclamations,<br/>
So forcing faults upon Hermione,<br/>
I little like.
</p>
<p>DION.<br/>
The violent carriage of it<br/>
Will clear or end the business: when the oracle,<br/>
(Thus by Apollo's great divine seal'd up)<br/>
Shall the contents discover, something rare<br/>
Even then will rush to knowledge. Go. Fresh horses!<br/>
And gracious be the issue!
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneIII_392"> <b>SCENE II. The same. A Court of Justice.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Leontes,</span> Lords and
Officers appear, properly seated.</p>
<p>LEONTES.<br/>
This sessions (to our great grief we pronounce)<br/>
Even pushes 'gainst our heart: the party tried<br/>
The daughter of a king, our wife, and one<br/>
Of us too much belov'd. Let us be clear'd<br/>
Of being tyrannous, since we so openly<br/>
Proceed in justice, which shall have due course,<br/>
Even to the guilt or the purgation.<br/>
Produce the prisoner.
</p>
<p>OFFICER.<br/>
It is his highness' pleasure that the queen<br/>
Appear in person here in court. Silence!
</p>
<p class="scenedesc"> <span class="charname">Hermione</span> is brought in
guarded; <span class="charname">Paulina</span> and Ladies attending.</p>
<p>LEONTES.<br/>
Read the indictment.
</p>
<p>OFFICER.<br/>
[<i>Reads.</i>] &ldquo;Hermione, queen to the worthy Leontes, king of Sicilia,
thou art here accused and arraigned of high treason, in committing adultery
with Polixenes, king of Bohemia; and conspiring with Camillo to take away the
life of our sovereign lord the king, thy royal husband: the pretence whereof
being by circumstances partly laid open, thou, Hermione, contrary to the faith
and allegiance of a true subject, didst counsel and aid them, for their better
safety, to fly away by night.&rdquo;
</p>
<p>HERMIONE.<br/>
Since what I am to say must be but that<br/>
Which contradicts my accusation, and<br/>
The testimony on my part no other<br/>
But what comes from myself, it shall scarce boot me<br/>
To say &ldquo;Not guilty&rdquo;. Mine integrity,<br/>
Being counted falsehood, shall, as I express it,<br/>
Be so receiv'd. But thus, if powers divine<br/>
Behold our human actions, as they do,<br/>
I doubt not, then, but innocence shall make<br/>
False accusation blush, and tyranny<br/>
Tremble at patience. You, my lord, best know,<br/>
Who least will seem to do so, my past life<br/>
Hath been as continent, as chaste, as true,<br/>
As I am now unhappy; which is more<br/>
Than history can pattern, though devis'd<br/>
And play'd to take spectators. For behold me,<br/>
A fellow of the royal bed, which owe<br/>
A moiety of the throne, a great king's daughter,<br/>
The mother to a hopeful prince, here standing<br/>
To prate and talk for life and honour 'fore<br/>
Who please to come and hear. For life, I prize it<br/>
As I weigh grief, which I would spare. For honour,<br/>
'Tis a derivative from me to mine,<br/>
And only that I stand for. I appeal<br/>
To your own conscience, sir, before Polixenes<br/>
Came to your court, how I was in your grace,<br/>
How merited to be so; since he came,<br/>
With what encounter so uncurrent I<br/>
Have strain'd t' appear thus: if one jot beyond<br/>
The bound of honour, or in act or will<br/>
That way inclining, harden'd be the hearts<br/>
Of all that hear me, and my near'st of kin<br/>
Cry fie upon my grave!
</p>
<p>LEONTES.<br/>
I ne'er heard yet<br/>
That any of these bolder vices wanted<br/>
Less impudence to gainsay what they did<br/>
Than to perform it first.
</p>
<p>HERMIONE.<br/>
That's true enough;<br/>
Though 'tis a saying, sir, not due to me.
</p>
<p>LEONTES.<br/>
You will not own it.
</p>
<p>HERMIONE.<br/>
More than mistress of<br/>
Which comes to me in name of fault, I must not<br/>
At all acknowledge. For Polixenes,<br/>
With whom I am accus'd, I do confess<br/>
I lov'd him as in honour he requir'd,<br/>
With such a kind of love as might become<br/>
A lady like me; with a love even such,<br/>
So and no other, as yourself commanded:<br/>
Which not to have done, I think had been in me<br/>
Both disobedience and ingratitude<br/>
To you and toward your friend, whose love had spoke,<br/>
Ever since it could speak, from an infant, freely,<br/>
That it was yours. Now, for conspiracy,<br/>
I know not how it tastes, though it be dish'd<br/>
For me to try how: all I know of it<br/>
Is that Camillo was an honest man;<br/>
And why he left your court, the gods themselves,<br/>
Wotting no more than I, are ignorant.
</p>
<p>LEONTES.<br/>
You knew of his departure, as you know<br/>
What you have underta'en to do in 's absence.
</p>
<p>HERMIONE.<br/>
Sir,<br/>
You speak a language that I understand not:<br/>
My life stands in the level of your dreams,<br/>
Which I'll lay down.
</p>
<p>LEONTES.<br/>
Your actions are my dreams.<br/>
You had a bastard by Polixenes,<br/>
And I but dream'd it. As you were past all shame<br/>
(Those of your fact are so) so past all truth,<br/>
Which to deny concerns more than avails; for as<br/>
Thy brat hath been cast out, like to itself,<br/>
No father owning it (which is, indeed,<br/>
More criminal in thee than it), so thou<br/>
Shalt feel our justice; in whose easiest passage<br/>
Look for no less than death.
</p>
<p>HERMIONE.<br/>
Sir, spare your threats:<br/>
The bug which you would fright me with, I seek.<br/>
To me can life be no commodity.<br/>
The crown and comfort of my life, your favour,<br/>
I do give lost, for I do feel it gone,<br/>
But know not how it went. My second joy,<br/>
And first-fruits of my body, from his presence<br/>
I am barr'd, like one infectious. My third comfort,<br/>
Starr'd most unluckily, is from my breast,<br/>
(The innocent milk in its most innocent mouth)<br/>
Hal'd out to murder; myself on every post<br/>
Proclaim'd a strumpet; with immodest hatred<br/>
The child-bed privilege denied, which 'longs<br/>
To women of all fashion; lastly, hurried<br/>
Here to this place, i' th' open air, before<br/>
I have got strength of limit. Now, my liege,<br/>
Tell me what blessings I have here alive,<br/>
That I should fear to die. Therefore proceed.<br/>
But yet hear this: mistake me not: no life,<br/>
I prize it not a straw, but for mine honour,<br/>
Which I would free, if I shall be condemn'd<br/>
Upon surmises, all proofs sleeping else<br/>
But what your jealousies awake I tell you<br/>
'Tis rigour, and not law. Your honours all,<br/>
I do refer me to the oracle:<br/>
Apollo be my judge!
</p>
<p>FIRST LORD.<br/>
This your request<br/>
Is altogether just: therefore bring forth,<br/>
And in Apollo's name, his oracle:
</p>
<p class="right"> [<i>Exeunt certain Officers.</i>]</p>
<p>HERMIONE.<br/>
The Emperor of Russia was my father.<br/>
O that he were alive, and here beholding<br/>
His daughter's trial! that he did but see<br/>
The flatness of my misery; yet with eyes<br/>
Of pity, not revenge!
</p>
<p class="scenedesc"> Enter <span class="charname">Officers</span> with
<span class="charname">Cleomenes</span> and <span
class="charname">Dion</span>.</p>
<p>OFFICER.<br/>
You here shall swear upon this sword of justice,<br/>
That you, Cleomenes and Dion, have<br/>
Been both at Delphos, and from thence have brought<br/>
This seal'd-up oracle, by the hand deliver'd<br/>
Of great Apollo's priest; and that since then <br/>
You have not dared to break the holy seal,<br/>
Nor read the secrets in't.
</p>
<p>CLEOMENES, DION.<br/>
All this we swear.
</p>
<p>LEONTES.<br/>
Break up the seals and read.
</p>
<p>OFFICER.<br/>
[<i>Reads.</i>] &ldquo;Hermione is chaste; Polixenes blameless; Camillo a true
subject; Leontes a jealous tyrant; his innocent babe truly begotten; and the
king shall live without an heir, if that which is lost be not found.&rdquo;
</p>
<p>LORDS<br/>
Now blessed be the great Apollo!
</p>
<p>HERMIONE.<br/>
Praised!
</p>
<p>LEONTES.<br/>
Hast thou read truth?
</p>
<p>OFFICER.<br/>
Ay, my lord, even so<br/>
As it is here set down.
</p>
<p>LEONTES.<br/>
There is no truth at all i' th' oracle:<br/>
The sessions shall proceed: this is mere falsehood.
</p>
<p class="scenedesc"> Enter a <span class="charname">Servant</span>
hastily.</p>
<p>SERVANT.<br/>
My lord the king, the king!
</p>
<p>LEONTES.<br/>
What is the business?
</p>
<p>SERVANT.<br/>
O sir, I shall be hated to report it.<br/>
The prince your son, with mere conceit and fear<br/>
Of the queen's speed, is gone.
</p>
<p>LEONTES.<br/>
How! gone?
</p>
<p>SERVANT.<br/>
Is dead.
</p>
<p>LEONTES.<br/>
Apollo's angry, and the heavens themselves<br/>
Do strike at my injustice.
</p>
<p class="right"> [<i>Hermione faints.</i>]</p>
<p>How now there?
</p>
<p>PAULINA.<br/>
This news is mortal to the queen. Look down<br/>
And see what death is doing.
</p>
<p>LEONTES.<br/>
Take her hence:<br/>
Her heart is but o'ercharg'd; she will recover.<br/>
I have too much believ'd mine own suspicion.<br/>
Beseech you tenderly apply to her<br/>
Some remedies for life.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Paulina</span> and Ladies
with <span class="charname">Hermione</span>.</i>]</p>
<p>Apollo, pardon<br/>
My great profaneness 'gainst thine oracle!<br/>
I'll reconcile me to Polixenes,<br/>
New woo my queen, recall the good Camillo,<br/>
Whom I proclaim a man of truth, of mercy;<br/>
For, being transported by my jealousies<br/>
To bloody thoughts and to revenge, I chose<br/>
Camillo for the minister to poison<br/>
My friend Polixenes: which had been done,<br/>
But that the good mind of Camillo tardied<br/>
My swift command, though I with death and with<br/>
Reward did threaten and encourage him,<br/>
Not doing it and being done. He, most humane<br/>
And fill'd with honour, to my kingly guest<br/>
Unclasp'd my practice, quit his fortunes here,<br/>
Which you knew great, and to the certain hazard<br/>
Of all incertainties himself commended,<br/>
No richer than his honour. How he glisters<br/>
Thorough my rust! And how his piety<br/>
Does my deeds make the blacker!
</p>
<p class="scenedesc"> Enter <span class="charname">Paulina</span>.</p>
<p>PAULINA.<br/>
Woe the while!<br/>
O, cut my lace, lest my heart, cracking it,<br/>
Break too!
</p>
<p>FIRST LORD.<br/>
What fit is this, good lady?
</p>
<p>PAULINA.<br/>
What studied torments, tyrant, hast for me?<br/>
What wheels? racks? fires? what flaying? boiling<br/>
In leads or oils? What old or newer torture<br/>
Must I receive, whose every word deserves<br/>
To taste of thy most worst? Thy tyranny,<br/>
Together working with thy jealousies,<br/>
Fancies too weak for boys, too green and idle<br/>
For girls of nine. O, think what they have done,<br/>
And then run mad indeed, stark mad! for all<br/>
Thy by-gone fooleries were but spices of it.<br/>
That thou betray'dst Polixenes, 'twas nothing;<br/>
That did but show thee, of a fool, inconstant<br/>
And damnable ingrateful; nor was't much<br/>
Thou wouldst have poison'd good Camillo's honour,<br/>
To have him kill a king; poor trespasses,<br/>
More monstrous standing by: whereof I reckon<br/>
The casting forth to crows thy baby daughter,<br/>
To be or none or little, though a devil<br/>
Would have shed water out of fire ere done't,<br/>
Nor is't directly laid to thee the death<br/>
Of the young prince, whose honourable thoughts,<br/>
Thoughts high for one so tender, cleft the heart<br/>
That could conceive a gross and foolish sire<br/>
Blemish'd his gracious dam: this is not, no,<br/>
Laid to thy answer: but the last&mdash;O lords,<br/>
When I have said, cry Woe!&mdash;the queen, the queen,<br/>
The sweet'st, dear'st creature's dead, and vengeance for't<br/>
Not dropp'd down yet.
</p>
<p>FIRST LORD.<br/>
The higher powers forbid!
</p>
<p>PAULINA.<br/>
I say she's dead: I'll swear't. If word nor oath<br/>
Prevail not, go and see: if you can bring<br/>
Tincture, or lustre, in her lip, her eye,<br/>
Heat outwardly or breath within, I'll serve you<br/>
As I would do the gods. But, O thou tyrant!<br/>
Do not repent these things, for they are heavier<br/>
Than all thy woes can stir. Therefore betake thee<br/>
To nothing but despair. A thousand knees<br/>
Ten thousand years together, naked, fasting,<br/>
Upon a barren mountain, and still winter<br/>
In storm perpetual, could not move the gods<br/>
To look that way thou wert.
</p>
<p>LEONTES.<br/>
Go on, go on:<br/>
Thou canst not speak too much; I have deserv'd<br/>
All tongues to talk their bitterest.
</p>
<p>FIRST LORD.<br/>
Say no more:<br/>
Howe'er the business goes, you have made fault<br/>
I' th' boldness of your speech.
</p>
<p>PAULINA.<br/>
I am sorry for 't:<br/>
All faults I make, when I shall come to know them,<br/>
I do repent. Alas, I have show'd too much<br/>
The rashness of a woman: he is touch'd<br/>
To th' noble heart. What's gone and what's past
help,<br/>
Should be past grief. Do not receive affliction<br/>
At my petition; I beseech you, rather<br/>
Let me be punish'd, that have minded you<br/>
Of what you should forget. Now, good my liege,<br/>
Sir, royal sir, forgive a foolish woman:<br/>
The love I bore your queen&mdash;lo, fool again!<br/>
I'll speak of her no more, nor of your children.<br/>
I'll not remember you of my own lord,<br/>
Who is lost too. Take your patience to you,<br/>
And I'll say nothing.
</p>
<p>LEONTES.<br/>
Thou didst speak but well<br/>
When most the truth, which I receive much better<br/>
Than to be pitied of thee. Prithee, bring me<br/>
To the dead bodies of my queen and son:<br/>
One grave shall be for both. Upon them shall<br/>
The causes of their death appear, unto<br/>
Our shame perpetual. Once a day I'll visit<br/>
The chapel where they lie, and tears shed there<br/>
Shall be my recreation. So long as nature<br/>
Will bear up with this exercise, so long<br/>
I daily vow to use it. Come, and lead me<br/>
To these sorrows.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneIII_393"> <b>SCENE III. Bohemia. A desert Country near the Sea.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Antigonus</span> with the
Child and a <span class="charname">Mariner</span>.</p>
<p>ANTIGONUS.<br/>
Thou art perfect, then, our ship hath touch'd upon<br/>
The deserts of Bohemia?
</p>
<p>MARINER.<br/>
Ay, my lord, and fear<br/>
We have landed in ill time: the skies look grimly,<br/>
And threaten present blusters. In my conscience,<br/>
The heavens with that we have in hand are angry,<br/>
And frown upon 's.
</p>
<p>ANTIGONUS.<br/>
Their sacred wills be done! Go, get aboard;<br/>
Look to thy bark: I'll not be long before<br/>
I call upon thee.
</p>
<p>MARINER.<br/>
Make your best haste, and go not<br/>
Too far i' th' land: 'tis like to be loud weather;<br/>
Besides, this place is famous for the creatures<br/>
Of prey that keep upon 't.
</p>
<p>ANTIGONUS.<br/>
Go thou away:<br/>
I'll follow instantly.
</p>
<p>MARINER.<br/>
I am glad at heart<br/>
To be so rid o' th' business.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>ANTIGONUS.<br/>
Come, poor babe.<br/>
I have heard, but not believ'd, the spirits of the dead<br/>
May walk again: if such thing be, thy mother<br/>
Appear'd to me last night; for ne'er was dream<br/>
So like a waking. To me comes a creature,<br/>
Sometimes her head on one side, some another.<br/>
I never saw a vessel of like sorrow,<br/>
So fill'd and so becoming: in pure white robes,<br/>
Like very sanctity, she did approach<br/>
My cabin where I lay: thrice bow'd before me,<br/>
And, gasping to begin some speech, her eyes<br/>
Became two spouts. The fury spent, anon<br/>
Did this break from her: &ldquo;Good Antigonus,<br/>
Since fate, against thy better disposition,<br/>
Hath made thy person for the thrower-out<br/>
Of my poor babe, according to thine oath,<br/>
Places remote enough are in Bohemia,<br/>
There weep, and leave it crying. And, for the babe<br/>
Is counted lost for ever, Perdita<br/>
I prithee call't. For this ungentle business,<br/>
Put on thee by my lord, thou ne'er shalt see<br/>
Thy wife Paulina more.&rdquo; And so, with shrieks,<br/>
She melted into air. Affrighted much,<br/>
I did in time collect myself and thought<br/>
This was so, and no slumber. Dreams are toys,<br/>
Yet for this once, yea, superstitiously,<br/>
I will be squar'd by this. I do believe<br/>
Hermione hath suffer'd death, and that<br/>
Apollo would, this being indeed the issue<br/>
Of King Polixenes, it should here be laid,<br/>
Either for life or death, upon the earth<br/>
Of its right father. Blossom, speed thee well!
There lie; and there thy character: there these;
</p>
<p class="right"> [<i>Laying down the child and a bundle.</i>]</p>
<p>Which may if fortune please, both breed thee, pretty,<br/>
And still rest thine. The storm begins: poor wretch,<br/>
That for thy mother's fault art thus expos'd<br/>
To loss and what may follow! Weep I cannot,<br/>
But my heart bleeds, and most accurs'd am I<br/>
To be by oath enjoin'd to this. Farewell!<br/>
The day frowns more and more. Thou'rt like to have<br/>
A lullaby too rough. I never saw<br/>
The heavens so dim by day. A savage clamour!<br/>
Well may I get aboard! This is the chase:<br/>
I am gone for ever.
</p>
<p class="right"> [<i>Exit, pursued by a bear.</i>]</p>
<p class="scenedesc"> Enter an old <span class="charname">Shepherd</span>.</p>
<p>SHEPHERD.<br/>
I would there were no age between ten and three-and-twenty, or that youth would
sleep out the rest; for there is nothing in the between but getting wenches
with child, wronging the ancientry, stealing, fighting&mdash;Hark you now!
Would any but these boiled brains of nineteen and two-and-twenty hunt this
weather? They have scared away two of my best sheep, which I fear the wolf will
sooner find than the master: if anywhere I have them, 'tis by the
sea-side, browsing of ivy. Good luck, an 't be thy will, what have we
here?
</p>
<p class="right"> [<i>Taking up the child.</i>]</p>
<p> Mercy on 's, a bairn! A very pretty bairn! A boy or a child, I wonder?
A pretty one; a very pretty one. Sure, some scape. Though I am not bookish, yet
I can read waiting-gentlewoman in the scape. This has been some stair-work,
some trunk-work, some behind-door-work. They were warmer that got this than the
poor thing is here. I'll take it up for pity: yet I'll tarry till
my son come; he halloed but even now. Whoa-ho-hoa!
</p>
<p class="scenedesc"> Enter <span class="charname">Clown</span>.</p>
<p>CLOWN.<br/>
Hilloa, loa!
</p>
<p>SHEPHERD.<br/>
What, art so near? If thou'lt see a thing to talk on when thou art dead
and rotten, come hither. What ail'st thou, man?
</p>
<p>CLOWN.<br/>
I have seen two such sights, by sea and by land! But I am not to say it
is a sea, for it is now the sky: betwixt the firmament and it, you cannot
thrust a bodkin's point.
</p>
<p>SHEPHERD.<br/>
Why, boy, how is it?
</p>
<p>CLOWN.<br/>
I would you did but see how it chafes, how it rages, how it takes up the shore!
But that's not to the point. O, the most piteous cry of the poor souls!
sometimes to see 'em, and not to see 'em. Now the ship boring the
moon with her mainmast, and anon swallowed with yest and froth, as you'd
thrust a cork into a hogshead. And then for the land service, to see how the
bear tore out his shoulder-bone, how he cried to me for help, and said his name
was Antigonus, a nobleman. But to make an end of the ship, to see how the sea
flap-dragon'd it: but first, how the poor souls roared, and the sea
mocked them, and how the poor gentleman roared, and the bear mocked him, both
roaring louder than the sea or weather.
</p>
<p>SHEPHERD.<br/>
Name of mercy, when was this, boy?
</p>
<p>CLOWN.<br/>
Now, now. I have not winked since I saw these sights: the men are not yet cold
under water, nor the bear half dined on the gentleman. He's at it now.
</p>
<p>SHEPHERD.<br/>
Would I had been by to have helped the old man!
</p>
<p>CLOWN.<br/>
I would you had been by the ship side, to have helped her: there your charity
would have lacked footing.
</p>
<p>SHEPHERD.<br/>
Heavy matters, heavy matters! But look thee here, boy. Now bless thyself: thou
met'st with things dying, I with things new-born. Here's a sight
for thee. Look thee, a bearing-cloth for a squire's child! Look thee
here; take up, take up, boy; open't. So, let's see. It was told me
I should be rich by the fairies. This is some changeling: open't.
What's within, boy?
</p>
<p>CLOWN.<br/>
You're a made old man. If the sins of your youth are forgiven you,
you're well to live. Gold! all gold!
</p>
<p>SHEPHERD.<br/>
This is fairy gold, boy, and 'twill prove so. Up with it, keep it close:
home, home, the next way. We are lucky, boy, and to be so still requires
nothing but secrecy. Let my sheep go: come, good boy, the next way
home.
</p>
<p>CLOWN.<br/>
Go you the next way with your findings. I'll go see if the bear be gone
from the gentleman, and how much he hath eaten. They are never curst but when
they are hungry: if there be any of him left, I'll bury it.
</p>
<p>SHEPHERD.<br/>
That's a good deed. If thou mayest discern by that which is left of him
what he is, fetch me to th' sight of him.
</p>
<p>CLOWN.<br/>
Marry, will I; and you shall help to put him i' th' ground.
</p>
<p>SHEPHERD.<br/>
'Tis a lucky day, boy, and we'll do good deeds on 't.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h3 id="sceneIV_391"> <b>ACT IV</b></h3>
<h4><b>SCENE I. </b></h4>
<p class="scenedesc"> Enter <span class="charname">Time,</span> the Chorus.</p>
<p>TIME.<br/>
I that please some, try all: both joy and terror<br/>
Of good and bad, that makes and unfolds error,<br/>
Now take upon me, in the name of Time,<br/>
To use my wings. Impute it not a crime<br/>
To me or my swift passage, that I slide<br/>
O'er sixteen years, and leave the growth untried<br/>
Of that wide gap, since it is in my power<br/>
To o'erthrow law, and in one self-born hour<br/>
To plant and o'erwhelm custom. Let me pass<br/>
The same I am, ere ancient'st order was<br/>
Or what is now received. I witness to<br/>
The times that brought them in; so shall I do<br/>
To th' freshest things now reigning, and make stale<br/>
The glistering of this present, as my tale<br/>
Now seems to it. Your patience this allowing,<br/>
I turn my glass, and give my scene such growing<br/>
As you had slept between. Leontes leaving<br/>
Th' effects of his fond jealousies, so grieving<br/>
That he shuts up himself, imagine me,<br/>
Gentle spectators, that I now may be<br/>
In fair Bohemia, and remember well,<br/>
I mentioned a son o' th' king's, which Florizel<br/>
I now name to you; and with speed so pace<br/>
To speak of Perdita, now grown in grace<br/>
Equal with wondering. What of her ensues<br/>
I list not prophesy; but let Time's news<br/>
Be known when 'tis brought forth. A shepherd's daughter,<br/>
And what to her adheres, which follows after,<br/>
Is th' argument of Time. Of this allow,<br/>
If ever you have spent time worse ere now;<br/>
If never, yet that Time himself doth say<br/>
He wishes earnestly you never may.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<h4 id="sceneIV_392"> <b>SCENE II. Bohemia. A Room in the palace of Polixenes.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Polixenes</span> and <span
class="charname">Camillo</span>.</p>
<p>POLIXENES.<br/>
I pray thee, good Camillo, be no more importunate: 'tis a sickness
denying thee anything; a death to grant this.
</p>
<p>CAMILLO.<br/>
It is fifteen years since I saw my country. Though I have for the most part
been aired abroad, I desire to lay my bones there. Besides, the penitent king,
my master, hath sent for me; to whose feeling sorrows I might be some allay, or
I o'erween to think so,&mdash;which is another spur to my departure.
</p>
<p>POLIXENES.<br/>
As thou lov'st me, Camillo, wipe not out the rest of thy services by
leaving me now: the need I have of thee, thine own goodness hath made; better
not to have had thee than thus to want thee. Thou, having made me businesses
which none without thee can sufficiently manage, must either stay to execute
them thyself, or take away with thee the very services thou hast done, which if
I have not enough considered (as too much I cannot) to be more thankful to thee
shall be my study; and my profit therein the heaping friendships. Of that fatal
country Sicilia, prithee speak no more; whose very naming punishes me with the
remembrance of that penitent, as thou call'st him, and reconciled king,
my brother; whose loss of his most precious queen and children are even now to
be afresh lamented. Say to me, when sawest thou the Prince Florizel, my son?
Kings are no less unhappy, their issue not being gracious, than they are in
losing them when they have approved their virtues.
</p>
<p>CAMILLO.<br/>
Sir, it is three days since I saw the prince. What his happier affairs may be,
are to me unknown, but I have missingly noted he is of late much retired from
court, and is less frequent to his princely exercises than formerly he hath
appeared.
</p>
<p>POLIXENES.<br/>
I have considered so much, Camillo, and with some care; so far that I have eyes
under my service which look upon his removedness; from whom I have this
intelligence, that he is seldom from the house of a most homely shepherd, a
man, they say, that from very nothing, and beyond the imagination of his
neighbours, is grown into an unspeakable estate.
</p>
<p>CAMILLO.<br/>
I have heard, sir, of such a man, who hath a daughter of most rare note: the
report of her is extended more than can be thought to begin from such a
cottage.
</p>
<p>POLIXENES.<br/>
That's likewise part of my intelligence: but, I fear, the angle that
plucks our son thither. Thou shalt accompany us to the place, where we will,
not appearing what we are, have some question with the shepherd; from whose
simplicity I think it not uneasy to get the cause of my son's resort
thither. Prithee, be my present partner in this business, and lay aside the
thoughts of Sicilia.
</p>
<p>CAMILLO.<br/>
I willingly obey your command.
</p>
<p>POLIXENES.<br/>
My best Camillo! We must disguise ourselves.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneIV_393"> <b>SCENE III. The same. A Road near the Shepherd's cottage.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Autolycus,</span>
singing.</p>
<p>AUTOLYCUS.<br/>
<i>When daffodils begin to peer,<br/>
    With, hey! the doxy over the dale,<br/>
Why, then comes in the sweet o' the year,<br/>
    For the red blood reigns in the winter's pale.</i>
</p>
<p>
<i>The white sheet bleaching on the hedge,<br/>
    With, hey! the sweet birds, O, how they sing!<br/>
Doth set my pugging tooth on edge;<br/>
    For a quart of ale is a dish for a king.</i>
</p>
<p>
<i>The lark, that tirra-lirra chants,<br/>
    With, hey! with, hey! the thrush and the jay,<br/>
Are summer songs for me and my aunts,<br/>
    While we lie tumbling in the hay.</i>
</p>
<p>
I have served Prince Florizel, and in my time wore three-pile, but now I am out
of service.
</p>
<p>
<i>But shall I go mourn for that, my dear?<br/>
    The pale moon shines by night:<br/>
And when I wander here and there,<br/>
    I then do most go right.</i>
</p>
<p>
<i>If tinkers may have leave to live,<br/>
    And bear the sow-skin budget,<br/>
Then my account I well may give<br/>
    And in the stocks avouch it.</i>
</p>
<p>
My traffic is sheets; when the kite builds, look to lesser linen. My father
named me Autolycus; who being, I as am, littered under Mercury, was likewise a
snapper-up of unconsidered trifles. With die and drab I purchased this
caparison, and my revenue is the silly cheat. Gallows and knock are too
powerful on the highway. Beating and hanging are terrors to me. For the life to
come, I sleep out the thought of it. A prize! a prize!
</p>
<p class="scenedesc"> Enter <span class="charname">Clown</span>.</p>
<p>CLOWN.<br/>
Let me see: every 'leven wether tods; every tod yields pound and
odd shilling; fifteen hundred shorn, what comes the wool to?
</p>
<p>AUTOLYCUS.<br/>
[<i>Aside.</i>] If the springe hold, the cock's mine.
</p>
<p>CLOWN.<br/>
I cannot do't without counters. Let me see; what am I to buy for our
sheep-shearing feast? &ldquo;Three pound of sugar, five pound of currants,
rice&rdquo;&mdash;what will this sister of mine do with rice? But my father
hath made her mistress of the feast, and she lays it on. She hath made me
four-and-twenty nosegays for the shearers, three-man song-men all, and very
good ones; but they are most of them means and basses, but one puritan amongst
them, and he sings psalms to hornpipes. I must have saffron to colour the
warden pies; &ldquo;mace; dates&rdquo;, none, that's out of my note;
&ldquo;nutmegs, seven; a race or two of ginger&rdquo;, but that I may beg;
&ldquo;four pound of prunes, and as many of raisins o' th'
sun.&rdquo;
</p>
<p>AUTOLYCUS.<br/>
[<i>Grovelling on the ground.</i>] O that ever I was born!
</p>
<p>CLOWN.<br/>
I' th' name of me!
</p>
<p>AUTOLYCUS.<br/>
O, help me, help me! Pluck but off these rags; and then, death, death!
</p>
<p>CLOWN.<br/>
Alack, poor soul! thou hast need of more rags to lay on thee, rather than have
these off.
</p>
<p>AUTOLYCUS.<br/>
O sir, the loathsomeness of them offends me more than the stripes I have
received, which are mighty ones and millions.
</p>
<p>CLOWN.<br/>
Alas, poor man! a million of beating may come to a great matter.
</p>
<p>AUTOLYCUS.<br/>
I am robbed, sir, and beaten; my money and apparel ta'en from me,
and these detestable things put upon me.
</p>
<p>CLOWN.<br/>
What, by a horseman or a footman?
</p>
<p>AUTOLYCUS.<br/>
A footman, sweet sir, a footman.
</p>
<p>CLOWN.<br/>
Indeed, he should be a footman by the garments he has left with thee: if this
be a horseman's coat, it hath seen very hot service. Lend me thy hand,
I'll help thee: come, lend me thy hand.
</p>
<p class="right"> [<i>Helping him up.</i>]</p>
<p>AUTOLYCUS.<br/>
O, good sir, tenderly, O!
</p>
<p>CLOWN.<br/>
Alas, poor soul!
</p>
<p>AUTOLYCUS.<br/>
O, good sir, softly, good sir. I fear, sir, my shoulder blade is out.
</p>
<p>CLOWN.<br/>
How now! canst stand?
</p>
<p>AUTOLYCUS.<br/>
Softly, dear sir! [<i>Picks his pocket.</i>] good sir, softly. You ha'
done me a charitable office.
</p>
<p>CLOWN.<br/>
Dost lack any money? I have a little money for thee.
</p>
<p>AUTOLYCUS.<br/>
No, good sweet sir; no, I beseech you, sir: I have a kinsman not past
three-quarters of a mile hence, unto whom I was going. I shall there have money
or anything I want. Offer me no money, I pray you; that kills my heart.
</p>
<p>CLOWN.<br/>
What manner of fellow was he that robbed you?
</p>
<p>AUTOLYCUS.<br/>
A fellow, sir, that I have known to go about with troll-my-dames. I knew him
once a servant of the prince; I cannot tell, good sir, for which of his virtues
it was, but he was certainly whipped out of the court.
</p>
<p>CLOWN.<br/>
His vices, you would say; there's no virtue whipped out of the court.
They cherish it to make it stay there; and yet it will no more but abide.
</p>
<p>AUTOLYCUS.<br/>
Vices, I would say, sir. I know this man well. He hath been since an
ape-bearer, then a process-server, a bailiff. Then he compassed a motion of the
Prodigal Son, and married a tinker's wife within a mile where my land and
living lies; and, having flown over many knavish professions, he settled only
in rogue. Some call him Autolycus.
</p>
<p>CLOWN.<br/>
Out upon him! prig, for my life, prig: he haunts wakes, fairs, and
bear-baitings.
</p>
<p>AUTOLYCUS.<br/>
Very true, sir; he, sir, he; that's the rogue that put me into this
apparel.
</p>
<p>CLOWN.<br/>
Not a more cowardly rogue in all Bohemia. If you had but looked big and spit at
him, he'd have run.
</p>
<p>AUTOLYCUS.<br/>
I must confess to you, sir, I am no fighter. I am false of heart that way; and
that he knew, I warrant him.
</p>
<p>CLOWN.<br/>
How do you now?
</p>
<p>AUTOLYCUS.<br/>
Sweet sir, much better than I was. I can stand and walk: I will even take my
leave of you and pace softly towards my kinsman's.
</p>
<p>CLOWN.<br/>
Shall I bring thee on the way?
</p>
<p>AUTOLYCUS.<br/>
No, good-faced sir; no, sweet sir.
</p>
<p>CLOWN.<br/>
Then fare thee well. I must go buy spices for our sheep-shearing.
</p>
<p>AUTOLYCUS.<br/>
Prosper you, sweet sir!
</p>
<p class="right"> [<i>Exit <span class="charname">Clown</span>.</i>]</p>
<p> Your purse is not hot enough to purchase your spice. I'll be with you
at your sheep-shearing too. If I make not this cheat bring out another, and the
shearers prove sheep, let me be unrolled, and my name put in the book of
virtue!<br/>
[<i>Sings.</i>]<br/>
<i>Jog on, jog on, the footpath way,<br/>
    And merrily hent the stile-a:<br/>
A merry heart goes all the day,<br/>
    Your sad tires in a mile-a.</i>
</p>
<p class="right"> [<i>Exit.</i>]</p>
<h4 id="sceneIV_394"> <b>SCENE IV. The same. A Shepherd's Cottage.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Florizel</span> and <span
class="charname">Perdita</span>.</p>
<p>FLORIZEL.<br/>
These your unusual weeds to each part of you<br/>
Do give a life, no shepherdess, but Flora<br/>
Peering in April's front. This your sheep-shearing<br/>
Is as a meeting of the petty gods,<br/>
And you the queen on 't.
</p>
<p>PERDITA.<br/>
Sir, my gracious lord,<br/>
To chide at your extremes it not becomes me;<br/>
O, pardon that I name them! Your high self,<br/>
The gracious mark o' th' land, you have obscur'd<br/>
With a swain's wearing, and me, poor lowly maid,<br/>
Most goddess-like prank'd up. But that our feasts<br/>
In every mess have folly, and the feeders<br/>
Digest it with a custom, I should blush<br/>
To see you so attir'd; swoon, I think,<br/>
To show myself a glass.
</p>
<p>FLORIZEL.<br/>
I bless the time<br/>
When my good falcon made her flight across<br/>
Thy father's ground.
</p>
<p>PERDITA.<br/>
Now Jove afford you cause!<br/>
To me the difference forges dread. Your greatness<br/>
Hath not been us'd to fear. Even now I tremble<br/>
To think your father, by some accident,<br/>
Should pass this way, as you did. O, the Fates!<br/>
How would he look to see his work, so noble,<br/>
Vilely bound up? What would he say? Or how<br/>
Should I, in these my borrow'd flaunts, behold<br/>
The sternness of his presence?
</p>
<p>FLORIZEL.<br/>
Apprehend<br/>
Nothing but jollity. The gods themselves,<br/>
Humbling their deities to love, have taken<br/>
The shapes of beasts upon them. Jupiter<br/>
Became a bull and bellow'd; the green Neptune<br/>
A ram and bleated; and the fire-rob'd god,<br/>
Golden Apollo, a poor humble swain,<br/>
As I seem now. Their transformations<br/>
Were never for a piece of beauty rarer,<br/>
Nor in a way so chaste, since my desires<br/>
Run not before mine honour, nor my lusts<br/>
Burn hotter than my faith.
</p>
<p>PERDITA.<br/>
O, but, sir,<br/>
Your resolution cannot hold when 'tis<br/>
Oppos'd, as it must be, by the power of the king:<br/>
One of these two must be necessities,<br/>
Which then will speak, that you must change this purpose,<br/>
Or I my life.
</p>
<p>FLORIZEL.<br/>
Thou dearest Perdita,<br/>
With these forc'd thoughts, I prithee, darken not<br/>
The mirth o' th' feast. Or I'll be thine, my fair,<br/>
Or not my father's. For I cannot be<br/>
Mine own, nor anything to any, if<br/>
I be not thine. To this I am most constant,<br/>
Though destiny say no. Be merry, gentle.<br/>
Strangle such thoughts as these with anything<br/>
That you behold the while. Your guests are coming:<br/>
Lift up your countenance, as it were the day<br/>
Of celebration of that nuptial which<br/>
We two have sworn shall come.
</p>
<p>PERDITA.<br/>
O lady Fortune,<br/>
Stand you auspicious!
</p>
<p>FLORIZEL.<br/>
See, your guests approach:<br/>
Address yourself to entertain them sprightly,<br/>
And let's be red with mirth.
</p>
<p class="scenedesc"> Enter <span class="charname">Shepherd</span> with <span
class="charname">Polixenes</span> and <span class="charname">Camillo,</span>
disguised; <span class="charname">Clown, Mopsa, Dorcas</span> with others.</p>
<p>SHEPHERD.<br/>
Fie, daughter! When my old wife liv'd, upon<br/>
This day she was both pantler, butler, cook,<br/>
Both dame and servant; welcom'd all; serv'd all;<br/>
Would sing her song and dance her turn; now here<br/>
At upper end o' th' table, now i' th' middle;<br/>
On his shoulder, and his; her face o' fire<br/>
With labour, and the thing she took to quench it<br/>
She would to each one sip. You are retired,<br/>
As if you were a feasted one, and not<br/>
The hostess of the meeting: pray you, bid<br/>
These unknown friends to 's welcome, for it is<br/>
A way to make us better friends, more known.<br/>
Come, quench your blushes, and present yourself<br/>
That which you are, mistress o' th' feast. Come on,<br/>
And bid us welcome to your sheep-shearing,<br/>
As your good flock shall prosper.
</p>
<p>PERDITA.<br/>
[<i>To Polixenes.</i>] Sir, welcome.<br/>
It is my father's will I should take on me<br/>
The hostess-ship o' the day.<br/>
[<i>To Camillo.</i>] You're welcome, sir.<br/>
Give me those flowers there, Dorcas. Reverend sirs,<br/>
For you there's rosemary and rue; these keep<br/>
Seeming and savour all the winter long.<br/>
Grace and remembrance be to you both!<br/>
And welcome to our shearing!
</p>
<p>POLIXENES.<br/>
Shepherdess&mdash;<br/>
A fair one are you&mdash;well you fit our ages<br/>
With flowers of winter.
</p>
<p>PERDITA.<br/>
Sir, the year growing ancient,<br/>
Not yet on summer's death nor on the birth<br/>
Of trembling winter, the fairest flowers o' th' season<br/>
Are our carnations and streak'd gillyvors,<br/>
Which some call nature's bastards: of that kind<br/>
Our rustic garden's barren; and I care not<br/>
To get slips of them.
</p>
<p>POLIXENES.<br/>
Wherefore, gentle maiden,<br/>
Do you neglect them?
</p>
<p>PERDITA.<br/>
For I have heard it said<br/>
There is an art which, in their piedness, shares<br/>
With great creating nature.
</p>
<p>POLIXENES.<br/>
Say there be;<br/>
Yet nature is made better by no mean<br/>
But nature makes that mean. So, over that art<br/>
Which you say adds to nature, is an art<br/>
That nature makes. You see, sweet maid, we marry<br/>
A gentler scion to the wildest stock,<br/>
And make conceive a bark of baser kind<br/>
By bud of nobler race. This is an art<br/>
Which does mend nature, change it rather, but<br/>
The art itself is nature.
</p>
<p>PERDITA.<br/>
So it is.
</p>
<p>POLIXENES.<br/>
Then make your garden rich in gillyvors,<br/>
And do not call them bastards.
</p>
<p>PERDITA.<br/>
I'll not put<br/>
The dibble in earth to set one slip of them;<br/>
No more than, were I painted, I would wish<br/>
This youth should say 'twere well, and only therefore<br/>
Desire to breed by me. Here's flowers for you:<br/>
Hot lavender, mints, savory, marjoram,<br/>
The marigold, that goes to bed with th' sun<br/>
And with him rises weeping. These are flowers<br/>
Of middle summer, and I think they are given<br/>
To men of middle age. You're very welcome.
</p>
<p>CAMILLO.<br/>
I should leave grazing, were I of your flock,<br/>
And only live by gazing.
</p>
<p>PERDITA.<br/>
Out, alas!<br/>
You'd be so lean that blasts of January<br/>
Would blow you through and through. [<i>To Florizel</i>] Now, my fair'st friend,<br/>
I would I had some flowers o' th' spring, that might<br/>
Become your time of day; and yours, and yours,<br/>
That wear upon your virgin branches yet<br/>
Your maidenheads growing. O Proserpina,<br/>
From the flowers now that, frighted, thou let'st fall<br/>
From Dis's waggon! daffodils,<br/>
That come before the swallow dares, and take<br/>
The winds of March with beauty; violets dim,<br/>
But sweeter than the lids of Juno's eyes<br/>
Or Cytherea's breath; pale primroses,<br/>
That die unmarried ere they can behold<br/>
Bright Phoebus in his strength (a malady<br/>
Most incident to maids); bold oxlips and<br/>
The crown imperial; lilies of all kinds,<br/>
The flower-de-luce being one. O, these I lack,<br/>
To make you garlands of; and my sweet friend,<br/>
To strew him o'er and o'er!
</p>
<p>FLORIZEL.<br/>
What, like a corse?
</p>
<p>PERDITA.<br/>
No, like a bank for love to lie and play on;<br/>
Not like a corse; or if, not to be buried,<br/>
But quick, and in mine arms. Come, take your flowers.<br/>
Methinks I play as I have seen them do<br/>
In Whitsun pastorals. Sure this robe of mine<br/>
Does change my disposition.
</p>
<p>FLORIZEL.<br/>
What you do<br/>
Still betters what is done. When you speak, sweet,<br/>
I'd have you do it ever. When you sing,<br/>
I'd have you buy and sell so, so give alms,<br/>
Pray so; and, for the ord'ring your affairs,<br/>
To sing them too. When you do dance, I wish you<br/>
A wave o' th' sea, that you might ever do<br/>
Nothing but that, move still, still so,<br/>
And own no other function. Each your doing,<br/>
So singular in each particular,<br/>
Crowns what you are doing in the present deeds,<br/>
That all your acts are queens.
</p>
<p>PERDITA.<br/>
O Doricles,<br/>
Your praises are too large. But that your youth,<br/>
And the true blood which peeps fairly through 't,<br/>
Do plainly give you out an unstained shepherd,<br/>
With wisdom I might fear, my Doricles,<br/>
You woo'd me the false way.
</p>
<p>FLORIZEL.<br/>
I think you have<br/>
As little skill to fear as I have purpose<br/>
To put you to 't. But, come; our dance, I pray.<br/>
Your hand, my Perdita. So turtles pair<br/>
That never mean to part.
</p>
<p>PERDITA.<br/>
I'll swear for 'em.
</p>
<p>POLIXENES.<br/>
This is the prettiest low-born lass that ever<br/>
Ran on the green-sward. Nothing she does or seems<br/>
But smacks of something greater than herself,<br/>
Too noble for this place.
</p>
<p>CAMILLO.<br/>
He tells her something<br/>
That makes her blood look out. Good sooth, she is<br/>
The queen of curds and cream.
</p>
<p>CLOWN.<br/>
Come on, strike up.
</p>
<p>DORCAS.<br/>
Mopsa must be your mistress: marry, garlic, to mend her kissing with!
</p>
<p>MOPSA.<br/>
Now, in good time!
</p>
<p>CLOWN.<br/>
Not a word, a word; we stand upon our manners.<br/>
Come, strike up.
</p>
<p class="right"> [<i>Music. Here a dance Of Shepherds and
Shepherdesses.</i>]</p>
<p>POLIXENES.<br/>
Pray, good shepherd, what fair swain is this<br/>
Which dances with your daughter?
</p>
<p>SHEPHERD.<br/>
They call him Doricles; and boasts himself<br/>
To have a worthy feeding. But I have it<br/>
Upon his own report, and I believe it.<br/>
He looks like sooth. He says he loves my daughter.<br/>
I think so too; for never gaz'd the moon<br/>
Upon the water as he'll stand and read,<br/>
As 'twere, my daughter's eyes. And, to be plain,<br/>
I think there is not half a kiss to choose<br/>
Who loves another best.
</p>
<p>POLIXENES.<br/>
She dances featly.
</p>
<p>SHEPHERD.<br/>
So she does anything, though I report it<br/>
That should be silent. If young Doricles<br/>
Do light upon her, she shall bring him that<br/>
Which he not dreams of.
</p>
<p class="scenedesc"> Enter a <span class="charname">Servant</span>.</p>
<p>SERVANT.<br/>
O master, if you did but hear the pedlar at the door, you would never dance
again after a tabor and pipe; no, the bagpipe could not move you. He sings
several tunes faster than you'll tell money. He utters them as he had
eaten ballads, and all men's ears grew to his tunes.
</p>
<p>CLOWN.<br/>
He could never come better: he shall come in. I love a ballad but even too
well, if it be doleful matter merrily set down, or a very pleasant thing indeed
and sung lamentably.
</p>
<p>SERVANT.<br/>
He hath songs for man or woman of all sizes. No milliner can so fit his
customers with gloves. He has the prettiest love-songs for maids, so without
bawdry, which is strange; with such delicate burdens of dildos and fadings,
&ldquo;jump her and thump her&rdquo;; and where some stretch-mouthed rascal
would, as it were, mean mischief and break a foul gap into the matter, he makes
the maid to answer &ldquo;Whoop, do me no harm, good man&rdquo;; puts him off,
slights him, with &ldquo;Whoop, do me no harm, good man.&rdquo;
</p>
<p>POLIXENES.<br/>
This is a brave fellow.
</p>
<p>CLOWN.<br/>
Believe me, thou talkest of an admirable conceited fellow. Has he any unbraided
wares?
</p>
<p>SERVANT.<br/>
He hath ribbons of all the colours i' th' rainbow; points, more
than all the lawyers in Bohemia can learnedly handle, though they come to him
by th' gross; inkles, caddisses, cambrics, lawns; why he sings 'em
over as they were gods or goddesses; you would think a smock were a she-angel,
he so chants to the sleeve-hand and the work about the square on 't.
</p>
<p>CLOWN.<br/>
Prithee bring him in; and let him approach singing.
</p>
<p>PERDITA.<br/>
Forewarn him that he use no scurrilous words in 's tunes.
</p>
<p class="right"> [<i>Exit <span class="charname">Servant</span>.</i>]</p>
<p>CLOWN.<br/>
You have of these pedlars that have more in them than you'd think,
sister.
</p>
<p>PERDITA.<br/>
Ay, good brother, or go about to think.
</p>
<p class="scenedesc"> Enter <span class="charname">Autolycus,</span>
singing.</p>
<p>AUTOLYCUS.<br/>
<i>Lawn as white as driven snow,<br/>
Cypress black as e'er was crow,<br/>
Gloves as sweet as damask roses,<br/>
Masks for faces and for noses,<br/>
Bugle-bracelet, necklace amber,<br/>
Perfume for a lady's chamber,<br/>
Golden quoifs and stomachers<br/>
For my lads to give their dears,<br/>
Pins and poking-sticks of steel,<br/>
What maids lack from head to heel.<br/>
Come buy of me, come; come buy, come buy;<br/>
Buy, lads, or else your lasses cry.<br/>
Come, buy.</i>
</p>
<p>CLOWN.<br/>
If I were not in love with Mopsa, thou shouldst take no money of me; but being
enthralled as I am, it will also be the bondage of certain ribbons and gloves.
</p>
<p>MOPSA.<br/>
I was promised them against the feast; but they come not too late now.
</p>
<p>DORCAS.<br/>
He hath promised you more than that, or there be liars.
</p>
<p>MOPSA.<br/>
He hath paid you all he promised you. Maybe he has paid you more, which will
shame you to give him again.
</p>
<p>CLOWN.<br/>
Is there no manners left among maids? Will they wear their plackets where they
should bear their faces? Is there not milking-time, when you are going to bed,
or kiln-hole, to whistle of these secrets, but you must be tittle-tattling
before all our guests? 'Tis well they are whispering. Clamour your
tongues, and not a word more.
</p>
<p>MOPSA.<br/>
I have done. Come, you promised me a tawdry lace and a pair of sweet gloves.
</p>
<p>CLOWN.<br/>
Have I not told thee how I was cozened by the way and lost all my money?
</p>
<p>AUTOLYCUS.<br/>
And indeed, sir, there are cozeners abroad; therefore it behoves men to be
wary.
</p>
<p>CLOWN.<br/>
Fear not thou, man. Thou shalt lose nothing here.
</p>
<p>AUTOLYCUS.<br/>
I hope so, sir; for I have about me many parcels of charge.
</p>
<p>CLOWN.<br/>
What hast here? Ballads?
</p>
<p>MOPSA.<br/>
Pray now, buy some. I love a ballad in print alife, for then we are sure they
are true.
</p>
<p>AUTOLYCUS.<br/>
Here's one to a very doleful tune. How a usurer's wife was brought
to bed of twenty money-bags at a burden, and how she longed to eat
adders' heads and toads carbonadoed.
</p>
<p>MOPSA.<br/>
Is it true, think you?
</p>
<p>AUTOLYCUS.<br/>
Very true, and but a month old.
</p>
<p>DORCAS.<br/>
Bless me from marrying a usurer!
</p>
<p>AUTOLYCUS.<br/>
Here's the midwife's name to't, one Mistress Taleporter, and
five or six honest wives that were present. Why should I carry lies abroad?
</p>
<p>MOPSA.<br/>
Pray you now, buy it.
</p>
<p>CLOWN.<br/>
Come on, lay it by; and let's first see more ballads. We'll buy the
other things anon.
</p>
<p>AUTOLYCUS.<br/>
Here's another ballad, of a fish that appeared upon the coast on
Wednesday the fourscore of April, forty thousand fathom above water, and sung
this ballad against the hard hearts of maids. It was thought she was a woman,
and was turned into a cold fish for she would not exchange flesh with one that
loved her. The ballad is very pitiful, and as true.
</p>
<p>DORCAS.<br/>
Is it true too, think you?
</p>
<p>AUTOLYCUS.<br/>
Five justices' hands at it, and witnesses more than my pack will hold.
</p>
<p>CLOWN.<br/>
Lay it by too: another.
</p>
<p>AUTOLYCUS.<br/>
This is a merry ballad; but a very pretty one.
</p>
<p>MOPSA.<br/>
Let's have some merry ones.
</p>
<p>AUTOLYCUS.<br/>
Why, this is a passing merry one and goes to the tune of &ldquo;Two maids
wooing a man.&rdquo; There's scarce a maid westward but she sings it.
'Tis in request, I can tell you.
</p>
<p>MOPSA.<br/>
We can both sing it: if thou'lt bear a part, thou shalt hear; 'tis
in three parts.
</p>
<p>DORCAS.<br/>
We had the tune on 't a month ago.
</p>
<p>AUTOLYCUS.<br/>
I can bear my part; you must know 'tis my occupation: have at it with
you.
</p>
<p class="letter">
SONG.
</p>
<p>AUTOLYCUS.<br/>
<i>Get you hence, for I must go<br/>
Where it fits not you to know.</i>
</p>
<p>DORCAS.<br/>
<i>Whither?</i>
</p>
<p>MOPSA.<br/>
<i>O, whither?</i>
</p>
<p>DORCAS.<br/>
<i>Whither?</i>
</p>
<p>MOPSA.<br/>
<i>It becomes thy oath full well<br/>
Thou to me thy secrets tell.</i>
</p>
<p>DORCAS.<br/>
<i>Me too! Let me go thither.</i>
</p>
<p>MOPSA.<br/>
Or thou goest to th' grange or mill.
</p>
<p>DORCAS.<br/>
<i>If to either, thou dost ill.</i>
</p>
<p>AUTOLYCUS.<br/>
<i>Neither.</i>
</p>
<p>DORCAS.<br/>
<i>What, neither?</i>
</p>
<p>AUTOLYCUS.<br/>
<i>Neither.</i>
</p>
<p>DORCAS.<br/>
<i>Thou hast sworn my love to be.</i>
</p>
<p>MOPSA.<br/>
<i>Thou hast sworn it more to me.<br/>
Then whither goest? Say, whither?</i>
</p>
<p>CLOWN.<br/>
We'll have this song out anon by ourselves. My father and the gentlemen
are in sad talk, and we'll not trouble them. Come, bring away thy pack
after me. Wenches, I'll buy for you both. Pedlar, let's have the
first choice. Follow me, girls.
</p>
<p class="right"> [<i>Exit with <span class="charname">Dorcas</span> and <span
class="charname">Mopsa</span>.</i>]</p>
<p>AUTOLYCUS.<br/>
[<i>Aside.</i>] And you shall pay well for 'em.
</p>
<p class="letter">
SONG.
</p>
<p>
    <i>Will you buy any tape,<br/>
    Or lace for your cape,<br/>
My dainty duck, my dear-a?<br/>
    Any silk, any thread,<br/>
    Any toys for your head,<br/>
Of the new'st and fin'st, fin'st wear-a?<br/>
    Come to the pedlar;<br/>
    Money's a meddler<br/>
That doth utter all men's ware-a.</i>
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p class="scenedesc"> Enter <span class="charname">Servant</span>.</p>
<p>SERVANT.<br/>
Master, there is three carters, three shepherds, three neat-herds, three
swine-herds, that have made themselves all men of hair. They call themselves
saltiers, and they have dance which the wenches say is a gallimaufry of
gambols, because they are not in 't; but they themselves are o' the
mind (if it be not too rough for some that know little but bowling) it will
please plentifully.
</p>
<p>SHEPHERD.<br/>
Away! we'll none on 't. Here has been too much homely foolery
already. I know, sir, we weary you.
</p>
<p>POLIXENES.<br/>
You weary those that refresh us: pray, let's see these four threes of
herdsmen.
</p>
<p>SERVANT.<br/>
One three of them, by their own report, sir, hath danced before the king; and
not the worst of the three but jumps twelve foot and a half by th' square.
</p>
<p>SHEPHERD.<br/>
Leave your prating: since these good men are pleased, let them come in; but
quickly now.
</p>
<p>SERVANT.<br/>
Why, they stay at door, sir.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p class="scenedesc"> Enter Twelve Rustics, habited like Satyrs. They dance,
and then exeunt.</p>
<p>POLIXENES.<br/>
O, father, you'll know more of that hereafter.<br/>
[<i>To Camillo.</i>] Is it not too far gone? 'Tis time to part them.<br/>
He's simple and tells much. [<i>To Florizel.</i>] How now, fair
shepherd!<br/>
Your heart is full of something that does take<br/>
Your mind from feasting. Sooth, when I was young<br/>
And handed love, as you do, I was wont<br/>
To load my she with knacks: I would have ransack'd<br/>
The pedlar's silken treasury and have pour'd it<br/>
To her acceptance. You have let him go,<br/>
And nothing marted with him. If your lass<br/>
Interpretation should abuse, and call this<br/>
Your lack of love or bounty, you were straited<br/>
For a reply, at least if you make a care<br/>
Of happy holding her.
</p>
<p>FLORIZEL.<br/>
Old sir, I know<br/>
She prizes not such trifles as these are:<br/>
The gifts she looks from me are pack'd and lock'd<br/>
Up in my heart, which I have given already,<br/>
But not deliver'd. O, hear me breathe my life<br/>
Before this ancient sir, who, it should seem,<br/>
Hath sometime lov'd. I take thy hand! this hand,<br/>
As soft as dove's down and as white as it,<br/>
Or Ethiopian's tooth, or the fann'd snow that's bolted<br/>
By th' northern blasts twice o'er.
</p>
<p>POLIXENES.<br/>
What follows this?<br/>
How prettily the young swain seems to wash<br/>
The hand was fair before! I have put you out.<br/>
But to your protestation. Let me hear<br/>
What you profess.
</p>
<p>FLORIZEL.<br/>
Do, and be witness to 't.
</p>
<p>POLIXENES.<br/>
And this my neighbour, too?
</p>
<p>FLORIZEL.<br/>
And he, and more<br/>
Than he, and men, the earth, the heavens, and all:<br/>
That were I crown'd the most imperial monarch,<br/>
Thereof most worthy, were I the fairest youth<br/>
That ever made eye swerve, had force and knowledge<br/>
More than was ever man's, I would not prize them<br/>
Without her love; for her employ them all;<br/>
Commend them and condemn them to her service,<br/>
Or to their own perdition.
</p>
<p>POLIXENES.<br/>
Fairly offer'd.
</p>
<p>CAMILLO.<br/>
This shows a sound affection.
</p>
<p>SHEPHERD.<br/>
But my daughter,<br/>
Say you the like to him?
</p>
<p>PERDITA.<br/>
I cannot speak<br/>
So well, nothing so well; no, nor mean better:<br/>
By th' pattern of mine own thoughts I cut out<br/>
The purity of his.
</p>
<p>SHEPHERD.<br/>
Take hands, a bargain!<br/>
And, friends unknown, you shall bear witness to't.<br/>
I give my daughter to him, and will make<br/>
Her portion equal his.
</p>
<p>FLORIZEL.<br/>
O, that must be<br/>
I' th' virtue of your daughter: one being dead,<br/>
I shall have more than you can dream of yet;<br/>
Enough then for your wonder. But come on,<br/>
Contract us 'fore these witnesses.
</p>
<p>SHEPHERD.<br/>
Come, your hand;<br/>
And, daughter, yours.
</p>
<p>POLIXENES.<br/>
Soft, swain, awhile, beseech you;<br/>
Have you a father?
</p>
<p>FLORIZEL.<br/>
I have; but what of him?
</p>
<p>POLIXENES.<br/>
Knows he of this?
</p>
<p>FLORIZEL.<br/>
He neither does nor shall.
</p>
<p>POLIXENES.<br/>
Methinks a father<br/>
Is at the nuptial of his son a guest<br/>
That best becomes the table. Pray you once more,<br/>
Is not your father grown incapable<br/>
Of reasonable affairs? is he not stupid<br/>
With age and alt'ring rheums? can he speak? hear?<br/>
Know man from man? dispute his own estate?<br/>
Lies he not bed-rid? and again does nothing<br/>
But what he did being childish?
</p>
<p>FLORIZEL.<br/>
No, good sir;<br/>
He has his health, and ampler strength indeed<br/>
Than most have of his age.
</p>
<p>POLIXENES.<br/>
By my white beard,<br/>
You offer him, if this be so, a wrong<br/>
Something unfilial: reason my son<br/>
Should choose himself a wife, but as good reason<br/>
The father, all whose joy is nothing else<br/>
But fair posterity, should hold some counsel<br/>
In such a business.
</p>
<p>FLORIZEL.<br/>
I yield all this;<br/>
But for some other reasons, my grave sir,<br/>
Which 'tis not fit you know, I not acquaint<br/>
My father of this business.
</p>
<p>POLIXENES.<br/>
Let him know 't.
</p>
<p>FLORIZEL.<br/>
He shall not.
</p>
<p>POLIXENES.<br/>
Prithee let him.
</p>
<p>FLORIZEL.<br/>
No, he must not.
</p>
<p>SHEPHERD.<br/>
Let him, my son: he shall not need to grieve<br/>
At knowing of thy choice.
</p>
<p>FLORIZEL.<br/>
Come, come, he must not.<br/>
Mark our contract.
</p>
<p>POLIXENES.<br/>
[<i>Discovering himself.</i>] Mark your divorce, young sir,<br/>
Whom son I dare not call; thou art too base<br/>
To be acknowledged: thou a sceptre's heir,<br/>
That thus affects a sheep-hook! Thou, old traitor,<br/>
I am sorry that, by hanging thee, I can<br/>
But shorten thy life one week. And thou, fresh piece<br/>
Of excellent witchcraft, whom of force must know<br/>
The royal fool thou cop'st with,&mdash;
</p>
<p>SHEPHERD.<br/>
O, my heart!
</p>
<p>POLIXENES.<br/>
I'll have thy beauty scratch'd with briers and made<br/>
More homely than thy state. For thee, fond boy,<br/>
If I may ever know thou dost but sigh<br/>
That thou no more shalt see this knack (as never<br/>
I mean thou shalt), we'll bar thee from succession;<br/>
Not hold thee of our blood, no, not our kin,<br/>
Far than Deucalion off. Mark thou my words.<br/>
Follow us to the court. Thou churl, for this time,<br/>
Though full of our displeasure, yet we free thee<br/>
From the dead blow of it. And you, enchantment,<br/>
Worthy enough a herdsman; yea, him too<br/>
That makes himself, but for our honour therein,<br/>
Unworthy thee. If ever henceforth thou<br/>
These rural latches to his entrance open,<br/>
Or hoop his body more with thy embraces,<br/>
I will devise a death as cruel for thee<br/>
As thou art tender to 't.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>PERDITA.<br/>
Even here undone.<br/>
I was not much afeard, for once or twice<br/>
I was about to speak, and tell him plainly<br/>
The selfsame sun that shines upon his court<br/>
Hides not his visage from our cottage, but<br/>
Looks on alike. [<i>To Florizel.</i>] Will't please you, sir, be
gone?<br/>
I told you what would come of this. Beseech you,<br/>
Of your own state take care. This dream of mine&mdash;<br/>
Being now awake, I'll queen it no inch farther,<br/>
But milk my ewes, and weep.
</p>
<p>CAMILLO.<br/>
Why, how now, father!<br/>
Speak ere thou diest.
</p>
<p>SHEPHERD.<br/>
I cannot speak, nor think,<br/>
Nor dare to know that which I know. O sir,<br/>
You have undone a man of fourscore three,<br/>
That thought to fill his grave in quiet; yea,<br/>
To die upon the bed my father died,<br/>
To lie close by his honest bones; but now<br/>
Some hangman must put on my shroud and lay me<br/>
Where no priest shovels in dust. O cursed wretch,<br/>
That knew'st this was the prince, and wouldst adventure<br/>
To mingle faith with him! Undone, undone!<br/>
If I might die within this hour, I have liv'd<br/>
To die when I desire.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<p>FLORIZEL.<br/>
Why look you so upon me?<br/>
I am but sorry, not afeard; delay'd,<br/>
But nothing alt'red: what I was, I am:<br/>
More straining on for plucking back; not following<br/>
My leash unwillingly.
</p>
<p>CAMILLO.<br/>
Gracious my lord,<br/>
You know your father's temper: at this time<br/>
He will allow no speech (which I do guess<br/>
You do not purpose to him) and as hardly<br/>
Will he endure your sight as yet, I fear:<br/>
Then, till the fury of his highness settle,<br/>
Come not before him.
</p>
<p>FLORIZEL.<br/>
I not purpose it.<br/>
I think Camillo?
</p>
<p>CAMILLO.<br/>
Even he, my lord.
</p>
<p>PERDITA.<br/>
How often have I told you 'twould be thus!<br/>
How often said my dignity would last<br/>
But till 'twere known!
</p>
<p>FLORIZEL.<br/>
It cannot fail but by<br/>
The violation of my faith; and then<br/>
Let nature crush the sides o' th' earth together<br/>
And mar the seeds within! Lift up thy looks.<br/>
From my succession wipe me, father; I<br/>
Am heir to my affection.
</p>
<p>CAMILLO.<br/>
Be advis'd.
</p>
<p>FLORIZEL.<br/>
I am, and by my fancy. If my reason<br/>
Will thereto be obedient, I have reason;<br/>
If not, my senses, better pleas'd with madness,<br/>
Do bid it welcome.
</p>
<p>CAMILLO.<br/>
This is desperate, sir.
</p>
<p>FLORIZEL.<br/>
So call it: but it does fulfil my vow.<br/>
I needs must think it honesty. Camillo,<br/>
Not for Bohemia, nor the pomp that may<br/>
Be thereat glean'd; for all the sun sees or<br/>
The close earth wombs, or the profound seas hides<br/>
In unknown fathoms, will I break my oath<br/>
To this my fair belov'd. Therefore, I pray you,<br/>
As you have ever been my father's honour'd friend,<br/>
When he shall miss me,&mdash;as, in faith, I mean not<br/>
To see him any more,&mdash;cast your good counsels<br/>
Upon his passion: let myself and fortune<br/>
Tug for the time to come. This you may know,<br/>
And so deliver, I am put to sea<br/>
With her whom here I cannot hold on shore;<br/>
And, most opportune to her need, I have<br/>
A vessel rides fast by, but not prepar'd<br/>
For this design. What course I mean to hold<br/>
Shall nothing benefit your knowledge, nor<br/>
Concern me the reporting.
</p>
<p>CAMILLO.<br/>
O my lord,<br/>
I would your spirit were easier for advice,<br/>
Or stronger for your need.
</p>
<p>FLORIZEL.<br/>
Hark, Perdita. [<i>Takes her aside.</i>]<br/>
[<i>To Camillo.</i>] I'll hear you by and by.
</p>
<p>CAMILLO.<br/>
He's irremovable,<br/>
Resolv'd for flight. Now were I happy if<br/>
His going I could frame to serve my turn,<br/>
Save him from danger, do him love and honour,<br/>
Purchase the sight again of dear Sicilia<br/>
And that unhappy king, my master, whom<br/>
I so much thirst to see.
</p>
<p>FLORIZEL.<br/>
Now, good Camillo,<br/>
I am so fraught with curious business that<br/>
I leave out ceremony.
</p>
<p>CAMILLO.<br/>
Sir, I think<br/>
You have heard of my poor services, i' th' love<br/>
That I have borne your father?
</p>
<p>FLORIZEL.<br/>
Very nobly<br/>
Have you deserv'd: it is my father's music<br/>
To speak your deeds, not little of his care<br/>
To have them recompens'd as thought on.
</p>
<p>CAMILLO.<br/>
Well, my lord,<br/>
If you may please to think I love the king,<br/>
And, through him, what's nearest to him, which is<br/>
Your gracious self, embrace but my direction,<br/>
If your more ponderous and settled project<br/>
May suffer alteration. On mine honour,<br/>
I'll point you where you shall have such receiving<br/>
As shall become your highness; where you may<br/>
Enjoy your mistress; from the whom, I see,<br/>
There's no disjunction to be made, but by,<br/>
As heavens forfend, your ruin. Marry her,<br/>
And with my best endeavours in your absence<br/>
Your discontenting father strive to qualify<br/>
And bring him up to liking.
</p>
<p>FLORIZEL.<br/>
How, Camillo,<br/>
May this, almost a miracle, be done?<br/>
That I may call thee something more than man,<br/>
And after that trust to thee.
</p>
<p>CAMILLO.<br/>
Have you thought on<br/>
A place whereto you'll go?
</p>
<p>FLORIZEL.<br/>
Not any yet.<br/>
But as th' unthought-on accident is guilty<br/>
To what we wildly do, so we profess<br/>
Ourselves to be the slaves of chance, and flies<br/>
Of every wind that blows.
</p>
<p>CAMILLO.<br/>
Then list to me:<br/>
This follows, if you will not change your purpose,<br/>
But undergo this flight, make for Sicilia,<br/>
And there present yourself and your fair princess,<br/>
For so, I see, she must be, 'fore Leontes:<br/>
She shall be habited as it becomes<br/>
The partner of your bed. Methinks I see<br/>
Leontes opening his free arms and weeping<br/>
His welcomes forth; asks thee, the son, forgiveness,<br/>
As 'twere i' th' father's person; kisses the hands<br/>
Of your fresh princess; o'er and o'er divides him<br/>
'Twixt his unkindness and his kindness. Th' one<br/>
He chides to hell, and bids the other grow<br/>
Faster than thought or time.
</p>
<p>FLORIZEL.<br/>
Worthy Camillo,<br/>
What colour for my visitation shall I<br/>
Hold up before him?
</p>
<p>CAMILLO.<br/>
Sent by the king your father<br/>
To greet him and to give him comforts. Sir,<br/>
The manner of your bearing towards him, with<br/>
What you (as from your father) shall deliver,<br/>
Things known betwixt us three, I'll write you down,<br/>
The which shall point you forth at every sitting<br/>
What you must say; that he shall not perceive<br/>
But that you have your father's bosom there<br/>
And speak his very heart.
</p>
<p>FLORIZEL.<br/>
I am bound to you:<br/>
There is some sap in this.
</p>
<p>CAMILLO.<br/>
A course more promising<br/>
Than a wild dedication of yourselves<br/>
To unpath'd waters, undream'd shores, most certain<br/>
To miseries enough: no hope to help you,<br/>
But as you shake off one to take another:<br/>
Nothing so certain as your anchors, who<br/>
Do their best office if they can but stay you<br/>
Where you'll be loath to be. Besides, you know<br/>
Prosperity's the very bond of love,<br/>
Whose fresh complexion and whose heart together<br/>
Affliction alters.
</p>
<p>PERDITA.<br/>
One of these is true:<br/>
I think affliction may subdue the cheek,<br/>
But not take in the mind.
</p>
<p>CAMILLO.<br/>
Yea, say you so?<br/>
There shall not at your father's house, these seven years<br/>
Be born another such.
</p>
<p>FLORIZEL.<br/>
My good Camillo,<br/>
She is as forward of her breeding as<br/>
She is i' th' rear our birth.
</p>
<p>CAMILLO.<br/>
I cannot say 'tis pity<br/>
She lacks instructions, for she seems a mistress<br/>
To most that teach.
</p>
<p>PERDITA.<br/>
Your pardon, sir; for this<br/>
I'll blush you thanks.
</p>
<p>FLORIZEL.<br/>
My prettiest Perdita!<br/>
But, O, the thorns we stand upon! Camillo,<br/>
Preserver of my father, now of me,<br/>
The medicine of our house, how shall we do?<br/>
We are not furnish'd like Bohemia's son,<br/>
Nor shall appear in Sicilia.
</p>
<p>CAMILLO.<br/>
My lord,<br/>
Fear none of this. I think you know my fortunes<br/>
Do all lie there: it shall be so my care<br/>
To have you royally appointed as if<br/>
The scene you play were mine. For instance, sir,<br/>
That you may know you shall not want,&mdash;one word.<br/>
[<i>They talk aside.</i>]
</p>
<p class="scenedesc"> Enter <span class="charname">Autolycus</span>.</p>
<p>AUTOLYCUS.<br/>
Ha, ha! what a fool Honesty is! and Trust, his sworn brother, a very simple
gentleman! I have sold all my trumpery. Not a counterfeit stone, not a ribbon,
glass, pomander, brooch, table-book, ballad, knife, tape, glove, shoe-tie,
bracelet, horn-ring, to keep my pack from fasting. They throng who should buy
first, as if my trinkets had been hallowed and brought a benediction to the
buyer: by which means I saw whose purse was best in picture; and what I saw, to
my good use I remembered. My clown (who wants but something to be a reasonable
man) grew so in love with the wenches' song that he would not stir his
pettitoes till he had both tune and words; which so drew the rest of the herd
to me that all their other senses stuck in ears: you might have pinched a
placket, it was senseless; 'twas nothing to geld a codpiece of a purse; I
would have filed keys off that hung in chains: no hearing, no feeling, but my
sir's song, and admiring the nothing of it. So that in this time of
lethargy I picked and cut most of their festival purses; and had not the old
man come in with a whoobub against his daughter and the king's son, and
scared my choughs from the chaff, I had not left a purse alive in the whole
army.
</p>
<p class="scenedesc"> <span class="charname">Camillo, Florizel</span> and <span
class="charname">Perdita</span> come forward.</p>
<p>CAMILLO.<br/>
Nay, but my letters, by this means being there<br/>
So soon as you arrive, shall clear that doubt.
</p>
<p>FLORIZEL.<br/>
And those that you'll procure from king Leontes?
</p>
<p>CAMILLO.<br/>
Shall satisfy your father.
</p>
<p>PERDITA.<br/>
Happy be you!<br/>
All that you speak shows fair.
</p>
<p>CAMILLO.<br/>
[<i>Seeing Autolycus.</i>] Who have we here?<br/>
We'll make an instrument of this; omit<br/>
Nothing may give us aid.
</p>
<p>AUTOLYCUS.<br/>
[<i>Aside.</i>] If they have overheard me now,&mdash;why, hanging.
</p>
<p>CAMILLO.<br/>
How now, good fellow! why shakest thou so? Fear not, man; here's no harm
intended to thee.
</p>
<p>AUTOLYCUS.<br/>
I am a poor fellow, sir.
</p>
<p>CAMILLO.<br/>
Why, be so still; here's nobody will steal that from thee: yet, for the
outside of thy poverty we must make an exchange; therefore discase thee
instantly,&mdash;thou must think there's a necessity
in't&mdash;and change garments with this gentleman: though the
pennyworth on his side be the worst, yet hold thee, there's some boot.
</p>
<p class="right"> [<i>Giving money.</i>]</p>
<p>AUTOLYCUS.<br/>
I am a poor fellow, sir: [<i>Aside.</i>] I know ye well enough.
</p>
<p>CAMILLO.<br/>
Nay, prithee dispatch: the gentleman is half flayed already.
</p>
<p>AUTOLYCUS.<br/>
Are you in earnest, sir? [<i>Aside.</i>] I smell the trick on't.
</p>
<p>FLORIZEL.<br/>
Dispatch, I prithee.
</p>
<p>AUTOLYCUS.<br/>
Indeed, I have had earnest; but I cannot with conscience take it.
</p>
<p>CAMILLO.<br/>
Unbuckle, unbuckle.
</p>
<p class="right"> [<i><span class="charname">Florizel</span> and
<span class="charname">Autolycus</span> exchange garments.</i>]</p>
<p>
Fortunate mistress,&mdash;let my prophecy<br/>
Come home to you!&mdash;you must retire yourself<br/>
Into some covert. Take your sweetheart's hat<br/>
And pluck it o'er your brows, muffle your face,<br/>
Dismantle you; and, as you can, disliken<br/>
The truth of your own seeming; that you may<br/>
(For I do fear eyes over) to shipboard<br/>
Get undescried.
</p>
<p>PERDITA.<br/>
I see the play so lies<br/>
That I must bear a part.
</p>
<p>CAMILLO.<br/>
No remedy.<br/>
Have you done there?
</p>
<p>FLORIZEL.<br/>
Should I now meet my father,<br/>
He would not call me son.
</p>
<p>CAMILLO.<br/>
Nay, you shall have no hat. [<i>Giving it to Perdita.</i>]<br/>
Come, lady, come. Farewell, my friend.
</p>
<p>AUTOLYCUS.<br/>
Adieu, sir.
</p>
<p>FLORIZEL.<br/>
O Perdita, what have we twain forgot?<br/>
Pray you a word.
</p>
<p class="right"> [<i>They converse apart.</i>]</p>
<p>CAMILLO.<br/>
[<i>Aside.</i>] What I do next, shall be to tell the king<br/>
Of this escape, and whither they are bound;<br/>
Wherein my hope is I shall so prevail<br/>
To force him after: in whose company<br/>
I shall re-view Sicilia; for whose sight<br/>
I have a woman's longing.
</p>
<p>FLORIZEL.<br/>
Fortune speed us!<br/>
Thus we set on, Camillo, to the sea-side.
</p>
<p>CAMILLO.<br/>
The swifter speed the better.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Florizel, Perdita</span>
and <span class="charname">Camillo</span>.</i>]</p>
<p>AUTOLYCUS.<br/>
I understand the business, I hear it. To have an open ear, a quick eye, and a
nimble hand, is necessary for a cut-purse; a good nose is requisite also, to
smell out work for the other senses. I see this is the time that the unjust man
doth thrive. What an exchange had this been without boot! What a boot is here
with this exchange! Sure the gods do this year connive at us, and we may do
anything extempore. The prince himself is about a piece of iniquity, stealing
away from his father with his clog at his heels: if I thought it were a piece
of honesty to acquaint the king withal, I would not do't: I hold it the
more knavery to conceal it; and therein am I constant to my profession.
</p>
<p class="scenedesc"> Enter <span class="charname">Clown</span> and <span
class="charname">Shepherd</span>.</p>
<p>
Aside, aside; here is more matter for a hot brain: every lane's end,
every shop, church, session, hanging, yields a careful man work.
</p>
<p>CLOWN.<br/>
See, see; what a man you are now! There is no other way but to tell the king
she's a changeling, and none of your flesh and blood.
</p>
<p>SHEPHERD.<br/>
Nay, but hear me.
</p>
<p>CLOWN.<br/>
Nay, but hear me.
</p>
<p>SHEPHERD.<br/>
Go to, then.
</p>
<p>CLOWN.<br/>
She being none of your flesh and blood, your flesh and blood has not offended
the king; and so your flesh and blood is not to be punished by him. Show those
things you found about her, those secret things, all but what she has with her:
this being done, let the law go whistle, I warrant you.
</p>
<p>SHEPHERD.<br/>
I will tell the king all, every word, yea, and his son's pranks
too; who, I may say, is no honest man neither to his father nor to me, to go
about to make me the king's brother-in-law.
</p>
<p>CLOWN.<br/>
Indeed, brother-in-law was the farthest off you could have been to him, and
then your blood had been the dearer by I know how much an ounce.
</p>
<p>AUTOLYCUS.<br/>
[<i>Aside.</i>] Very wisely, puppies!
</p>
<p>SHEPHERD.<br/>
Well, let us to the king: there is that in this fardel will make him scratch
his beard.
</p>
<p>AUTOLYCUS.<br/>
[<i>Aside.</i>] I know not what impediment this complaint may be to the flight
of my master.
</p>
<p>CLOWN.<br/>
Pray heartily he be at' palace.
</p>
<p>AUTOLYCUS.<br/>
[<i>Aside.</i>] Though I am not naturally honest, I am so sometimes by chance.
Let me pocket up my pedlar's excrement. [<i>Takes off his false
beard.</i>] How now, rustics! whither are you bound?
</p>
<p>SHEPHERD.<br/>
To the palace, an it like your worship.
</p>
<p>AUTOLYCUS.<br/>
Your affairs there, what, with whom, the condition of that fardel, the place of
your dwelling, your names, your ages, of what having, breeding, and anything
that is fitting to be known? discover!
</p>
<p>CLOWN.<br/>
We are but plain fellows, sir.
</p>
<p>AUTOLYCUS.<br/>
A lie; you are rough and hairy. Let me have no lying. It becomes none but
tradesmen, and they often give us soldiers the lie; but we pay them for it with
stamped coin, not stabbing steel; therefore they do not give us the lie.
</p>
<p>CLOWN.<br/>
Your worship had like to have given us one, if you had not taken yourself with
the manner.
</p>
<p>SHEPHERD.<br/>
Are you a courtier, an 't like you, sir?
</p>
<p>AUTOLYCUS.<br/>
Whether it like me or no, I am a courtier. Seest thou not the air of the court
in these enfoldings? hath not my gait in it the measure of the court? receives
not thy nose court-odour from me? reflect I not on thy baseness court-contempt?
Think'st thou, for that I insinuate, or toaze from thee thy business, I
am therefore no courtier? I am courtier <i>cap-a-pe</i>, and one that will
either push on or pluck back thy business there. Whereupon I command thee to
open thy affair.
</p>
<p>SHEPHERD.<br/>
My business, sir, is to the king.
</p>
<p>AUTOLYCUS.<br/>
What advocate hast thou to him?
</p>
<p>SHEPHERD.<br/>
I know not, an 't like you.
</p>
<p>CLOWN.<br/>
Advocate's the court-word for a pheasant. Say you have none.
</p>
<p>SHEPHERD.<br/>
None, sir; I have no pheasant, cock nor hen.
</p>
<p>AUTOLYCUS.<br/>
How bless'd are we that are not simple men!<br/>
Yet nature might have made me as these are,<br/>
Therefore I will not disdain.
</p>
<p>CLOWN.<br/>
This cannot be but a great courtier.
</p>
<p>SHEPHERD.<br/>
His garments are rich, but he wears them not handsomely.
</p>
<p>CLOWN.<br/>
He seems to be the more noble in being fantastical: a great man, I'll
warrant; I know by the picking on's teeth.
</p>
<p>AUTOLYCUS.<br/>
The fardel there? What's i' th' fardel? Wherefore that box?
</p>
<p>SHEPHERD.<br/>
Sir, there lies such secrets in this fardel and box which none must know but
the king; and which he shall know within this hour, if I may come to th'
speech of him.
</p>
<p>AUTOLYCUS.<br/>
Age, thou hast lost thy labour.
</p>
<p>SHEPHERD.<br/>
Why, sir?
</p>
<p>AUTOLYCUS.<br/>
The king is not at the palace; he is gone aboard a new ship to purge melancholy
and air himself: for, if thou beest capable of things serious, thou must know
the king is full of grief.
</p>
<p>SHEPHERD.<br/>
So 'tis said, sir; about his son, that should have married a
shepherd's daughter.
</p>
<p>AUTOLYCUS.<br/>
If that shepherd be not in hand-fast, let him fly. The curses he shall have,
the tortures he shall feel, will break the back of man, the heart of monster.
</p>
<p>CLOWN.<br/>
Think you so, sir?
</p>
<p>AUTOLYCUS.<br/>
Not he alone shall suffer what wit can make heavy and vengeance bitter; but
those that are germane to him, though removed fifty times, shall all come under
the hangman: which, though it be great pity, yet it is necessary. An old
sheep-whistling rogue, a ram-tender, to offer to have his daughter come into
grace! Some say he shall be stoned; but that death is too soft for him, say I.
Draw our throne into a sheepcote! All deaths are too few, the sharpest
too easy.
</p>
<p>CLOWN.<br/>
Has the old man e'er a son, sir, do you hear, an 't like you, sir?
</p>
<p>AUTOLYCUS.<br/>
He has a son, who shall be flayed alive; then 'nointed over with
honey, set on the head of a wasp's nest; then stand till he be three
quarters and a dram dead; then recovered again with aqua-vitæ or some
other hot infusion; then, raw as he is, and in the hottest day prognostication
proclaims, shall he be set against a brick wall, the sun looking with a
southward eye upon him, where he is to behold him with flies blown to
death. But what talk we of these traitorly rascals, whose miseries are to be
smiled at, their offences being so capital? Tell me (for you seem to be
honest plain men) what you have to the king. Being something gently
considered, I'll bring you where he is aboard, tender your persons to his
presence, whisper him in your behalfs; and if it be in man besides the king to
effect your suits, here is man shall do it.
</p>
<p>CLOWN.<br/>
He seems to be of great authority: close with him, give him gold; and though
authority be a stubborn bear, yet he is oft led by the nose with gold: show the
inside of your purse to the outside of his hand, and no more ado. Remember:
&ldquo;ston'd&rdquo; and &ldquo;flayed alive&rdquo;.
</p>
<p>SHEPHERD.<br/>
An 't please you, sir, to undertake the business for us, here is that
gold I have. I'll make it as much more, and leave this young man in pawn
till I bring it you.
</p>
<p>AUTOLYCUS.<br/>
After I have done what I promised?
</p>
<p>SHEPHERD.<br/>
Ay, sir.
</p>
<p>AUTOLYCUS.<br/>
Well, give me the moiety. Are you a party in this business?
</p>
<p>CLOWN.<br/>
In some sort, sir: but though my case be a pitiful one, I hope I shall not be
flayed out of it.
</p>
<p>AUTOLYCUS.<br/>
O, that's the case of the shepherd's son. Hang him, he'll be
made an example.
</p>
<p>CLOWN.<br/>
Comfort, good comfort! We must to the king and show our strange sights. He must
know 'tis none of your daughter nor my sister; we are gone else. Sir, I
will give you as much as this old man does when the business is performed, and
remain, as he says, your pawn till it be brought you.
</p>
<p>AUTOLYCUS.<br/>
I will trust you. Walk before toward the sea-side; go on the right-hand. I will
but look upon the hedge, and follow you.
</p>
<p>CLOWN.<br/>
We are blessed in this man, as I may say, even blessed.
</p>
<p>SHEPHERD.<br/>
Let's before, as he bids us. He was provided to do us good.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Shepherd</span> and <span
class="charname">Clown</span>.</i>]</p>
<p>AUTOLYCUS.<br/>
If I had a mind to be honest, I see Fortune would not suffer me: she drops
booties in my mouth. I am courted now with a double occasion: gold, and a means
to do the prince my master good; which who knows how that may turn back to my
advancement? I will bring these two moles, these blind ones, aboard him. If he
think it fit to shore them again and that the complaint they have to the king
concerns him nothing, let him call me rogue for being so far officious; for I
am proof against that title and what shame else belongs to 't. To him
will I present them. There may be matter in it.
</p>
<p class="right"> [<i>Exit.</i>]</p>
<h3 id="sceneV_391"> <b>ACT V</b></h3>
<h4><b>SCENE I. Sicilia. A Room in the palace of Leontes.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Leontes, Cleomenes, Dion,
Paulina</span> and others.</p>
<p>CLEOMENES<br/>
Sir, you have done enough, and have perform'd<br/>
A saint-like sorrow: no fault could you make<br/>
Which you have not redeem'd; indeed, paid down<br/>
More penitence than done trespass: at the last,<br/>
Do as the heavens have done, forget your evil;<br/>
With them, forgive yourself.
</p>
<p>LEONTES.<br/>
Whilst I remember<br/>
Her and her virtues, I cannot forget<br/>
My blemishes in them; and so still think of<br/>
The wrong I did myself: which was so much<br/>
That heirless it hath made my kingdom, and<br/>
Destroy'd the sweet'st companion that e'er man<br/>
Bred his hopes out of.
</p>
<p>PAULINA.<br/>
True, too true, my lord.<br/>
If, one by one, you wedded all the world,<br/>
Or from the all that are took something good,<br/>
To make a perfect woman, she you kill'd<br/>
Would be unparallel'd.
</p>
<p>LEONTES.<br/>
I think so. Kill'd!<br/>
She I kill'd! I did so: but thou strik'st me<br/>
Sorely, to say I did: it is as bitter<br/>
Upon thy tongue as in my thought. Now, good now,<br/>
Say so but seldom.
</p>
<p>CLEOMENES<br/>
Not at all, good lady.<br/>
You might have spoken a thousand things that would<br/>
Have done the time more benefit and grac'd<br/>
Your kindness better.
</p>
<p>PAULINA.<br/>
You are one of those<br/>
Would have him wed again.
</p>
<p>DION.<br/>
If you would not so,<br/>
You pity not the state, nor the remembrance<br/>
Of his most sovereign name; consider little<br/>
What dangers, by his highness' fail of issue,<br/>
May drop upon his kingdom, and devour<br/>
Incertain lookers-on. What were more holy<br/>
Than to rejoice the former queen is well?<br/>
What holier than, for royalty's repair,<br/>
For present comfort, and for future good,<br/>
To bless the bed of majesty again<br/>
With a sweet fellow to 't?
</p>
<p>PAULINA.<br/>
There is none worthy,<br/>
Respecting her that's gone. Besides, the gods<br/>
Will have fulfill'd their secret purposes;<br/>
For has not the divine Apollo said,<br/>
Is 't not the tenor of his oracle,<br/>
That king Leontes shall not have an heir<br/>
Till his lost child be found? Which that it shall,<br/>
Is all as monstrous to our human reason<br/>
As my Antigonus to break his grave<br/>
And come again to me; who, on my life,<br/>
Did perish with the infant. 'Tis your counsel<br/>
My lord should to the heavens be contrary,<br/>
Oppose against their wills. [<i>To Leontes.</i>] Care not for issue;<br/>
The crown will find an heir. Great Alexander<br/>
Left his to th' worthiest; so his successor<br/>
Was like to be the best.
</p>
<p>LEONTES.<br/>
Good Paulina,<br/>
Who hast the memory of Hermione,<br/>
I know, in honour, O that ever I<br/>
Had squar'd me to thy counsel! Then, even now,<br/>
I might have look'd upon my queen's full eyes,<br/>
Have taken treasure from her lips,&mdash;
</p>
<p>PAULINA.<br/>
And left them<br/>
More rich for what they yielded.
</p>
<p>LEONTES.<br/>
Thou speak'st truth.<br/>
No more such wives; therefore, no wife: one worse,<br/>
And better us'd, would make her sainted spirit<br/>
Again possess her corpse, and on this stage,<br/>
(Where we offenders now appear) soul-vexed,<br/>
And begin &ldquo;Why to me?&rdquo;
</p>
<p>PAULINA.<br/>
Had she such power,<br/>
She had just cause.
</p>
<p>LEONTES.<br/>
She had; and would incense me<br/>
To murder her I married.
</p>
<p>PAULINA.<br/>
I should so.<br/>
Were I the ghost that walk'd, I'd bid you mark<br/>
Her eye, and tell me for what dull part in 't<br/>
You chose her: then I'd shriek, that even your ears<br/>
Should rift to hear me; and the words that follow'd<br/>
Should be &ldquo;Remember mine.&rdquo;
</p>
<p>LEONTES.<br/>
Stars, stars,<br/>
And all eyes else dead coals! Fear thou no wife;<br/>
I'll have no wife, Paulina.
</p>
<p>PAULINA.<br/>
Will you swear<br/>
Never to marry but by my free leave?
</p>
<p>LEONTES.<br/>
Never, Paulina; so be bless'd my spirit!
</p>
<p>PAULINA.<br/>
Then, good my lords, bear witness to his oath.
</p>
<p>CLEOMENES<br/>
You tempt him over-much.
</p>
<p>PAULINA.<br/>
Unless another,<br/>
As like Hermione as is her picture,<br/>
Affront his eye.
</p>
<p>CLEOMENES<br/>
Good madam,&mdash;
</p>
<p>PAULINA.<br/>
I have done.<br/>
Yet, if my lord will marry,&mdash;if you will, sir,<br/>
No remedy but you will,&mdash;give me the office<br/>
To choose you a queen: she shall not be so young<br/>
As was your former, but she shall be such<br/>
As, walk'd your first queen's ghost, it should take joy<br/>
To see her in your arms.
</p>
<p>LEONTES.<br/>
My true Paulina,<br/>
We shall not marry till thou bid'st us.
</p>
<p>PAULINA.<br/>
That<br/>
Shall be when your first queen's again in breath;<br/>
Never till then.
</p>
<p class="scenedesc"> Enter a <span class="charname">Servant</span>.</p>
<p>SERVANT.<br/>
One that gives out himself Prince Florizel,<br/>
Son of Polixenes, with his princess (she<br/>
The fairest I have yet beheld) desires access<br/>
To your high presence.
</p>
<p>LEONTES.<br/>
What with him? he comes not<br/>
Like to his father's greatness: his approach,<br/>
So out of circumstance and sudden, tells us<br/>
'Tis not a visitation fram'd, but forc'd<br/>
By need and accident. What train?
</p>
<p>SERVANT.<br/>
But few,<br/>
And those but mean.
</p>
<p>LEONTES.<br/>
His princess, say you, with him?
</p>
<p>SERVANT.<br/>
Ay, the most peerless piece of earth, I think,<br/>
That e'er the sun shone bright on.
</p>
<p>PAULINA.<br/>
O Hermione,<br/>
As every present time doth boast itself<br/>
Above a better gone, so must thy grave<br/>
Give way to what's seen now! Sir, you yourself<br/>
Have said and writ so,&mdash;but your writing now<br/>
Is colder than that theme,&mdash;'She had not been,<br/>
Nor was not to be equall'd'; thus your verse<br/>
Flow'd with her beauty once; 'tis shrewdly ebb'd,<br/>
To say you have seen a better.
</p>
<p>SERVANT.<br/>
Pardon, madam:<br/>
The one I have almost forgot,&mdash;your pardon;&mdash;<br/>
The other, when she has obtain'd your eye,<br/>
Will have your tongue too. This is a creature,<br/>
Would she begin a sect, might quench the zeal<br/>
Of all professors else; make proselytes<br/>
Of who she but bid follow.
</p>
<p>PAULINA.<br/>
How! not women?
</p>
<p>SERVANT.<br/>
Women will love her that she is a woman<br/>
More worth than any man; men, that she is<br/>
The rarest of all women.
</p>
<p>LEONTES.<br/>
Go, Cleomenes;<br/>
Yourself, assisted with your honour'd friends,<br/>
Bring them to our embracement.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Cleomenes</span> and
others.</i>]</p>
<p>Still, 'tis strange<br/>
He thus should steal upon us.
</p>
<p>PAULINA.<br/>
Had our prince,<br/>
Jewel of children, seen this hour, he had pair'd<br/>
Well with this lord. There was not full a month<br/>
Between their births.
</p>
<p>LEONTES.<br/>
Prithee no more; cease; Thou know'st<br/>
He dies to me again when talk'd of: sure,<br/>
When I shall see this gentleman, thy speeches<br/>
Will bring me to consider that which may<br/>
Unfurnish me of reason. They are come.
</p>
<p class="scenedesc"> Enter <span class="charname">Florizel, Perdita,
Cleomenes</span> and others.</p>
<p>Your mother was most true to wedlock, prince;<br/>
For she did print your royal father off,<br/>
Conceiving you. Were I but twenty-one,<br/>
Your father's image is so hit in you,<br/>
His very air, that I should call you brother,<br/>
As I did him, and speak of something wildly<br/>
By us perform'd before. Most dearly welcome!<br/>
And your fair princess,&mdash;goddess! O, alas!<br/>
I lost a couple that 'twixt heaven and earth<br/>
Might thus have stood, begetting wonder, as<br/>
You, gracious couple, do! And then I lost,&mdash;<br/>
All mine own folly,&mdash;the society,<br/>
Amity too, of your brave father, whom,<br/>
Though bearing misery, I desire my life<br/>
Once more to look on him.
</p>
<p>FLORIZEL.<br/>
By his command<br/>
Have I here touch'd Sicilia, and from him<br/>
Give you all greetings that a king, at friend,<br/>
Can send his brother: and, but infirmity,<br/>
Which waits upon worn times, hath something seiz'd<br/>
His wish'd ability, he had himself<br/>
The lands and waters 'twixt your throne and his<br/>
Measur'd, to look upon you; whom he loves,<br/>
He bade me say so,&mdash;more than all the sceptres<br/>
And those that bear them living.
</p>
<p>LEONTES.<br/>
O my brother,&mdash;<br/>
Good gentleman!&mdash;the wrongs I have done thee stir<br/>
Afresh within me; and these thy offices,<br/>
So rarely kind, are as interpreters<br/>
Of my behind-hand slackness! Welcome hither,<br/>
As is the spring to the earth. And hath he too<br/>
Expos'd this paragon to the fearful usage,<br/>
At least ungentle, of the dreadful Neptune,<br/>
To greet a man not worth her pains, much less<br/>
Th' adventure of her person?
</p>
<p>FLORIZEL.<br/>
Good, my lord,<br/>
She came from Libya.
</p>
<p>LEONTES.<br/>
Where the warlike Smalus,<br/>
That noble honour'd lord, is fear'd and lov'd?
</p>
<p>FLORIZEL.<br/>
Most royal sir, from thence; from him, whose daughter<br/>
His tears proclaim'd his, parting with her: thence,<br/>
A prosperous south-wind friendly, we have cross'd,<br/>
To execute the charge my father gave me<br/>
For visiting your highness: my best train<br/>
I have from your Sicilian shores dismiss'd;<br/>
Who for Bohemia bend, to signify<br/>
Not only my success in Libya, sir,<br/>
But my arrival, and my wife's, in safety<br/>
Here, where we are.
</p>
<p>LEONTES.<br/>
The blessed gods<br/>
Purge all infection from our air whilst you<br/>
Do climate here! You have a holy father,<br/>
A graceful gentleman; against whose person,<br/>
So sacred as it is, I have done sin,<br/>
For which the heavens, taking angry note,<br/>
Have left me issueless. And your father's bless'd,<br/>
As he from heaven merits it, with you,<br/>
Worthy his goodness. What might I have been,<br/>
Might I a son and daughter now have look'd on,<br/>
Such goodly things as you!
</p>
<p class="scenedesc"> Enter a <span class="charname">Lord</span>.</p>
<p>LORD.<br/>
Most noble sir,<br/>
That which I shall report will bear no credit,<br/>
Were not the proof so nigh. Please you, great sir,<br/>
Bohemia greets you from himself by me;<br/>
Desires you to attach his son, who has&mdash;<br/>
His dignity and duty both cast off&mdash;<br/>
Fled from his father, from his hopes, and with<br/>
A shepherd's daughter.
</p>
<p>LEONTES.<br/>
Where's Bohemia? speak.
</p>
<p>LORD.<br/>
Here in your city; I now came from him.<br/>
I speak amazedly, and it becomes<br/>
My marvel and my message. To your court<br/>
Whiles he was hast'ning&mdash;in the chase, it seems,<br/>
Of this fair couple&mdash;meets he on the way<br/>
The father of this seeming lady and<br/>
Her brother, having both their country quitted<br/>
With this young prince.
</p>
<p>FLORIZEL.<br/>
Camillo has betray'd me;<br/>
Whose honour and whose honesty till now,<br/>
Endur'd all weathers.
</p>
<p>LORD.<br/>
Lay 't so to his charge.<br/>
He's with the king your father.
</p>
<p>LEONTES.<br/>
Who? Camillo?
</p>
<p>LORD.<br/>
Camillo, sir; I spake with him; who now<br/>
Has these poor men in question. Never saw I<br/>
Wretches so quake: they kneel, they kiss the earth;<br/>
Forswear themselves as often as they speak.<br/>
Bohemia stops his ears, and threatens them<br/>
With divers deaths in death.
</p>
<p>PERDITA.<br/>
O my poor father!<br/>
The heaven sets spies upon us, will not have<br/>
Our contract celebrated.
</p>
<p>LEONTES.<br/>
You are married?
</p>
<p>FLORIZEL.<br/>
We are not, sir, nor are we like to be.<br/>
The stars, I see, will kiss the valleys first.<br/>
The odds for high and low's alike.
</p>
<p>LEONTES.<br/>
My lord,<br/>
Is this the daughter of a king?
</p>
<p>FLORIZEL.<br/>
She is,<br/>
When once she is my wife.
</p>
<p>LEONTES.<br/>
That &ldquo;once&rdquo;, I see by your good father's speed,<br/>
Will come on very slowly. I am sorry,<br/>
Most sorry, you have broken from his liking,<br/>
Where you were tied in duty; and as sorry<br/>
Your choice is not so rich in worth as beauty,<br/>
That you might well enjoy her.
</p>
<p>FLORIZEL.<br/>
Dear, look up:<br/>
Though Fortune, visible an enemy,<br/>
Should chase us with my father, power no jot<br/>
Hath she to change our loves. Beseech you, sir,<br/>
Remember since you ow'd no more to time<br/>
Than I do now: with thought of such affections,<br/>
Step forth mine advocate. At your request<br/>
My father will grant precious things as trifles.
</p>
<p>LEONTES.<br/>
Would he do so, I'd beg your precious mistress,<br/>
Which he counts but a trifle.
</p>
<p>PAULINA.<br/>
Sir, my liege,<br/>
Your eye hath too much youth in 't: not a month<br/>
'Fore your queen died, she was more worth such gazes<br/>
Than what you look on now.
</p>
<p>LEONTES.<br/>
I thought of her<br/>
Even in these looks I made. [<i>To Florizel.</i>] But your petition<br/>
Is yet unanswer'd. I will to your father.<br/>
Your honour not o'erthrown by your desires,<br/>
I am friend to them and you: upon which errand<br/>
I now go toward him; therefore follow me,<br/>
And mark what way I make. Come, good my lord.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneV_392"> <b>SCENE II. The same. Before the Palace.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Autolycus</span> and a
Gentleman.</p>
<p>AUTOLYCUS.<br/>
Beseech you, sir, were you present at this relation?
</p>
<p>FIRST GENTLEMAN.<br/>
I was by at the opening of the fardel, heard the old shepherd deliver the
manner how he found it: whereupon, after a little amazedness, we were all
commanded out of the chamber; only this, methought I heard the shepherd say he
found the child.
</p>
<p>AUTOLYCUS.<br/>
I would most gladly know the issue of it.
</p>
<p>FIRST GENTLEMAN.<br/>
I make a broken delivery of the business; but the changes I perceived in the
king and Camillo were very notes of admiration. They seemed almost, with
staring on one another, to tear the cases of their eyes. There was speech in
their dumbness, language in their very gesture; they looked as they had heard
of a world ransomed, or one destroyed. A notable passion of wonder appeared in
them; but the wisest beholder, that knew no more but seeing could not say if
th' importance were joy or sorrow; but in the extremity of the one, it
must needs be. Here comes a gentleman that happily knows more.
</p>
<p class="scenedesc"> Enter a <span class="charname">Gentleman</span>.</p>
<p>The news, Rogero?
</p>
<p>SECOND GENTLEMAN.<br/>
Nothing but bonfires: the oracle is fulfilled: the king's daughter is
found: such a deal of wonder is broken out within this hour that ballad-makers
cannot be able to express it. Here comes the Lady Paulina's steward: he
can deliver you more.
</p>
<p class="scenedesc"> Enter a third <span
class="charname">Gentleman</span>.</p>
<p> How goes it now, sir? This news, which is called true, is so like an old
tale that the verity of it is in strong suspicion. Has the king found his heir?
</p>
<p>THIRD GENTLEMAN.<br/>
Most true, if ever truth were pregnant by circumstance. That which you hear
you'll swear you see, there is such unity in the proofs. The mantle of
Queen Hermione's, her jewel about the neck of it, the letters of
Antigonus found with it, which they know to be his character; the majesty of
the creature in resemblance of the mother, the affection of nobleness which
nature shows above her breeding, and many other evidences proclaim her with all
certainty to be the king's daughter. Did you see the meeting of the two
kings?
</p>
<p>SECOND GENTLEMAN.<br/>
No.
</p>
<p>THIRD GENTLEMAN.<br/>
Then you have lost a sight which was to be seen, cannot be spoken of. There
might you have beheld one joy crown another, so and in such manner that it
seemed sorrow wept to take leave of them, for their joy waded in tears. There
was casting up of eyes, holding up of hands, with countenance of such
distraction that they were to be known by garment, not by favour. Our king,
being ready to leap out of himself for joy of his found daughter, as if that
joy were now become a loss, cries &ldquo;O, thy mother, thy mother!&rdquo; then
asks Bohemia forgiveness; then embraces his son-in-law; then again worries he
his daughter with clipping her; now he thanks the old shepherd, which stands by
like a weather-bitten conduit of many kings' reigns. I never heard of
such another encounter, which lames report to follow it, and undoes description
to do it.
</p>
<p>SECOND GENTLEMAN.<br/>
What, pray you, became of Antigonus, that carried hence the child?
</p>
<p>THIRD GENTLEMAN.<br/>
Like an old tale still, which will have matter to rehearse, though credit be
asleep and not an ear open. He was torn to pieces with a bear: this avouches
the shepherd's son, who has not only his innocence, which seems much, to
justify him, but a handkerchief and rings of his that Paulina knows.
</p>
<p>FIRST GENTLEMAN.<br/>
What became of his bark and his followers?
</p>
<p>THIRD GENTLEMAN.<br/>
Wrecked the same instant of their master's death, and in the view of the
shepherd: so that all the instruments which aided to expose the child were even
then lost when it was found. But O, the noble combat that 'twixt joy and
sorrow was fought in Paulina! She had one eye declined for the loss of her
husband, another elevated that the oracle was fulfilled. She lifted the
princess from the earth, and so locks her in embracing, as if she would pin her
to her heart, that she might no more be in danger of losing.
</p>
<p>FIRST GENTLEMAN.<br/>
The dignity of this act was worth the audience of kings and princes; for by
such was it acted.
</p>
<p>THIRD GENTLEMAN.<br/>
One of the prettiest touches of all, and that which angled for mine eyes
(caught the water, though not the fish) was, when at the relation of the
queen's death (with the manner how she came to it bravely confessed and
lamented by the king) how attentivenes wounded his daughter; till, from one
sign of dolour to another, she did, with an &ldquo;Alas,&rdquo; I would fain
say, bleed tears, for I am sure my heart wept blood. Who was most marble there
changed colour; some swooned, all sorrowed: if all the world could have seen
it, the woe had been universal.
</p>
<p>FIRST GENTLEMAN.<br/>
Are they returned to the court?
</p>
<p>THIRD GENTLEMAN.<br/>
No: the princess hearing of her mother's statue, which is in the keeping
of Paulina,&mdash;a piece many years in doing and now newly performed by that
rare Italian master, Julio Romano, who, had he himself eternity, and could put
breath into his work, would beguile Nature of her custom, so perfectly he is
her ape: he so near to Hermione hath done Hermione that they say one would
speak to her and stand in hope of answer. Thither with all greediness of
affection are they gone, and there they intend to sup.
</p>
<p>SECOND GENTLEMAN.<br/>
I thought she had some great matter there in hand; for she hath privately twice
or thrice a day, ever since the death of Hermione, visited that removed house.
Shall we thither, and with our company piece the rejoicing?
</p>
<p>FIRST GENTLEMAN.<br/>
Who would be thence that has the benefit of access? Every wink of an eye some
new grace will be born. Our absence makes us unthrifty to our knowledge.
Let's along.
</p>
<p class="right"> [<i>Exeunt <span class="charname">Gentlemen</span>.</i>]</p>
<p>AUTOLYCUS.<br/>
Now, had I not the dash of my former life in me, would preferment drop on my
head. I brought the old man and his son aboard the prince; told him I heard
them talk of a fardel and I know not what. But he at that time over-fond of the
shepherd's daughter (so he then took her to be), who began to
be much sea-sick, and himself little better, extremity of weather continuing,
this mystery remained undiscover'd. But 'tis all one to me; for had
I been the finder-out of this secret, it would not have relish'd among my
other discredits.
</p>
<p class="scenedesc"> Enter <span class="charname">Shepherd</span> and <span
class="charname">Clown</span>.</p>
<p>
Here come those I have done good to against my will, and already appearing in
the blossoms of their fortune.
</p>
<p>SHEPHERD.<br/>
Come, boy; I am past more children, but thy sons and daughters will be all
gentlemen born.
</p>
<p>CLOWN.<br/>
You are well met, sir. You denied to fight with me this other day, because I
was no gentleman born. See you these clothes? Say you see them not and think me
still no gentleman born: you were best say these robes are not gentlemen born.
Give me the lie, do; and try whether I am not now a gentleman born.
</p>
<p>AUTOLYCUS.<br/>
I know you are now, sir, a gentleman born.
</p>
<p>CLOWN.<br/>
Ay, and have been so any time these four hours.
</p>
<p>SHEPHERD.<br/>
And so have I, boy!
</p>
<p>CLOWN.<br/>
So you have: but I was a gentleman born before my father; for the king's
son took me by the hand and called me brother; and then the two kings called my
father brother; and then the prince, my brother, and the princess, my sister,
called my father father; and so we wept; and there was the first gentleman-like
tears that ever we shed.
</p>
<p>SHEPHERD.<br/>
We may live, son, to shed many more.
</p>
<p>CLOWN.<br/>
Ay; or else 'twere hard luck, being in so preposterous estate as we are.
</p>
<p>AUTOLYCUS.<br/>
I humbly beseech you, sir, to pardon me all the faults I have committed to your
worship, and to give me your good report to the prince my master.
</p>
<p>SHEPHERD.<br/>
Prithee, son, do; for we must be gentle, now we are gentlemen.
</p>
<p>CLOWN.<br/>
Thou wilt amend thy life?
</p>
<p>AUTOLYCUS.<br/>
Ay, an it like your good worship.
</p>
<p>CLOWN.<br/>
Give me thy hand: I will swear to the prince thou art as honest a true fellow
as any is in Bohemia.
</p>
<p>SHEPHERD.<br/>
You may say it, but not swear it.
</p>
<p>CLOWN.<br/>
Not swear it, now I am a gentleman? Let boors and franklins say it, I'll
swear it.
</p>
<p>SHEPHERD.<br/>
How if it be false, son?
</p>
<p>CLOWN.<br/>
If it be ne'er so false, a true gentleman may swear it in the behalf of
his friend. And I'll swear to the prince thou art a tall fellow of thy
hands and that thou wilt not be drunk; but I know thou art no tall fellow of
thy hands and that thou wilt be drunk: but I'll swear it; and I would
thou wouldst be a tall fellow of thy hands.
</p>
<p>AUTOLYCUS.<br/>
I will prove so, sir, to my power.
</p>
<p>CLOWN.<br/>
Ay, by any means, prove a tall fellow: if I do not wonder how thou dar'st
venture to be drunk, not being a tall fellow, trust me not. Hark! the kings and
the princes, our kindred, are going to see the queen's picture. Come,
follow us: we'll be thy good masters.
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h4 id="sceneV_393"> <b>SCENE III. The same. A Room in Paulina's house.</b></h4>
<p class="scenedesc"> Enter <span class="charname">Leontes, Polixenes,
Florizel, Perdita, Camillo, Paulina,</span> Lords and Attendants.</p>
<p>LEONTES.<br/>
O grave and good Paulina, the great comfort<br/>
That I have had of thee!
</p>
<p>PAULINA.<br/>
What, sovereign sir,<br/>
I did not well, I meant well. All my services<br/>
You have paid home: but that you have vouchsaf'd,<br/>
With your crown'd brother and these your contracted<br/>
Heirs of your kingdoms, my poor house to visit,<br/>
It is a surplus of your grace which never<br/>
My life may last to answer.
</p>
<p>LEONTES.<br/>
O Paulina,<br/>
We honour you with trouble. But we came<br/>
To see the statue of our queen: your gallery<br/>
Have we pass'd through, not without much content<br/>
In many singularities; but we saw not<br/>
That which my daughter came to look upon,<br/>
The statue of her mother.
</p>
<p>PAULINA.<br/>
As she liv'd peerless,<br/>
So her dead likeness, I do well believe,<br/>
Excels whatever yet you look'd upon<br/>
Or hand of man hath done; therefore I keep it<br/>
Lonely, apart. But here it is: prepare<br/>
To see the life as lively mock'd as ever<br/>
Still sleep mock'd death. Behold, and say 'tis well.
</p>
<p class="scenedesc"> <span class="charname">Paulina</span> undraws a curtain,
and discovers <span class="charname">Hermione</span> standing as a statue.</p>
<p>I like your silence, it the more shows off<br/>
Your wonder: but yet speak. First you, my liege.<br/>
Comes it not something near?
</p>
<p>LEONTES.<br/>
Her natural posture!<br/>
Chide me, dear stone, that I may say indeed<br/>
Thou art Hermione; or rather, thou art she<br/>
In thy not chiding; for she was as tender<br/>
As infancy and grace. But yet, Paulina,<br/>
Hermione was not so much wrinkled, nothing<br/>
So aged as this seems.
</p>
<p>POLIXENES.<br/>
O, not by much!
</p>
<p>PAULINA.<br/>
So much the more our carver's excellence,<br/>
Which lets go by some sixteen years and makes her<br/>
As she liv'd now.
</p>
<p>LEONTES.<br/>
As now she might have done,<br/>
So much to my good comfort as it is<br/>
Now piercing to my soul. O, thus she stood,<br/>
Even with such life of majesty, warm life,<br/>
As now it coldly stands, when first I woo'd her!<br/>
I am asham'd: does not the stone rebuke me<br/>
For being more stone than it? O royal piece,<br/>
There's magic in thy majesty, which has<br/>
My evils conjur'd to remembrance and<br/>
From thy admiring daughter took the spirits,<br/>
Standing like stone with thee.
</p>
<p>PERDITA.<br/>
And give me leave,<br/>
And do not say 'tis superstition, that<br/>
I kneel, and then implore her blessing. Lady,<br/>
Dear queen, that ended when I but began,<br/>
Give me that hand of yours to kiss.
</p>
<p>PAULINA.<br/>
O, patience!<br/>
The statue is but newly fix'd, the colour's<br/>
Not dry.
</p>
<p>CAMILLO.<br/>
My lord, your sorrow was too sore laid on,<br/>
Which sixteen winters cannot blow away,<br/>
So many summers dry. Scarce any joy<br/>
Did ever so long live; no sorrow<br/>
But kill'd itself much sooner.
</p>
<p>POLIXENES.<br/>
Dear my brother,<br/>
Let him that was the cause of this have power<br/>
To take off so much grief from you as he<br/>
Will piece up in himself.
</p>
<p>PAULINA.<br/>
Indeed, my lord,<br/>
If I had thought the sight of my poor image<br/>
Would thus have wrought you&mdash;for the stone is mine&mdash;<br/>
I'd not have show'd it.
</p>
<p>LEONTES.<br/>
Do not draw the curtain.
</p>
<p>PAULINA.<br/>
No longer shall you gaze on't, lest your fancy<br/>
May think anon it moves.
</p>
<p>LEONTES.<br/>
Let be, let be.<br/>
Would I were dead, but that methinks already&mdash;<br/>
What was he that did make it? See, my lord,<br/>
Would you not deem it breath'd? And that those veins<br/>
Did verily bear blood?
</p>
<p>POLIXENES.<br/>
Masterly done:<br/>
The very life seems warm upon her lip.
</p>
<p>LEONTES.<br/>
The fixture of her eye has motion in 't,<br/>
As we are mock'd with art.
</p>
<p>PAULINA.<br/>
I'll draw the curtain:<br/>
My lord's almost so far transported that<br/>
He'll think anon it lives.
</p>
<p>LEONTES.<br/>
O sweet Paulina,<br/>
Make me to think so twenty years together!<br/>
No settled senses of the world can match<br/>
The pleasure of that madness. Let 't alone.
</p>
<p>PAULINA.<br/>
I am sorry, sir, I have thus far stirr'd you: but<br/>
I could afflict you further.
</p>
<p>LEONTES.<br/>
Do, Paulina;<br/>
For this affliction has a taste as sweet<br/>
As any cordial comfort. Still methinks<br/>
There is an air comes from her. What fine chisel<br/>
Could ever yet cut breath? Let no man mock me,<br/>
For I will kiss her!
</p>
<p>PAULINA.<br/>
Good my lord, forbear:<br/>
The ruddiness upon her lip is wet;<br/>
You'll mar it if you kiss it, stain your own<br/>
With oily painting. Shall I draw the curtain?
</p>
<p>LEONTES.<br/>
No, not these twenty years.
</p>
<p>PERDITA.<br/>
So long could I<br/>
Stand by, a looker on.
</p>
<p>PAULINA.<br/>
Either forbear,<br/>
Quit presently the chapel, or resolve you<br/>
For more amazement. If you can behold it,<br/>
I'll make the statue move indeed, descend,<br/>
And take you by the hand. But then you'll think<br/>
(Which I protest against) I am assisted<br/>
By wicked powers.
</p>
<p>LEONTES.<br/>
What you can make her do<br/>
I am content to look on: what to speak,<br/>
I am content to hear; for 'tis as easy<br/>
To make her speak as move.
</p>
<p>PAULINA.<br/>
It is requir'd<br/>
You do awake your faith. Then all stand still;<br/>
Or those that think it is unlawful business<br/>
I am about, let them depart.
</p>
<p>LEONTES.<br/>
Proceed:<br/>
No foot shall stir.
</p>
<p>PAULINA.<br/>
Music, awake her: strike! [<i>Music.</i>]<br/>
'Tis time; descend; be stone no more; approach;<br/>
Strike all that look upon with marvel. Come;<br/>
I'll fill your grave up: stir; nay, come away.<br/>
Bequeath to death your numbness, for from him<br/>
Dear life redeems you. You perceive she stirs.
</p>
<p class="scenedesc"> <span class="charname">Hermione</span> comes down from
the pedestal.</p>
<p>Start not; her actions shall be holy as<br/>
You hear my spell is lawful. Do not shun her<br/>
Until you see her die again; for then<br/>
You kill her double. Nay, present your hand:<br/>
When she was young you woo'd her; now in age<br/>
Is she become the suitor?
</p>
<p>LEONTES.<br/>
[<i>Embracing her.</i>] O, she's warm!<br/>
If this be magic, let it be an art<br/>
Lawful as eating.
</p>
<p>POLIXENES.<br/>
She embraces him.
</p>
<p>CAMILLO.<br/>
She hangs about his neck.<br/>
If she pertain to life, let her speak too.
</p>
<p>POLIXENES.<br/>
Ay, and make it manifest where she has liv'd,<br/>
Or how stol'n from the dead.
</p>
<p>PAULINA.<br/>
That she is living,<br/>
Were it but told you, should be hooted at<br/>
Like an old tale; but it appears she lives,<br/>
Though yet she speak not. Mark a little while.<br/>
Please you to interpose, fair madam. Kneel<br/>
And pray your mother's blessing. Turn, good lady,<br/>
Our Perdita is found.
</p>
<p class="right"> [<i>Presenting <span class="charname">Perdita</span> who
kneels to <span class="charname">Hermione</span>.</i>]</p>
<p>HERMIONE.<br/>
You gods, look down,<br/>
And from your sacred vials pour your graces<br/>
Upon my daughter's head! Tell me, mine own,<br/>
Where hast thou been preserv'd? where liv'd? how found<br/>
Thy father's court? for thou shalt hear that I,<br/>
Knowing by Paulina that the oracle<br/>
Gave hope thou wast in being, have preserv'd<br/>
Myself to see the issue.
</p>
<p>PAULINA.<br/>
There's time enough for that;<br/>
Lest they desire upon this push to trouble<br/>
Your joys with like relation. Go together,<br/>
You precious winners all; your exultation<br/>
Partake to everyone. I, an old turtle,<br/>
Will wing me to some wither'd bough, and there<br/>
My mate, that's never to be found again,<br/>
Lament till I am lost.
</p>
<p>LEONTES.<br/>
O peace, Paulina!<br/>
Thou shouldst a husband take by my consent,<br/>
As I by thine a wife: this is a match,<br/>
And made between 's by vows. Thou hast found mine;<br/>
But how, is to be question'd; for I saw her,<br/>
As I thought, dead; and have in vain said many<br/>
A prayer upon her grave. I'll not seek far&mdash;<br/>
For him, I partly know his mind&mdash;to find thee<br/>
An honourable husband. Come, Camillo,<br/>
And take her by the hand, whose worth and honesty<br/>
Is richly noted, and here justified<br/>
By us, a pair of kings. Let's from this place.<br/>
What! look upon my brother: both your pardons,<br/>
That e'er I put between your holy looks<br/>
My ill suspicion. This your son-in-law,<br/>
And son unto the king, whom heavens directing,<br/>
Is troth-plight to your daughter. Good Paulina,<br/>
Lead us from hence; where we may leisurely<br/>
Each one demand, and answer to his part<br/>
Perform'd in this wide gap of time, since first<br/>
We were dissever'd. Hastily lead away!
</p>
<p class="right"> [<i>Exeunt.</i>]</p>
<h2>A LOVER'S COMPLAINT</h2>
<hr />
<p>
From off a hill whose concave womb reworded<br/>
A plaintful story from a sist'ring vale,<br/>
My spirits t'attend this double voice accorded,<br/>
And down I laid to list the sad-tun'd tale;<br/>
Ere long espied a fickle maid full pale,<br/>
Tearing of papers, breaking rings a-twain,<br/>
Storming her world with sorrow's wind and rain.<br/>
</p>
<p>
Upon her head a platted hive of straw,<br/>
Which fortified her visage from the sun,<br/>
Whereon the thought might think sometime it saw<br/>
The carcass of a beauty spent and done;<br/>
Time had not scythed all that youth begun,<br/>
Nor youth all quit, but spite of heaven's fell rage<br/>
Some beauty peeped through lattice of sear'd age.<br/>
</p>
<p>
Oft did she heave her napkin to her eyne,<br/>
Which on it had conceited characters,<br/>
Laund'ring the silken figures in the brine<br/>
That seasoned woe had pelleted in tears,<br/>
And often reading what contents it bears;<br/>
As often shrieking undistinguish'd woe,<br/>
In clamours of all size, both high and low.<br/>
</p>
<p>
Sometimes her levell'd eyes their carriage ride,<br/>
As they did batt'ry to the spheres intend;<br/>
Sometime diverted their poor balls are tied<br/>
To th'orbed earth; sometimes they do extend<br/>
Their view right on; anon their gazes lend<br/>
To every place at once, and nowhere fix'd,<br/>
The mind and sight distractedly commix'd.<br/>
</p>
<p>
Her hair, nor loose nor tied in formal plat,<br/>
Proclaim'd in her a careless hand of pride;<br/>
For some untuck'd descended her sheav'd hat,<br/>
Hanging her pale and pined cheek beside;<br/>
Some in her threaden fillet still did bide,<br/>
And, true to bondage, would not break from thence,<br/>
Though slackly braided in loose negligence.<br/>
</p>
<p>
A thousand favours from a maund she drew,<br/>
Of amber, crystal, and of beaded jet,<br/>
Which one by one she in a river threw,<br/>
Upon whose weeping margent she was set,<br/>
Like usury applying wet to wet,<br/>
Or monarchs' hands, that lets not bounty fall<br/>
Where want cries 'some,' but where excess begs 'all'.<br/>
</p>
<p>
Of folded schedules had she many a one,<br/>
Which she perus'd, sigh'd, tore and gave the flood;<br/>
Crack'd many a ring of posied gold and bone,<br/>
Bidding them find their sepulchres in mud;<br/>
Found yet mo letters sadly penn'd in blood,<br/>
With sleided silk, feat and affectedly<br/>
Enswath'd, and seal'd to curious secrecy.<br/>
</p>
<p>
These often bath'd she in her fluxive eyes,<br/>
And often kiss'd, and often gave to tear;<br/>
Cried, 'O false blood, thou register of lies,<br/>
What unapproved witness dost thou bear!<br/>
Ink would have seem'd more black and damned here!'<br/>
This said, in top of rage the lines she rents,<br/>
Big discontent so breaking their contents.<br/>
</p>
<p>
A reverend man that grazed his cattle nigh,<br/>
Sometime a blusterer, that the ruffle knew<br/>
Of court, of city, and had let go by<br/>
The swiftest hours observed as they flew,<br/>
Towards this afflicted fancy fastly drew;<br/>
And, privileg'd by age, desires to know<br/>
In brief the grounds and motives of her woe.<br/>
</p>
<p>
So slides he down upon his grained bat,<br/>
And comely distant sits he by her side,<br/>
When he again desires her, being sat,<br/>
Her grievance with his hearing to divide:<br/>
If that from him there may be aught applied<br/>
Which may her suffering ecstasy assuage,<br/>
'Tis promised in the charity of age.<br/>
</p>
<p>
'Father,' she says, 'though in me you behold<br/>
The injury of many a blasting hour,<br/>
Let it not tell your judgement I am old,<br/>
Not age, but sorrow, over me hath power.<br/>
I might as yet have been a spreading flower,<br/>
Fresh to myself, if I had self-applied<br/>
Love to myself, and to no love beside.<br/>
</p>
<p>
'But woe is me! Too early I attended<br/>
A youthful suit; it was to gain my grace;<br/>
O one by nature's outwards so commended,<br/>
That maiden's eyes stuck over all his face,<br/>
Love lack'd a dwelling and made him her place;<br/>
And when in his fair parts she did abide,<br/>
She was new lodg'd and newly deified.<br/>
</p>
<p>
'His browny locks did hang in crooked curls,<br/>
And every light occasion of the wind<br/>
Upon his lips their silken parcels hurls,<br/>
What's sweet to do, to do will aptly find,<br/>
Each eye that saw him did enchant the mind:<br/>
For on his visage was in little drawn,<br/>
What largeness thinks in paradise was sawn.<br/>
</p>
<p>
'Small show of man was yet upon his chin;<br/>
His phoenix down began but to appear,<br/>
Like unshorn velvet, on that termless skin,<br/>
Whose bare out-bragg'd the web it seemed to wear.<br/>
Yet show'd his visage by that cost more dear,<br/>
And nice affections wavering stood in doubt<br/>
If best were as it was, or best without.<br/>
</p>
<p>
'His qualities were beauteous as his form,<br/>
For maiden-tongued he was, and thereof free;<br/>
Yet if men mov'd him, was he such a storm<br/>
As oft 'twixt May and April is to see,<br/>
When winds breathe sweet, unruly though they be.<br/>
His rudeness so with his authoriz'd youth<br/>
Did livery falseness in a pride of truth.<br/>
</p>
<p>
'Well could he ride, and often men would say<br/>
That horse his mettle from his rider takes,<br/>
Proud of subjection, noble by the sway,<br/>
What rounds, what bounds, what course, what stop he makes!<br/>
And controversy hence a question takes,<br/>
Whether the horse by him became his deed,<br/>
Or he his manage by th' well-doing steed.<br/>
</p>
<p>
'But quickly on this side the verdict went,<br/>
His real habitude gave life and grace<br/>
To appertainings and to ornament,<br/>
Accomplish'd in himself, not in his case;<br/>
All aids, themselves made fairer by their place,<br/>
Came for additions; yet their purpos'd trim<br/>
Piec'd not his grace, but were all grac'd by him.<br/>
</p>
<p>
'So on the tip of his subduing tongue<br/>
All kind of arguments and question deep,<br/>
All replication prompt, and reason strong,<br/>
For his advantage still did wake and sleep,<br/>
To make the weeper laugh, the laugher weep:<br/>
He had the dialect and different skill,<br/>
Catching all passions in his craft of will.<br/>
</p>
<p>
'That he did in the general bosom reign<br/>
Of young, of old, and sexes both enchanted,<br/>
To dwell with him in thoughts, or to remain<br/>
In personal duty, following where he haunted,<br/>
Consent's bewitch'd, ere he desire, have granted,<br/>
And dialogued for him what he would say,<br/>
Ask'd their own wills, and made their wills obey.<br/>
</p>
<p>
'Many there were that did his picture get<br/>
To serve their eyes, and in it put their mind,<br/>
Like fools that in th' imagination set<br/>
The goodly objects which abroad they find<br/>
Of lands and mansions, theirs in thought assign'd,<br/>
And labouring in moe pleasures to bestow them,<br/>
Than the true gouty landlord which doth owe them.<br/>
</p>
<p>
'So many have, that never touch'd his hand,<br/>
Sweetly suppos'd them mistress of his heart.<br/>
My woeful self that did in freedom stand,<br/>
And was my own fee-simple (not in part)<br/>
What with his art in youth, and youth in art,<br/>
Threw my affections in his charmed power,<br/>
Reserv'd the stalk and gave him all my flower.<br/>
</p>
<p>
'Yet did I not, as some my equals did,<br/>
Demand of him, nor being desired yielded,<br/>
Finding myself in honour so forbid,<br/>
With safest distance I mine honour shielded.<br/>
Experience for me many bulwarks builded<br/>
Of proofs new-bleeding, which remain'd the foil<br/>
Of this false jewel, and his amorous spoil.<br/>
</p>
<p>
'But ah! Who ever shunn'd by precedent<br/>
The destin'd ill she must herself assay,<br/>
Or force'd examples 'gainst her own content,<br/>
To put the by-pass'd perils in her way?<br/>
Counsel may stop a while what will not stay:<br/>
For when we rage, advice is often seen<br/>
By blunting us to make our wills more keen.<br/>
</p>
<p>
'Nor gives it satisfaction to our blood,<br/>
That we must curb it upon others' proof,<br/>
To be forbode the sweets that seems so good,<br/>
For fear of harms that preach in our behoof.<br/>
O appetite, from judgement stand aloof!<br/>
The one a palate hath that needs will taste,<br/>
Though reason weep and cry, &ldquo;It is thy last.&rdquo;<br/>
</p>
<p>
'For further I could say, &ldquo;This man's untrue&rdquo;,<br/>
And knew the patterns of his foul beguiling;<br/>
Heard where his plants in others' orchards grew,<br/>
Saw how deceits were gilded in his smiling;<br/>
Knew vows were ever brokers to defiling;<br/>
Thought characters and words merely but art,<br/>
And bastards of his foul adulterate heart.<br/>
</p>
<p>
'And long upon these terms I held my city,<br/>
Till thus he 'gan besiege me: &ldquo;Gentle maid,<br/>
Have of my suffering youth some feeling pity,<br/>
And be not of my holy vows afraid:<br/>
That's to ye sworn, to none was ever said,<br/>
For feasts of love I have been call'd unto,<br/>
Till now did ne'er invite, nor never woo.<br/>
</p>
<p>
'&ldquo;All my offences that abroad you see<br/>
Are errors of the blood, none of the mind:<br/>
Love made them not; with acture they may be,<br/>
Where neither party is nor true nor kind,<br/>
They sought their shame that so their shame did find,<br/>
And so much less of shame in me remains,<br/>
By how much of me their reproach contains.<br/>
</p>
<p>
'&ldquo;Among the many that mine eyes have seen,<br/>
Not one whose flame my heart so much as warmed,<br/>
Or my affection put to th' smallest teen,<br/>
Or any of my leisures ever charmed:<br/>
Harm have I done to them, but ne'er was harmed;<br/>
Kept hearts in liveries, but mine own was free,<br/>
And reign'd commanding in his monarchy.<br/>
</p>
<p>
'&ldquo;Look here what tributes wounded fancies sent me,<br/>
Of pallid pearls and rubies red as blood,<br/>
Figuring that they their passions likewise lent me<br/>
Of grief and blushes, aptly understood<br/>
In bloodless white and the encrimson'd mood;<br/>
Effects of terror and dear modesty,<br/>
Encamp'd in hearts, but fighting outwardly.<br/>
</p>
<p>
'&ldquo;And, lo! behold these talents of their hair,<br/>
With twisted metal amorously empleach'd,<br/>
I have receiv'd from many a several fair,<br/>
Their kind acceptance weepingly beseech'd,<br/>
With th' annexions of fair gems enrich'd,<br/>
And deep-brain'd sonnets that did amplify<br/>
Each stone's dear nature, worth and quality.<br/>
</p>
<p>
'&ldquo;The diamond, why 'twas beautiful and hard,<br/>
Whereto his invis'd properties did tend,<br/>
The deep green emerald, in whose fresh regard<br/>
Weak sights their sickly radiance do amend;<br/>
The heaven-hued sapphire and the opal blend<br/>
With objects manifold; each several stone,<br/>
With wit well blazon'd smil'd, or made some moan.<br/>
</p>
<p>
'&ldquo;Lo, all these trophies of affections hot,<br/>
Of pensiv'd and subdued desires the tender,<br/>
Nature hath charg'd me that I hoard them not,<br/>
But yield them up where I myself must render,<br/>
That is, to you, my origin and ender:<br/>
For these of force must your oblations be,<br/>
Since I their altar, you empatron me.<br/>
</p>
<p>
'&ldquo;O then advance of yours that phraseless hand,<br/>
Whose white weighs down the airy scale of praise;<br/>
Take all these similes to your own command,<br/>
Hallowed with sighs that burning lungs did raise:<br/>
What me, your minister for you, obeys,<br/>
Works under you; and to your audit comes<br/>
Their distract parcels in combined sums.<br/>
</p>
<p>
'&ldquo;Lo, this device was sent me from a nun,<br/>
Or sister sanctified of holiest note,<br/>
Which late her noble suit in court did shun,<br/>
Whose rarest havings made the blossoms dote;<br/>
For she was sought by spirits of richest coat,<br/>
But kept cold distance, and did thence remove<br/>
To spend her living in eternal love.<br/>
</p>
<p>
'&ldquo;But O, my sweet, what labour is't to leave<br/>
The thing we have not, mast'ring what not strives,<br/>
Planing the place which did no form receive,<br/>
Playing patient sports in unconstrained gyves,<br/>
She that her fame so to herself contrives,<br/>
The scars of battle 'scapeth by the flight,<br/>
And makes her absence valiant, not her might.<br/>
</p>
<p>
'&ldquo;O pardon me, in that my boast is true,<br/>
The accident which brought me to her eye,<br/>
Upon the moment did her force subdue,<br/>
And now she would the caged cloister fly:<br/>
Religious love put out religion's eye:<br/>
Not to be tempted would she be immur'd,<br/>
And now to tempt all, liberty procur'd.<br/>
</p>
<p>
'&ldquo;How mighty then you are, O hear me tell!<br/>
The broken bosoms that to me belong<br/>
Have emptied all their fountains in my well,<br/>
And mine I pour your ocean all among:<br/>
I strong o'er them, and you o'er me being strong,<br/>
Must for your victory us all congest,<br/>
As compound love to physic your cold breast.<br/>
</p>
<p>
'&ldquo;My parts had pow'r to charm a sacred nun,<br/>
Who, disciplin'd and dieted in grace,<br/>
Believ'd her eyes when they t'assail begun,<br/>
All vows and consecrations giving place.<br/>
O most potential love! Vow, bond, nor space,<br/>
In thee hath neither sting, knot, nor confine,<br/>
For thou art all and all things else are thine.<br/>
</p>
<p>
'&ldquo;When thou impressest, what are precepts worth<br/>
Of stale example? When thou wilt inflame,<br/>
How coldly those impediments stand forth,<br/>
Of wealth, of filial fear, law, kindred, fame!<br/>
Love's arms are peace, 'gainst rule, 'gainst sense, 'gainst shame,<br/>
And sweetens, in the suff'ring pangs it bears,<br/>
The aloes of all forces, shocks and fears.<br/>
</p>
<p>
'&ldquo;Now all these hearts that do on mine depend,<br/>
Feeling it break, with bleeding groans they pine,<br/>
And supplicant their sighs to your extend,<br/>
To leave the batt'ry that you make 'gainst mine,<br/>
Lending soft audience to my sweet design,<br/>
And credent soul to that strong-bonded oath,<br/>
That shall prefer and undertake my troth.&rdquo;<br/>
</p>
<p>
'This said, his wat'ry eyes he did dismount,<br/>
Whose sights till then were levell'd on my face;<br/>
Each cheek a river running from a fount<br/>
With brinish current downward flowed apace.<br/>
O how the channel to the stream gave grace!<br/>
Who, glaz'd with crystal gate the glowing roses<br/>
That flame through water which their hue encloses.<br/>
</p>
<p>
'O father, what a hell of witchcraft lies<br/>
In the small orb of one particular tear!<br/>
But with the inundation of the eyes<br/>
What rocky heart to water will not wear?<br/>
What breast so cold that is not warmed here?<br/>
O cleft effect! Cold modesty, hot wrath,<br/>
Both fire from hence and chill extincture hath.<br/>
</p>
<p>
'For lo, his passion, but an art of craft,<br/>
Even there resolv'd my reason into tears;<br/>
There my white stole of chastity I daff'd,<br/>
Shook off my sober guards, and civil fears,<br/>
Appear to him as he to me appears,<br/>
All melting, though our drops this diff'rence bore:<br/>
His poison'd me, and mine did him restore.<br/>
</p>
<p>
'In him a plenitude of subtle matter,<br/>
Applied to cautels, all strange forms receives,<br/>
Of burning blushes, or of weeping water,<br/>
Or swooning paleness; and he takes and leaves,<br/>
In either's aptness, as it best deceives,<br/>
To blush at speeches rank, to weep at woes,<br/>
Or to turn white and swoon at tragic shows.<br/>
</p>
<p>
'That not a heart which in his level came<br/>
Could 'scape the hail of his all-hurting aim,<br/>
Showing fair nature is both kind and tame;<br/>
And veil'd in them, did win whom he would maim.<br/>
Against the thing he sought he would exclaim;<br/>
When he most burned in heart-wish'd luxury,<br/>
He preach'd pure maid, and prais'd cold chastity.<br/>
</p>
<p>
'Thus merely with the garment of a grace,<br/>
The naked and concealed fiend he cover'd,<br/>
That th'unexperient gave the tempter place,<br/>
Which, like a cherubin, above them hover'd.<br/>
Who, young and simple, would not be so lover'd?<br/>
Ay me! I fell, and yet do question make<br/>
What I should do again for such a sake.<br/>
</p>
<p>
'O, that infected moisture of his eye,<br/>
O, that false fire which in his cheek so glow'd!<br/>
O, that forc'd thunder from his heart did fly,<br/>
O, that sad breath his spongy lungs bestow'd,<br/>
O, all that borrowed motion, seeming owed,<br/>
Would yet again betray the fore-betrayed,<br/>
And new pervert a reconciled maid.'<br/>
</p>
<h2>THE PASSIONATE PILGRIM</h2>
<h5>I.</h5>
<p>Did not the heavenly rhetoric of thine eye,<br/>
'Gainst whom the world could not hold argument,<br/>
Persuade my heart to this false perjury?<br/>
Vows for thee broke deserve not punishment.<br/>
A woman I forswore; but I will prove,<br/>
Thou being a goddess, I forswore not thee:<br/>
My vow was earthly, thou a heavenly love;<br/>
Thy grace being gain'd cures all disgrace in me.<br/>
My vow was breath, and breath a vapour is;<br/>
Then, thou fair sun, that on this earth doth shine,<br/>
Exhale this vapour vow; in thee it is:<br/>
If broken, then it is no fault of mine.<br/>
  If by me broke, what fool is not so wise<br/>
  To break an oath, to win a paradise?<br/>
</p>
<h5>II.</h5>
<p>Sweet Cytherea, sitting by a brook<br/>
With young Adonis, lovely, fresh, and green,<br/>
Did court the lad with many a lovely look,<br/>
Such looks as none could look but beauty's queen.<br/>
She told him stories to delight his ear;<br/>
She show'd him favours to allure his eye;<br/>
To win his heart, she touch'd him here and there:<br/>
Touches so soft still conquer chastity.<br/>
But whether unripe years did want conceit,<br/>
Or he refus'd to take her figur'd proffer,<br/>
The tender nibbler would not touch the bait,<br/>
But smile and jest at every gentle offer:<br/>
  Then fell she on her back, fair queen, and toward;<br/>
  He rose and ran away; ah, fool too froward!<br/>
</p>
<h5>III.</h5>
<p>If love make me forsworn, how shall I swear to love?<br/>
O never faith could hold, if not to beauty vow'd:<br/>
Though to myself forsworn, to thee I'll constant prove;<br/>
Those thoughts, to me like oaks, to thee like osiers bow'd.<br/>
Study his bias leaves, and makes his book thine eyes,<br/>
Where all those pleasures live that art can comprehend.<br/>
If knowledge be the mark, to know thee shall suffice;<br/>
Well learned is that tongue that well can thee commend;<br/>
All ignorant that soul that sees thee without wonder;<br/>
Which is to me some praise, that I thy parts admire:<br/>
Thy eye Jove's lightning seems, thy voice his dreadful thunder,<br/>
Which (not to anger bent) is music and sweet fire.<br/>
  Celestial as thou art, O do not love that wrong,<br/>
  To sing heavens' praise with such an earthly tongue.<br/>
</p>
<h5>IV.</h5>
<p>Scarce had the sun dried up the dewy morn,<br/>
And scarce the herd gone to the hedge for shade,<br/>
When Cytherea, all in love forlorn,<br/>
A longing tarriance for Adonis made,<br/>
Under an osier growing by a brook,<br/>
A brook where Adon used to cool his spleen.<br/>
Hot was the day; she hotter that did look<br/>
For his approach, that often there had been.<br/>
Anon he comes, and throws his mantle by,<br/>
And stood stark naked on the brook's green brim;<br/>
The sun look'd on the world with glorious eye,<br/>
Yet not so wistly as this queen on him:<br/>
  He, spying her, bounc'd in, whereas he stood;<br/>
  O Jove, quoth she, why was not I a flood?<br/>
</p>
<h5>V.</h5>
<p>Fair is my love, but not so fair as fickle;<br/>
Mild as a dove, but neither true nor trusty;<br/>
Brighter than glass, and yet, as glass is, brittle;<br/>
Softer than wax, and yet, as iron, rusty:<br/>
  A lily pale, with damask die to grace her,<br/>
  None fairer, nor none falser to deface her.<br/>
</p>
<p>Her lips to mine how often hath she join'd,<br/>
Between each kiss her oaths of true love swearing!<br/>
How many tales to please me hath she coin'd,<br/>
Dreading my love, the loss thereof still fearing!<br/>
  Yet in the midst of all her pure protestings,<br/>
  Her faith, her oaths, her tears, and all were jestings.<br/>
</p>
<p>She burn'd with love, as straw with fire flameth;<br/>
She burn'd out love, as soon as straw outburneth;<br/>
She fram'd the love, and yet she foil'd the framing;<br/>
She bade love last, and yet she fell a turning.<br/>
  Was this a lover, or a lecher whether?<br/>
  Bad in the best, though excellent in neither.<br/>
</p>
<h5>VI.</h5>
<p>If music and sweet poetry agree,<br/>
As they must needs, the sister and the brother,<br/>
Then must the love be great 'twixt thee and me,<br/>
Because thou lovest the one, and I the other.<br/>
Dowland to thee is dear, whose heavenly touch<br/>
Upon the lute doth ravish human sense;<br/>
Spenser to me, whose deep conceit is such<br/>
As, passing all conceit, needs no defence.<br/>
Thou lov'st to hear the sweet melodious sound<br/>
That Phoebus' lute, the queen of music, makes;<br/>
And I in deep delight am chiefly drown'd<br/>
Whenas himself to singing he betakes.<br/>
  One god is god of both, as poets feign;<br/>
  One knight loves both, and both in thee remain.<br/>
</p>
<h5>VII.</h5>
<p>Fair was the morn when the fair queen of love,<br/>
    *    *    *    *    *    *<br/>
Paler for sorrow than her milk-white dove,<br/>
For Adon's sake, a youngster proud and wild;<br/>
Her stand she takes upon a steep-up hill:<br/>
Anon Adonis comes with horn and hounds;<br/>
She, silly queen, with more than love's good will,<br/>
Forbade the boy he should not pass those grounds;<br/>
Once, quoth she, did I see a fair sweet youth<br/>
Here in these brakes deep-wounded with a boar,<br/>
Deep in the thigh, a spectacle of ruth!<br/>
See, in my thigh, quoth she, here was the sore.<br/>
  She showed hers: he saw more wounds than one,<br/>
  And blushing fled, and left her all alone.<br/>
</p>
<h5>VIII.</h5>
<p>Sweet rose, fair flower, untimely pluck'd, soon vaded,<br/>
Pluck'd in the bud, and vaded in the spring!<br/>
Bright orient pearl, alack! too timely shaded!<br/>
Fair creature, kill'd too soon by death's sharp sting!<br/>
  Like a green plum that hangs upon a tree,<br/>
  And falls, through wind, before the fall should be.<br/>
</p>
<p>I weep for thee, and yet no cause I have;<br/>
For why? thou left'st me nothing in thy will:<br/>
And yet thou left'st me more than I did crave;<br/>
For why? I craved nothing of thee still:<br/>
  O yes, dear friend, I pardon crave of thee,<br/>
  Thy discontent thou didst bequeath to me.<br/>
</p>
<h5>IX.</h5>
<p>Venus, with young Adonis sitting by her,<br/>
Under a myrtle shade, began to woo him:<br/>
She told the youngling how god Mars did try her,<br/>
And as he fell to her, so fell she to him.<br/>
Even thus, quoth she, the warlike god embrac'd me,<br/>
And then she clipp'd Adonis in her arms;<br/>
Even thus, quoth she, the warlike god unlaced me;<br/>
As if the boy should use like loving charms;<br/>
Even thus, quoth she, he seized on my lips,<br/>
And with her lips on his did act the seizure;<br/>
And as she fetched breath, away he skips,<br/>
And would not take her meaning nor her pleasure.<br/>
  Ah! that I had my lady at this bay,<br/>
  To kiss and clip me till I run away!<br/>
</p>
<h5>X.</h5>
<p>  Crabbed age and youth<br/>
    Cannot live together<br/>
  Youth is full of pleasance,<br/>
    Age is full of care;<br/>
  Youth like summer morn,<br/>
    Age like winter weather;<br/>
  Youth like summer brave,<br/>
    Age like winter bare;<br/>
  Youth is full of sport,<br/>
  Age's breath is short;<br/>
    Youth is nimble, age is lame;<br/>
  Youth is hot and bold,<br/>
  Age is weak and cold;<br/>
    Youth is wild, and age is tame.<br/>
  Age, I do abhor thee;<br/>
  Youth, I do adore thee;<br/>
    O, my love, my love is young!<br/>
  Age, I do defy thee;<br/>
  O, sweet shepherd, hie thee,<br/>
  For methinks thou stay'st too long.<br/>
</p>
<h5>XI.</h5>
<p>Beauty is but a vain and doubtful good,<br/>
A shining gloss that vadeth suddenly;<br/>
A flower that dies when first it 'gins to bud;<br/>
A brittle glass, that's broken presently:<br/>
  A doubtful good, a gloss, a glass, a flower,<br/>
  Lost, vaded, broken, dead within an hour.<br/>
</p>
<p>And as goods lost are seld or never found,<br/>
As vaded gloss no rubbing will refresh,<br/>
As flowers dead lie wither'd on the ground,<br/>
As broken glass no cement can redress,<br/>
  So beauty blemish'd once, for ever's lost,<br/>
  In spite of physic, painting, pain and cost.<br/>
</p>
<h5>XII.</h5>
<p>Good night, good rest.  Ah! neither be my share:<br/>
She bade good night that kept my rest away;<br/>
And daff'd me to a cabin hang'd with care,<br/>
To descant on the doubts of my decay.<br/>
Farewell, quoth she, and come again tomorrow:<br/>
Fare well I could not, for I supp'd with sorrow;<br/>
</p>
<p>Yet at my parting sweetly did she smile,<br/>
In scorn or friendship, nill I construe whether:<br/>
'T may be, she joy'd to jest at my exile,<br/>
'T may be, again to make me wander thither:<br/>
  'Wander,' a word for shadows like myself,<br/>
  As take the pain, but cannot pluck the pelf.<br/>
</p>
<h5>XIII.</h5>
<p>Lord, how mine eyes throw gazes to the east!<br/>
My heart doth charge the watch; the morning rise<br/>
Doth cite each moving sense from idle rest.<br/>
Not daring trust the office of mine eyes,<br/>
  While Philomela sits and sings, I sit and mark,<br/>
  And wish her lays were tuned like the lark;<br/>
</p>
<p>For she doth welcome daylight with her ditty,<br/>
And drives away dark dismal-dreaming night:<br/>
The night so pack'd, I post unto my pretty;<br/>
Heart hath his hope, and eyes their wished sight;<br/>
  Sorrow chang'd to solace, solace mix'd with sorrow;<br/>
  For why, she sigh'd and bade me come tomorrow.<br/>
</p>
<p>Were I with her, the night would post too soon;<br/>
But now are minutes added to the hours;<br/>
To spite me now, each minute seems a moon;<br/>
Yet not for me, shine sun to succour flowers!<br/>
  Pack night, peep day; good day, of night now borrow:<br/>
  Short, night, to-night, and length thyself to-morrow.<br/>
</p>
<h2>THE PHOENIX AND THE TURTLE</h2>
<hr />
<p>Let the bird of loudest lay,<br/>
On the sole Arabian tree,<br/>
Herald sad and trumpet be,<br/>
To whose sound chaste wings obey.<br/>
</p>
<p>But thou shrieking harbinger,<br/>
Foul precurrer of the fiend,<br/>
Augur of the fever's end,<br/>
To this troop come thou not near.<br/>
</p>
<p>From this session interdict<br/>
Every fowl of tyrant wing,<br/>
Save the eagle, feather'd king;<br/>
Keep the obsequy so strict.<br/>
</p>
<p>Let the priest in surplice white,<br/>
That defunctive music can,<br/>
Be the death-divining swan,<br/>
Lest the requiem lack his right.<br/>
</p>
<p>And thou treble-dated crow,<br/>
That thy sable gender mak'st<br/>
With the breath thou giv'st and tak'st,<br/>
'Mongst our mourners shalt thou go.<br/>
</p>
<p>Here the anthem doth commence:<br/>
Love and constancy is dead;<br/>
Phoenix and the turtle fled<br/>
In a mutual flame from hence.<br/>
</p>
<p>So they lov'd, as love in twain<br/>
Had the essence but in one;<br/>
Two distincts, division none:<br/>
Number there in love was slain.<br/>
</p>
<p>Hearts remote, yet not asunder;<br/>
Distance and no space was seen<br/>
'Twixt this turtle and his queen;<br/>
But in them it were a wonder.<br/>
</p>
<p>So between them love did shine,<br/>
That the turtle saw his right<br/>
Flaming in the phoenix' sight;<br/>
Either was the other's mine.<br/>
</p>
<p>Property was thus appalled,<br/>
That the self was not the same;<br/>
Single nature's double name<br/>
Neither two nor one was called.<br/>
</p>
<p>Reason, in itself confounded,<br/>
Saw division grow together;<br/>
To themselves yet either neither,<br/>
Simple were so well compounded.<br/>
</p>
<p>That it cried, How true a twain<br/>
Seemeth this concordant one!<br/>
Love hath reason, reason none,<br/>
If what parts can so remain.<br/>
</p>
<p>Whereupon it made this threne<br/>
To the phoenix and the dove,<br/>
Co-supremes and stars of love,<br/>
As chorus to their tragic scene.<br/><br/>
</p>
<p>      <b>THRENOS</b><br/>
</p>
<p>Beauty, truth, and rarity.<br/>
Grace in all simplicity,<br/>
Here enclos'd in cinders lie.<br/>
</p>
<p>Death is now the phoenix' nest;<br/>
And the turtle's loyal breast<br/>
To eternity doth rest.<br/>
</p>
<p>Leaving no posterity:&mdash;<br/>
'Twas not their infirmity,<br/>
It was married chastity.<br/>
</p>
<p>Truth may seem, but cannot be;<br/>
Beauty brag, but 'tis not she;<br/>
Truth and beauty buried be.<br/>
</p>
<p>To this urn let those repair<br/>
That are either true or fair;<br/>
For these dead birds sigh a prayer.<br/>
</p>
<h2>THE RAPE OF LUCRECE</h2>
<h4>TO THE</h4>
<h5>RIGHT HONOURABLE HENRY WRIOTHESLY,</h5>
<h5>EARL OF SOUTHAMPTON, AND BARON OF TITCHFIELD.</h5>
<p>THE love I dedicate to your Lordship is without end; whereof this
pamphlet, without beginning, is but a superfluous moiety.  The
warrant I have of your honourable disposition, not the worth of
my untutored lines, makes it assured of acceptance.  What I have
done is yours; what I have to do is yours; being part in all I
have, devoted yours.  Were my worth greater, my duty would show
greater; meantime, as it is, it is bound to your Lordship, to
whom I wish long life, still lengthened with all happiness.</p>
<p>                        Your Lordship's in all duty,<br/>
                              WILLIAM SHAKESPEARE.<br/>
</p>
<h4>                        THE ARGUMENT.</h4>
<p>LUCIUS TARQUINIUS (for his excessive pride surnamed Superbus),
after he had caused his own father-in-law, Servius Tullius, to be
cruelly murdered, and, contrary to the Roman laws and customs,
not requiring or staying for the people's suffrages, had
possessed himself of the kingdom, went, accompanied with his sons
and other noblemen of Rome, to besiege Ardea.  During which siege
the principal men of the army meeting one evening at the tent of
Sextus Tarquinius, the king's son, in their discourses after
supper, every one commended the virtues of his own wife; among
whom Collatinus extolled the incomparable chastity of his wife
Lucretia. In that pleasant humour they all posted to Rome; and
intending, by their secret and sudden arrival, to make trial of
that which every one had before avouched, only Collatinus finds
his wife, though it were late in the night, spinning amongst her
maids: the other ladies were all found dancing and revelling, or
in several disports.  Whereupon the noblemen yielded Collatinus
the victory, and his wife the fame.  At that time Sextus
Tarquinius being inflamed with Lucrece's beauty, yet smothering
his passions for the present, departed with the rest back to the
camp; from whence he shortly after privily withdrew himself, and
was (according to his estate) royally entertained and lodged by
Lucrece at Collatium.  The same night he treacherously stealeth
into her chamber, violently ravished her, and early in the
morning speedeth away. Lucrece, in this lamentable plight,
hastily dispatched messengers, one to Rome for her father,
another to the camp for Collatine.  They came, the one
accompanied with Junius Brutus, the other with Publius Valerius;
and finding Lucrece attired in mourning habit, demanded the cause
of her sorrow.  She, first taking an oath of them for her
revenge, revealed the actor, and whole manner of his dealing, and
withal suddenly stabbed herself.  Which done, with one consent
they all vowed to root out the whole hated family of the
Tarquins; and bearing the dead body to Rome, Brutus acquainted
the people with the doer and manner of the vile deed, with a
bitter invective against the tyranny of the king; wherewith the
people were so moved, that with one consent and a general
acclamation the Tarquins were all exiled, and the state
government changed from kings to consuls.</p>
<p>_______________________________________________________________</p>
<p>From the besieged Ardea all in post,<br/>
Borne by the trustless wings of false desire,<br/>
Lust-breathed Tarquin leaves the Roman host,<br/>
And to Collatium bears the lightless fire<br/>
Which, in pale embers hid, lurks to aspire<br/>
  And girdle with embracing flames the waist<br/>
  Of Collatine's fair love, Lucrece the chaste.<br/>
</p>
<p>Haply that name of chaste unhapp'ly set<br/>
This bateless edge on his keen appetite;<br/>
When Collatine unwisely did not let<br/>
To praise the clear unmatched red and white<br/>
Which triumph'd in that sky of his delight,<br/>
  Where mortal stars, as bright as heaven's beauties,<br/>
  With pure aspects did him peculiar duties.<br/>
</p>
<p>For he the night before, in Tarquin's tent,<br/>
Unlock'd the treasure of his happy state;<br/>
What priceless wealth the heavens had him lent<br/>
In the possession of his beauteous mate;<br/>
Reckoning his fortune at such high-proud rate,<br/>
  That kings might be espoused to more fame,<br/>
  But king nor peer to such a peerless dame.<br/>
</p>
<p>O happiness enjoy'd but of a few!<br/>
And, if possess'd, as soon decay'd and done<br/>
As is the morning's silver-melting dew<br/>
Against the golden splendour of the sun!<br/>
An expir'd date, cancell'd ere well begun:<br/>
  Honour and beauty, in the owner's arms,<br/>
  Are weakly fortress'd from a world of harms.<br/>
</p>
<p>Beauty itself doth of itself persuade<br/>
The eyes of men without an orator;<br/>
What needeth then apologies be made,<br/>
To set forth that which is so singular?<br/>
Or why is Collatine the publisher<br/>
  Of that rich jewel he should keep unknown<br/>
  From thievish ears, because it is his own?<br/>
</p>
<p>Perchance his boast of Lucrece' sovereignty<br/>
Suggested this proud issue of a king;<br/>
For by our ears our hearts oft tainted be:<br/>
Perchance that envy of so rich a thing,<br/>
Braving compare, disdainfully did sting<br/>
  His high-pitch'd thoughts, that meaner men should vaunt<br/>
  That golden hap which their superiors want.<br/>
</p>
<p>But some untimely thought did instigate<br/>
His all-too-timeless speed, if none of those;<br/>
His honour, his affairs, his friends, his state,<br/>
Neglected all, with swift intent he goes<br/>
To quench the coal which in his liver glows.<br/>
  O rash false heat, wrapp'd in repentant cold,<br/>
  Thy hasty spring still blasts, and ne'er grows old!<br/>
</p>
<p>When at Collatium this false lord arriv'd,<br/>
Well was he welcom'd by the Roman dame,<br/>
Within whose face beauty and virtue striv'd<br/>
Which of them both should underprop her fame:<br/>
When virtue bragg'd, beauty would blush for shame;<br/>
  When beauty boasted blushes, in despite<br/>
  Virtue would stain that or with silver white.<br/>
</p>
<p>But beauty, in that white intituled,<br/>
From Venus' doves doth challenge that fair field:<br/>
Then virtue claims from beauty beauty's red,<br/>
Which virtue gave the golden age, to gild<br/>
Their silver cheeks, and call'd it then their shield;<br/>
  Teaching them thus to use it in the fight,—<br/>
  When shame assail'd, the red should fence the white.<br/>
</p>
<p>This heraldry in Lucrece' face was seen,<br/>
Argued by beauty's red, and virtue's white:<br/>
Of either's colour was the other queen,<br/>
Proving from world's minority their right:<br/>
Yet their ambition makes them still to fight;<br/>
  The sovereignty of either being so great,<br/>
  That oft they interchange each other's seat.<br/>
</p>
<p>Their silent war of lilies and of roses,<br/>
Which Tarquin view'd in her fair face's field,<br/>
In their pure ranks his traitor eye encloses;<br/>
Where, lest between them both it should be kill'd,<br/>
The coward captive vanquish'd doth yield<br/>
  To those two armies that would let him go,<br/>
  Rather than triumph in so false a foe.<br/>
</p>
<p>Now thinks he that her husband's shallow tongue,<br/>
(The niggard prodigal that prais'd her so)<br/>
In that high task hath done her beauty wrong,<br/>
Which far exceeds his barren skill to show:<br/>
Therefore that praise which Collatine doth owe<br/>
  Enchanted Tarquin answers with surmise,<br/>
  In silent wonder of still-gazing eyes.<br/>
</p>
<p>This earthly saint, adored by this devil,<br/>
Little suspecteth the false worshipper;<br/>
For unstain'd thoughts do seldom dream on evil;<br/>
Birds never lim'd no secret bushes fear:<br/>
So guiltless she securely gives good cheer<br/>
  And reverend welcome to her princely guest,<br/>
  Whose inward ill no outward harm express'd:<br/>
</p>
<p>For that he colour'd with his high estate,<br/>
Hiding base sin in plaits of majesty;<br/>
That nothing in him seem'd inordinate,<br/>
Save sometime too much wonder of his eye,<br/>
Which, having all, all could not satisfy;<br/>
  But, poorly rich, so wanteth in his store,<br/>
  That, cloy'd with much, he pineth still for more.<br/>
</p>
<p>But she, that never cop'd with stranger eyes,<br/>
Could pick no meaning from their parling looks,<br/>
Nor read the subtle-shining secrecies<br/>
Writ in the glassy margents of such books;<br/>
She touch'd no unknown baits, nor fear'd no hooks;<br/>
  Nor could she moralize his wanton sight,<br/>
  More than his eyes were open'd to the light.<br/>
</p>
<p>He stories to her ears her husband's fame,<br/>
Won in the fields of fruitful Italy;<br/>
And decks with praises Collatine's high name,<br/>
Made glorious by his manly chivalry<br/>
With bruised arms and wreaths of victory:<br/>
  Her joy with heav'd-up hand she doth express,<br/>
  And, wordless, so greets heaven for his success.<br/>
</p>
<p>Far from the purpose of his coming hither,<br/>
He makes excuses for his being there.<br/>
No cloudy show of stormy blustering weather<br/>
Doth yet in his fair welkin once appear;<br/>
Till sable Night, mother of Dread and Fear,<br/>
  Upon the world dim darkness doth display,<br/>
  And in her vaulty prison stows the day.<br/>
</p>
<p>For then is Tarquin brought unto his bed,<br/>
Intending weariness with heavy spright;<br/>
For, after supper, long he questioned<br/>
With modest Lucrece, and wore out the night:<br/>
Now leaden slumber with life's strength doth fight;<br/>
  And every one to rest themselves betake,<br/>
  Save thieves, and cares, and troubled minds, that wake.<br/>
</p>
<p>As one of which doth Tarquin lie revolving<br/>
The sundry dangers of his will's obtaining;<br/>
Yet ever to obtain his will resolving,<br/>
Though weak-built hopes persuade him to abstaining:<br/>
Despair to gain doth traffic oft for gaining;<br/>
  And when great treasure is the meed propos'd,<br/>
  Though death be adjunct, there's no death suppos'd.<br/>
</p>
<p>Those that much covet are with gain so fond,<br/>
For what they have not, that which they possess<br/>
They scatter and unloose it from their bond,<br/>
And so, by hoping more, they have but less;<br/>
Or, gaining more, the profit of excess<br/>
  Is but to surfeit, and such griefs sustain,<br/>
  That they prove bankrupt in this poor-rich gain.<br/>
</p>
<p>The aim of all is but to nurse the life<br/>
With honour, wealth, and ease, in waning age;<br/>
And in this aim there is such thwarting strife,<br/>
That one for all, or all for one we gage;<br/>
As life for honour in fell battles' rage;<br/>
  Honour for wealth; and oft that wealth doth cost<br/>
  The death of all, and all together lost.<br/>
</p>
<p>So that in vent'ring ill we leave to be<br/>
The things we are, for that which we expect;<br/>
And this ambitious foul infirmity,<br/>
In having much, torments us with defect<br/>
Of that we have: so then we do neglect<br/>
  The thing we have; and, all for want of wit,<br/>
  Make something nothing, by augmenting it.<br/>
</p>
<p>Such hazard now must doting Tarquin make,<br/>
Pawning his honour to obtain his lust;<br/>
And for himself himself he must forsake:<br/>
Then where is truth, if there be no self-trust?<br/>
When shall he think to find a stranger just,<br/>
  When he himself himself confounds, betrays<br/>
  To slanderous tongues and wretched hateful days?<br/>
</p>
<p>Now stole upon the time the dead of night,<br/>
When heavy sleep had closed up mortal eyes:<br/>
No comfortable star did lend his light,<br/>
No noise but owls' and wolves' death-boding cries;<br/>
Now serves the season that they may surprise<br/>
  The silly lambs; pure thoughts are dead and still,<br/>
  While lust and murder wake to stain and kill.<br/>
</p>
<p>And now this lustful lord leap'd from his bed,<br/>
Throwing his mantle rudely o'er his arm;<br/>
Is madly toss'd between desire and dread;<br/>
Th' one sweetly flatters, th' other feareth harm;<br/>
But honest Fear, bewitch'd with lust's foul charm,<br/>
  Doth too too oft betake him to retire,<br/>
  Beaten away by brain-sick rude Desire.<br/>
</p>
<p>His falchion on a flint he softly smiteth,<br/>
That from the cold stone sparks of fire do fly;<br/>
Whereat a waxen torch forthwith he lighteth,<br/>
Which must be lode-star to his lustful eye;<br/>
And to the flame thus speaks advisedly:<br/>
  'As from this cold flint I enforced this fire,<br/>
  So Lucrece must I force to my desire.'<br/>
</p>
<p>Here pale with fear he doth premeditate<br/>
The dangers of his loathsome enterprise,<br/>
And in his inward mind he doth debate<br/>
What following sorrow may on this arise;<br/>
Then looking scornfully, he doth despise<br/>
  His naked armour of still-slaughter'd lust,<br/>
  And justly thus controls his thoughts unjust:<br/>
</p>
<p>'Fair torch, burn out thy light, and lend it not<br/>
To darken her whose light excelleth thine:<br/>
And die, unhallow'd thoughts, before you blot<br/>
With your uncleanness that which is divine!<br/>
Offer pure incense to so pure a shrine:<br/>
  Let fair humanity abhor the deed<br/>
  That spots and stains love's modest snow-white weed.<br/>
</p>
<p>'O shame to knighthood and to shining arms!<br/>
O foul dishonour to my household's grave!<br/>
O impious act, including all foul harms!<br/>
A martial man to be soft fancy's slave!<br/>
True valour still a true respect should have;<br/>
  Then my digression is so vile, so base,<br/>
  That it will live engraven in my face.<br/>
</p>
<p>'Yea, though I die, the scandal will survive,<br/>
And be an eye-sore in my golden coat;<br/>
Some loathsome dash the herald will contrive,<br/>
To cipher me how fondly I did dote;<br/>
That my posterity, sham'd with the note,<br/>
  Shall curse my bones, and hold it for no sin<br/>
  To wish that I their father had not been.<br/>
</p>
<p>'What win I, if I gain the thing I seek?<br/>
A dream, a breath, a froth of fleeting joy:<br/>
Who buys a minute's mirth to wail a week?<br/>
Or sells eternity to get a toy?<br/>
For one sweet grape who will the vine destroy?<br/>
  Or what fond beggar, but to touch the crown,<br/>
  Would with the sceptre straight be strucken down?<br/>
</p>
<p>'If Collatinus dream of my intent,<br/>
Will he not wake, and in a desperate rage<br/>
Post hither, this vile purpose to prevent?<br/>
This siege that hath engirt his marriage,<br/>
This blur to youth, this sorrow to the sage,<br/>
  This dying virtue, this surviving shame,<br/>
  Whose crime will bear an ever-during blame?<br/>
</p>
<p>'O, what excuse can my invention make<br/>
When thou shalt charge me with so black a deed?<br/>
Will not my tongue be mute, my frail joints shake?<br/>
Mine eyes forego their light, my false heart bleed?<br/>
The guilt being great, the fear doth still exceed;<br/>
  And extreme fear can neither fight nor fly,<br/>
  But, coward-like, with trembling terror die.<br/>
</p>
<p>'Had Collatinus kill'd my son or sire,<br/>
Or lain in ambush to betray my life,<br/>
Or were he not my dear friend, this desire<br/>
Might have excuse to work upon his wife;<br/>
As in revenge or quittal of such strife:<br/>
  But as he is my kinsman, my dear friend,<br/>
  The shame and fault finds no excuse nor end.<br/>
</p>
<p>'Shameful it is;—ay, if the fact be known:<br/>
Hateful it is:— there is no hate in loving;<br/>
I'll beg her love;—but she is not her own;<br/>
The worst is but denial and reproving:<br/>
My will is strong, past reason's weak removing.<br/>
  Who fears a sentence or an old man's saw<br/>
  Shall by a painted cloth be kept in awe.'<br/>
</p>
<p>Thus, graceless, holds he disputation<br/>
'Tween frozen conscience and hot-burning will,<br/>
And with good thoughts makes dispensation,<br/>
Urging the worser sense for vantage still;<br/>
Which in a moment doth confound and kill<br/>
  All pure effects, and doth so far proceed,<br/>
  That what is vile shows like a virtuous deed.<br/>
</p>
<p>Quoth he, 'She took me kindly by the hand,<br/>
And gaz'd for tidings in my eager eyes,<br/>
Fearing some hard news from the warlike band,<br/>
Where her beloved Collatinus lies.<br/>
O how her fear did make her colour rise!<br/>
  First red as roses that on lawn we lay,<br/>
  Then white as lawn, the roses took away.<br/>
</p>
<p>'And how her hand, in my hand being lock'd,<br/>
Forc'd it to tremble with her loyal fear;<br/>
Which struck her sad, and then it faster rock'd,<br/>
Until her husband's welfare she did hear;<br/>
Whereat she smiled with so sweet a cheer,<br/>
  That had Narcissus seen her as she stood,<br/>
  Self-love had never drown'd him in the flood.<br/>
</p>
<p>'Why hunt I then for colour or excuses?<br/>
All orators are dumb when beauty pleadeth;<br/>
Poor wretches have remorse in poor abuses;<br/>
Love thrives not in the heart that shadows dreadeth:<br/>
Affection is my captain, and he leadeth;<br/>
  And when his gaudy banner is display'd,<br/>
  The coward fights and will not be dismay'd.<br/>
</p>
<p>'Then, childish fear, avaunt! debating, die!<br/>
Respect and reason wait on wrinkled age!<br/>
My heart shall never countermand mine eye;<br/>
Sad pause and deep regard beseem the sage;<br/>
My part is youth, and beats these from the stage:<br/>
  Desire my pilot is, beauty my prize;<br/>
  Then who fears sinking where such treasure lies?'<br/>
</p>
<p>As corn o'ergrown by weeds, so heedful fear<br/>
Is almost chok'd by unresisted lust.<br/>
Away he steals with opening, listening ear,<br/>
Full of foul hope, and full of fond mistrust;<br/>
Both which, as servitors to the unjust,<br/>
  So cross him with their opposite persuasion,<br/>
  That now he vows a league, and now invasion.<br/>
</p>
<p>Within his thought her heavenly image sits,<br/>
And in the self-same seat sits Collatine:<br/>
That eye which looks on her confounds his wits;<br/>
That eye which him beholds, as more divine,<br/>
Unto a view so false will not incline;<br/>
  But with a pure appeal seeks to the heart,<br/>
  Which once corrupted takes the worser part;<br/>
</p>
<p>And therein heartens up his servile powers,<br/>
Who, flatter'd by their leader's jocund show,<br/>
Stuff up his lust, as minutes fill up hours;<br/>
And as their captain, so their pride doth grow.<br/>
Paying more slavish tribute than they owe.<br/>
  By reprobate desire thus madly led,<br/>
  The Roman lord marcheth to Lucrece' bed.<br/>
</p>
<p>The locks between her chamber and his will,<br/>
Each one by him enforc'd retires his ward;<br/>
But, as they open they all rate his ill,<br/>
Which drives the creeping thief to some regard,<br/>
The threshold grates the door to have him heard;<br/>
  Night-wand'ring weasels shriek to see him there;<br/>
  They fright him, yet he still pursues his fear.<br/>
</p>
<p>As each unwilling portal yields him way,<br/>
Through little vents and crannies of the place<br/>
The wind wars with his torch, to make him stay,<br/>
And blows the smoke of it into his face,<br/>
Extinguishing his conduct in this case;<br/>
  But his hot heart, which fond desire doth scorch,<br/>
  Puffs forth another wind that fires the torch:<br/>
</p>
<p>And being lighted, by the light he spies<br/>
Lucretia's glove, wherein her needle sticks;<br/>
He takes it from the rushes where it lies,<br/>
And griping it, the neeld his finger pricks:<br/>
As who should say this glove to wanton tricks<br/>
  Is not inur'd: return again in haste;<br/>
  Thou see'st our mistress' ornaments are chaste.<br/>
</p>
<p>But all these poor forbiddings could not stay him;<br/>
He in the worst sense construes their denial:<br/>
The doors, the wind, the glove that did delay him,<br/>
He takes for accidental things of trial;<br/>
Or as those bars which stop the hourly dial,<br/>
  Who with a lingering stay his course doth let,<br/>
  Till every minute pays the hour his debt.<br/>
</p>
<p>'So, so,' quoth he, 'these lets attend the time,<br/>
Like little frosts that sometime threat the spring.<br/>
To add a more rejoicing to the prime,<br/>
And give the sneaped birds more cause to sing.<br/>
Pain pays the income of each precious thing;<br/>
  Huge rocks, high winds, strong pirates, shelves and sands,<br/>
  The merchant fears, ere rich at home he lands.'<br/>
</p>
<p>Now is he come unto the chamber door,<br/>
That shuts him from the heaven of his thought,<br/>
Which with a yielding latch, and with no more,<br/>
Hath barr'd him from the blessed thing he sought.<br/>
So from himself impiety hath wrought,<br/>
  That for his prey to pray he doth begin,<br/>
  As if the heavens should countenance his sin.<br/>
</p>
<p>But in the midst of his unfruitful prayer,<br/>
Having solicited the eternal power,<br/>
That his foul thoughts might compass his fair fair,<br/>
And they would stand auspicious to the hour,<br/>
Even there he starts:—quoth he, 'I must de-flower;<br/>
  The powers to whom I pray abhor this fact,<br/>
  How can they then assist me in the act?<br/>
</p>
<p>'Then Love and Fortune be my gods, my guide!<br/>
My will is back'd with resolution:<br/>
Thoughts are but dreams till their effects be tried,<br/>
The blackest sin is clear'd with absolution;<br/>
Against love's fire fear's frost hath dissolution.<br/>
  The eye of heaven is out, and misty night<br/>
  Covers the shame that follows sweet delight.'<br/>
</p>
<p>This said, his guilty hand pluck'd up the latch,<br/>
And with his knee the door he opens wide:<br/>
The dove sleeps fast that this night-owl will catch;<br/>
Thus treason works ere traitors be espied.<br/>
Who sees the lurking serpent steps aside;<br/>
  But she, sound sleeping, fearing no such thing,<br/>
  Lies at the mercy of his mortal sting.<br/>
</p>
<p>Into the chamber wickedly he stalks,<br/>
And gazeth on her yet unstained bed.<br/>
The curtains being close, about he walks,<br/>
Rolling his greedy eyeballs in his head:<br/>
By their high treason is his heart misled;<br/>
  Which gives the watch-word to his hand full soon<br/>
  To draw the cloud that hides the silver moon.<br/>
</p>
<p>Look, as the fair and fiery-pointed sun,<br/>
Rushing from forth a cloud, bereaves our sight;<br/>
Even so, the curtain drawn, his eyes begun<br/>
To wink, being blinded with a greater light:<br/>
Whether it is that she reflects so bright,<br/>
  That dazzleth them, or else some shame supposed;<br/>
  But blind they are, and keep themselves enclosed.<br/>
</p>
<p>O, had they in that darksome prison died,<br/>
Then had they seen the period of their ill!<br/>
Then Collatine again by Lucrece' side<br/>
In his clear bed might have reposed still:<br/>
But they must ope, this blessed league to kill;<br/>
  And holy-thoughted Lucrece to their sight<br/>
  Must sell her joy, her life, her world's delight.<br/>
</p>
<p>Her lily hand her rosy cheek lies under,<br/>
Cozening the pillow of a lawful kiss;<br/>
Who, therefore angry, seems to part in sunder,<br/>
Swelling on either side to want his bliss;<br/>
Between whose hills her head entombed is:<br/>
  Where, like a virtuous monument, she lies,<br/>
  To be admir'd of lewd unhallow'd eyes.<br/>
</p>
<p>Without the bed her other fair hand was,<br/>
On the green coverlet; whose perfect white<br/>
Show'd like an April daisy on the grass,<br/>
With pearly sweat, resembling dew of night,<br/>
Her eyes, like marigolds, had sheath'd their light,<br/>
  And canopied in darkness sweetly lay,<br/>
  Till they might open to adorn the day.<br/>
</p>
<p>Her hair, like golden threads, play'd with her breath;<br/>
O modest wantons! wanton modesty!<br/>
Showing life's triumph in the map of death,<br/>
And death's dim look in life's mortality:<br/>
Each in her sleep themselves so beautify,<br/>
  As if between them twain there were no strife,<br/>
  But that life liv'd in death, and death in life.<br/>
</p>
<p>Her breasts, like ivory globes circled with blue,<br/>
A pair of maiden worlds unconquered,<br/>
Save of their lord no bearing yoke they knew,<br/>
And him by oath they truly honoured.<br/>
These worlds in Tarquin new ambition bred:<br/>
  Who, like a foul usurper, went about<br/>
  From this fair throne to heave the owner out.<br/>
</p>
<p>What could he see but mightily he noted?<br/>
What did he note but strongly he desir'd?<br/>
What he beheld, on that he firmly doted,<br/>
And in his will his wilful eye he tir'd.<br/>
With more than admiration he admir'd<br/>
  Her azure veins, her alabaster skin,<br/>
  Her coral lips, her snow-white dimpled chin.<br/>
</p>
<p>As the grim lion fawneth o'er his prey,<br/>
Sharp hunger by the conquest satisfied,<br/>
So o'er this sleeping soul doth Tarquin stay,<br/>
His rage of lust by grazing qualified;<br/>
Slack'd, not suppress'd; for standing by her side,<br/>
  His eye, which late this mutiny restrains,<br/>
  Unto a greater uproar tempts his veins:<br/>
</p>
<p>And they, like straggling slaves for pillage fighting,<br/>
Obdurate vassals. fell exploits effecting,<br/>
In bloody death and ravishment delighting,<br/>
Nor children's tears nor mothers' groans respecting,<br/>
Swell in their pride, the onset still expecting:<br/>
  Anon his beating heart, alarum striking,<br/>
  Gives the hot charge and bids them do their liking.<br/>
</p>
<p>His drumming heart cheers up his burning eye,<br/>
His eye commends the leading to his hand;<br/>
His hand, as proud of such a dignity,<br/>
Smoking with pride, march'd on to make his stand<br/>
On her bare breast, the heart of all her land;<br/>
  Whose ranks of blue veins, as his hand did scale,<br/>
  Left their round turrets destitute and pale.<br/>
</p>
<p>They, mustering to the quiet cabinet<br/>
Where their dear governess and lady lies,<br/>
Do tell her she is dreadfully beset,<br/>
And fright her with confusion of their cries:<br/>
She, much amaz'd, breaks ope her lock'd-up eyes,<br/>
  Who, peeping forth this tumult to behold,<br/>
  Are by his flaming torch dimm'd and controll'd.<br/>
</p>
<p>Imagine her as one in dead of night<br/>
From forth dull sleep by dreadful fancy waking,<br/>
That thinks she hath beheld some ghastly sprite,<br/>
Whose grim aspect sets every joint a shaking:<br/>
What terror 'tis! but she, in worser taking,<br/>
  From sleep disturbed, heedfully doth view<br/>
  The sight which makes supposed terror true.<br/>
</p>
<p>Wrapp'd and confounded in a thousand fears,<br/>
Like to a new-kill'd bird she trembling lies;<br/>
She dares not look; yet, winking, there appears<br/>
Quick-shifting antics, ugly in her eyes:<br/>
Such shadows are the weak brain's forgeries:<br/>
  Who, angry that the eyes fly from their lights,<br/>
  In darkness daunts them with more dreadful sights.<br/>
</p>
<p>His hand, that yet remains upon her breast,<br/>
(Rude ram, to batter such an ivory wall!)<br/>
May feel her heart, poor citizen, distress'd,<br/>
Wounding itself to death, rise up and fall,<br/>
Beating her bulk, that his hand shakes withal.<br/>
  This moves in him more rage, and lesser pity,<br/>
  To make the breach, and enter this sweet city.<br/>
</p>
<p>First, like a trumpet, doth his tongue begin<br/>
To sound a parley to his heartless foe,<br/>
Who o'er the white sheet peers her whiter chin,<br/>
The reason of this rash alarm to know,<br/>
Which he by dumb demeanour seeks to show;<br/>
  But she with vehement prayers urgeth still<br/>
  Under what colour he commits this ill.<br/>
</p>
<p>Thus he replies: 'The colour in thy face,<br/>
(That even for anger makes the lily pale,<br/>
And the red rose blush at her own disgrace)<br/>
Shall plead for me and tell my loving tale:<br/>
Under that colour am I come to scale<br/>
  Thy never-conquer'd fort: the fault is thine,<br/>
  For those thine eyes betray thee unto mine.<br/>
</p>
<p>'Thus I forestall thee, if thou mean to chide:<br/>
Thy beauty hath ensnared thee to this night,<br/>
Where thou with patience must my will abide,<br/>
My will that marks thee for my earth's delight,<br/>
Which I to conquer sought with all my might;<br/>
  But as reproof and reason beat it dead,<br/>
  By thy bright beauty was it newly bred.<br/>
</p>
<p>'I see what crosses my attempt will bring;<br/>
I know what thorns the growing rose defends;<br/>
I think the honey guarded with a sting;<br/>
All this, beforehand, counsel comprehends:<br/>
But will is deaf, and hears no heedful friends;<br/>
  Only he hath an eye to gaze on beauty,<br/>
  And dotes on what he looks, 'gainst law or duty.<br/>
</p>
<p>'I have debated, even in my soul,<br/>
What wrong, what shame, what sorrow I shall breed;<br/>
But nothing can Affection's course control,<br/>
Or stop the headlong fury of his speed.<br/>
I know repentant tears ensue the deed,<br/>
  Reproach, disdain, and deadly enmity;<br/>
  Yet strike I to embrace mine infamy.'<br/>
</p>
<p>This said, he shakes aloft his Roman blade,<br/>
Which, like a falcon towering in the skies,<br/>
Coucheth the fowl below with his wings' shade,<br/>
Whose crooked beak threats if he mount he dies:<br/>
So under his insulting falchion lies<br/>
  Harmless Lucretia, marking what he tells<br/>
  With trembling fear, as fowl hear falcon's bells.<br/>
</p>
<p>'Lucrece,' quoth he, 'this night I must enjoy thee:<br/>
If thou deny, then force must work my way,<br/>
For in thy bed I purpose to destroy thee;<br/>
That done, some worthless slave of thine I'll slay.<br/>
To kill thine honour with thy life's decay;<br/>
  And in thy dead arms do I mean to place him,<br/>
  Swearing I slew him, seeing thee embrace him.<br/>
</p>
<p>'So thy surviving husband shall remain<br/>
The scornful mark of every open eye;<br/>
Thy kinsmen hang their heads at this disdain,<br/>
Thy issue blurr'd with nameless bastardy:<br/>
And thou, the author of their obloquy,<br/>
  Shalt have thy trespass cited up in rhymes,<br/>
  And sung by children in succeeding times.<br/>
</p>
<p>'But if thou yield, I rest thy secret friend:<br/>
The fault unknown is as a thought unacted;<br/>
A little harm, done to a great good end,<br/>
For lawful policy remains enacted.<br/>
The poisonous simple sometimes is compacted<br/>
  In a pure compound; being so applied,<br/>
  His venom in effect is purified.<br/>
</p>
<p>'Then, for thy husband and thy children's sake,<br/>
Tender my suit: bequeath not to their lot<br/>
The shame that from them no device can take,<br/>
The blemish that will never be forgot;<br/>
Worse than a slavish wipe, or birth-hour's blot:<br/>
  For marks descried in men's nativity<br/>
  Are nature's faults, not their own infamy.'<br/>
</p>
<p>Here with a cockatrice' dead-killing eye<br/>
He rouseth up himself and makes a pause;<br/>
While she, the picture of pure piety,<br/>
Like a white hind under the grype's sharp claws,<br/>
Pleads in a wilderness where are no laws,<br/>
  To the rough beast that knows no gentle right,<br/>
  Nor aught obeys but his foul appetite.<br/>
</p>
<p>But when a black-fac'd cloud the world doth threat,<br/>
In his dim mist the aspiring mountains hiding,<br/>
From earth's dark womb some gentle gust doth get,<br/>
Which blows these pitchy vapours from their biding,<br/>
Hindering their present fall by this dividing;<br/>
  So his unhallow'd haste her words delays,<br/>
  And moody Pluto winks while Orpheus plays.<br/>
</p>
<p>Yet, foul night-working cat, he doth but dally,<br/>
While in his hold-fast foot the weak mouse panteth;<br/>
Her sad behaviour feeds his vulture folly,<br/>
A swallowing gulf that even in plenty wanteth:<br/>
His ear her prayers admits, but his heart granteth<br/>
  No penetrable entrance to her plaining:<br/>
  Tears harden lust, though marble wear with raining.<br/>
</p>
<p>Her pity-pleading eyes are sadly fix'd<br/>
In the remorseless wrinkles of his face;<br/>
Her modest eloquence with sighs is mix'd,<br/>
Which to her oratory adds more grace.<br/>
She puts the period often from his place,<br/>
  And midst the sentence so her accent breaks,<br/>
  That twice she doth begin ere once she speaks.<br/>
</p>
<p>She conjures him by high almighty Jove,<br/>
By knighthood, gentry, and sweet friendship's oath,<br/>
By her untimely tears, her husband's love,<br/>
By holy human law, and common troth,<br/>
By heaven and earth, and all the power of both,<br/>
  That to his borrow'd bed he make retire,<br/>
  And stoop to honour, not to foul desire.<br/>
</p>
<p>Quoth she, 'Reward not hospitality<br/>
With such black payment as thou hast pretended;<br/>
Mud not the fountain that gave drink to thee;<br/>
Mar not the thing that cannot be amended;<br/>
End thy ill aim before the shoot be ended:<br/>
  He is no woodman that doth bend his bow<br/>
  To strike a poor unseasonable doe.<br/>
</p>
<p>'My husband is thy friend; for his sake spare me;<br/>
Thyself art mighty; for thine own sake leave me;<br/>
Myself a weakling, do not then ensnare me;<br/>
Thou look'st not like deceit; do not deceive me;<br/>
My sighs, like whirlwinds, labour hence to heave thee.<br/>
  If ever man were mov'd with woman's moans,<br/>
  Be moved with my tears, my sighs, my groans:<br/>
</p>
<p>'All which together, like a troubled ocean,<br/>
Beat at thy rocky and wreck-threatening heart;<br/>
To soften it with their continual motion;<br/>
For stones dissolv'd to water do convert.<br/>
O, if no harder than a stone thou art,<br/>
  Melt at my tears, and be compassionate!<br/>
  Soft pity enters at an iron gate.<br/>
</p>
<p>'In Tarquin's likeness I did entertain thee;<br/>
Hast thou put on his shape to do him shame?<br/>
To all the host of heaven I complain me,<br/>
Thou wrong'st his honour, wound'st his princely name.<br/>
Thou art not what thou seem'st; and if the same,<br/>
  Thou seem'st not what thou art, a god, a king;<br/>
  For kings like gods should govern every thing.<br/>
</p>
<p>'How will thy shame be seeded in thine age,<br/>
When thus thy vices bud before thy spring!<br/>
If in thy hope thou dar'st do such outrage,<br/>
What dar'st thou not when once thou art a king!<br/>
O, be remember'd, no outrageous thing<br/>
  From vassal actors can he wip'd away;<br/>
  Then kings' misdeeds cannot be hid in clay.<br/>
</p>
<p>'This deed will make thee only lov'd for fear,<br/>
But happy monarchs still are fear'd for love:<br/>
With foul offenders thou perforce must bear,<br/>
When they in thee the like offences prove:<br/>
If but for fear of this, thy will remove;<br/>
  For princes are the glass, the school, the book,<br/>
  Where subjects eyes do learn, do read, do look.<br/>
</p>
<p>'And wilt thou be the school where Lust shall learn?<br/>
Must he in thee read lectures of such shame:<br/>
Wilt thou be glass, wherein it shall discern<br/>
Authority for sin, warrant for blame,<br/>
To privilege dishonour in thy name?<br/>
  Thou back'st reproach against long-living laud,<br/>
  And mak'st fair reputation but a bawd.<br/>
</p>
<p>'Hast thou command? by him that gave it thee,<br/>
From a pure heart command thy rebel will:<br/>
Draw not thy sword to guard iniquity,<br/>
For it was lent thee all that brood to kill.<br/>
Thy princely office how canst thou fulfill,<br/>
  When, pattern'd by thy fault, foul Sin may say<br/>
  He learn'd to sin, and thou didst teach the way?<br/>
</p>
<p>'Think but how vile a spectacle it were<br/>
To view thy present trespass in another.<br/>
Men's faults do seldom to themselves appear;<br/>
Their own transgressions partially they smother:<br/>
This guilt would seem death-worthy in thy brother.<br/>
  O how are they wrapp'd in with infamies<br/>
  That from their own misdeeds askaunce their eyes!<br/>
</p>
<p>'To thee, to thee, my heav'd-up hands appeal,<br/>
Not to seducing lust, thy rash relier;<br/>
I sue for exil'd majesty's repeal;<br/>
Let him return, and flattering thoughts retire:<br/>
His true respect will 'prison false desire,<br/>
  And wipe the dim mist from thy doting eyne,<br/>
  That thou shalt see thy state, and pity mine.'<br/>
</p>
<p>'Have done,' quoth he: 'my uncontrolled tide<br/>
Turns not, but swells the higher by this let.<br/>
Small lights are soon blown out, huge fires abide,<br/>
And with the wind in greater fury fret:<br/>
The petty streams that pay a daily debt<br/>
  To their salt sovereign, with their fresh falls' haste,<br/>
  Add to his flow, but alter not his taste.'<br/>
</p>
<p>'Thou art,' quoth she, 'a sea, a sovereign king;<br/>
And, lo, there falls into thy boundless flood<br/>
Black lust, dishonour, shame, misgoverning,<br/>
Who seek to stain the ocean of thy blood.<br/>
If all these petty ills shall change thy good,<br/>
  Thy sea within a puddle's womb is hears'd,<br/>
  And not the puddle in thy sea dispers'd.<br/>
</p>
<p>'So shall these slaves be king, and thou their slave;<br/>
Thou nobly base, they basely dignified;<br/>
Thou their fair life, and they thy fouler grave;<br/>
Thou loathed in their shame, they in thy pride:<br/>
The lesser thing should not the greater hide;<br/>
  The cedar stoops not to the base shrub's foot,<br/>
  But low shrubs whither at the cedar's root.<br/>
</p>
<p>'So let thy thoughts, low vassals to thy state'—<br/>
'No more,' quoth he; 'by heaven, I will not hear thee:<br/>
Yield to my love; if not, enforced hate,<br/>
Instead of love's coy touch, shall rudely tear thee;<br/>
That done, despitefully I mean to bear thee<br/>
  Unto the base bed of some rascal groom,<br/>
  To be thy partner in this shameful doom.'<br/>
</p>
<p>This said, he sets his foot upon the light,<br/>
For light and lust are deadly enemies;<br/>
Shame folded up in blind concealing night,<br/>
When most unseen, then most doth tyrannize.<br/>
The wolf hath seiz'd his prey, the poor lamb cries;<br/>
  Till with her own white fleece her voice controll'd<br/>
  Entombs her outcry in her lips' sweet fold:<br/>
</p>
<p>For with the nightly linen that she wears<br/>
He pens her piteous clamours in her head;<br/>
Cooling his hot face in the chastest tears<br/>
That ever modest eyes with sorrow shed.<br/>
O, that prone lust should stain so pure a bed!<br/>
  The spots whereof could weeping purify,<br/>
  Her tears should drop on them perpetually.<br/>
</p>
<p>But she hath lost a dearer thing than life,<br/>
And he hath won what he would lose again.<br/>
This forced league doth force a further strife;<br/>
This momentary joy breeds months of pain,<br/>
This hot desire converts to cold disdain:<br/>
  Pure Chastity is rifled of her store,<br/>
  And Lust, the thief, far poorer than before.<br/>
</p>
<p>Look, as the full-fed hound or gorged hawk,<br/>
Unapt for tender smell or speedy flight,<br/>
Make slow pursuit, or altogether balk<br/>
The prey wherein by nature they delight;<br/>
So surfeit-taking Tarquin fares this night:<br/>
  His taste delicious, in digestion souring,<br/>
  Devours his will, that liv'd by foul devouring.<br/>
</p>
<p>O deeper sin than bottomless conceit<br/>
Can comprehend in still imagination!<br/>
Drunken desire must vomit his receipt,<br/>
Ere he can see his own abomination.<br/>
While lust is in his pride no exclamation<br/>
  Can curb his heat, or rein his rash desire,<br/>
  Till, like a jade, self-will himself doth tire.<br/>
</p>
<p>And then with lank and lean discolour'd cheek,<br/>
With heavy eye, knit brow, and strengthless pace,<br/>
Feeble desire, all recreant, poor, and meek,<br/>
Like to a bankrupt beggar wails his case:<br/>
The flesh being proud, desire doth fight with Grace,<br/>
  For there it revels; and when that decays,<br/>
  The guilty rebel for remission prays.<br/>
</p>
<p>So fares it with this faultful lord of Rome,<br/>
Who this accomplishment so hotly chas'd;<br/>
For now against himself he sounds this doom,<br/>
That through the length of times he stands disgrac'd:<br/>
Besides, his soul's fair temple is defac'd;<br/>
  To whose weak ruins muster troops of cares,<br/>
  To ask the spotted princess how she fares.<br/>
</p>
<p>She says, her subjects with foul insurrection<br/>
Have batter'd down her consecrated wall,<br/>
And by their mortal fault brought in subjection<br/>
Her immortality, and made her thrall<br/>
To living death, and pain perpetual;<br/>
  Which in her prescience she controlled still,<br/>
  But her foresight could not forestall their will.<br/>
</p>
<p>Even in this thought through the dark night he stealeth,<br/>
A captive victor that hath lost in gain;<br/>
Bearing away the wound that nothing healeth,<br/>
The scar that will, despite of cure, remain;<br/>
Leaving his spoil perplex'd in greater pain.<br/>
  She hears the load of lust he left behind,<br/>
  And he the burthen of a guilty mind.<br/>
</p>
<p>He like a thievish dog creeps sadly thence;<br/>
She like a wearied lamb lies panting there;<br/>
He scowls, and hates himself for his offence;<br/>
She, desperate, with her nails her flesh doth tear;<br/>
He faintly flies, sweating with guilty fear;<br/>
  She stays, exclaiming on the direful night;<br/>
  He runs, and chides his vanish'd, loath'd delight.<br/>
</p>
<p>He thence departs a heavy convertite;<br/>
She there remains a hopeless castaway:<br/>
He in his speed looks for the morning light;<br/>
She prays she never may behold the day;<br/>
'For day,' quoth she, 'night's scapes doth open lay;<br/>
  And my true eyes have never practis'd how<br/>
  To cloak offences with a cunning brow.<br/>
</p>
<p>'They think not but that every eye can see<br/>
The same disgrace which they themselves behold;<br/>
And therefore would they still in darkness be,<br/>
To have their unseen sin remain untold;<br/>
For they their guilt with weeping will unfold,<br/>
  And grave, like water that doth eat in steel,<br/>
  Upon my cheeks what helpless shame I feel.'<br/>
</p>
<p>Here she exclaims against repose and rest,<br/>
And bids her eyes hereafter still be blind.<br/>
She wakes her heart by beating on her breast,<br/>
And bids it leap from thence, where it may find<br/>
Some purer chest, to close so pure a mind.<br/>
  Frantic with grief thus breathes she forth her spite<br/>
  Against the unseen secrecy of night:<br/>
</p>
<p>'O comfort-killing night, image of hell!<br/>
Dim register and notary of shame!<br/>
Black stage for tragedies and murders fell!<br/>
Vast sin-concealing chaos! nurse of blame!<br/>
Blind muffled bawd! dark harbour for defame!<br/>
  Grim cave of death, whispering conspirator<br/>
  With close-tongued treason and the ravisher!<br/>
</p>
<p>'O hateful, vaporous, and foggy night!<br/>
Since thou art guilty of my cureless crime,<br/>
Muster thy mists to meet the eastern light,<br/>
Make war against proportion'd course of time!<br/>
Or if thou wilt permit the sun to climb<br/>
  His wonted height, yet ere he go to bed,<br/>
  Knit poisonous clouds about his golden head.<br/>
</p>
<p>'With rotten damps ravish the morning air;<br/>
Let their exhal'd unwholesome breaths make sick<br/>
The life of purity, the supreme fair,<br/>
Ere he arrive his weary noontide prick;<br/>
And let thy misty vapours march so thick,<br/>
  That in their smoky ranks his smother'd light<br/>
  May set at noon and make perpetual night.<br/>
</p>
<p>'Were Tarquin night (as he is but night's child),<br/>
The silver-shining queen he would distain;<br/>
Her twinkling handmaids too, by him defil'd,<br/>
Through  Night's  black  bosom  should not peep again:<br/>
So should I have co-partners in my pain:<br/>
  And fellowship in woe doth woe assuage,<br/>
  As palmers' chat makes short their pilgrimage.<br/>
</p>
<p>'Where now I have no one to blush with me,<br/>
To cross their arms and hang their heads with mine,<br/>
To mask their brows, and hide their infamy;<br/>
But I alone alone must sit and pine,<br/>
Seasoning the earth with showers of silver brine,<br/>
  Mingling my talk with tears, my grief with groans,<br/>
  Poor wasting monuments of lasting moans.<br/>
</p>
<p>'O night, thou furnace of foul-reeking smoke,<br/>
Let not the jealous day behold that face<br/>
Which underneath thy black all-hiding cloak<br/>
Immodesty lies martyr'd with disgrace!<br/>
Keep still possession of thy gloomy place,<br/>
  That all the faults which in thy reign are made,<br/>
  May likewise be sepulchred in thy shade!<br/>
</p>
<p>'Make me not object to the tell-tale day!<br/>
The light will show, character'd in my brow,<br/>
The story of sweet chastity's decay,<br/>
The impious breach of holy wedlock vow:<br/>
Yea, the illiterate, that know not how<br/>
  To cipher what is writ in learned books,<br/>
  Will quote my loathsome trespass in my looks.<br/>
</p>
<p>'The nurse, to still her child, will tell my story<br/>
And fright her crying babe with Tarquin's name;<br/>
The orator, to deck his oratory,<br/>
Will couple my reproach to Tarquin's shame:<br/>
Feast-finding minstrels, tuning my defame,<br/>
  Will tie the hearers to attend each line,<br/>
  How Tarquin wronged me, I Collatine.<br/>
</p>
<p>'Let my good name, that senseless reputation,<br/>
For Collatine's dear love be kept unspotted:<br/>
If that be made a theme for disputation,<br/>
The branches of another root are rotted,<br/>
And undeserved reproach to him allotted,<br/>
  That is as clear from this attaint of mine<br/>
  As I, ere this, was pure to Collatine.<br/>
</p>
<p>'O unseen shame! invisible disgrace!<br/>
O unfelt sore! crest-wounding, private scar!<br/>
Reproach is stamp'd in Collatinus' face,<br/>
And Tarquin's eye may read the mot afar,<br/>
How he in peace is wounded, not in war.<br/>
  Alas, how many bear such shameful blows,<br/>
  Which not themselves, but he that gives them knows!<br/>
</p>
<p>'If, Collatine, thine honour lay in me,<br/>
From me by strong assault it is bereft.<br/>
My honey lost, and I, a drone-like bee,<br/>
Have no perfection of my summer left,<br/>
But robb'd and ransack'd by injurious theft:<br/>
  In thy weak hive a wandering wasp hath crept,<br/>
  And suck'd the honey which thy chaste bee kept.<br/>
</p>
<p>'Yet am I guilty of thy honour's wrack;—<br/>
Yet for thy honour did I entertain him;<br/>
Coming from thee, I could not put him back,<br/>
For it had been dishonour to disdain him:<br/>
Besides, of weariness he did complain him,<br/>
  And talk'd of virtue:—O unlook'd-for evil,<br/>
  When virtue is profan'd in such a devil!<br/>
</p>
<p>'Why should the worm intrude the maiden bud?<br/>
Or hateful cuckoos hatch in sparrows' nests?<br/>
Or toads infect fair founts with venom mud?<br/>
Or tyrant folly lurk in gentle breasts?<br/>
Or kings be breakers of their own behests?<br/>
  But no perfection is so absolute,<br/>
  That some impurity doth not pollute.<br/>
</p>
<p>'The aged man that coffers up his gold<br/>
Is plagued with cramps, and gouts, and painful fits;<br/>
And scarce hath eyes his treasure to behold,<br/>
But like still-pining Tantalus he sits,<br/>
And useless barns the harvest of his wits;<br/>
  Having no other pleasure of his gain<br/>
  But torment that it cannot cure his pain.<br/>
</p>
<p>'So then he hath it when he cannot use it,<br/>
And leaves it to be master'd by his young;<br/>
Who in their pride do presently abuse it:<br/>
Their father was too weak, and they too strong,<br/>
To hold their cursed-blessed fortune long.<br/>
  The sweets we wish for turn to loathed sours,<br/>
  Even in the moment that we call them ours.<br/>
</p>
<p>'Unruly blasts wait on the tender spring;<br/>
Unwholesome weeds take root with precious flowers;<br/>
The adder hisses where the sweet birds sing;<br/>
What virtue breeds iniquity devours:<br/>
We have no good that we can say is ours,<br/>
  But ill-annexed Opportunity<br/>
  Or kills his life or else his quality.<br/>
</p>
<p>'O Opportunity, thy guilt is great:<br/>
'Tis thou that executest the traitor's treason;<br/>
Thou set'st the wolf where he the lamb may get;<br/>
Whoever plots the sin, thou 'point'st the season;<br/>
'Tis thou that spurn'st at right, at law, at reason;<br/>
  And in thy shady cell, where none may spy him,<br/>
  Sits Sin, to seize the souls that wander by him.<br/>
</p>
<p>'Thou mak'st the vestal violate her oath;<br/>
Thou blow'st the fire when temperance is thaw'd;<br/>
Thou smother'st honesty, thou murther'st troth;<br/>
Thou foul abettor! thou notorious bawd!<br/>
Thou plantest scandal and displacest laud:<br/>
  Thou ravisher, thou traitor, thou false thief,<br/>
  Thy honey turns to gall, thy joy to grief!<br/>
</p>
<p>'Thy secret pleasure turns to open shame,<br/>
Thy private feasting to a public fast;<br/>
Thy smoothing titles to a ragged name,<br/>
Thy sugar'd tongue to bitter wormwood taste:<br/>
Thy violent vanities can never last.<br/>
  How comes it then, vile Opportunity,<br/>
  Being so bad, such numbers seek for thee?<br/>
</p>
<p>'When wilt thou be the humble suppliant's friend,<br/>
And bring him where his suit may be obtain'd?<br/>
When wilt thou sort an hour great strifes to end?<br/>
Or free that soul which wretchedness hath chain'd?<br/>
Give physic to the sick, ease to the pain'd?<br/>
  The poor, lame, blind, halt, creep, cry out for thee;<br/>
  But they ne'er meet with Opportunity.<br/>
</p>
<p>'The patient dies while the physician sleeps;<br/>
The orphan pines while the oppressor feeds;<br/>
Justice is feasting while the widow weeps;<br/>
Advice is sporting while infection breeds;<br/>
Thou grant'st no time for charitable deeds:<br/>
  Wrath, envy, treason, rape, and murder's rages,<br/>
  Thy heinous hours wait on them as their pages.<br/>
</p>
<p>'When truth and virtue have to do with thee,<br/>
A thousand crosses keep them from thy aid;<br/>
They buy thy help; but Sin ne'er gives a fee,<br/>
He gratis comes; and thou art well appay'd<br/>
As well to hear as grant what he hath said.<br/>
  My Collatine would else have come to me<br/>
  When Tarquin did, but he was stay'd by thee.<br/>
</p>
<p>'Guilty thou art of murder and of theft;<br/>
Guilty of perjury and subornation;<br/>
Guilty of treason, forgery, and shift;<br/>
Guilty of incest, that abomination:<br/>
An accessory by thine inclination<br/>
  To all sins past, and all that are to come,<br/>
  From the creation to the general doom.<br/>
</p>
<p>'Mis-shapen Time, copesmate of ugly night,<br/>
Swift subtle post, carrier of grisly care,<br/>
Eater of youth, false slave to false delight,<br/>
Base watch of woes, sin's pack-horse, virtue's snare;<br/>
Thou nursest all and murtherest all that are:<br/>
  O hear me then, injurious, shifting Time!<br/>
  Be guilty of my death, since of my crime.<br/>
</p>
<p>'Why hath thy servant, Opportunity,<br/>
Betray'd the hours thou gav'st me to repose?<br/>
Cancell'd my fortunes, and enchained me<br/>
To endless date of never-ending woes?<br/>
Time's office is to fine the hate of foes;<br/>
  To eat up errors by opinion bred,<br/>
  Not spend the dowry of a lawful bed.<br/>
</p>
<p>'Time's glory is to calm contending kings,<br/>
To unmask falsehood, and bring truth to light,<br/>
To stamp the seal of time in aged things,<br/>
To wake the morn, and sentinel the night,<br/>
To wrong the wronger till he render right;<br/>
  To ruinate proud buildings with thy hours,<br/>
  And smear with dust their glittering golden towers:<br/>
</p>
<p>'To fill with worm-holes stately monuments,<br/>
To feed oblivion with decay of things,<br/>
To blot old books and alter their contents,<br/>
To pluck the quills from ancient ravens' wings,<br/>
To dry the old oak's sap and cherish springs;<br/>
  To spoil antiquities of hammer'd steel,<br/>
  And turn the giddy round of Fortune's wheel;<br/>
</p>
<p>'To show the beldame daughters of her daughter,<br/>
To make the child a man, the man a child,<br/>
To slay the tiger that doth live by slaughter,<br/>
To tame the unicorn and lion wild,<br/>
To mock the subtle, in themselves beguil'd;<br/>
  To cheer the ploughman with increaseful crops,<br/>
  And waste huge stones with little water-drops.<br/>
</p>
<p>'Why work'st thou mischief in thy pilgrimage,<br/>
Unless thou couldst return to make amends?<br/>
One poor retiring minute in an age<br/>
Would purchase thee a thousand thousand friends,<br/>
Lending him wit that to bad debtors lends:<br/>
  O, this dread night, wouldst thou one hour come back,<br/>
  I could prevent this storm, and shun thy wrack!<br/>
</p>
<p>'Thou cease!ess lackey to eternity,<br/>
With some mischance cross Tarquin in his flight:<br/>
Devise extremes beyond extremity,<br/>
To make him curse this cursed crimeful night:<br/>
Let ghastly shadows his lewd eyes affright;<br/>
  And the dire thought of his committed evil<br/>
  Shape every bush a hideous shapeless devil.<br/>
</p>
<p>'Disturb his hours of rest with restless trances,<br/>
Afflict him in his bed with bedrid groans;<br/>
Let there bechance him pitiful mischances,<br/>
To make him moan; but pity not his moans:<br/>
Stone him with harden'd hearts, harder than stones;<br/>
  And let mild women to him lose their mildness,<br/>
  Wilder to him than tigers in their wildness.<br/>
</p>
<p>'Let him have time to tear his curled hair,<br/>
Let him have time against himself to rave,<br/>
Let him have time of Time's help to despair,<br/>
Let him have time to live a loathed slave,<br/>
Let him have time a beggar's orts to crave;<br/>
  And time to see one that by alms doth live<br/>
  Disdain to him disdained scraps to give.<br/>
</p>
<p>'Let him have time to see his friends his foes,<br/>
And merry fools to mock at him resort;<br/>
Let him have time to mark how slow time goes<br/>
In time of sorrow, and how swift and short<br/>
His time of folly and his time of sport:<br/>
  And ever let his unrecalling crime<br/>
  Have time to wail the abusing of his time.<br/>
</p>
<p>'O Time, thou tutor both to good and bad,<br/>
Teach me to curse him that thou taught'st this ill!<br/>
At his own shadow let the thief run mad!<br/>
Himself himself seek every hour to kill!<br/>
Such wretched hands such wretched blood should spill:<br/>
  For who so base would such an office have<br/>
  As slanderous deathsman to so base a slave?<br/>
</p>
<p>The baser is he, coming from a king,<br/>
To shame his hope with deeds degenerate.<br/>
The mightier man, the mightier is the thing<br/>
That makes him honour'd, or begets him hate;<br/>
For greatest scandal waits on greatest state.<br/>
  The moon being clouded presently is miss'd,<br/>
  But little stars may hide them when they list.<br/>
</p>
<p>'The crow may bathe his coal-black wings in mire,<br/>
And unperceived fly with the filth away;<br/>
But if the like the snow-white swan desire,<br/>
The stain upon his silver down will stay.<br/>
Poor grooms are sightless night, kings glorious day:<br/>
  Gnats are unnoted wheresoe'er they fly,<br/>
  But eagles gazed upon with every eye.<br/>
</p>
<p>'Out, idle words, servants to shallow fools!<br/>
Unprofitable sounds, weak arbitrators!<br/>
Busy yourselves in skill-contending schools;<br/>
Debate where leisure serves with dull debaters;<br/>
To trembling clients be you mediators:<br/>
  For me, I force not argument a straw,<br/>
  Since that my case is past the help of law.<br/>
</p>
<p>'In vain I rail at Opportunity,<br/>
At Time, at Tarquin, and uncheerful night;<br/>
In vain I cavil with mine infamy,<br/>
In vain I spurn at my confirm'd despite:<br/>
This helpless smoke of words doth me no right.<br/>
  The remedy indeed to do me good<br/>
  Is to let forth my foul-defil'd blood.<br/>
</p>
<p>'Poor hand, why quiver'st thou at this decree?<br/>
Honour thyself to rid me of this shame;<br/>
For if I die, my honour lives in thee;<br/>
But if I live, thou livest in my defame:<br/>
Since thou couldst not defend thy loyal dame,<br/>
  And wast afear'd to scratch her wicked foe,<br/>
  Kill both thyself and her for yielding so.'<br/>
</p>
<p>This said, from her be-tumbled couch she starteth,<br/>
To find some desperate instrument of death:<br/>
But this no slaughter-house no tool imparteth,<br/>
To make more vent for passage of her breath;<br/>
Which, thronging through her lips, so vanisheth<br/>
  As smoke from Aetna, that in air consumes,<br/>
  Or that which from discharged cannon fumes.<br/>
</p>
<p>'In vain,' quoth she, 'I live, and seek in vain<br/>
Some happy mean to end a hapless life.<br/>
I fear'd by Tarquin's falchion to be slain,<br/>
Yet for the self-same purpose seek a knife:<br/>
But when I fear'd I was a loyal wife:<br/>
  So am I now:—O no, that cannot be;<br/>
  Of that true type hath Tarquin rifled me.<br/>
</p>
<p>'O! that is gone for which I sought to live,<br/>
And therefore now I need not fear to die.<br/>
To clear this spot by death, at least I give<br/>
A badge of fame to slander's livery;<br/>
A dying life to living infamy;<br/>
  Poor helpless help, the treasure stolen away,<br/>
  To burn the guiltless casket where it lay!<br/>
</p>
<p>'Well, well, dear Collatine, thou shalt not know<br/>
The stained taste of violated troth;<br/>
I will not wrong thy true affection so,<br/>
To flatter thee with an infringed oath;<br/>
This bastard graff shall never come to growth:<br/>
  He shall not boast who did thy stock pollute<br/>
  That thou art doting father of his fruit.<br/>
</p>
<p>Nor shall he smile at thee in secret thought,<br/>
Nor laugh with his companions at thy state;<br/>
But thou shalt know thy interest was not bought<br/>
Basely with gold, but stolen from forth thy gate.<br/>
For me, I am the mistress of my fate,<br/>
  And with my trespass never will dispense,<br/>
  Till life to death acquit my forced offence.<br/>
</p>
<p>'I will not poison thee with my attaint,<br/>
Nor fold my fault in cleanly-coin'd excuses;<br/>
My sable ground of sin I will not paint,<br/>
To hide the truth of this false night's abuses;<br/>
My tongue shall utter all; mine eyes, like sluices,<br/>
  As from a mountain-spring that feeds a dale,<br/>
  Shall gush pure streams to purge my impure tale.'<br/>
</p>
<p>By this; lamenting Philomel had ended<br/>
The well-tun'd warble of her nightly sorrow,<br/>
And solemn night with slow-sad gait descended<br/>
To ugly hell; when, lo, the blushing morrow<br/>
Lends light to all fair eyes that light will borrow:<br/>
  But cloudy Lucrece shames herself to see,<br/>
  And therefore still in night would cloister'd be.<br/>
</p>
<p>Revealing day through every cranny spies,<br/>
And seems to point her out where she sits weeping,<br/>
To whom she sobbing speaks: 'O eye of eyes,<br/>
Why pryest thou through my window? leave thy peeping;<br/>
Mock with thy tickling beams eyes that are sleeping:<br/>
  Brand not my forehead with thy piercing light,<br/>
  For day hath nought to do what's done by night.'<br/>
</p>
<p>Thus cavils she with every thing she sees:<br/>
True grief is fond and testy as a child,<br/>
Who wayward once, his mood with nought agrees.<br/>
Old woes, not infant sorrows, bear them mild;<br/>
Continuance tames the one: the other wild,<br/>
  Like an unpractis'd swimmer plunging still<br/>
  With too much labour drowns for want of skill.<br/>
</p>
<p>So she, deep-drenched in a sea of care,<br/>
Holds disputation with each thing she views,<br/>
And to herself all sorrow doth compare;<br/>
No object but her passion's strength renews;<br/>
And as one shifts, another straight ensues:<br/>
  Sometime her grief is dumb and hath no words;<br/>
  Sometime 'tis mad, and too much talk affords.<br/>
</p>
<p>The little birds that tune their morning's joy<br/>
Make her moans mad with their sweet melody.<br/>
For mirth doth search the bottom of annoy;<br/>
Sad souls are slain in merry company:<br/>
Grief best is pleas'd with grief's society:<br/>
  True sorrow then is feelingly suffic'd<br/>
  When with like semblance it is sympathiz'd.<br/>
</p>
<p>'Tis double death to drown in ken of shore;<br/>
He ten times pines that pines beholding food;<br/>
To see the salve doth make the wound ache more;<br/>
Great grief grieves most at that would do it good;<br/>
Deep woes roll forward like a gentle flood;<br/>
  Who, being stopp'd, the bounding banks o'erflows;<br/>
  Grief dallied with nor law nor limit knows.<br/>
</p>
<p>'You mocking birds,' quoth she, 'your tunes entomb<br/>
Within your hollow-swelling feather'd breasts,<br/>
And in my hearing be you mute and dumb!<br/>
(My restless discord loves no stops nor rests;<br/>
A woeful hostess brooks not merry guests:)<br/>
  Relish your nimble notes to pleasing ears;<br/>
  Distress likes dumps when time is kept with tears.<br/>
</p>
<p>'Come, Philomel, that sing'st of ravishment,<br/>
Make thy sad grove in my dishevell'd hair:<br/>
As the dank earth weeps at thy languishment,<br/>
So I at each sad strain will strain a tear,<br/>
And with deep groans the diapason bear:<br/>
  For burthen-wise I'll hum on Tarquin still,<br/>
  While thou on Tereus descant'st better skill.<br/>
</p>
<p>'And whiles against a thorn thou bear'st thy part,<br/>
To keep thy sharp woes waking, wretched I,<br/>
To imitate thee well, against my heart<br/>
Will fix a sharp knife, to affright mine eye;<br/>
Who, if it wink, shall thereon fall and die.<br/>
  These means, as frets upon an instrument,<br/>
  Shall tune our heart-strings to true languishment.<br/>
</p>
<p>'And for, poor bird, thou sing'st not in the day,<br/>
As shaming any eye should thee behold,<br/>
Some dark deep desert, seated from the way,<br/>
That knows not parching heat nor freezing cold,<br/>
Will we find out; and there we will unfold<br/>
  To creatures stern sad tunes, to change their kinds:<br/>
  Since men prove beasts, let beasts bear gentle minds.'<br/>
</p>
<p>As the poor frighted deer, that stands at gaze,<br/>
Wildly determining which way to fly,<br/>
Or one encompass'd with a winding maze,<br/>
That cannot tread the way out readily;<br/>
So with herself is she in mutiny,<br/>
  To live or die which of the twain were better,<br/>
  When life is sham'd, and Death reproach's debtor.<br/>
</p>
<p>'To kill myself,' quoth she, 'alack! what were it,<br/>
But with my body my poor soul's pollution?<br/>
They that lose half with greater patience bear it<br/>
Than they whose whole is swallow'd in confusion.<br/>
That mother tries a merciless conclusion<br/>
  Who, having two sweet babes, when death takes one,<br/>
  Will slay the other, and be nurse to none.<br/>
</p>
<p>'My body or my soul, which was the dearer,<br/>
When the one pure, the other made divine?<br/>
Whose love of either to myself was nearer?<br/>
When both were kept for heaven and Collatine?<br/>
Ah, me! the bark peel'd from the lofty pine,<br/>
  His leaves will wither, and his sap decay;<br/>
  So must my soul, her bark being peel'd away.<br/>
</p>
<p>'Her house is sack'd, her quiet interrupted,<br/>
Her mansion batter'd by the enemy;<br/>
Her sacred temple spotted, spoil'd, corrupted,<br/>
Grossly engirt with daring infamy:<br/>
Then let it not be call'd impiety,<br/>
  If in this blemish'd fort I make some hole<br/>
  Through which I may convey this troubled soul.<br/>
</p>
<p>'Yet die I will not till my Collatine<br/>
Have heard the cause of my untimely death;<br/>
That he may vow, in that sad hour of mine,<br/>
Revenge on him that made me stop my breath.<br/>
My stained blood to Tarquin I'll bequeath,<br/>
  Which by him tainted shall for him be spent,<br/>
  And as his due writ in my testament.<br/>
</p>
<p>'My honour I'll bequeath unto the knife<br/>
That wounds my body so dishonoured.<br/>
'Tis honour to deprive dishonour'd life;<br/>
The one will live, the other being dead:<br/>
So of shame's ashes shall my fame be bred;<br/>
  For in my death I murther shameful scorn:<br/>
  My shame so dead, mine honour is new-born.<br/>
</p>
<p>'Dear lord of that dear jewel I have lost,<br/>
What legacy shall I bequeath to thee?<br/>
My resolution, Love, shall be thy boast,<br/>
By whose example thou reveng'd mayst be.<br/>
How Tarquin must be used, read it in me:<br/>
  Myself, thy friend, will kill myself, thy foe,<br/>
  And, for my sake, serve thou false Tarquin so.<br/>
</p>
<p>'This brief abridgement of my will I make:<br/>
My soul and body to the skies and ground;<br/>
My resolution, husband, do thou take;<br/>
Mine honour be the knife's that makes my wound;<br/>
My shame be his that did my fame confound;<br/>
  And all my fame that lives disburs'd be<br/>
  To those that live, and think no shame of me.<br/>
</p>
<p>'Thou, Collatine, shalt oversee this will;<br/>
How was I overseen that thou shalt see it!<br/>
My blood shall wash the slander of mine ill;<br/>
My life's foul deed my life's fair end shall free it.<br/>
Faint not, faint heart, but stoutly say "so be it:"<br/>
  Yield to my hand; my hand shall conquer thee;<br/>
  Thou dead, both die, and both shall victors be.'<br/>
</p>
<p>This plot of death when sadly she had laid,<br/>
And wip'd the brinish pearl from her bright eyes,<br/>
With untun'd tongue she hoarsely call'd her maid,<br/>
Whose swift obedience to her mistress hies;<br/>
For fleet-wing'd duty with thought's feathers flies.<br/>
  Poor Lucrece' cheeks unto her maid seem so<br/>
  As winter meads when sun doth melt their snow.<br/>
</p>
<p>Her mistress she doth give demure good-morrow,<br/>
With soft-slow tongue, true mark of modesty,<br/>
And sorts a sad look to her lady's sorrow,<br/>
(For why her face wore sorrow's livery,)<br/>
But durst not ask of her audaciously<br/>
  Why her two suns were cloud-eclipsed so,<br/>
  Nor why her fair cheeks over-wash'd with woe.<br/>
</p>
<p>But as the earth doth weep, the sun being set,<br/>
Each flower moisten'd like a melting eye;<br/>
Even so the maid with swelling drops 'gan wet<br/>
Her circled eyne, enforc'd by sympathy<br/>
Of those fair suns, set in her mistress' sky,<br/>
  Who in a salt-wav'd ocean quench their light,<br/>
  Which makes the maid weep like the dewy night.<br/>
</p>
<p>A pretty while these pretty creatures stand,<br/>
Like ivory conduits coral cisterns filling:<br/>
One justly weeps; the other takes in hand<br/>
No cause, but company, of her drops spilling:<br/>
Their gentle sex to weep are often willing:<br/>
  Grieving themselves to guess at others' smarts,<br/>
  And then they drown their eyes or break their hearts.<br/>
</p>
<p>For men have marble, women waxen minds,<br/>
And therefore are they form'd as marble will;<br/>
The weak oppress'd, the impression of strange kinds<br/>
Is form'd in them by force, by fraud, or skill:<br/>
Then call them not the authors of their ill,<br/>
  No more than wax shall be accounted evil,<br/>
  Wherein is stamp'd the semblance of a devil.<br/>
</p>
<p>Their smoothness, like a goodly champaign plain,<br/>
Lays open all the little worms that creep;<br/>
In men, as in a rough-grown grove, remain<br/>
Cave-keeping evils that obscurely sleep:<br/>
Through crystal walls each little mote will peep:<br/>
  Though men can cover crimes with bold stern looks,<br/>
  Poor women's faces are their own faults' books.<br/>
</p>
<p>No man inveigb against the wither'd flower,<br/>
But chide rough winter that the flower hath kill'd!<br/>
Not that devour'd, but that which doth devour,<br/>
Is worthy blame.  O, let it not be hild<br/>
Poor women's faults, that they are so fulfill'd<br/>
  With men's abuses! those proud lords, to blame,<br/>
  Make weak-made women tenants to their shame.<br/>
</p>
<p>The precedent whereof in Lucrece view,<br/>
Assail'd by night with circumstances strong<br/>
Of present death, and shame that might ensue<br/>
By that her death, to do her husband wrong:<br/>
Such danger to resistance did belong;<br/>
  The dying fear through all her body spread;<br/>
  And who cannot abuse a body dead?<br/>
</p>
<p>By this, mild Patience bid fair Lucrece speak<br/>
To the poor counterfeit of her complaining:<br/>
'My girl,' quoth she, 'on what occasion break<br/>
Those tears from thee, that down thy cheeks are raining?<br/>
If thou dost weep for grief of my sustaining,<br/>
  Know, gentle wench, it small avails my mood:<br/>
  If tears could help, mine own would do me good.<br/>
</p>
<p>'But tell me, girl, when went'—(and there she stay'd<br/>
Till after a deep groan) 'Tarquin from, hence?'<br/>
'Madam, ere I was up,' replied the maid,<br/>
'The more to blame my sluggard negligence:<br/>
Yet with the fault I thus far can dispense;<br/>
  Myself was stirring ere the break of day,<br/>
  And, ere I rose, was Tarquin gone away.<br/>
</p>
<p>'But, lady, if your maid may be so bold,<br/>
She would request to know your heaviness.'<br/>
'O peace!' quoth Lucrece: 'if it should be told,<br/>
The repetition cannot make it less;<br/>
For more it is than I can well express:<br/>
  And that deep torture may be call'd a hell,<br/>
  When more is felt than one hath power to tell.<br/>
</p>
<p>'Go, get me hither paper, ink, and pen—<br/>
Yet save that labour, for I have them here.<br/>
What should I say?—One of my husband's men<br/>
Bid thou be ready, by and by, to bear<br/>
A letter to my lord, my love, my dear;<br/>
  Bid him with speed prepare to carry it;<br/>
  The cause craves haste, and it will soon be writ.'<br/>
</p>
<p>Her maid is gone, and she prepares to write,<br/>
First hovering o'er the paper with her quill:<br/>
Conceit and grief an eager combat fight;<br/>
What wit sets down is blotted straight with will;<br/>
This is too curious-good, this blunt and ill:<br/>
  Much like a press of people at a door,<br/>
  Throng her inventions, which shall go before.<br/>
</p>
<p>At last she thus begins:—'Thou worthy lord<br/>
Of that unworthy wife that greeteth thee,<br/>
Health to thy person! next vouchsafe to afford<br/>
(If ever, love, thy Lucrece thou wilt see)<br/>
Some present speed to come and visit me:<br/>
  So, I commend me from our house in grief:<br/>
  My woes are tedious, though my words are brief.'<br/>
</p>
<p>Here folds she up the tenor of her woe,<br/>
Her certain sorrow writ uncertainly.<br/>
By this short schedule Collatine may know<br/>
Her grief, but not her grief's true quality;<br/>
She dares not thereof make discovery,<br/>
  Lest he should hold it her own gross abuse,<br/>
  Ere she with blood had stain'd her stain'd excuse.<br/>
</p>
<p>Besides, the life and feeling of her passion<br/>
She hoards, to spend when he is by to hear her;<br/>
When sighs, and groans, and tears may grace the fashion<br/>
Of her disgrace, the better so to clear her<br/>
From that suspicion which the world my might bear her.<br/>
  To shun this blot, she would not blot the letter<br/>
  With words, till action might become them better.<br/>
</p>
<p>To see sad sights moves more than hear them told;<br/>
For then the eye interprets to the ear<br/>
The heavy motion that it doth behold,<br/>
When every part a part of woe doth bear.<br/>
'Tis but a part of sorrow that we hear:<br/>
  Deep sounds make lesser noise than shallow fords,<br/>
  And sorrow ebbs, being blown with wind of words.<br/>
</p>
<p>Her letter now is seal'd, and on it writ<br/>
'At Ardea to my lord with more than haste;'<br/>
The post attends, and she delivers it,<br/>
Charging the sour-fac'd groom to hie as fast<br/>
As lagging fowls before the northern blast.<br/>
  Speed more than speed but dull and slow she deems:<br/>
  Extremely still urgeth such extremes.<br/>
</p>
<p>The homely villain court'sies to her low;<br/>
And, blushing on her, with a steadfast eye<br/>
Receives the scroll, without or yea or no,<br/>
And forth with bashful innocence doth hie.<br/>
But they whose guilt within their bosoms lie<br/>
  Imagine every eye beholds their blame;<br/>
  For Lucrece thought he blush'd to see her shame:<br/>
</p>
<p>When, silly groom! God wot, it was defect<br/>
Of spirit, life, and bold audacity.<br/>
Such harmless creatures have a true respect<br/>
To talk in deeds, while others saucily<br/>
Promise more speed, but do it leisurely:<br/>
  Even so this pattern of the worn-out age<br/>
  Pawn'd honest looks, but laid no words to gage.<br/>
</p>
<p>His kindled duty kindled her mistrust,<br/>
That two red fires in both their faces blaz'd;<br/>
She thought he blush'd, as knowing Tarquin's lust,<br/>
And, blushing with him, wistly on him gaz'd;<br/>
Her earnest eye did make him more amaz'd:<br/>
  The more saw the blood his cheeks replenish,<br/>
  The more she thought he spied in her some blemish.<br/>
</p>
<p>But long she thinks till he return again,<br/>
And yet the duteous vassal scarce is gone.<br/>
The weary time she cannot entertain,<br/>
For now 'tis stale to sigh, to weep, to groan:<br/>
So woe hath wearied woe, moan tired moan,<br/>
  That she her plaints a little while doth stay,<br/>
  Pausing for means to mourn some newer way.<br/>
</p>
<p>At last she calls to mind where hangs a piece<br/>
Of skilful painting, made for Priam's Troy;<br/>
Before the which is drawn the power of Greece,<br/>
For Helen's rape the city to destroy,<br/>
Threat'ning cloud-kissing Ilion with annoy;<br/>
  Which the conceited painter drew so proud,<br/>
  As heaven (it seem'd) to kiss the turrets bow'd.<br/>
</p>
<p>A thousand lamentable objects there,<br/>
In scorn of Nature, Art gave lifeless life:<br/>
Many a dry drop seem'd a weeping tear,<br/>
Shed for the slaughter'd husband by the wife:<br/>
The red blood reek'd, to show the painter's strife;<br/>
  The dying eyes gleam'd forth their ashy lights,<br/>
  Like dying coals burnt out in tedious nights.<br/>
</p>
<p>There might you see the labouring pioner<br/>
Begrim'd with sweat, and smeared all with dust;<br/>
And from the towers of Troy there would appear<br/>
The very eyes of men through loopholes thrust,<br/>
Gazing upon the Greeks with little lust:<br/>
  Such sweet observance in this work was had,<br/>
  That one might see those far-off eyes look sad.<br/>
</p>
<p>In great commanders grace and majesty<br/>
You might behold, triumphing in their faces;<br/>
In youth, quick bearing and dexterity;<br/>
And here and there the painter interlaces<br/>
Pale cowards, marching on with trembling paces;<br/>
  Which heartless peasants did so well resemble,<br/>
  That one would swear he saw them quake and tremble.<br/>
</p>
<p>In Ajax and Ulysses, O, what art<br/>
Of physiognomy might one behold!<br/>
The face of either 'cipher'd either's heart;<br/>
Their face their manners most expressly told:<br/>
In Ajax' eyes blunt rage and rigour roll'd;<br/>
  But the mild glance that sly Ulysses lent<br/>
  Show'd deep regard and smiling government.<br/>
</p>
<p>There pleading might you see grave Nestor stand,<br/>
As't were encouraging the Greeks to fight;<br/>
Making such sober action with his hand<br/>
That it beguiled attention, charm'd the sight:<br/>
In speech, it seem'd, his beard, all silver white,<br/>
  Wagg'd up and down, and from his lips did fly<br/>
  Thin winding breath, which purl'd up to the sky.<br/>
</p>
<p>About him were a press of gaping faces,<br/>
Which seem'd to swallow up his sound advice;<br/>
All jointly listening, but with several graces,<br/>
As if some mermaid did their ears entice;<br/>
Some high, some low, the painter was so nice:<br/>
  The scalps of many, almost hid behind,<br/>
  To jump up higher seem'd to mock the mind.<br/>
</p>
<p>Here one man's hand lean'd on another's head,<br/>
His nose being shadow'd by his neighbour's ear;<br/>
Here one being throng'd bears back, all boll'n and red;<br/>
Another smother'd seems to pelt and swear;<br/>
And in their rage such signs of rage they bear,<br/>
  As, but for loss of Nestor's golden words,<br/>
  It seem'd they would debate with angry swords.<br/>
</p>
<p>For much imaginary work was there;<br/>
Conceit deceitful, so compact, so kind,<br/>
That for Achilles' image stood his spear,<br/>
Grip'd in an armed hand; himself, behind,<br/>
Was left unseen, save to the eye of mind:<br/>
  A hand, a foot, a face, a leg, a head,<br/>
  Stood for the whole to be imagined,<br/>
</p>
<p>And from the walls of strong-besieged Troy<br/>
When their brave hope, bold Hector, march'd to field,<br/>
Stood many Trojan mothers, sharing joy<br/>
To see their youthful sons bright weapons wield;<br/>
And to their hope they such odd action yield,<br/>
  That through their light joy seemed to appear,<br/>
  (Like bright things stain'd) a kind of heavy fear,<br/>
</p>
<p>And, from the strond of Dardan, where they fought,<br/>
To Simois' reedy banks, the red blood ran,<br/>
Whose waves to imitate the battle sought<br/>
With swelling ridges; and their ranks began<br/>
To break upon the galled shore, and than<br/>
  Retire again, till, meeting greater ranks,<br/>
  They join, and shoot their foam at Simois' banks.<br/>
</p>
<p>To this well-painted piece is Lucrece come,<br/>
To find a face where all distress is stell'd.<br/>
Many she sees where cares have carved some,<br/>
But none where all distress and dolour dwell'd,<br/>
Till she despairing Hecuba beheld,<br/>
  Staring on Priam's wounds with her old eyes,<br/>
  Which bleeding under Pyrrhus' proud foot lies.<br/>
</p>
<p>In her the painter had anatomiz'd<br/>
Time's ruin, beauty's wrack, and grim care's reign:<br/>
Her cheeks with chops and wrinkles were disguis'd;<br/>
Of what she was no semblance did remain:<br/>
Her blue blood, chang'd to black in every vein,<br/>
  Wanting the spring that those shrunk pipes had fed,<br/>
  Show'd life imprison'd in a body dead.<br/>
</p>
<p>On this sad shadow Lucrece spends her eyes,<br/>
And shapes her sorrow to the beldame's woes,<br/>
Who nothing wants to answer her but cries,<br/>
And bitter words to ban her cruel foes:<br/>
The painter was no god to lend her those;<br/>
  And therefore Lucrece swears he did her wrong,<br/>
  To give her so much grief, and not a tongue.<br/>
</p>
<p>'Poor instrument,' quoth she, 'without a sound,<br/>
I'll tune thy woes with my lamenting tongue;<br/>
And drop sweet balm in Priam's painted wound,<br/>
And rail on Pyrrhus that hath done him wrong,<br/>
And with my tears quench Troy that burns so long;<br/>
  And with my knife scratch out the angry eyes<br/>
  Of all the Greeks that are thine enemies.<br/>
</p>
<p>'Show me the strumpet that began this stir,<br/>
That with my nails her beauty I may tear.<br/>
Thy heat of lust, fond Paris, did incur<br/>
This load of wrath that burning Troy doth bear;<br/>
Thy eye kindled the fire that burneth here:<br/>
  And here in Troy, for trespass of thine eye,<br/>
  The sire, the son, the dame, and daughter die.<br/>
</p>
<p>'Why should the private pleasure of some one<br/>
Become the public plague of many mo?<br/>
Let sin, alone committed, light alone<br/>
Upon his head that hath transgressed so.<br/>
Let guiltless souls be freed from guilty woe:<br/>
  For one's offence why should so many fall,<br/>
  To plague a private sin in general?<br/>
</p>
<p>'Lo, here weeps Hecuba, here Priam dies,<br/>
Here manly Hector faints, here Troilus swounds;<br/>
Here friend by friend in bloody channel lies,<br/>
And friend to friend gives unadvised wounds,<br/>
And one man's lust these many lives confounds:<br/>
  Had doting Priam check'd his son's desire,<br/>
  Troy had been bright with fame and not with fire.'<br/>
</p>
<p>Here feelingly she weeps Troy's painted woes:<br/>
For sorrow, like a heavy-hanging bell,<br/>
Once set on ringing, with his own weight goes;<br/>
Then little strength rings out the doleful knell:<br/>
So Lucrece set a-work sad tales doth tell<br/>
  To pencill'd pensiveness and colour'd sorrow;<br/>
  She lends them words, and she their looks doth borrow.<br/>
</p>
<p>She throws her eyes about the painting round,<br/>
And whom she finds forlorn she doth lament:<br/>
At last she sees a wretched image bound,<br/>
That piteous looks to Phrygian shepherds lent:<br/>
His face, though full of cares, yet show'd content;<br/>
  Onward to Troy with the blunt swains he goes,<br/>
  So mild, that Patience seem'd to scorn his woes.<br/>
</p>
<p>In him the painter labour'd with his skill<br/>
To hide deceit, and give the harmless show<br/>
An humble gait, calm looks, eyes wailing still,<br/>
A brow unbent, that seem'd to welcome woe;<br/>
Cheeks neither red nor pale, but mingled so<br/>
  That blushing red no guilty instance gave,<br/>
  Nor ashy pale the fear that false hearts have.<br/>
</p>
<p>But, like a constant and confirmed devil,<br/>
He entertain'd a show so seeming just,<br/>
And therein so ensconc'd his secret evil,<br/>
That jealousy itself cold not mistrust<br/>
False-creeping craft and perjury should thrust<br/>
  Into so bright a day such black-fac'd storms,<br/>
  Or blot with hell-born sin such saint-like forms.<br/>
</p>
<p>The well-skill'd workman this mild image drew<br/>
For perjur'd Sinon, whose enchanting story<br/>
The credulous Old Priam after slew;<br/>
Whose words, like wildfire, burnt the shining glory<br/>
Of rich-built Ilion, that the skies were sorry,<br/>
  And little stars shot from their fixed places,<br/>
  When their glass fell wherein they view'd their faces.<br/>
</p>
<p>This picture she advisedly perus'd,<br/>
And chid the painter for his wondrous skill;<br/>
Saying, some shape in Sinon's was abus'd;<br/>
So fair a form lodged not a mind so ill:<br/>
And still on him she gaz'd; and gazing still,<br/>
  Such signs of truth in his plain face she spied,<br/>
  That she concludes the picture was belied.<br/>
</p>
<p>'It cannot be,' quoth she, 'that so much guile'—<br/>
(She would have said) 'can lurk in such a look;'<br/>
But Tarquin's shape came in her mind the while,<br/>
And from her tongue 'can lurk' from 'cannot' took;<br/>
'It cannot be' she in that sense forsook,<br/>
  And turn'd it thus: 'It cannot be, I find,<br/>
  But such a face should bear a wicked mind:<br/>
</p>
<p>'For even as subtle Sinon here is painted,<br/>
So sober-sad, so weary, and so mild,<br/>
(As if with grief or travail he had fainted,)<br/>
To me came Tarquin armed; so beguil'd<br/>
With outward honesty, but yet defil'd<br/>
  With inward vice: as Priam him did cherish,<br/>
  So did I Tarquin; so my Troy did perish.<br/>
</p>
<p>'Look, look, how listening Priam wets his eyes,<br/>
To see those borrow'd tears that Sinon sheds.<br/>
Priam, why art thou old and yet not wise?<br/>
For every tear he falls a Trojan bleeds;<br/>
His eye drops fire, no water thence proceeds;<br/>
  Those round clear pearls of his that move thy pity,<br/>
  Are balls of quenchless fire to burn thy city.<br/>
</p>
<p>'Such devils steal effects from lightless hell;<br/>
For Sinon in his fire doth quake with cold,<br/>
And in that cold hot-burning fire doth dwell;<br/>
These contraries such unity do hold,<br/>
Only to flatter fools, and make them bold;<br/>
  So Priam's trust false Sinon's tears doth flatter,<br/>
  That he finds means to burn his Troy with water.'<br/>
</p>
<p>Here, all enrag'd, such passion her assails,<br/>
That patience is quite beaten from her breast.<br/>
She tears the senseless Sinon with her nails,<br/>
Comparing him to that unhappy guest<br/>
Whose deed hath made herself herself detest;<br/>
  At last she smilingly with this gives o'er;<br/>
  'Fool, fool!' quoth she, 'his wounds will not be sore.'<br/>
</p>
<p>Thus ebbs and flows the current of her sorrow,<br/>
And time doth weary time with her complaining.<br/>
She looks for night, and then she longs for morrow,<br/>
And both she thinks too long with her remaining:<br/>
Short time seems long in sorrow's sharp sustaining.<br/>
  Though woe be heavy, yet it seldom sleeps;<br/>
  And they that watch see time how slow it creeps.<br/>
</p>
<p>Which all this time hath overslipp'd her thought,<br/>
That she with painted images hath spent;<br/>
Being from the feeling of her own grief brought<br/>
By deep surmise of others' detriment:<br/>
Losing her woes in shows of discontent.<br/>
  It easeth some, though none it ever cur'd,<br/>
  To think their dolour others have endur'd.<br/>
</p>
<p>But now the mindful messenger, come back,<br/>
Brings home his lord and other company;<br/>
Who finds his Lucrece clad in mourning black:<br/>
And round about her tear-distained eye<br/>
Blue circles stream'd, like rainbows in the sky.<br/>
  These water-galls in her dim element<br/>
  Foretell new storms to those already spent.<br/>
</p>
<p>Which when her sad-beholding husband saw,<br/>
Amazedly in her sad face he stares:<br/>
Her eyes, though sod in tears, look'd red and raw,<br/>
Her lively colour kill'd with deadly cares.<br/>
He hath no power to ask her how she fares,<br/>
  Both stood, like old acquaintance in a trance,<br/>
  Met far from home, wondering each other's chance.<br/>
</p>
<p>At last he takes her by the bloodless hand,<br/>
And thus begins: 'What uncouth ill event<br/>
Hath thee befall'n, that thou dost trembling stand?<br/>
Sweet love, what spite hath thy fair colour spent?<br/>
Why art thou thus attir'd in discontent?<br/>
  Unmask, dear dear, this moody heaviness,<br/>
  And tell thy grief, that we may give redress.'<br/>
</p>
<p>Three times with sighs she gives her sorrow fire,<br/>
Ere once she can discharge one word of woe:<br/>
At length address'd to answer his desire,<br/>
She modestly prepares to let them know<br/>
Her honour is ta'en prisoner by the foe;<br/>
  While Collatine and his consorted lords<br/>
  With sad attention long to hear her words.<br/>
</p>
<p>And now this pale swan in her watery nest<br/>
Begins the sad dirge of her certain ending:<br/>
'Few words,' quoth she, 'shall fit the trespass best,<br/>
Where no excuse can give the fault amending:<br/>
In me more woes than words are now depending;<br/>
  And my laments would be drawn out too long,<br/>
  To tell them all with one poor tired tongue.<br/>
</p>
<p>'Then be this all the task it hath to say:—<br/>
Dear husband, in the interest of thy bed<br/>
A stranger came, and on that pillow lay<br/>
Where thou wast wont to rest thy weary head;<br/>
And what wrong else may be imagined<br/>
  By foul enforcement might be done to me,<br/>
  From that, alas! thy Lucrece is not free.<br/>
</p>
<p>'For in the dreadful dead of dark midnight,<br/>
With shining falchion in my chamber came<br/>
A creeping creature, with a flaming light,<br/>
And softly cried Awake, thou Roman dame,<br/>
And entertain my love; else lasting shame<br/>
  On thee and thine this night I will inflict,<br/>
  If thou my love's desire do contradict.<br/>
</p>
<p>'For some hard-favour'd groom of thine, quoth he,<br/>
Unless thou yoke thy liking to my will,<br/>
I'll murder straight, and then I'll slaughter thee<br/>
And swear I found you where you did fulfil<br/>
The loathsome act of lust, and so did kill<br/>
  The lechers in their deed: this act will be<br/>
  My fame and thy perpetual infamy.<br/>
</p>
<p>'With this, I did begin to start and cry,<br/>
And then against my heart he sets his sword,<br/>
Swearing, unless I took all patiently,<br/>
I should not live to speak another word;<br/>
So should my shame still rest upon record,<br/>
  And never be forgot in mighty Rome<br/>
  The adulterate death of Lucrece and her groom.<br/>
</p>
<p>'Mine enemy was strong, my poor self weak,<br/>
And far the weaker with so strong a fear:<br/>
My bloody judge forbade my tongue to speak;<br/>
No rightful plea might plead for justice there:<br/>
His scarlet lust came evidence to swear<br/>
  That my poor beauty had purloin'd his eyes;<br/>
  And when the judge is robb'd the prisoner dies.<br/>
</p>
<p>'O, teach me how to make mine own excuse!<br/>
Or at the least this refuge let me find;<br/>
Though my gross blood be stain'd with this abuse,<br/>
Immaculate and spotless is my mind;<br/>
That was not forc'd; that never was inclin'd<br/>
  To accessary yieldings, but still pure<br/>
  Doth in her poison'd closet yet endure.'<br/>
</p>
<p>Lo, here, the hopeless merchant of this loss,<br/>
With head declin'd, and voice damm'd up with woe,<br/>
With sad set eyes, and wretched arms across,<br/>
From lips new-waxen pale begins to blow<br/>
The grief away that stops his answer so:<br/>
  But wretched as he is he strives in vain;<br/>
  What he breathes out his breath drinks up again.<br/>
</p>
<p>As through an arch the violent roaring tide<br/>
Outruns the eye that doth behold his haste;<br/>
Yet in the eddy boundeth in his pride<br/>
Back to the strait that forc'd him on so fast;<br/>
In rage sent out, recall'd in rage, being past:<br/>
  Even so his sighs, his sorrows make a saw.<br/>
  To push grief on, and back the same grief draw.<br/>
</p>
<p>Which speechless woe of his poor she attendeth,<br/>
And his untimely frenzy thus awaketh:<br/>
'Dear Lord, thy sorrow to my sorrow lendeth<br/>
Another power; no flood by raining slaketh.<br/>
My woe too sensible thy passion maketh<br/>
  More feeling-painful: let it then suffice<br/>
  To drown one woe, one pair of weeping eyes.<br/>
</p>
<p>'And for my sake, when I might charm thee so,<br/>
For she that was thy Lucrece,—now attend me;<br/>
Be suddenly revenged on my foe,<br/>
Thine, mine, his own: suppose thou dost defend me<br/>
From what is past: the help that thou shalt lend me<br/>
  Comes all too late, yet let the traitor die;<br/>
  For sparing justice feeds iniquity.<br/>
</p>
<p>'But ere I name him, you fair lords,' quoth she,<br/>
(Speaking to those that came with Collatine)<br/>
'Shall plight your honourable faiths to me,<br/>
With swift pursuit to venge this wrong of mine;<br/>
For 'tis a meritorious fair design<br/>
  To chase injustice with revengeful arms:<br/>
  Knights, by their oaths, should right poor ladies' harms.'<br/>
</p>
<p>At this request, with noble disposition<br/>
Each present lord began to promise aid,<br/>
As bound in knighthood to her imposition,<br/>
Longing to hear the hateful foe bewray'd.<br/>
But she, that yet her sad task hath not said,<br/>
  The protestation stops. 'O, speak,' quoth she,<br/>
'How may this forced stain be wip'd from me?<br/>
</p>
<p>'What is the quality of mine offence,<br/>
Being constrain'd with dreadful circumstance?<br/>
May my pure mind with the foul act dispense,<br/>
My low-declined honour to advance?<br/>
May any terms acquit me from this chance?<br/>
  The poison'd fountain clears itself again;<br/>
  And why not I from this compelled stain?<br/>
</p>
<p>With this, they all at once began to say,<br/>
Her body's stain her mind untainted clears;<br/>
While with a joyless smile she turns away<br/>
The face, that map which deep impression bears<br/>
Of hard misfortune, carv'd in it with tears.<br/>
  'No, no,' quoth she, 'no dame, hereafter living,<br/>
  By my excuse shall claim excuse's giving.<br/>
</p>
<p>Here with a sigh, as if her heart would break,<br/>
She throws forth Tarquin's name: 'He, he,' she says,<br/>
But more than 'he' her poor tongue could not speak;<br/>
Till after many accents and delays,<br/>
Untimely breathings, sick and short assays,<br/>
  She utters this: 'He, he, fair lords, 'tis he,<br/>
  That guides this hand to give this wound to me.'<br/>
</p>
<p>Even here she sheathed in her harmless breast<br/>
A harmful knife, that thence her soul unsheath'd:<br/>
That blow did bail it from the deep unrest<br/>
Of that polluted prison where it breath'd:<br/>
Her contrite sighs unto the clouds bequeath'd<br/>
  Her winged sprite, and through her wounds doth fly<br/>
  Life's lasting date from cancell'd destiny.<br/>
</p>
<p>Stone-still, astonish'd with this deadly deed,<br/>
Stood Collatine and all his lordly crew;<br/>
Till Lucrece' father that beholds her bleed,<br/>
Himself on her self-slaughter'd body threw;<br/>
And from the purple fountain Brutus drew<br/>
  The murderous knife, and, as it left the place,<br/>
  Her blood, in poor revenge, held it in chase;<br/>
</p>
<p>And bubbling from her breast, it doth divide<br/>
In two slow rivers, that the crimson blood<br/>
Circles her body in on every side,<br/>
Who, like a late-sack'd island, vastly stood<br/>
Bare and unpeopled, in this fearful flood.<br/>
  Some of her blood still pure and red remain'd,<br/>
  And some look'd black, and that false Tarquin stain'd.<br/>
</p>
<p>About the mourning and congealed face<br/>
Of that black blood a watery rigol goes,<br/>
Which seems to weep upon the tainted place:<br/>
And ever since, as pitying Lucrece' woes,<br/>
Corrupted blood some watery token shows;<br/>
  And blood untainted still doth red abide,<br/>
  Blushing at that which is so putrified.<br/>
</p>
<p>'Daughter, dear daughter,' old Lucretius cries,<br/>
'That life was mine which thou hast here depriv'd.<br/>
If in the child the father's image lies,<br/>
Where shall I live now Lucrece is unliv'd?<br/>
Thou wast not to this end from me deriv'd<br/>
  If children pre-decease progenitors,<br/>
  We are their offspring, and they none of ours.<br/>
</p>
<p>'Poor broken glass, I often did behold<br/>
In thy sweet semblance my old age new born;<br/>
But now that fair fresh mirror, dim and old,<br/>
Shows me a bare-bon'd death by time outworn;<br/>
O, from thy cheeks my image thou hast torn!<br/>
  And shiver'd all the beauty of my glass,<br/>
  That I no more can see what once I was!<br/>
</p>
<p>'O time, cease thou thy course and last no longer,<br/>
If they surcease to be that should survive.<br/>
Shall rotten death make conquest of the stronger,<br/>
And leave the faltering feeble souls alive?<br/>
The old bees die, the young possess their hive:<br/>
  Then live, sweet Lucrece, live again, and see<br/>
  Thy father die, and not thy father thee!'<br/>
</p>
<p>By this starts Collatine as from a dream,<br/>
And bids Lucretius give his sorrow place;<br/>
And then in key-cold Lucrece' bleeding stream<br/>
He falls, and bathes the pale fear in his face,<br/>
And counterfeits to die with her a space;<br/>
  Till manly shame bids him possess his breath,<br/>
  And live, to be revenged on her death.<br/>
</p>
<p>The deep vexation of his inward soul<br/>
Hath serv'd a dumb arrest upon his tongue;<br/>
Who, mad that sorrow should his use control,<br/>
Or keep him from heart-easing words so long,<br/>
Begins to talk; but through his lips do throng<br/>
  Weak words, so thick come in his poor heart's aid,<br/>
  That no man could distinguish what he said.<br/>
</p>
<p>Yet sometime 'Tarquin' was pronounced plain,<br/>
But through his teeth, as if the name he tore.<br/>
This windy tempest, till it blow up rain,<br/>
Held back his sorrow's tide, to make it more;<br/>
At last it rains, and busy winds give o'er:<br/>
  Then son and father weep with equal strife,<br/>
  Who should weep most, for daughter or for wife.<br/>
</p>
<p>The one doth call her his, the other his,<br/>
Yet neither may possess the claim they lay,<br/>
The father says 'She's mine,' 'O, mine she is,'<br/>
Replies her husband: 'do not take away<br/>
My sorrow's interest; let no mourner say<br/>
  He weeps for her, for she was only mine,<br/>
  And only must be wail'd by Collatine.'<br/>
</p>
<p>'O,' quoth Lucretius, 'I did give that life<br/>
Which she too early and too late hath spill'd.'<br/>
'Woe, woe,' quoth Collatine, 'she was my wife,<br/>
I owed her, and 'tis mine that she hath kill'd.'<br/>
'My daughter' and 'my wife' with clamours fill'd<br/>
  The dispers'd air, who, holding Lucrece' life,<br/>
  Answer'd their cries, 'My daughter!' and 'My wife!'<br/>
</p>
<p>Brutus, who pluck'd the knife from Lucrece' side,<br/>
Seeing such emulation in their woe,<br/>
Began to clothe his wit in state and pride,<br/>
Burying in Lucrece' wound his folly's show.<br/>
He with the Romans was esteemed so<br/>
  As silly-jeering idiots are with kings,<br/>
  For sportive words, and uttering foolish things:<br/>
</p>
<p>But now he throws that shallow habit by,<br/>
Wherein deep policy did him disguise;<br/>
And arm'd his long-hid wits advisedly,<br/>
To check the tears in Collatinus' eyes.<br/>
'Thou wronged lord of Rome,' quoth he, 'arise;<br/>
  Let my unsounded self, suppos'd a fool,<br/>
  Now set thy long-experienc'd wit to school.<br/>
</p>
<p>'Why, Collatine, is woe the cure for woe?<br/>
Do wounds help wounds, or grief help grievous deeds?<br/>
Is it revenge to give thyself a blow,<br/>
For his foul act by whom thy fair wife bleeds?<br/>
Such childish humour from weak minds proceeds:<br/>
  Thy wretched wife mistook the matter so,<br/>
  To slay herself, that should have slain her foe.<br/>
</p>
<p>'Courageous Roman, do not steep thy heart<br/>
In such relenting dew of lamentations,<br/>
But kneel with me, and help to bear thy part,<br/>
To rouse our Roman gods with invocations,<br/>
That they will suffer these abominations,<br/>
(Since Rome herself in them doth stand disgrac'd,)<br/>
  By our strong arms from forth her fair streets chas'd.<br/>
</p>
<p>'Now, by the Capitol that we adore,<br/>
And by this chaste blood so unjustly stain'd,<br/>
By heaven's fair sun that breeds the fat earth's store,<br/>
By all our country rights in Rome maintain'd,<br/>
And by chaste Lucrece' soul that late complain'd<br/>
  Her wrongs to us, and by this bloody knife,<br/>
  We will revenge the death of this true wife.'<br/>
</p>
<p>This said, he struck his hand upon his breast,<br/>
And kiss'd the fatal knife, to end his vow;<br/>
And to his protestation urg'd the rest,<br/>
Who, wondering at him, did his words allow;<br/>
Then jointly to the ground their knees they bow;<br/>
  And that deep vow, which Brutus made before,<br/>
  He doth again repeat, and that they swore.<br/>
</p>
<p>When they had sworn to this advised doom,<br/>
They did conclude to bear dead Lucrece thence;<br/>
To show her bleeding body thorough Rome,<br/>
And so to publish Tarquin's foul offence:<br/>
Which being done with speedy diligence,<br/>
  The Romans plausibly did give consent<br/>
  To Tarquin's everlasting banishment.<br/>
</p>
{{close-shakespeare}}